The Project Gutenberg eBook of The Veil, and Other Poems This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Veil, and Other Poems Author: Walter De la Mare Release date: June 18, 2016 [eBook #52366] Most recently updated: October 23, 2024 Language: English Credits: Produced by Richard Tonsing and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) *** START OF THE PROJECT GUTENBERG EBOOK THE VEIL, AND OTHER POEMS *** THE VEIL _and other_ POEMS _By_ WALTER DE LA MARE [Illustration] NEW YORK HENRY HOLT AND COMPANY 1922 COPYRIGHT, 1922, BY HENRY HOLT AND COMPANY PRINTED IN THE UNITED STATES OF AMERICA NOTE Seven of the poems included in this collection were written for Drawings by Miss Pamela Bianco, and were first published by Mr. Heinemann in a volume entitled _Flora_. The author's thanks are due to Mr. Sydney Pawling for permission to reprint these poems; to Mr. Cyril Beaumont for the use of 'Tidings' from a Play for Children, entitled _Crossings_; and, for permission to include several other poems, to the Editors of the _London Mercury_, the _New Republic_, the _Spectator_, the _Nation_, the _Century Magazine_, the _Cambridge Magazine_, the _Literary Review_, the _Sphere_, the _New Statesman_, the _Bookman's Journal_, the _Broom_, the _Outlook_, the _Athenæum_, and the _Westminster Gazette_. CONTENTS PAGE THE IMP WITHIN 3 THE OLD ANGLER 5 THE WILLOW 10 TITMOUSE 11 THE VEIL 12 THE FAIRY IN WINTER 13 THE FLOWER 14 BEFORE DAWN 15 THE SPECTRE 17 THE VOICE 18 THE HOUR-GLASS 19 IN THE DOCK 20 THE WRECK 21 THE SUICIDE 22 DRUGGED 23 WHO'S THAT? 25 HOSPITAL 26 A SIGN 28 GOOD-BYE 30 THE MONOLOGUE 31 AWAKE! 34 FORGIVENESS 35 THE MOTH 36 NOT THAT WAY 37 CRAZED 39 FOG 40 _SOTTO VOCE_ 42 THE IMAGINATION'S PRIDE 44 THE WANDERERS 46 THE CORNER STONE 48 THE SPIRIT OF AIR 50 THE UNFINISHED DREAM 51 MUSIC 54 TIDINGS 56 THE SON OF MELANCHOLY 57 THE QUIET ENEMY 60 THE FAMILIAR 61 MAERCHEN 63 GOLD 64 MIRAGE 65 FLOTSAM 67 MOURN'ST THOU NOW? 68 THE GALLIASS 69 THE DECOY 70 SUNK LYONESSE 71 THE CATECHISM 72 FUTILITY 73 BITTER WATERS 74 WHO? 76 A RIDDLE 77 THE OWL 79 THE LAST COACHLOAD 80 AN EPITAPH 84 THE VEIL AND OTHER POEMS THE IMP WITHIN 'ROUSE now, my dullard, and thy wits awake; 'Tis first of the morning. And I bid thee make— No, not a vow; we have munched our fill of these From crock of bone-dry crusts and mouse-gnawn cheese— Nay, just one whisper in that long, long ear— Awake; rejoice. Another Day is here:— 'A virgin wilderness, which, hour by hour, Mere happy idleness shall bring to flower. Barren and arid though its sands now seem, Wherein oasis becks not, shines no stream, Yet wake—and lo, 'tis lovelier than a dream. 'Plunge on, thy every footprint shall make fair Its thirsty waste; and thy foregone despair Undarken into sweet birds in the air, Whose coursing wings and love-crazed summoning cries Into infinity shall attract thine eyes. 'No...? Well, lest promise in performance faint, A less inviting prospect will I paint. I bid thee adjure thy Yesterday, and say: "As _thou_ wast, Enemy, so be To-day.— Immure me in the same close narrow room; Be hated toil the lamp to light its gloom; Make stubborn my pen; sift dust into my ink; Forbid mine eyes to see, my brain to think. Scare off the words whereon the mind is set. Make memory the power to forget. Constrain imagination; bind its wing; Forbid the unseen Enchantresses to sing. Ay, do thy worst!" 'Vexed Spectre, prythee smile. Even though that yesterday was bleak and sour, Art thou a slave beneath its thong to cower? Thou hast survived. And hither am I—again, Kindling with mockery thy o'erlaboured brain. Though scant the moments be wherein we meet, Think, what dark months would even one make sweet. 'Thy quill? Thy paper? Ah, my dear, be true. Come quick To-morrow. Until then, Adieu.' THE OLD ANGLER TWILIGHT leaned mirrored in a pool Where willow boughs swept green and hoar, Silk-clear the water, calm and cool, Silent the weedy shore: There in abstracted, brooding mood One fishing sate. His painted float Motionless as a planet stood; Motionless his boat. A melancholy soul was this, With lantern jaw, gnarled hand, vague eye; Huddled in pensive solitariness He had fished existence by. Empty his creel; stolen his bait— Impassively he angled on, Though mist now showed the evening late And daylight well-nigh gone. Suddenly, like a tongueless bell, Downward his gaudy cork did glide; A deep, low-gathering, gentle swell Spread slowly far and wide. Wheeped out his tackle from noiseless winch, And furtive as a thief, his thumb, With nerve intense, wound inch by inch A line no longer numb. What fabulous spoil could thus unplayed Gape upward to a mortal air?— He stoops engrossed; his tanned cheek greyed; His heart stood still: for there, Wondrously fairing, beneath the skin Of secretly bubbling water seen, Swims—not the silver of scale and fin— But gold immixt with green. Deeply astir in oozy bed, The darkening mirror ripples and rocks: And lo—a wan-pale, lovely head, Hook tangled in its locks! Cold from her haunt—a Naiad slim. Shoulder and cheek gleamed ivory white; Though now faint stars stood over him, The hour hard on night. Her green eyes gazed like one half-blind In sudden radiance; her breast Breathed the sweet air, while gently twined, 'Gainst the cold water pressed, Her lean webbed hands. She floated there, Light as a scentless petalled flower, Water-drops dewing from her hair In tinkling beadlike shower. So circling sidelong, her tender throat Uttered a grieving, desolate wail; Shrill o'er the dark pool lapsed its note, Piteous as nightingale. Ceased Echo. And he?—a life's remorse Welled to a tongue unapt to charm, But never a word broke harsh and hoarse To quiet her alarm. With infinite stealth his twitching thumb Tugged softly at the tautened gut, Bubble-light, fair, her lips now dumb, She moved, and struggled not; But with set, wild, unearthly eyes Pale-gleaming, fixed as if in fear, She couched in the water, with quickening sighs, And floated near. In hollow heaven the stars were at play; Wan glow-worms greened the pool-side grass; Dipped the wide-bellied boat. His prey Gazed on; nor breathed. Alas!— Long sterile years had come and gone; Youth, like a distant dream, was sped; Heart, hope, and eyes had hungered on.... He turned a shaking head, And clumsily groped amid the gold, Sleek with night dews, of that tangling hair, Till pricked his finger keen and cold The barb imbedded there. Teeth clenched, he drew his knife—'Snip, snip,'— Groaned, and sate shivering back; and she, Treading the water with birdlike dip, Shook her sweet shoulders free: Drew backward, smiling, infatuate fair, His life's disasters in her eyes, All longing and folly, grief, despair, Daydreams and mysteries. She stooped her brow; laid low her cheek, And, steering on that silk-tressed craft, Out from the listening, leaf-hung creek, Tossed up her chin, and laughed— A mocking, icy, inhuman note. One instant flashed that crystal breast, Leaned, and was gone. Dead-still the boat: And the deep dark at rest. Flits moth to flower. A water-rat Noses the placid ripple. And lo! Streams a lost meteor. Night is late, And daybreak zephyrs flow.... And he—the cheated? Dusk till morn, Insensate, even of hope forsook, He muttering squats, aloof, forlorn, Dangling a baitless hook. THE WILLOW LEANS now the fair willow, dreaming Amid her locks of green. In the driving snow she was parched and cold, And in midnight hath been Swept by blasts of the void night, Lashed by the rains. Now of that wintry dark and bleak No memory remains. In mute desire she sways softly; Thrilling sap up-flows; She praises God in her beauty and grace, Whispers delight. And there flows A delicate wind from the Southern seas, Kissing her leaves. She sighs. While the birds in her tresses make merry; Burns the Sun in the skies. TITMOUSE IF you would happy company win, Dangle a palm-nut from a tree, Idly in green to sway and spin, Its snow-pulped kernel for bait; and see, A nimble titmouse enter in. Out of earth's vast unknown of air, Out of all summer, from wave to wave, He'll perch, and prank his feathers fair, Jangle a glass-clear wildering stave, And take his commons there— This tiny son of life; this spright, By momentary Human sought, Plume will his wing in the dappling light, Clash timbrel shrill and gay— And into time's enormous nought, Sweet-fed, will flit away. THE VEIL I think and think; yet still I fail— Why does this lady wear a veil? Why thus elect to mask her face Beneath that dainty web of lace? The tip of a small nose I see, And two red lips, set curiously Like twin-born cherries on one stem, And yet she has netted even them. Her eyes, it's plain, survey with ease Whatever to glance upon they please. Yet, whether hazel, grey, or blue, Or that even lovelier lilac hue, I cannot guess: why—why deny Such beauty to the passer-by? Out of a bush a nightingale May expound his song; beneath that veil A happy mouth no doubt can make English sound sweeter for its sake. But then, why muffle in, like this, What every blossomy wind would kiss? Why in that little night disguise A daybreak face, those starry eyes? THE FAIRY IN WINTER (For a drawing by Dorothy Puvis Lathrop) THERE was a Fairy—flake of winter— Who, when the snow came, whispering, Silence, Sister crystal to crystal sighing, Making of meadow argent palace, Night a star-sown solitude, Cried 'neath her frozen eaves, 'I burn here!' Wings diaphanous, beating bee-like, Wand within fingers, locks enspangled, Icicle foot, lip sharp as scarlet, She lifted her eyes in her pitch-black hollow— Green as stalks of weeds in water— Breathed: stirred. Rilled from her heart the ichor, coursing, Flamed and awoke her slumbering magic. Softlier than moth's her pinions trembled; Out into blackness, light-like, she flittered, Leaving her hollow cold, forsaken. In air, o'er crystal, rang twangling night-wind. Bare, rimed pine-woods murmured lament. THE FLOWER HORIZON to horizon, lies outspread The tenting firmament of day and night; Wherein are winds at play; and planets shed Amid the stars their gentle gliding light. The huge world's sun flames on the snow-capped hills; Cindrous his heat burns in the sandy plain; With myriad spume-bows roaring ocean swills The cold profuse abundance of the rain. And man—a transient object in this vast, Sighs o'er a universe transcending thought, Afflicted by vague bodings of the past, Driven toward a future, unforeseen, unsought. Yet, see him, stooping low to naked weed That meeks its blossom in his anxious eye, Mark how he grieves, as if his heart did bleed, And wheels his wondrous features to the sky; As if, transfigured by so small a grace, He sought Companion in earth's dwelling-place. BEFORE DAWN DIM-BERRIED is the mistletoe With globes of sheenless grey, The holly mid ten thousand thorns Smoulders its fires away; And in the manger Jesu sleeps This Christmas Day. Bull unto bull with hollow throat Makes echo every hill, Cold sheep in pastures thick with snow The air with bleatings fill; While of his mother's heart this Babe Takes His sweet will. All flowers and butterflies lie hid, The blackbird and the thrush Pipe but a little as they flit Restless from bush to bush; Even to the robin Gabriel hath Cried softly, 'Hush!' Now night is astir with burning stars In darkness of the snow; Burdened with frankincense and myrrh And gold the Strangers go Into a dusk where one dim lamp Burns faintly, Lo! No snowdrop yet its small head nods, In winds of winter drear; No lark at casement in the sky Sings matins shrill and clear; Yet in this frozen mirk the Dawn Breathes, Spring is here! THE SPECTRE IN cloudy quiet of the day, While thrush and robin perched mute on spray, A spectre by the window sat, Brooding thereat. He marked the greenness of the Spring, Daffodil blowing, bird a-wing— Yet dark the house the years had made Within that Shade. Blinded the rooms wherein no foot falls. Faded the portraits on the walls. Reverberating, shakes the air A river there. Coursing in flood, its infinite roars; From pit to pit its water pours; And he, with countenance unmoved, Hears cry:—'Beloved, 'Oh, ere the day be utterly spent, Return, return, from banishment. The night thick-gathers. Weep a prayer For the true and fair.' THE VOICE 'WE are not often alone, we two,' Mused a secret voice in my ear, As the dying hues of afternoon Lapsed into evening drear. A withered leaf, wafted on in the street, Like a wayless spectre, sighed; Aslant on the roof-tops a sickly moon Did mutely abide. Yet waste though the shallowing day might seem, And fainter than hope its rose, Strangely that speech in my thoughts welled on; As water in-flows: Like remembered words once heard in a room Wherein death kept far-away tryst; 'Not often alone, we two; but thou, How sorely missed!' THE HOUR-GLASS THOU who know'st all the sorrows of this earth— I pray Thee, ponder, ere again Thou turn Thine hour-glass over again, since one sole birth, To poor clay-cold humanity, makes yearn A heart at passion with life's endless coil. Thou givest thyself too strait a room therein. For so divine a tree too poor a soil. For so great agony what small peace to win. Cast from that Ark of Heaven which is Thy home The raven of hell may wander without fear; But sadly wings the dove o'er floods to roam, Nought but one tender sprig his eyes to cheer. Nay, Lord, I speak in parables. But see! 'Tis stricken Man in Men that pleads with Thee. IN THE DOCK PALLID, mis-shapen he stands. The world's grimed thumb, Now hooked securely in his matted hair, Has haled him struggling from his poisonous slum And flung him mute as fish close-netted there. His bloodless hands entalon that iron rail. He gloats in beastlike trance. His settling eyes From staring face to face rove on—and quail. Justice for carrion pants; and these the flies. Voice after voice in smooth impartial drone Erects horrific in his darkening brain A timber framework, where agape, alone Bright life will kiss good-bye the cheek of Cain. Sudden like wolf he cries; and sweats to see When howls man's soul, it howls inaudibly. THE WRECK STORM and unconscionable winds once cast On grinding shingle, masking gap-toothed rock, This ancient hulk. Rent hull, and broken mast, She sprawls sand-mounded, of sea birds the mock. Her sailors, drowned, forgotten, rot in mould, Or hang in stagnant quiet of the deep; The brave, the afraid into one silence sold; Their end a memory fainter than of sleep. She held good merchandise. She paced in pride The uncharted paths men trace in ocean's foam. Now laps the ripple in her broken side, And zephyr in tamarisk softly whispers, Home. The dreamer scans her in the sea-blue air, And, sipping of contrast, finds the day more fair. THE SUICIDE DID these night-hung houses, Of quiet, starlit stone, Breathe not a whisper—'Stay, Thou unhappy one; Whither so secret away?' Sighed not the unfriending wind, Chill with nocturnal dew, 'Pause, pause, in thy haste, O thou distraught! I too Tryst with the Atlantic waste.' Steep fell the drowsy street; In slumber the world was blind: Breathed not one midnight flower Peace in thy broken mind?— 'Brief, yet sweet, is life's hour.' Syllabled thy last tide— By as dark moon stirred, And doomed to forlorn unrest— Not one compassionate word?... 'Cold is this breast.' DRUGGED INERT in his chair, In a candle's guttering glow; His bottle empty, His fire sunk low; With drug-sealed lids shut fast, Unsated mouth ajar, This darkened phantasm walks Where nightmares are: In a frenzy of life and light, Crisscross—a menacing throng— They gibe, they squeal at the stranger, Jostling along, Their faces cadaverous grey. While on high from an attic stare Horrors, in beauty apparelled, Down the dark air. A stream gurgles over its stones, The chambers within are a-fire. Stumble his shadowy feet Through shine, through mire; And the flames leap higher. In vain yelps the wainscot mouse; In vain beats the hour; Vacant, his body must drowse Until daybreak flower— Staining these walls with its rose, And the draughts of the morning shall stir Cold on cold brow, cold hands. And the wanderer Back to flesh house must return. Lone soul—in horror to see, Than dream more meagre and awful, Reality. WHO'S THAT? WHO'S that? Who's that?... Oh, only a leaf on the stone; And the sigh of the air in the fire. Yet it seemed, as I sat, Came company—not my own; Stood there, with ardent gaze over dark, bowed shoulder thrown Till the dwindling flames leaped higher, And showed fantasy flown. Yet though the cheat is clear— From transient illusion grown; In the vague of my mind those eyes Still haunt me. One stands so near I could take his hand, and be gone:— No more in this house of dreams to sojourn aloof, alone: Could sigh, with full heart, and arise, And choke, 'Lead on.' HOSPITAL WELCOME! Enter! This is the Inn at the Cross Roads, Sign of the _Rising Sun_, of the _World's End_: Ay, O Wanderer, footsore, weary, forsaken, Knock, and we will open to thee—Friend. Gloomy our stairs of stone, obscure the portal; Burdened the air with a breath from the further shore; Yet in our courtyard plays an invisible fountain, Ever flowers unfading nod at the door. Ours is much company, and yet none is lonely; Some with a smile may pay and some with a sigh; So all be healed, restored, contented—it is no matter— So all be happy at heart to bid good-bye. But know, our clocks are the world's; Night's wings are leaden, Pain languidly sports with the hours; have courage, sir! We wake but to bring thee slumber, our drowsy syrups Sleep beyond dreams on the weary will confer. Ghosts may be ours; but gaze thou not too closely If haply in chill of the dark thou rouse to see One silent of foot, hooded, and hollow of visage, Pause, with secret eyes, to peer out at thee. He is the Ancient Tapster of this Hostel, To him at length even we all keys must resign; And if he beckon, Stranger, thou too must follow— Love and all peace be thine. A SIGN HOW shall I know when the end of things is coming? The dark swifts flitting, the drone-bees humming; The fly on the window-pane bedazedly strumming; Ice on the waterbrooks their clear chimes dumbing— How shall I know that the end of things is coming? The stars in their stations will shine glamorous in the black; Emptiness, as ever, haunt the great Star Sack; And Venus, proud and beautiful, go down to meet the day, Pale in phosphorescence of the green sea spray— How shall I know that the end of things is coming? Head asleep on pillow; the peewits at their crying; A strange face in dreams to my rapt phantasma sighing; Silence beyond words of anguished passion; Or stammering an answer in the tongue's cold fashion— How shall I know that the end of things is coming? Haply on strange roads I shall be, the moorland's peace around me; Or counting up a fortune to which Destiny hath bound me; Or—Vanity of Vanities—the honey of the Fair; Or a greybeard, lost to memory, on the cobbles in my chair— How shall I know that the end of things is coming? The drummers will be drumming; the fiddlers at their thrumming; Nuns at their beads; the mummers at their mumming; Heaven's solemn Seraph stoopt weary o'er his summing; The palsied fingers plucking, the way-worn feet numbing— And the end of things coming. GOOD-BYE THE last of last words spoken is, Good-bye— The last dismantled flower in the weed-grown hedge, The last thin rumour of a feeble bell far ringing, The last blind rat to spurn the mildewed rye. A hardening darkness glasses the haunted eye, Shines into nothing the watcher's burnt-out candle, Wreathes into scentless nothing the wasting incense, Faints in the outer silence the hunting cry. Love of its muted music breathes no sigh, Thought in her ivory tower gropes in her spinning, Toss on in vain the whispering trees of Eden, Last of all last words spoken is, Good-bye. THE MONOLOGUE ALAS, O Lovely One, Imprisoned here, I tap; thou answerest not, I doubt, and fear. Yet transparent as glass these walls, If thou lean near. Last dusk, at those high bars There came, scarce-heard, Claws, fluttering feathers, Of deluded bird— With one shrill, scared, faint note The silence stirred. Rests in that corner, In puff of dust, a straw— Vision of harvest-fields I never saw, Of strange green streams and hills, Forbidden by law. These things I whisper, For I see—in mind— Thy caged cheek whiten At the wail of wind, That thin breast wasting; unto Woe resigned. Take comfort, listen! Once we twain were free; There was a Country— Lost the memory ... Lay thy cold brow on hand, And dream with me. Awaits me torture, I have smelt their rack; From spectral groaning wheel Have turned me back; Thumbscrew and boot, and then— The yawning sack. Lean closer, then; Lay palm on stony wall. Let but thy ghost beneath Thine eyelids call: 'Courage, my brother,' Nought Can then appal. Yet coward, coward am I, And drink I must When clanks the pannikin With the longed-for crust; Though heart within is sour With disgust. Long hours there are, When mutely tapping—well, Is it to Vacancy I these tidings tell? Knock these numb fingers against An empty cell? Nay, answer not. Let still mere longing make Thy presence sure to me, While in doubt I shake: Be but my Faith in thee, For sanity's sake. AWAKE! WHY hath the rose faded and fallen, yet these eyes have not seen? Why hath the bird sung shrill in the tree—and this mind deaf and cold? Why have the rains of summer veiled her flowers with their sheen And this black heart untold? Here is calm Autumn now, the woodlands quake, And, where this splendour of death lies under the tread, The spectre of frost will stalk, and a silence make, And snow's white shroud be spread. O Self! O self! Wake from thy common sleep! Fling off the destroyer's net. He hath blinded and bound thee. In nakedness sit; pierce thy stagnation, and weep; Or corrupt in thy grave—all Heaven around thee. FORGIVENESS 'O thy flamed cheek, Those locks with weeping wet, Eyes that, forlorn and meek, On mine are set. 'Poor hands, poor feeble wings, Folded, a-droop, O sad! See, 'tis my heart that sings To make thee glad. 'My mouth breathes love, thou dear. All that I am and know Is thine. My breast—draw near: Be grieved not so!' THE MOTH ISLED in the midnight air, Musked with the dark's faint bloom, Out into glooming and secret haunts The flame cries, 'Come!' Lovely in dye and fan, A-tremble in shimmering grace, A moth from her winter swoon Uplifts her face: Stares from her glamorous eyes; Wafts her on plumes like mist; In ecstasy swirls and sways To her strange tryst. NOT THAT WAY NO, no. Guard thee. Get thee gone. Not that way. See; the louring clouds glide on, Skirting West to South; and see, The green light under that sycamore tree— Not that way. There the leaden trumpets blow, Solemn and slow. There the everlasting walls Frown above the waterfalls Silver and cold; Timelessly old: Not that way. Not toward Death, who, stranger, fairer, Than any siren turns his head— Than sea-couched siren, arched with rainbows, Where knell the waves of her ocean bed. Alas, that beauty hangs her flowers For lure of his demoniac powers: Alas, that from these eyes should dart Such piercing summons to thy heart; That mine in frenzy of longing beats, Still lusting for these gross deceits. Not that way! CRAZED I know a pool where nightshade preens Her poisonous fruitage in the moon; Where the frail aspen her shadow leans In midnight cold a-swoon. I know a meadow flat with gold— A million million burning flowers In noon-sun's thirst their buds unfold Beneath his blazing showers. I saw a crazèd face, did I, Stare from the lattice of a mill, While the lank sails clacked idly by High on the windy hill. FOG STAGNANT this wintry gloom. Afar The farm-cock bugles his 'Qui vive?' The towering elms are lost in mist; Birds in the thorn-trees huddle a-whist; The mill-race waters grieve. Our shrouded day Dwindles away To final black of eve. Beyond these shades in space of air Ride exterrestrial beings by? Their colours burning rich and fair, Where noon's sunned valleys lie? With inaudible music are they sweet— Bell, hoof, soft lapsing cry? Turn marvellous faces, each to each?— Lips innocent of sigh, Or groan or fear, sorrow and grief, Clear brow and falcon eye; Bare foot, bare shoulder in the heat, And hair like flax? Do their horses beat Their way through wildernesses infinite Of starry-crested trees, blue sward, And gold-chasm'd mountain, steeply shored O'er lakes of sapphire dye? Mingled with lisping speech, faint laughter, Echoes the Phoenix' scream of joyance Mounting on high?— Light-bathed vistas and divine sweet mirth, Beyond dream of spirits penned to earth, Condemned to pine and die?... Hath serving Nature, bidden of the gods, Thick-screened Man's narrow sky, And hung these Stygian veils of fog To hide his dingied sty?— The gods who yet, at mortal birth, Bequeathed him Fantasy? _SOTTO VOCE_ (To Edward Thomas) THE haze of noon wanned silver-grey The soundless mansion of the sun; The air made visible in his ray, Like molten glass from furnace run, Quivered o'er heat-baked turf and stone And the flower of the gorse burned on— Burned softly as gold of a child's fair hair Along each spiky spray, and shed Almond-like incense in the air Whereon our senses fed. At foot—a few sparse harebells: blue And still as were the friend's dark eyes That dwelt on mine, transfixèd through With sudden ecstatic surmise. 'Hst!' he cried softly, smiling, and lo, Stealing amidst that maze gold-green, I heard a whispering music flow From guileful throat of bird, unseen:— So delicate the straining ear Scarce carried its faint syllabling Into a heart caught-up to hear That inmost pondering Of bird-like self with self. We stood, In happy trance-like solitude, Hearkening a lullay grieved and sweet— As when on isle uncharted beat 'Gainst coral at the palm-tree's root, With brine-clear, snow-white foam afloat, The wailing, not of water or wind— A husht, far, wild, divine lament, When Prospero his wizardry bent Winged Ariel to bind.... Then silence, and o'er-flooding noon. I raised my head; smiled too. And he— Moved his great hand, the magic gone— Gently amused to see My ignorant wonderment. He sighed. 'It was a nightingale,' he said, 'That _sotto voce_ cons the song He'll sing when dark is spread; And Night's vague hours are sweet and long. And we are laid abed.' THE IMAGINATION'S PRIDE BE not too wildly amorous of the far, Nor lure thy fantasy to its utmost scope. Read by a taper when the needling star Burns red with menace in heaven's midnight cope. Friendly thy body: guard its solitude. Sure shelter is thy heart. It once had rest Where founts miraculous thy lips endewed, Yet nought loomed further than thy mother's breast. O brave adventure! Ay, at danger slake Thy thirst, lest life in thee should, sickening, quail; But not toward nightmare goad a mind awake, Nor to forbidden horizons bend thy sail— Seductive outskirts whence in trance prolonged Thy gaze, at stretch of what is sane-secure, Dreams out on steeps by shapes demoniac thronged And vales wherein alone the dead endure. Nectarous those flowers, yet with venom sweet. Thick-juiced with poison hang those fruits that shine Where sick phantasmal moonbeams brood and beat, And dark imaginations ripe the vine. Bethink thee: every enticing league thou wend Beyond the mark where life its bound hath set Will lead thee at length where human pathways end And the dark enemy spreads his maddening net. Comfort thee, comfort thee. Thy Father knows How wild man's ardent spirit, fainting, yearns For mortal glimpse of death's immortal rose, The garden where the invisible blossom burns. Humble thy trembling knees; confess thy pride; Be weary. O, whithersoever thy vaunting rove, His deepest wisdom harbours in thy side, In thine own bosom hides His utmost love. THE WANDERERS WITHIN my mind two spirits strayed From out their still and purer air, And there a moment's sojourn made; As lovers will in woodlands bare. Nought heeded they where now they stood, Since theirs its alien solitude Beyond imagination fair. The light an earthly candle gives When it is quenched leaves only dark; Theirs yet in clear remembrance lives And, still within, I whispered, 'Hark;' As one who faintly on high has heard The call note of a hidden bird Even sweeter than the lark. Yet 'twas their silence breathed only this— 'I love you.' As if flowers might say, 'Such is our natural fragrantness;' Or dewdrop at the break of day Cry 'Thus I beam.' Each turned a head, And each its own clear radiance shed With joy and peace at play. So in a gloomy London street Princes from Eastern realms might pause In secret converse, then retreat. Yet without haste passed these from sight; As if a human mind were not Wholly a dark and dismal spot— At least in their own light. THE CORNER STONE STERILE these stones By time in ruin laid. Yet many a creeping thing Its haven has made In these least crannies, were falls Dark's dew, and noonday shade. The claw of the tender bird Finds lodgment here; Dye-winged butterflies poise; Emmet and beetle steer Their busy course; the bee Drones, laden, near. Their myriad-mirrored eyes Great day reflect. By their exquisite farings Is this granite specked; Is trodden to infinite dust; By gnawing lichens decked. Toward what eventual dream Sleeps its cold on, When into ultimate dark These lives shall be gone, And even of man not a shadow remain Of all he has done? THE SPIRIT OF AIR CORAL and clear emerald, And amber from the sea, Lilac-coloured amethyst, Chalcedony; The lovely Spirit of Air Floats on a cloud and doth ride, Clad in the beauties of earth Like a bride. So doth she haunt me; and words Tell but a tithe of the tale. Sings all the sweetness of Spring Even in the nightingale? Nay, but with echoes she cries Of the valley of love; Dews on the thorns at her feet, And darkness above. THE UNFINISHED DREAM RARE-SWEET the air in that unimagined country— My spirit had wandered far From its weary body close-enwrapt in slumber Where its home and earth-friends are; A milk-like air—and of light all abundance; And there a river clear Painting the scene like a picture on its bosom, Green foliage drifting near. No sign of life I saw, as I pressed onward, Fish, nor beast, nor bird, Till I came to a hill clothed in flowers to its summit, Then shrill small voices I heard. And I saw from concealment a company of elf-folk With faces strangely fair, Talking their unearthly scattered talk together, A bind of green-grasses in their hair, Marvellously gentle, feater far than children, In gesture, mien and speech, Hastening onward in translucent shafts of sunshine, And gossiping each with each. Straw-light their locks, on neck and shoulder falling, Faint of almond the silks they wore, Spun not of worm, but as if inwoven of moonbeams And foam on rock-bound shore; Like lank-legged grasshoppers in June-tide meadows, Amalillios of the day, Hungrily gazed upon by me—a stranger, In unknown regions astray. Yet, happy beyond words, I marked their sunlit faces, Stealing soft enchantment from their eyes, Tears in my own confusing their small image, Harkening their bead-like cries. They passed me, unseeing, a waft of flocking linnets; Sadly I fared on my way; And came in my dream to a dreamlike habitation, Close-shut, festooned and grey. Pausing, I gazed at the porch dust-still, vine-wreathèd, Worn the stone steps thereto, Mute hung its bell, whence a stony head looked downward, Grey 'gainst the sky's pale-blue— Strange to me: strange.... MUSIC O restless fingers—not that music make! Bidding old griefs from out the past awake, And pine for memory's sake. Those strings thou callest from quiet mute to yearn, Of other hearts did hapless secrets learn, And thy strange skill will turn To uses that thy bosom dreams not of: Ay, summon from their dark and dreadful grove The chaunting, pale-cheeked votaries of love. Stay now, and hearken! From that far-away Cymbal on cymbal beats, the fierce horns bray, Stars in their sapphire fade, 'tis break of day. Green are those meads, foam-white the billow's crest, And Night, withdrawing in the cavernous West, Flings back her shadow on the salt sea's breast. Snake-haired, snow-shouldered, pure as flame and dew, Her strange gaze burning slumbrous eyelids through, Rises the Goddess from the wave's dark blue. TIDINGS LISTEN, I who love thee well Have travelled far, and secrets tell; Cold the moon that gleams thine eyes, Yet beneath her further skies Rests for thee, a paradise. I have plucked a flower in proof, Frail, in earthly light forsooth: See, invisible it lies In this palm: now veil thine eyes: Quaff its fragrancies. Would indeed my throat had skill To breathe thee music, faint and still— Music learned in dreaming deep In those lands, from Echo's lip ... 'Twould lull thy soul to sleep. THE SON OF MELANCHOLY UNTO blest Melancholy's house one happy day I took my way: Into a chamber was shown, whence could be seen Her flowerless garden, dyed with sunlit green Of myrtle, box, and bay. Cool were its walls, shade-mottled, green and gold, In heavy fold Hung antique tapestries, from whose fruit and flower Light had the bright hues stolen, hour by hour, And time worn thin and old. Silence, as of a virginal laid aside, Did there abide. But not for voice or music was I fain, Only to see a long-loved face again— For her sole company sighed. And while I waited, giving memory praise, My musing gaze Lit on the one sole picture in the room, Which hung, as if in hiding, in the gloom From evening's stealing rays. Framed in fast-fading gilt, a child gazed there, Lovely and fair; A face whose happiness was like sunlight spent On some poor desolate soul in banishment, Mutely his grief to share. Long, long I stood in trance of that glad face, Striving to trace The semblance that, disquieting, it bore To one whom memory could not restore, Nor fix in time and space. Sunk deep in brooding thus, a voice I heard Whisper its word: I turned—and, stooping in the threshold, stood She—the dark mistress of my solitude, Who smiled, nor stirred. Her ghost gazed darkly from her pondering eyes Charged with surmise; Challenging mine, between mockery and fear, She breathed her greeting, '_Thou_, my only dear! Wherefore such heavy sighs?' 'But this?' One instant lids her scrutiny veiled; Her wan cheek paled. 'This child?' I asked. 'Its picture brings to mind Remembrance faint and far, past thought to find, And yet by time unstaled.' Smiling, aloof, she turned her narrow head, 'Make thou my face thy glass,' she cried and said. 'What would'st thou see therein—thine own, or mine? O foolish one, what wonder thou did'st pine? Long thou hast loved me; yet hast absent been. See now: Dark night hath pressed an entrance in. Jealous! thou dear? Nay, come; by taper's beam Share thou this pictured Joy with me, though nought but a dream.' THE QUIET ENEMY HEARKEN—NOW the hermit bee Drones a quiet thren dy; Greening on the stagnant pool The criss-cross light slants silken-cool; In the venomed yew tree wings Preen and flit. The linnet sings. Gradually the brave sun Drops to a day's journey done; In the marshy flats abide Mists to muffle midnight-tide. Puffed within the belfry tower Hungry owls drowse out their hour.... Walk in beauty. Vaunt thy rose. Flaunt thy transient loveliness. Pace for pace with thee there goes A shape that hath not come to bless. I thine enemy?... Nay, nay. I can only watch and wait Patient treacherous time away, Hold ajar the wicket gate. THE FAMILIAR 'ARE you far away?' 'Yea, I am far—far; Where the green wave shelves to the sand, And the rainbows are; And an ageless sun beats fierce From an empty sky: There, O thou Shadow forlorn, Is the wraith of thee, I.' 'Are you happy, most Lone?' 'Happy, forsooth! Who am eyes of the air; voice of the foam; Ah, happy in truth. My hair is astream, this cheek Glistens like silver, and see, As the gold to the dross, the ghost in the mirk, I am calling to thee.' 'Nay, I am bound. And your cry faints out in my mind. Peace not on earth have I found, Yet to earth am resigned. Cease thy shrill mockery, Voice, Nor answer again.' 'O Master, thick cloud shuts thee out And cold tempests of rain.' MAERCHEN SOUNDLESS the moth-flit, crisp the death-watch tick; Crazed in her shaken arbour bird did sing; Slow wreathed the grease adown from soot-clogged wick: The Cat looked long and softly at the King. Mouse frisked and scampered, leapt, gnawed, squeaked; Small at the window looped cowled bat a-wing; The dim-lit rafters with the night-mist reeked: The Cat looked long and softly at the King. O wondrous robe enstarred, in night dyed deep: O air scarce-stirred with the Court's far junketing: O stagnant Royalty—A-swoon? Asleep? The Cat looked long and softly at the King. GOLD SIGHED the wind to the wheat:— 'The Queen who is slumbering there, Once bewildered the rose; Scorned, "Thou un-fair!" Once, from that bird-whirring court, Ascended the ruinous stair. Aloft, on that weed-hung turret, suns Smote on her hair— Of a gold by Archiac sought, Of a gold sea-hid, Of a gold that from core of quartz No flame shall bid Pour into light of the air For God's Jews to see.' Mocked the wheat to the wind— 'Kiss me! Kiss me!' MIRAGE ... And burned the topless towers of Ilium STRANGE fabled face! From sterile shore to shore O'er plunging seas, thick-sprent with glistening brine, The voyagers of the World with sail and heavy oar Have sought thy shrine. Beauty inexorable hath lured them on: Remote unnamèd stars enclustering gleam— Burn in thy flowered locks, though creeping daybreak wan Prove thee but dream. Noonday to night the enigma of thine eyes Frets with desire their travel-wearied brain, Till in the vast of dark the ice-cold moon arise And pour them peace again; And with malign mirage uprears an isle Of fountain and palm, and courts of jasmine and rose, Whence far decoy of siren throats their souls beguile, And maddening fragrance flows. Lo, in the milken light, in tissue of gold Thine apparition gathers in the air— Nay, but the seas are deep, and the round world old, And thou art named, Despair. FLOTSAM SCREAMED the far sea-mew. On the mirroring sands Bell-shrill the oyster-catchers. Burned the sky. Couching my cheeks upon my sun-scorched hands, Down from bare rock I gazed. The sea swung by. Dazzling dark blue and verdurous, quiet with snow, Empty with loveliness, with music a-roar, Her billowing summits heaving noon-aglow— Crashed the Atlantic on the cliff-ringed shore, Drowsed by the tumult of that moving deep, Sense into outer silence fainted, fled; And rising softly, from the fields of sleep, Stole to my eyes a lover from the dead; Crying an incantation—learned, Where? When?... White swirled the foam, a fount, a blinding gleam Of ice-cold breast, cruel eyes, wild mouth—and then A still dirge echoing on from dream to dream. MOURN'ST THOU NOW? LONG ago from radiant palace, Dream-bemused, in flood of moon, Stole the princess Seraphita Into forest gloom. Wail of hemlock; cold the dewdrops; Danced the Dryads in the chace; Heavy hung ambrosial fragrance; Moonbeams blanched her ravished face. Frail and clear the notes delusive; Mocking phantoms in a rout Thridded the night-cloistered thickets, Wove their sorceries in and out.... Mourn'st thou now? Or do thine eyelids Frame a vision dark, divine, O'er this imp of star and wild-flower— Of a god once thine? THE GALLIASS 'TELL me, tell me, Unknown stranger, When shall I sight me That tall ship On whose flower-wreathed counter is gilded, _Sleep_?' 'Landsman, landsman, Lynx nor kestrel Ne'er shall descry from Ocean steep That midnight-stealing, high-pooped galliass, _Sleep_.' 'Promise me, Stranger, Though I mark not When cold night-tide's Shadows creep, Thou wilt keep unwavering watch for _Sleep_.' 'Myriad the lights are, Wayworn landsman, Rocking the dark through On the deep: She alone burns none to prove her _Sleep_.' THE DECOY 'TELL us, O pilgrim, what strange She Lures and decoys your wanderings on? Cheek, eye, brow, lip, you scan each face, Smile, ponder—and are gone. 'Are we not flesh and blood? Mark well, We touch you with our hands. We speak A tongue that may earth's secrets tell: Why further will you seek?' 'Far have I come, and far must fare. Noon and night and morning-prime, I search the long road, bleak and bare, That fades away in Time. 'On the world's brink its wild weeds shake, And there my own dust, dark with dew, Burns with a rose that, sleep or wake, Beacons me—"Follow true!"' 'Her name, crazed soul? And her degree? What peace, prize, profit in her breast?' 'A thousand cheating names hath she; And none fore-tokens rest.' SUNK LYONESSE IN sea-cold Lyonesse, When the Sabbath eve shafts down On the roofs, walls, belfries Of the foundered town, The Nereids pluck their lyres Where the green translucency beats, And with motionless eyes at gaze Make minstrelsy in the streets. And the ocean water stirs In salt-worn casemate and porch. Plies the blunt-snouted fish With fire in his skull for torch. And the ringing wires resound; And the unearthly lovely weep, In lament of the music they make In the sullen courts of sleep: Whose marble flowers bloom for aye: And—lapped by the moon-guiled tide— Mock their carver with heart of stone, Caged in his stone-ribbed side. THE CATECHISM 'HAST thou then nought wiser to bring Than worn-out songs of moon and rose?' 'Cracked my voice and broken my wing, God knows.' 'Tell'st thou no truth of the life that _is_; Seek'st thou from heaven no pitying sign?' 'Ask thine own heart these mysteries, Not mine.' 'Where then the faith thou hast brought to seed? Where the sure hope thy soul would feign?' 'Never ebbed sweetness—even out of a weed— In vain.' 'Fool. The night comes.... 'Tis late. Arise: Cold lap the waters of Jordan stream.' 'Deep be their flood and tranquil thine eyes With a dream.' FUTILITY SINK, thou strange heart, unto thy rest. Pine now no more, to pine in vain. Doth not the moon on heaven's breast Call the floods home again? Doth not the summer faint at last? Do not her restless rivers flow When that her transient day is past To hide them in ice and snow? All this—thy world—an end shall make; Planet to sun return again; The universe, to sleep from wake, In a last peace remain. Alas, the futility of care That, spinning thought to thought, doth weave An idle argument on the air We love not, nor believe. BITTER WATERS IN a dense wood, a drear wood, Dark water is flowing; Deep, deep, beyond sounding, A flood ever flowing. There harbours no wild bird, No wanderer strays there; Wreathed in mist, sheds pale Ishtar Her sorrowful rays there. Take thy net; cast thy line; Manna sweet be thy baiting; Time's desolate ages Shall still find thee waiting For quick fish to rise there, Or butterfly wooing, Or flower's honeyed beauty, Or wood-pigeon cooing. Inland wellsprings are sweet; But to lips, parched and dry, Salt, salt is the savour Of these; faint their sigh. Bitter Babylon's waters. Zion, distant and fair. We hanged up our harps On the trees that are there. WHO? 1ST STRANGER. WHO walks with us on the hills? 2ND STRANGER. I cannot see for the mist. 3RD STRANGER. Running water I hear, Keeping lugubrious tryst With its cresses and grasses and weeds, In the white obscure light from the sky. 2ND STRANGER. _Who walks with us on the hills?_ WILD BIRD. Ay!... Aye!... _Ay!..._ A RIDDLE THE mild noon air of Spring again Lapped shimmering in that sea-lulled lane. Hazel was budding; wan as snow The leafless blackthorn was a-blow. A chaffinch clankt, a robin woke An eerie stave in the leafless oak. Green mocked at green; lichen and moss The rain-worn slate did softly emboss. From out her winter lair, at sigh Of the warm South wind, a butterfly Stepped, quaffed her honey; on painted fan Her labyrinthine flight began. Wondrously solemn, golden and fair, The high sun's rays beat everywhere; Yea, touched my cheek and mouth, as if, Equal with stone, to me 'twould give Its light and life. O restless thought Contented not. With 'Why' distraught. Whom asked you then your riddle small?— 'If hither came no man at all 'Through this grey-green, sea-haunted lane, Would it mere blackened nought remain? Strives it this beauty and life to express Only in human consciousness?' Oh, rather, idly breaks he in To an Eden innocent of sin; And, prouder than to be afraid, Forgets his Maker in the made. THE OWL WHAT if to edge of dream, When the spirit is come, Shriek the hunting owl, And summon it home— To the fear-stirred heart And the ancient dread Of man, when cold root or stone Pillowed roofless head? Clangs not at last the hour When roof shelters not; And the ears are deaf, And all fears forgot: Since the spirit too far has fared For summoning scream Of any strange fowl on earth To shatter its dream? THE LAST COACHLOAD (To Colin) CRASHED through the woods that lumbering Coach. The dust Of flinted roads bepowdering felloe and hood. Its gay paint cracked, its axles red with rust, It lunged, lurched, toppled through a solitude Of whispering boughs, and feathery, nid-nod grass. Plodded the fetlocked horses. Glum and mum, Its ancient Coachman recked not where he was, Nor into what strange haunt his wheels were come. Crumbling the leather of his dangling reins; Worn to a cow's tuft his stumped, idle whip; Sharp eyes of beast and bird in the trees' green lanes Gleamed out like stars above a derelict ship. 'Old Father Time—Time—Time!' jeered twittering throat. A squirrel capered on the leader's rump, Slithered a weasel, peered a thieflike stoat, In sandy warren beat on the coney's thump. Mute as a mammet in his saddle sate The hunched Postilion, clad in magpie trim; Buzzed the bright flies around his hairless pate; Yaffle and jay squawked mockery at him. Yet marvellous peace and amity breathed there. Tranquil the labyrinths of this sundown wood. Musking its chaces, bloomed the brier-rose fair; Spellbound as if in trance the pine-trees stood. Through moss, and pebbled rut, the wheels rasped on; That Ancient drowsing on his box. And still The bracken track with glazing sunbeams shone; Laboured the horses, straining at the hill.... But now—a verdurous height with eve-shade sweet; Far, far to West the Delectable Mountains glowed. Above, Night's canopy; at the horses' feet A sea-like honied waste of flowers flowed. There fell a pause of utter quiet. And— Out from one murky window glanced an eye, Stole from the other a lean, groping hand, The padded door swung open with a sigh. And—_Exeunt Omnes!_ None to ask the fare— A myriad human Odds in a last release Leap out incontinent, snuff the incensed air; A myriad parched-up voices whisper, 'Peace.' On, on, and on—a stream, a flood, they flow. O wondrous vale of jocund buds and bells! Like vanishing smoke the rainbow legions glow, Yet still the enravished concourse sweeps and swells. All journeying done. Rest now from lash and spur— Laughing and weeping, shoulder and elbow—'twould seem That Coach capacious all Infinity were, And these the fabulous figments of a dream. Mad for escape; frenzied each breathless mote, Lest rouse the Old Enemy from his death-still swoon, Lest crack that whip again—they fly, they float, Scamper, breathe—'Paradise!' abscond, are gone.... AN EPITAPH LAST, Stone, a little yet; And then this dust forget. But thou, fair Rose, bloom on. For she who is gone Was lovely too; nor would she grieve to be Sharing in solitude her dreams with thee. TRANSCRIBER'S NOTES 1. Silently corrected simple spelling, grammar, and typographical errors. 2. Retained anachronistic and non-standard spellings as printed. 3. Enclosed italics font in _underscores_. [Illustration] *** END OF THE PROJECT GUTENBERG EBOOK THE VEIL, AND OTHER POEMS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.