Title: Index of the Project Gutenberg Works of William Butler Yeats
Author: W. B. Yeats
Editor: David Widger
Release date: June 16, 2019 [eBook #59768]
Most recently updated: February 25, 2021
Language: English
Credits: Produced by David Widger
PAGE | |
THE WIND AMONG THE REEDS: | |
THE HOSTING OF THE SIDHE
|
3 |
THE EVERLASTING VOICES
|
4 |
THE MOODS
|
4 |
THE LOVER TELLS OF THE ROSE IN HIS HEART
|
5 |
THE HOST OF THE AIR
|
6 |
THE FISHERMAN
|
8 |
A CRADLE SONG
|
9 |
INTO THE TWILIGHT
|
10 |
THE SONG OF WANDERING AENGUS
|
11 |
THE HEART OF THE WOMAN
|
13 |
THE LOVER MOURNS FOR THE LOSS OF LOVE
|
14 |
HE MOURNS FOR THE CHANGE THAT HAS COME UPON HIM AND HIS BELOVED AND
LONGS FOR THE END OF THE WORLD
|
15 |
HE BIDS HIS BELOVED BE AT PEACE
|
17 |
HE REPROVES THE CURLEW
|
18 |
HE REMEMBERS FORGOTTEN BEAUTY
|
19 |
A POET TO HIS BELOVED
|
20 |
HE GIVES HIS BELOVED CERTAIN RHYMES
|
20 |
TO MY HEART, BIDDING IT HAVE NO FEAR
|
21 |
THE CAP AND BELLS
|
22 |
THE VALLEY OF THE BLACK PIG
|
24[vi] |
THE LOVER ASKS FORGIVENESS BECAUSE OF HIS MANY MOODS
|
25 |
HE TELLS OF A VALLEY FULL OF LOVERS
|
27 |
HE TELLS OF THE PERFECT BEAUTY
|
28 |
HE HEARS THE CRY OF THE SEDGE
|
28 |
HE THINKS OF THOSE WHO HAVE SPOKEN EVIL OF HIS BELOVED
|
29 |
THE BLESSED
|
30 |
THE SECRET ROSE
|
32 |
MAID QUIET
|
33 |
THE TRAVAIL OF PASSION
|
34 |
THE LOVER PLEADS WITH HIS FRIEND FOR OLD FRIENDS
|
35 |
A LOVER SPEAKS TO THE HEARERS OF HIS SONGS IN COMING DAYS
|
36 |
THE POET PLEADS WITH THE ELEMENTAL POWERS
|
37 |
HE WISHES HIS BELOVED WERE DEAD
|
39 |
HE WISHES FOR THE CLOTHS OF HEAVEN
|
39 |
HE THINKS OF HIS PAST GREATNESS WHEN A PART OF THE CONSTELLATIONS OF
HEAVEN
|
40 |
THE OLD AGE OF QUEEN MAEVE | 41 |
BAILE AND AILLINN | 51 |
IN THE SEVEN WOODS: | |
IN THE SEVEN WOODS
|
63 |
THE ARROW
|
66 |
THE FOLLY OF BEING COMFORTED
|
67[vii] |
OLD MEMORY
|
68 |
NEVER GIVE ALL THE HEART
|
69 |
THE WITHERING OF THE BOUGHS
|
70 |
ADAMâ?TS CURSE
|
72 |
RED HANRAHANâ?TS SONG ABOUT IRELAND
|
74 |
THE OLD MEN ADMIRING THEMSELVES IN THE WATER
|
75 |
UNDER THE MOON
|
76 |
THE HOLLOW WOOD
|
78 |
O DO NOT LOVE TOO LONG
|
79 |
THE PLAYERS ASK FOR A BLESSING ON THE PSALTERIES AND ON THEMSELVES
|
80 |
THE HAPPY TOWNLAND
|
82 |
EARLY POEMS. | |
BALLADS AND LYRICS: | |
TO SOME I HAVE TALKED WITH BY THE FIRE. A DEDICATION TO A VOLUME OF
EARLY POEMS
|
89 |
THE SONG OF THE HAPPY SHEPHERD
|
91 |
THE SAD SHEPHERD
|
94 |
THE CLOAK, THE BOAT, AND THE SHOES
|
96 |
ANASHUYA AND VIJAYA
|
97 |
THE INDIAN UPON GOD
|
103 |
THE INDIAN TO HIS LOVE
|
105 |
THE FALLING OF THE LEAVES
|
106 |
EPHEMERA
|
107 |
THE MADNESS OF KING GOLL
|
109[viii] |
THE STOLEN CHILD
|
113 |
TO AN ISLE IN THE WATER
|
116 |
DOWN BY THE SALLEY GARDENS
|
117 |
THE MEDITATION OF THE OLD FISHERMAN
|
118 |
THE BALLAD OF FATHER Oâ?THART
|
119 |
THE BALLAD OF MOLL MAGEE
|
121 |
THE BALLAD OF THE FOXHUNTER
|
124 |
THE BALLAD OF FATHER GILLIGAN
|
127 |
THE LAMENTATION OF THE OLD PENSIONER
|
130 |
THE FIDDLER OF DOONEY
|
131 |
THE DEDICATION TO A BOOK OF STORIES SELECTED FROM THE IRISH
NOVELISTS
|
132 |
THE ROSE: | |
TO THE ROSE UPON THE ROOD OF TIME
|
139 |
FERGUS AND THE DRUID
|
141 |
THE DEATH OF CUCHULAIN
|
144 |
THE ROSE OF THE WORLD
|
149 |
THE ROSE OF PEACE
|
150 |
THE ROSE OF BATTLE
|
151 |
A FAERY SONG
|
153 |
THE LAKE ISLE OF INNISFREE
|
154 |
A CRADLE SONG
|
155 |
THE SONG OF THE OLD MOTHER
|
156 |
THE PITY OF LOVE
|
156 |
THE SORROW OF LOVE
|
157 |
WHEN YOU ARE OLD
|
158 |
THE WHITE BIRDS
|
159 |
A DREAM OF DEATH
|
161[ix] |
A DREAM OF A BLESSED SPIRIT
|
162 |
THE MAN WHO DREAMED OF FAERYLAND
|
163 |
THE TWO TREES
|
165 |
TO IRELAND IN THE COMING TIMES
|
167 |
THE WANDERINGS OF OISIN | 169 |
NOTES | 227 |
PAGE | |
THE KING'S THRESHOLD | 1 |
ON BAILE'S STRAND | 69 |
DEIRDRE | 125 |
THE SHADOWY WATERS | 179 |
APPENDIX I: | |
ACTING VERSION OF 'THE SHADOWY WATERS'
|
231 |
APPENDIX II: | |
A DIFFERENT VERSION OF DEIRDRE'S ENTRANCE
|
251 |
APPENDIX III: | |
THE LEGENDARY AND MYTHOLOGICAL FOUNDATION OF THE PLAYS
|
254 |
APPENDIX IV: | |
THE DATES AND PLACES OF PERFORMANCE OF PLAYS
|
256 |
PAGE | |
THE COUNTESS CATHLEEN | 1 |
THE LAND OF HEART'S DESIRE | 89 |
THE UNICORN FROM THE STARS, | |
BY LADY GREGORY AND W. B. YEATS | 121 |
APPENDIX: | |
THE COUNTESS CATHLEEN | 209 |
NOTES | 214 |
PAGE | |
THE HOUR-GLASS | 1 |
CATHLEEN NI HOULIHAN | 31 |
THE GOLDEN HELMET | 55 |
THE IRISH DRAMATIC MOVEMENT | 79 |
APPENDIX I: | |
'THE HOUR-GLASS'
|
233 |
APPENDIX II: | |
'CATHLEEN NI HOULIHAN'
|
240 |
APPENDIX III: | |
'THE GOLDEN HELMET'
|
243 |
APPENDIX IV: | |
DATES AND PLACES OF THE FIRST PERFORMANCE OF NEW PLAYS PRODUCED BY
THE NATIONAL THEATRE SOCIETY AND ITS PREDECESSORS
|
244 |
THE CELTIC TWILIGHT | |
PAGE | |
THIS BOOK
|
1 |
A TELLER OF TALES
|
3 |
BELIEF AND UNBELIEF
|
6 |
MORTAL HELP
|
9 |
A VISIONARY
|
11 |
VILLAGE GHOSTS
|
17 |
'DUST HATH CLOSED HELEN'S EYE'
|
27 |
A KNIGHT OF THE SHEEP
|
39 |
AN ENDURING HEART
|
44 |
THE SORCERERS
|
48 |
THE DEVIL
|
54 |
HAPPY AND UNHAPPY THEOLOGIANS
|
56 |
THE LAST GLEEMAN
|
63 |
REGINA, REGINA PIGMEORUM VENI
|
73 |
'AND FAIR, FIERCE WOMEN'
|
78 |
ENCHANTED WOODS
|
82 |
MIRACULOUS CREATURES
|
89 |
ARISTOTLE OF THE BOOKS
|
91 |
THE SWINE OF THE GODS
|
92 |
A VOICE
|
94 |
KIDNAPPERS
|
96 |
THE UNTIRING ONES
|
106 |
EARTH, FIRE AND WATER
|
110 |
THE OLD TOWN
|
112 |
THE MAN AND HIS BOOTS
|
115 |
A COWARD
|
117 |
THE THREE O'BYRNES AND THE EVIL FAERIES
|
119 |
DRUMCLIFF AND ROSSES
|
121 |
THE THICK SKULL OF THE FORTUNATE
|
131 |
THE RELIGION OF A SAILOR
|
134 |
CONCERNING THE NEARNESS TOGETHER OF HEAVEN, EARTH, AND PURGATORY
|
136 |
THE EATERS OF PRECIOUS STONES
|
138 |
OUR LADY OF THE HILLS
|
140 |
THE GOLDEN AGE
|
144 |
A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF
THEIR GHOSTS AND FAERIES
|
146 |
WAR
|
152 |
THE QUEEN AND THE FOOL
|
155 |
THE FRIENDS OF THE PEOPLE OF FAERY
|
162 |
DREAMS THAT HAVE NO MORAL
|
172 |
BY THE ROADSIDE
|
190 |
'INTO THE TWILIGHT'
|
193 |
STORIES OF RED HANRAHAN: | |
RED HANRAHAN
|
197 |
THE TWISTING OF THE ROPE
|
213 |
HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN
|
225 |
RED HANRAHAN'S CURSE
|
231 |
HANRAHAN'S VISION
|
242 |
THE DEATH OF HANRAHAN
|
250 |
PAGE | |
WHAT IS 'POPULAR POETRY'? | 1 |
SPEAKING TO THE PSALTERY | 13 |
MAGIC | 23 |
THE HAPPIEST OF THE POETS | 55 |
THE PHILOSOPHY OF SHELLEY'S POETRY | 71 |
AT STRATFORD-ON-AVON | 111 |
WILLIAM BLAKE AND THE IMAGINATION | 131 |
WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE 'DIVINE COMEDY' | 138 |
SYMBOLISM IN PAINTING | 176 |
THE SYMBOLISM OF POETRY | 185 |
THE THEATRE | 200 |
THE CELTIC ELEMENT IN LITERATURE | 210 |
THE AUTUMN OF THE BODY | 230 |
THE MOODS | 238 |
THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 240 |
THE RETURN OF ULYSSES | 243 |
IRELAND AND THE ARTS | 249 |
THE GALWAY PLAINS | 259 |
EMOTION OF MULTITUDE | 264 |
PAGE | |
THE SECRET ROSE: | |
DEDICATION | 3 |
TO THE SECRET ROSE | 5 |
THE CRUCIFIXION OF THE OUTCAST | 7 |
OUT OF THE ROSE | 20 |
THE WISDOM OF THE KING | 31 |
THE HEART OF THE SPRING | 42 |
THE CURSE OF THE FIRES AND OF THE SHADOWS | 51 |
THE OLD MEN OF THE TWILIGHT | 61 |
WHERE THERE IS NOTHING, THERE IS GOD | 69 |
OF COSTELLO THE PROUD, OF OONA THE
DAUGHTER OF DERMOTT AND OF THE BITTER TONGUE
|
78 |
ROSA ALCHEMICA | 103 |
THE TABLES OF THE LAW | 141 |
THE ADORATION OF THE MAGI | 165 |
EARLY STORIES. | |
JOHN SHERMAN | 183 |
DHOYA | 283 |
PAGE | |
DISCOVERIES: | |
PROPHET, PRIEST AND KING | 3 |
PERSONALITY AND THE INTELLECTUAL ESSENCES | 8 |
THE MUSICIAN AND THE ORATOR | 12 |
A GUITAR PLAYER | 13 |
THE LOOKING-GLASS | 14 |
THE TREE OF LIFE | 15 |
THE PRAISE OF OLD WIVES' TALES | 18 |
THE PLAY OF MODERN MANNERS | 20 |
HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN? | 22 |
WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET | 24 |
CONCERNING SAINTS AND ARTISTS | 29 |
THE SUBJECT MATTER OF DRAMA | 32 |
THE TWO KINDS OF ASCETICISM | 36 |
IN THE SERPENT'S MOUTH | 38 |
THE BLACK AND THE WHITE ARROWS | 39 |
HIS MISTRESS'S EYEBROWS | 39 |
THE TRESSES OF THE HAIR | 41 |
A TOWER ON THE APENNINE | 42 |
THE THINKING OF THE BODY | 43 |
RELIGIOUS BELIEF NECESSARY TO SYMBOLIC ART | 45 |
THE HOLY PLACES | 48[vi] |
EDMUND SPENSER | 51 |
POETRY AND TRADITION | 91 |
MODERN IRISH POETRY | 113 |
LADY GREGORY'S CUCHULAIN OF MUIRTHEMNE | 131 |
LADY GREGORY'S GODS AND FIGHTING MEN | 147 |
MR. SYNGE AND HIS PLAYS | 171 |
LIONEL JOHNSON | 183 |
THE PATHWAY | 189 |
BIBLIOGRAPHY | 197 |
RED HANRAHAN. |
THE TWISTING OF THE ROPE. |
HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN. |
RED HANRAHAN'S CURSE. |
HANRAHAN'S VISION. |
THE DEATH OF HANRAHAN. |
THE TROOPING FAIRIES— | PAGE | |
The Fairies | 3 | |
Frank Martin and the Fairies | 5 | |
The Priest's Supper | 9 | |
The Fairy Well of Lagnanay | 13 | |
Teig O'Kane and the Corpse | 16 | |
Paddy Corcoran's Wife | 31 | |
Cusheen Loo | 33 | |
The White Trout; A Legend of Cong | 35 | |
The Fairy Thorn | 38 | |
The Legend of Knockgrafton | 40 | |
A Donegal Fairy | 46 | |
Changelings— | ||
The Brewery of Egg-shells | 48 | |
The Fairy Nurse | 51 | |
Jamie Freel and the Young Lady | 52 | |
The Stolen Child | 59 | |
The Merrow— | ||
The Soul Cages | 61 | |
Flory Cantillon's Funeral | 75 | |
THE SOLITARY FAIRIES— | ||
The Lepracaun; or, Fairy Shoemaker | 81 | |
Master and Man | 84 | |
Far Darrig in Donegal | 90 | |
The Piper and the Puca | 95 | |
Daniel O'Rourke | 97 | |
The Kildare Pooka | 105 | |
How Thomas Connolly met the Banshee | 108 | |
A Lamentation for the Death of Sir Maurice Fitzgerald | 112 | |
The Banshee of the MacCarthys | 113 | |
GHOSTS— | ||
A Dream | 129 | |
Grace Connor | 130 | |
A Legend of Tyrone | 132 | |
The Black Lamb | 134 | |
The Radiant Boy | 136 | |
The Fate of Frank M'Kenna | 139 | |
WITCHES, FAIRY DOCTORS— | [Pg viii] | |
Bewitched Butter (Donegal) | 149 | |
A Queen's County Witch | 151 | |
The Witch Hare | 154 | |
Bewitched Butter (Queen's County) | 155 | |
The Horned Women | 165 | |
The Witches' Excursion | 168 | |
The Confessions of Tom Bourke | 170 | |
The Pudding Bewitched | 185 | |
T'YEER-NA-N-OGE— | ||
The Legend of O'Donoghue | 201 | |
Rent-Day | 203 | |
Loughleagh (Lake of Healing) | 206 | |
Hy-Brasail.—The Isle of the Blest | 212 | |
The Phantom Isle | 213 | |
SAINTS, PRIESTS— | ||
The Priest's Soul | 215 | |
The Priest of Coloony | 220 | |
The Story of the Little Bird | 222 | |
Conversion of King Laoghaire's Daughters | 224 | |
King O'Toole and his Goose | 224 | |
THE DEVIL— | ||
The Demon Cat | 229 | |
The Long Spoon | 231 | |
The Countess Kathleen O'Shea | 232 | |
The Three Wishes | 235 | |
GIANTS— | ||
The Giant's Stairs | 260 | |
A Legend of Knockmany | 266 | |
KINGS, QUEENS, PRINCESSES, EARLS, ROBBERS— | ||
The Twelve Wild Geese | 280 | |
The Lazy Beauty and her Aunts | 286 | |
The Haughty Princess | 290 | |
The Enchantment of Gearoidh Iarla | 294 | |
Munachar and Manachar | 296 | |
Donald and his Neighbours | 299 | |
The Jackdaw | 303 | |
The Story of Conn-eda | 306 | |
NOTES | 319 |
PAGE | |
All Souls’ Night | 1 |
Suggested by a Picture of a Black Centaur | 6 |
Thoughts upon the Present State of the World | 7 |
The New Faces | 14 |
A Prayer for My Son | 14 |
Cuchulain the Girl and the Fool | 16 |
The Wheel | 18 |
A New End for ‘The King’s Threshold’ | 18 |
NOTES | |
Note on ‘Thoughts Upon the Present State of the World’ Section Six | 23 |
Note on The New End to ‘The King’s Threshold’ | 24 |
page | |
The Hosting of the Sidhe | 1 |
The Everlasting Voices | 3 |
The Moods | 4 |
Aedh tells of the Rose in his Heart | 5 |
The Host of the Air | 7 |
Breasal the Fisherman | 10 |
A Cradle Song | 11 |
Into the Twilight | 13 |
The Song of Wandering Aengus | 15 |
The Song of the old Mother | 17 |
The Fiddler of Dooney | 18 |
The Heart of the Woman | 20 |
Aedh Laments the Loss of Love | 21 |
Mongan laments the Change that has come upon him and his Beloved | 22 |
Michael Robartes bids his Beloved be at Peace | 24[vi] |
Hanrahan reproves the Curlew | 26 |
Michael Robartes remembers forgotten Beauty | 27 |
A Poet to his Beloved | 29 |
Aedh gives his Beloved certain Rhymes | 30 |
To my Heart, bidding it have no Fear | 31 |
The Cap and Bells | 32 |
The Valley of the Black Pig | 35 |
Michael Robartes asks Forgiveness because of his many Moods | 37 |
Aedh tells of a Valley full of Lovers | 40 |
Aedh tells of the perfect Beauty | 42 |
Aedh hears the Cry of the Sedge | 43 |
Aedh thinks of those who have spoken Evil of his Beloved | 44 |
The Blessed | 45 |
The Secret Rose | 47 |
Hanrahan laments because of his Wanderings | 51 |
The Travail of Passion | 52 |
The Poet pleads with his Friend for old Friends | 54[vii] |
Hanrahan speaks to the Lovers of his Songs in coming Days | 55 |
Aedh pleads with the Elemental Powers | 57 |
Aedh wishes his Beloved were Dead | 59 |
Aedh wishes for the Cloths of Heaven | 60 |
Mongan thinks of his past Greatness | 61 |
Notes | 65 |
page | |
The Wild Swans at Coole | 1 |
In Memory of Major Robert Gregory | 4 |
An Irish Airman foresees his Death | 13 |
Men improve with the Years | 14 |
The Collar-Bone of a Hare | 15 |
Under the Round Tower | 17 |
Solomon to Sheba | 19 |
The Living Beauty | 21 |
A Song | 22 |
To a Young Beauty | 23 |
To a Young Girl | 24 |
The Scholars | 25 |
Tom O'Roughley | 26 |
The Sad Shepherd | 27 |
Lines written in Dejection | 39 |
The Dawn | 40[viii] |
On Woman | 41 |
The Fisherman | 44 |
The Hawk | 46 |
Memory | 47 |
Her Praise | 48 |
The People | 50 |
His Phoenix | 54 |
A Thought from Propertius | 58 |
Broken Dreams | 59 |
A Deep-Sworn Vow | 63 |
Presences | 64 |
The Balloon of the Mind | 66 |
To a Squirrel at Kyle-Na-Gno | 67 |
On being asked for a War Poem | 68 |
In Memory of Alfred Pollexfen | 69 |
Upon a Dying Lady | 72 |
Ego Dominus Tuus | 79 |
A Prayer on going into my House | 86 |
The Phases of the Moon | 88 |
The Cat and the Moon | 102 |
The Saint and the Hunchback | 104[ix] |
Two Songs of a Fool | 106 |
Another Song of a Fool | 108 |
The Double Vision of Michael Robartes | 109 |
Note | 115 |
WHAT IS ‘POPULAR POETRY’? | 1 |
SPEAKING TO THE PSALTERY | 16 |
MAGIC | 29 |
THE HAPPIEST OF THE POETS | 70 |
THE PHILOSOPHY OF SHELLEY’S POETRY | 90 |
AT STRATFORD-ON-AVON | 142 |
WILLIAM BLAKE AND THE IMAGINATION | 168 |
WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | 176 |
SYMBOLISM IN PAINTING | 226 |
THE SYMBOLISM OF POETRY | 237 |
THE THEATRE | 257 |
THE CELTIC ELEMENT IN LITERATURE | 270 |
THE AUTUMN OF THE BODY | 296 |
THE MOODS | 306 |
THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 308 |
THE RETURN OF ULYSSES | 312 |
IRELAND AND THE ARTS | 320 |
THE GALWAY PLAINS | 333 |
EMOTION OF MULTITUDE | 339 |
Prophet, Priest and King | Page 1 |
Personality and the Intellectual Essences | 5 |
The Musician and the Orator | 9 |
A Banjo Player | 10 |
The Looking-glass | 11 |
The Tree of Life | 12 |
The Praise of Old Wives’ Tales | 15 |
The Play of Modern Manners | 16 |
Has the Drama of Contemporary Life a Root of its Own | 18 |
Why the Blind Man in Ancient Times was made a Poet | 20 |
Concerning Saints and Artists | 24 |
The Subject Matter of Drama | 27 |
The Two Kinds of Asceticism | 30 |
In the Serpent’s Mouth | 32 |
The Black and the White Arrows | 33 |
His Mistress’s Eyebrows | 33 |
The Tresses of the Hair | 35 |
A Tower on the Apennine | 36 |
The Thinking of the Body | 37 |
Religious Belief necessary to symbolic Art | 39 |
The Holy Places | 41 |
PAGE | |
Thoughts on Lady Gregory’s Translations | |
I. Cuchulain and his Cycle | 1 |
II. Fion and his Cycle | 12 |
Preface to the First Edition of the Well of the Saints | 36 |
Discoveries | |
Prophet, Priest and King | 49 |
Personality and the Intellectual Essences | 56 |
The Musician and the Orator | 61 |
A Guitar Player | 63 |
The Looking-glass | 65 |
The Tree of Life | 67 |
The Praise of Old Wives’ Tales | 71 |
The Play of Modern Manners | 73 |
Has the Drama of Contemporary Life a Root of its Own? | 76 |
Why the Blind Man in Ancient Times was made a Poet | 79 |
Concerning Saints and Artists | 85 |
The Subject Matter of Drama | 89 |
The Two Kinds of Asceticism | 94 |
In the Serpent’s Mouth | 97 |
The Black and the White Arrows | 99 |
His Mistress’s Eyebrows | 100 |
The Tresses of the Hair | 103 |
A Tower on the Apennines | 104 |
The Thinking of the Body | 106 |
Religious Belief Necessary to Religious Art | 109 |
The Holy Places | 113 |
Poetry and Tradition | 116 |
Preface to the First Edition of John M. Synge’s Poems and Translations | 139 |
J. M. Synge and the Ireland of his Time | 146 |
The Tragic Theatre | 196 |
John Shawe-Taylor | 208 |
Edmund Spenser | 213 |
PAGE | |
Book I | |
Four Years 1887-1891 | 3 |
Book II | |
Ireland after the Fall of Parnell | 83 |
Book III | |
Hodos Camelionis | 135 |
Book IV | |
The Tragic Generation | 157 |
Book V | |
The Stirring of the Bones | 225 |
PAGE | ||
Responsibilities, 1912-1914— | ||
Introductory Rhymes | 1 | |
The Grey Rock | 3 | |
The Two Kings | 11 | |
To a Wealthy Man | 29 | |
September 1913 | 32 | |
To a Friend whose Work has come to Nothing | 34 | |
Paudeen | 35 | |
To a Shade | 36 | |
When Helen Lived | 39 | |
The Attack on 'The Playboy of the Western World,'—1907 | 40 | |
The Three Beggars | 41 | |
The Three Hermits | 45 | |
Beggar to Beggar cried | 47 | |
The Well and the Tree | 49 | |
Running to Paradise | 50 | |
The Hour before Dawn | 52 | |
The Player Queen | 59 | |
The Realists | 61 | |
The Witch | 62 | |
The Peacock | 63 | |
[vi] | The Mountain Tomb | 64 |
To a Child dancing in the Wind | 66 | |
A Memory of Youth | 68 | |
Fallen Majesty | 70 | |
Friends | 71 | |
The Cold Heaven | 73 | |
That the Night come | 75 | |
An Appointment | 76 | |
The Magi | 77 | |
The Dolls | 78 | |
A Coat | 80 | |
Closing Rhymes | 81 | |
From the Green Helmet and other Poems, 1909-1912— | ||
His Dream | 85 | |
A Woman Homer sung | 87 | |
The Consolation | 89 | |
No Second Troy | 91 | |
Reconciliation | 92 | |
King and No King | 94 | |
Peace | 96 | |
Against Unworthy Praise | 97 | |
The Fascination of What's Difficult | 99 | |
A Drinking Song | 101 | |
The Coming of Wisdom with Time | 102 | |
On hearing that the Students of our New University have joined the Ancient Order of Hibernians | 103 | |
To a Poet | 104 | |
[vii] | The Mask | 105 |
Upon a House shaken by the Land Agitation | 106 | |
At the Abbey Theatre | 108 | |
These are the Clouds | 110 | |
At Galway Races | 112 | |
A Friend's Illness | 113 | |
All Things can tempt me | 114 | |
The Young Man's Song | 115 | |
The Hour-Glass—1912 | 117 | |
Notes | 181 |
DEDICATION OF VOLUMES ONE AND TWO OF PLAYS FOR AN IRISH THEATRE |
WHERE THERE IS NOTHING. |
ACT
I. |
ACT
II. |
ACT
III. |
ACT
IV. |
ACT
V. |
The King's Threshold |
On Baile's Strand |
GANCONAGH'S APOLOGY. | 1 |
PART I. JOHN SHERMAN LEAVES BALLAH. | 3 |
I | 5 |
II | 17 |
III | 27 |
IV | 39 |
PART II. MARGARET LELAND. | 43 |
I | 45 |
II | 51 |
III | 55 |
IV | 60 |
V | 67 |
VI | 70 |
VII | 72 |
VIII | 75 |
IX | 77 |
PART III. JOHN SHERMAN REVISITS BALLAH. | 83 |
I | 85 |
II | 88 |
III | 91 |
PART IV. THE REV. WILLIAM HOWARD. | 101 |
I | 103 |
II | 111 |
III | 114 |
IV | 125 |
V | 134 |
VI | 138 |
PART V. JOHN SHERMAN RETURNS TO BALLAH. | 143 |
I | 145 |
II | 149 |
III | 154 |
IV | 165 |
DHOYA. | 171 |
I | 173 |
II | 182 |
III | 190 |