The Project Gutenberg eBook of Bellingrath Gardens, Mobile, Alabama This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Bellingrath Gardens, Mobile, Alabama Author: Anonymous Release date: December 11, 2019 [eBook #60902] Most recently updated: October 17, 2024 Language: English Credits: Produced by Stephen Hutcheson, Lisa Corcoran and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK BELLINGRATH GARDENS, MOBILE, ALABAMA *** VISIT Bellingrath _Gardens_ CHARM SPOT of the DEEP SOUTH [Illustration: (uncaptioned)] _On Isle-Aux-Oies_ (_Fowl_) _River_ Admission—$2.00 (Including Tax) OPEN TO THE PUBLIC THE YEAR ’ROUND MOBILE, ALABAMA Bellingrath Gardens ... _on Isle-Aux-Oies_ (_Fowl_) _River ... Mobile_ [Illustration: (uncaptioned)] The world-famed Bellingrath Gardens unfold their acres of glowing, brilliant colors along the winding banks of the Isle-Aux-Oies River about twenty miles from the town of Old Mobile, and about one mile from famous Mobile Bay. No gardens these that have been planted and seasoned with bygone centuries, but a young and virile landscape fraught with patriarchs of bushes transplanted by the thousands from old-time gardens. It was planned and created by the work and loving care of Mr. and Mrs. W. D. Bellingrath, and brought to breath-taking beauty and nature’s most perfect setting of Southern shrubs and foliage and towering age-old oaks. And once within the magic portals of this place, enchantment grows with every turn along the flower-banked way—for here dwells beauty—unfolded in the myriad brilliant blooms on every hand. [Illustration: (uncaptioned)] Ethereal Azaleas and Camellias are everywhere, and Gardenias and Sweet Olive fill the air with perfume that lingers along with memories of this famous garden spot. Bridal-like pathways are strewn with falling petals from the fragrant fragile flowers, and majestic arms of giant oaks—gray draped with mystic Spanish moss—form cavelike arches overhead. The roses have a corner of their own, where round and round in pattern of a giant Rotarian Wheel they flaunt their gorgeous colors in strong young buds. Old lavender Wisteria festoons its way along the redolent magnolia trees and brilliant blue Hydrangeas and Altheas and dogwood add a glory all their own to their respective seasons. Most every tree and shrub that likes the gentle clime along the Gulf has made its home within the hundred acres encompassed by the Bellingrath Gardens and found therein the care that lends an added beauty to their untamed growth. The clinging tendrils of a thousand vines have wound their way along the friendly branches of the trees, and woven round their heads a mesh to keep the troubles of a distraught world from penetrating into this place of beauty, quietude and peace. [Illustration: (uncaptioned)] Quaint flagstone walks lead down to the rippling river—or off again to loiter by the lake to watch the gliding swans along the lily pads, or see the thousand yellow lilies dancing in reflection on the water’s edge. The tinkled splash of fountained waters or the trilling tributes of a wild bird accent the thrilling majesty that comes with peace and beauty. And here has been established a home, superbly built of rich old brick and traditional Southern iron grillwork. It is a perfect jewel in a perfect setting into which age-old romance and history have been woven. The lines of sturdy Norman grouping are softened and accented by the rich-railed balconies and porticos that bring to mind the quaint courts and cloisters of Southern Europe and the influence of Old France and Spain upon the Gulf Coast colonies. “Charm Spot of the Deep South” [Illustration: (uncaptioned)] [Illustration: (uncaptioned)] [Illustration: (uncaptioned)] In Bellingrath Gardens the Southland boasts one of the loveliest garden spots in all the world—the true “Charm Spot of the Deep South.” Serenely conscious of the rare appeal and magnetism of ever-changing beauty, Bellingrath Gardens offer an untold wealth of verdant foliage at any time of the year the casual caller comes. In fall the mammoth Chrysanthemums are magnificent and early winter brings the prized collection of Camellias has in myriad brilliant hues. Spring coaxes forth thousands of bulbous blossoms and the dazzling show of Bellingrath’s far-famed Azaleas in every known variety. Then summer comes to show its radiant colors in Southern Oleanders, Crepe Myrtle, and Gardenias—and always—through the centuries gone and those years yet to come, the giant bearded oaks and forest trees raise reverent arms as if to bring this beauty nearer God. Facts about the _glorious_ azaleas of Mobile _and Bellingrath Gardens_ Though each season envelops the world in its own peculiar beauty and charm, not the wildest dreams of the most fervid and keen imagination can conjure the beauty of Bellingrath Gardens when Azaleas are blooming. Thousands of them line the many rambling walks that wind over this marvelous estate. Around the lily-bordered lake—Mirror Lake—you go enthralled by the gigantic Azaleas that scatter their trillion petals from the million flowers that cover a single bush. Mobile’s own romantic history is closely interwoven with this gorgeous flower, and dates as far back as the founding of the city in 1711. From carefully authenticated sources it was learned that a young Frenchman living in Mobile visited France to see his grandparents. So impressed was he by the dazzling Azaleas that on his return to Mobile he brought back three varieties; the pink, the purplish red, the white. And today in Bellingrath Gardens you find some of the oldest and largest Azalea bushes in America, specimen plants that have been collected at great expense from old gardens all over the South, and transplanted here in a perfect setting. [Illustration: _The plaque shown above was placed in Bellingrath Gardens by the citizens of Mobile as a tribute to Mr. and Mrs. Bellingrath and in appreciation of their civic work and the development of lovely Bellingrath Gardens._] Looking down the pathway of the rustic bridge across Mirror Lake in Bellingrath Gardens is a patriarch of the Azalea family. It is an early pink, blooming generally around the middle of February. When in full bloomage, the gorgeous mass of flowers completely hides the green foliage of this rare bush, which is more than 26 feet in diameter, 14 feet high and 80 feet in circumference. Involuntary exclamations of delight as the visitor reaches this spot is an invariable tribute to the overwhelming beauty of this giant Azalea. [Illustration: _Numerous Giant Azalea Bushes Greet the Visitor to Bellingrath Gardens_ _When you visit Bellingrath Gardens in the spring, there are other outstanding attractions of the Southland you’ll want to see. One of these is Mobile’s Azalea Trail in the late winter and early spring, a glamorous 17-mile tour of flower-lined streets. Another interesting event, usually in March, is the New Orleans Spring Fiesta, featuring Ante-Bellum Homes, Gardens, French Quarter Tours, and other attractions. You’ll enjoy a visit, too, at this season to Natchez during Pilgrimage Time._] What others say about B_ellingrath_ G_ardens_ [Illustration: (uncaptioned)] Fascinating scenes like those pictured here inspire many extravagant words of praise by visitors to Bellingrath Gardens. The renowned columnist, Dorothy Dix, makes this statement: “_I have seen the beautiful gardens all over the world—in France, England, Germany, Japan, as well as in this country—but I have never seen anything so gorgeous as Bellingrath Gardens._” ★ Mr. Rufus C. Dawes, President of the Chicago World’s Fair, was equally as complimentary: “It is the most beautiful and best developed garden I ever visited.” ★ Another famous visitor, Mr. Harrison Jones, Executive Vice-President of the Coca-Cola Company, had this to say: “_The Bellingrath Gardens on Fowl River are one of the most magnificent in the world._” ★ Mr. Harper Sibley, Past President of the Chamber of Commerce of the United States, visited Bellingrath Gardens and writes: “_I had, of course, long heard of your wonderful Azaleas—but I was completely overwhelmed by the magnificence and the sweep of Bellingrath Gardens. As it happens, I have studied landscape architecture and have had the privilege of visiting many of the most beautiful gardens in the world, in America, on the Continent, down in Italy, and in such remote places as Kashmir and Japan, but these gardens of Mobile rank with the very finest anywhere._” ★ In a feature article appearing in Better Homes and Gardens Elmer T. Peterson had this to say: “_Bellingrath Gardens are authoritatively listed near the top among the most beautiful gardens in the United States, and when you have seen them you will not doubt._” _A Garden Pageant in Four Acts_ [Illustration: (uncaptioned)] Like a pageant in four acts, each with a climax—that is the description of the “Charm Spot of the Deep South” known all over the world as Bellingrath Gardens of Mobile, Alabama. Here in these world-famed Gardens the show goes on throughout the year, with each season putting on a new act, and bringing forth a new spectacle—a continual parade of changing colors to enchant the visitor every month of the year. Formerly a semitropical jungle, Bellingrath Gardens are now a perfumed theatre, the air sweet from the mingled odors of growing plants and flowers. A symphony of fragrance! That’s the orchestra to this flowering performance in this sixty-acre garden, the owners of which were Mr. and the late Mrs. Walter D. Bellingrath. Theirs was a magician’s art, and from a wild, untamed land of magnolias, moss-draped live and water oaks, bays and pines, they have wrought a spectacular scene of color. Every twenty feet in Bellingrath Gardens is a vista, some special picture, a never-to-be-forgotten view. There are murmuring fountains and singing cascades and flagstone paths that breathe romance. It is indeed a paradise for nature lovers, a rare and lovely garden that justifies a thousand-mile journey, and each year thousands come from afar and view this marvelous spectacle. ACT I. There’s a beauty that beggars description. That is the beauty one finds in Bellingrath Gardens. The first act of the Bellingrath Gardens Show opens in October, when the wondrous Camellias begin to bloom. The Camellia Japonica has no equal in the plant world for its beauty and fitness for the glorification of the home and garden. A native of Japan, it was introduced through European channels to Mobile about one hundred years ago. Possibly some five or six hundred varieties exist, embracing many types and colors. Pure white through every shade of pink to deep red and crimson, ending with some blooms having a decided purplish cast, no other flowering plant can give such a diversity of types, a range baffling description. Singles, semidoubles, peony flowering types, some with dense pompon centers, other shaggy flowers with center petals whirled and twisted, full doubles of every conceivable type. Again some varieties are solid colors, others have variegation through the petals; some are mottled; others are striped and others have petals of various colors throughout the flowers. The varieties of Camellia Japonica having a tendency to show variegation are a never-ending source of expectation and admiration. The charm and amazing variety of the Camellia Japonica found in Bellingrath Gardens quickly convince the visitor that here is one of the most remarkable collections of this beautiful flowering shrub ever gathered together. Small wonder that Act I is an invariable success. [Illustration: (uncaptioned)] ACT II. In the middle of Act I the Camellia Japonica is joined by its costar, the Azalea, and together they march on triumphantly to the enthusiastic applause of an appreciative audience. During January and February the Camellia Japonica reaches its heights, graciously yielding the spotlight to the glorious Azalea as the scene changes from winter to spring. There are no fitting words to describe the colorful and appealing drama of the dainty Camellia Japonica meeting the glorious Azalea when both are at their best. It is an act that never fails—a spectacle never to be forgotten. Of the countless number of words written to describe the beauty that catches the eye during Act II, nothing yet has been written or said to do justice to the varicolored Azalea plants in their fullest bloom. “The Flaming Drama of the South” it has been appropriately called in Better Homes and Gardens. The plants range in size from the midget variety to those ancient bushes that grow to the extent of over 100 feet in circumference, with their histories dating back over two centuries. When the Azalea plant is in full bloom, every vestige of foliage is entirely smothered in the crimson, coral, white or purple flowers that the bush may bear. It is not surprising that the startling performance of the amazingly brilliant Azalea should be rewarded by a tremendous ovation from an enthralled audience of many thousands. Nowhere in the world is the gorgeous Azalea found in a setting so fitting as in Bellingrath Gardens. [Illustration: (uncaptioned)] [Illustration: (uncaptioned)] ACT III. Slowly recovering from the rapture and absorbing drama of the Azalea in full bloom, Bellingrath Gardens open Act III in their charming spring dress. Various shades of green stand out in relief as young leaves take the place of old. Ancient live oaks, water oaks, bays, magnolias, cedars, pines, holly and dogwood take on new hues and assume their roles in this show with magnificent beauty and splendor. Mountain Laurel and the double-flowered white Spiraea brighten the stage with their delicate blossoms. The colorful Hydrangea and the fragrant Gardenia do a specialty act of their own that is one of the hits of the season. ACT IV. New actors and actresses add their beauty to the cast as summer drifts by. The Crepe Myrtle, the Oleander, the Magnolia, the Hibiscus, the Allamanda and numerous other colorful flowers help make the Bellingrath Gardens Show the wonderful pageant that it is. Summer fades into fall, and as the final curtain is lowered the audience reluctantly leaves with happy smiles and fond memories of the “Charm Spot of the Deep South”: of dexterous landscaping: of gray Spanish moss draping branches of noble oaks and cypresses and forming backdrop curtains for the thrilling drama continuously being produced way down South in Bellingrath Gardens. [Illustration: Enchanting flagstone walks wind their peaceful way through Bellingrath Gardens—a man-made rivulet trickles down a stairway of stone—the charming collection and amazing variety of the Camellia Japonica in this dream garden—these and many other scenes never fail to enchant the visitor.] [Illustration: A fountain, canopied by waving gray moss, presents one of the loveliest scenes in this “Charm Spot of the Deep South.” It seems to whisper, “Here We Rest.”] [Illustration: Age-old romance and history have been woven into this magnificent home of Mr. and the late Mrs. Walter D. Bellingrath. The exquisitely patterned iron lace that borders its rich-railed balconies and porticos once stood guard around the two-tiered porches of Mobile’s famous Old Southern Hotel, and are remindful of the influence of Old France and Spain upon the Gulf Coast colonies.] PAGEANTRY OF BEAUTY [Illustration: (uncaptioned)] [Illustration: The lovely rose also adds its charm to the beauty of Bellingrath Gardens. In a corner of their own they bloom profusely to delight the many visitors. This Rose Garden contains over a thousand bushes planted in beds laid out in design like a Rotary Wheel.] INFORMATION For information concerning Bellingrath Gardens, inquire at any AAA office or your Tourist Information Bureau, “Ask Mr. Foster” Service, or write direct to Bellingrath Gardens, Mobile, Alabama. Western Union and long distance telephone service are available at Gardens. Regular round-trip bus service from Mobile to the Gardens each morning and afternoon at special rate. [Illustration: VISIT Bellingrath _Gardens_ CHARM SPOT OF THE DEEP SOUTH] _To Bellingrath Gardens_ TURN SOUTH AT THEODORE FROM US 90 US 45 To SELMA US 31 To MONTGOMERY US 90 To NEW ORLEANS PASS CHRISTIAN GULFPORT BILOXI OCEAN SPRINGS PASCAGOULA GRAND BAY IRVINGTON _Theodore_ _Bellingrath Gardens_ MOBILE LOXLEY ROBERTSDALE PENSACOLA US 90 TO ALL FLORIDA POINTS [Illustration: _Invitation to_ Bellingrath _Gardens_ CHARM SPOT OF THE DEEP SOUTH] Transcriber’s Notes —Silently corrected a few typos. —Rearranged material to suit a vertically-flowing presentation. —Retained publication information from the printed edition: this eBook is public-domain in the country of publication. —In the text versions only, text in italics is delimited by _underscores_. *** END OF THE PROJECT GUTENBERG EBOOK BELLINGRATH GARDENS, MOBILE, ALABAMA *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.