The Project Gutenberg eBook of The Green Thumb, Nov.-Dec. 1959, Vol. 16, No. 10 This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Green Thumb, Nov.-Dec. 1959, Vol. 16, No. 10 Creator: Colorado Forestry and Horticultural Association Release date: July 19, 2019 [eBook #59948] Language: English Credits: Produced by Stephen Hutcheson, Lisa Corcoran and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THE GREEN THUMB, NOV.-DEC. 1959, VOL. 16, NO. 10 *** Produced by Stephen Hutcheson, Lisa Corcoran and the Online Distributed Proofreading Team at http://www.pgdp.net _The Green Thumb_ _Magazine for Rocky Mountain Gardeners_ NOV.-DEC., 1959 25 Cents _Season's Greetings_ We appreciate the patience of our friends and customers in the delays resulting from the unseasonable snowstorm in September. SWINGLE TREE SURGERY COMPANY 620 So. Dahlia FR 7-8123 ILIFF GARDEN NURSERY SK 6-5656 4750 E. Iliff Shade, fruit, and ornamental trees, flowering shrubs, hardy vines, small fruits, and evergreens, nursery and container grown. 40,000 perennial plants in containers. Over 400 varieties, including specimen plants and ground covers. House plants. Green and flowering plants for all occasions. Let us repot your plants. Fertilizers, insecticides, trellises, large flower pots, peat, and potting soil. COME AND SEE US The most complete stock. Visitors are always welcome. _The Green Thumb_ Colorado Forestry and Horticulture Association Organized in 1884 "_To preserve the natural beauty of Colorado; to protect the forests; to encourage proper maintenance and additional planting of trees, shrubs and gardens; to make available correct information regarding forestry, horticultural practices and plants best suited to the climate; and to coordinate the knowledge and experience of foresters, horticulturists and gardeners for their mutual benefit._" NOV.-DEC. Vol. 16 No. 10 EDITORIAL COMMITTEE M. Walter Pesman, Chairman Mrs. Alexander Barbour Mrs. William Crisp Herbert C. Gundell Dr. A. C. Hildreth Fred R. Johnson Mrs. J. V. Peterson Moras Shubert Julia Jane Silverstein Mrs. James P. Steele Mrs. Ray Turnure Mrs. Edmund Wallace Stanley White Mrs. Helen Marsh Zeiner Patrick Gallavan, _Editor_ LaVica Bonar, _Assistant Editor_ _Members_ [Illustration: ICIE · WIPA] INDEX TITLE PAGE Calendar of Events 328 Operation Tree Salvage, by Pat Gallavan 329 Tax Deductions for Trees lost in Storms, The Shade Tree Digest 333 Handy Hints for Holiday Packaging, Dennison Mfg. Co. 334 The Extraordinary Apple Doll Lady, by Lilygayle Fleischer 335 Double Life of a Soap Sud, Cleanliness Bureau 339 Denver Botanic Gardens 342 Frankincense and Myrrh, Nature Bulletin Forest Preserve District of Cook County, Ill. 344 The Widening of Colorado Boulevard at City Park, by J. Harrison Belknap 345 Dig These Questions 347 Garden Club Briefs, by Mrs. Edmund Wallace 348 In Appreciation of Ray T. Miller, by M. Walter Pesman 351 Colorado Garden Show 352 Seasonal Suggestions, by Pat 353 1959 Index 355 In Our Library! 358 Published Monthly. Sent free to all members of the Association. Supporting membership, $3.00; Active, $5.00; Contributing, $10.00; Patron, $25.00; Donor, $100.00. Copyright 1959 by: The Colorado Forestry and Horticulture Association _A non-profit, privately financed Association_ EA 2-9656 909 YORK ST. DENVER 6, COLORADO MEMO [Illustration: _Calendar of Events_] The Green Thumb Program--Every Saturday morning on KLZ at 10: 15 a.m. Floral Art Course: Opportunity School. Every Thursday 9 a.m.-11:30 a.m., 1 p.m.-3:30 p.m., 6:30 p.m.-9:15 p.m. There is no charge except for materials. BOTANIC GARDENS' HOUSE MEETINGS 909 York Street December 9--Organic Gardeners, 8 p.m. December 11--Colorado Forestry and Horticulture Finance Committee, 10:30 a.m. Colorado Forestry and Horticulture Board Luncheon, 11:30 a.m. Colorado Cactophiles, 8 p.m. December 24--Civic Garden Club, 1 p.m. January 5--Mountain View Garden Club, 1 p.m. January 6--Botany Club, 7:30 p.m. January 8--Colorado Forestry and Horticulture Finance Committee, 10:30 a.m. Colorado Forestry and Horticulture Board Luncheon, 11:30 am. January 11--Judges Council, 10 a.m. January 12--Evergreen Garden Club, 7:30 p.m. January 13--Organic Gardeners, 8 p.m. January 14--Denver Rose Society, 7 p.m. "Fun With Flowers"--A lecture and demonstration is followed by the making of arrangements. Each person brings containers, mechanics, and material. The workshops are open to everyone. Due to popular demand the workshops will be held each month at the following times and places: Workshop No. 1--Botanic Gardens House, 909 York St., Denver. Third Wednesday of each month, 9:30 a.m. to 12:30 p.m. Workshop No. 2--Lakeside Denver Dry Goods, 44th and Harlan, Denver. First Friday of each month, 10:00 a.m. to 2:00 p.m. Workshop No. 3--Arapahoe County Fair Grounds, W. Belleview and Windemere, Littleton. Third Tuesday of each month, 9:30 a.m. to 12:30 p.m. REMEMBER _THE SALVATION ARMY_ _Best Wishes for the Christmas Season_ ALVIN L. (LEE) CHAMBERS COMPLETE SHRUBBERY, EVERGREEN AND TREE SERVICE Fully Licensed--Insured FRemont 7-0036 850 Kearney Street Operation Tree Salvage By Pat Gallavan [Illustration: (uncaptioned)] Chances are that the effect of the tranquilizer bulletin in the last Green Thumb has worn off. We can now carefully appraise the damage done to our trees. On streets where brush removal has been completed, it is easy to see that many trees, though battered and misshapen, are not a total loss. Now that the leaves have fallen, split crotches and stubs left in emergency removals are much in evidence. Our previous bulletin mentioned that there was no rush in doing this type of repair work, as long as it is completed by the time growth starts in the spring. This final repair work, for the most part, should be done by a professional tree surgeon. Sawing off a limb isn't quite as easy as falling off a log. First of all, in large trees the danger of falling is a major hazard for the amateur. Secondly, improper pruning can be quite detrimental to the future growth of the tree. Under normal conditions we have enough good tree men to adequately take care of our trees. This storm, however, has put a great burden on the existing tree companies and has opened a tempting field to a lot of unqualified and unscrupulous people. These persons, armed with a pick-up, a ladder and a saw, can ruin a good tree in an hour's time. Don't be afraid to ask for credentials; a legitimate operator will gladly produce them, and recommendations if necessary. Above all, if you are not sure of his qualifications, watch his work for the mistakes explained and illustrated in this article. To know a good pruning job from a bad one it is necessary to understand a few principles of tree growth. First of all, a tree, like all plants, is a living organism. We know that it manufactures its own food in the leaves. Raw materials, water and minerals, taken in by the roots are transported up to the leaves and there, in the presence of sunlight and chlorophyll (green matter), are converted to simple food. These in turn flow back through the tree, nourishing growing cells throughout the plant. This intricate transportation system and a layer of active growth cells lie just beneath the bark. There are a number of theories on the forces that put this system into motion. However, for our purposes it is evident that the foliage of the tree is essential to this process. It stands to reason then that we can't just lop off all the major branches of a large tree and expect it to survive. [Illustration: (uncaptioned)] _Dead stub cannot heal._ _Rotten section inside tree_ _Decay enters stub and continues into heart of living tree._ _Decay enters thru stub_ _Rotten interior weakens limb_ _Living tissue_ _Cut made flush will heal over. Decay is thus prevented._ _Cut made flush to sap flow line can heal over_ _Live tissues_ _Living wound callous rapidly covers exposed wood thus preventing decay_ _Tree sound no rot_ _Living wound callous rapidly covers exposed cut protecting it from decay_ _Tree sound no rot_ [Illustration: _Methods of properly pointing up a wound._] [Illustration: _Trees with weak crotches, heavy limbs or storm damage may be saved with proper bracing and cabling._] TRIANGULAR CABLING & BRACING SYSTEMS AS INSTALLED BY SWINGLE TREE SURGEONS USED & APPROVED BY NATIONAL PARK SERVICE STRONG U CROTCH CABLES HIGH ENOUGH FOR LEVERAGE AND NOT CONSPICUOUS THIMBLE DANGEROUS V CROTCH PARALLEL BRACE RODS LAG HOOK CADMIUM STEEL BRACE ROD ½" TO 1" S.T.S-CO. 12-31-47 _Careful Maintenance of Shade Trees_ SCHULHOFF ARBORIST SERVICE Specialists in Tree Care HArrison 4-6112 MEMBER NATIONAL ARBORIST ASSOCIATION Granted that in some cases pruning will have to be severe, but if it is done properly the tree will have a chance to live. When a large branch is cut off and a stub is left, the growth processes stop in the projected stub, but continue their natural course of flow at its base in the parent branch. Each year as the tree grows it builds up a new growth ring around the stub. This is noted as a swelling, and will continue to grow in size each succeeding year. In the meantime, the dead stub is exposed to the elements and begins to rot away. In time it will decay back to the stem or trunk and be sloughed off and the original wound may close over with new growth rings. Usually before this happens, the organisms causing decay of the stub enter the main stem and begin their slow but deadly work there, so that in time the entire tree may become decadent. If, on the other hand, the limb is cut back flush to the parent limb or stem, we find that the sap flow and growth ring still occur around the wound, but that each succeeding year the ring occurs inside the cut area. In time this growth will completely enclose the wound. On a small wound of an inch diameter this sealing may take place in several years' time. Larger cuts will, of course, take more time and to prevent decay while they are healing a good tree paint should be applied to seal the wound until natural growth heals it over. In addition to eliminating the stubs, other repairs might have to be made. In some cases the branches broke at their point of attachment on the parent limb and have peeled back the bark, leaving a jagged and irregular shaped wound. As indicated above, the new growth follows the easiest and smoothest path so that in such cases the wound needs to be shaped to allow for the quickest possible healing. From experience it has been found that a vertical elongated oval is the quickest to heal over, as it follows, as close as possible, the natural flow of material in a plant. This method is illustrated in the accompanying sketches. Another repair that may be necessary is the cabling and bolting of split or weakened crotches. This is based on engineering principles and should be attempted only by an experienced arborist. The sketch on page 331 shows one application of this method. As mentioned in our tranquilizer bulletin, our trees have had a good growing year, and with proper care this winter, can come back quickly in the spring. _These things we think of when we say: "We wish you joy on Christmas Day."_ Peace that fills your life and heart, gladness that will not depart; hope to constantly abide; Faith that God will safely guide--these things we think of, pray for, too, when wishing Christmas joy for you. ANTHONY KEESEN & SONS _Landscaping and Contracting_ 4201 East Iliff SK 6-4040 SP 7-7873 Tax Deduction for Trees Lost in Storms _From The Shade Tree Digest_ Were any of your fine shade trees wrecked by the September snowstorm? If so, a bit of foresight and effort on your part now may result in considerable savings to you when the time comes to pay your 1959 Federal income tax. For, usually, residential property is more valuable with trees than without, and if the value of that property is lessened as a result of storms the amount of the tangible loss is deductible in computing income tax returns. Any loss claimed must be based upon material value. A tree may become "almost like a member of the family" in your esteem--but don't use that approach if you have occasion to evaluate it as "deductible loss!" However much Government tax officials might agree with you in sentiment, they are permitted to measure the worth of a tree only by its effect upon the market price of the "real estate"--including land, buildings and other trees--of which it is an integral part. Relative to computing the amount of deductible loss, the Bureau of Internal Revenue advises as follows: (1) The "apparent loss" of property is the difference between the fair market values of the property immediately before and immediately after the casualty. (2) Compare the "apparent loss" with the adjusted basis of the property. (3) The "loss sustained" is the apparent loss, or the adjusted basis, whichever is the lesser. (4) From the loss sustained subtract the amount, if any, of insurance or other recovery. (5) The balance remaining is the "loss recognized" for income tax purposes. Thus, computing the amount of the "loss" hinges upon determination of "fair market values," and, unfortunately, there is no exact mathematical formula by which this can be ascertained. Clearly, any "loss" claims should be supported by positive evidence. Such evidence might include photographs, and certainly reports from experts in the particular fields involved in the loss. Shade trees certainly add to the value of a property. If one is destroyed by a storm, measuring the extent of loss to the property is a matter requiring technical knowledge and good judgment. The value of a tree is affected by species, age, condition, location and other factors, and to arrive at an estimate which will survive close scrutiny by tax officials all pertinent factors must be considered. Data intended for use in support of a loss claim should be gathered, of course, as soon as possible after the casualty. Further tree damage can be expected from ice storms in the months ahead. If any of your trees have been, or are, lost from such "natural physical forces" it will pay you to remember that their value--at least, for tax purposes--can be measured in dollars-and-cents. KROH BROS. NURSERIES Preferred Nursery Stock for the Rocky Mountain and Plains Regions ONE MILE NORTH OF LOVELAND HIGHWAY 287 P. O. Box 536 Loveland, Colorado _Drop Card for Our Current Catalog_ HANDY HINTS FOR HOLIDAY PACKAGING [Illustration: (uncaptioned)] [Illustration: (uncaptioned)] [Illustration: _Photos Courtesy Dennison Mfg. Co._] 1. Shop early enough so that you'll be able to choose a variety of both traditional and brightly colored foil and printed foil wraps. Don't neglect to select some of the convenient cutter box papers and the king size fold holiday papers that make wrapping a large gift so simple. 2. Give each package a character of its own by selecting a paper to suit its size or to complement the personality of the recipient. 3. Select ribbon or additional package decorations to complement your package. Small boxes require a more subtle patterned paper than a larger size package. 4. To make the job a little more organized keep all wrapping supplies including scissors and cellophane tape together in a large box. After these preliminary preparations select a large enough work area, assemble your materials and start wrapping. The Extraordinary Apple Doll Lady By Lilygayle Fleischer [Illustration: _Mrs. Provinzano with her display of dolls and curios at the Colorado State Fair._] Shiny red apples on the grocer's shelves beam their way into the shopper's basket as a focal point in an autumn table arrangement before they become the ingredients of a festive mealtime table delicacy, or so I thought until I met the "apple doll lady" at the recent Colorado State Fair. Standing beneath the traditional emblem of the Red Cross, and clad in the costume of a Gray Lady, Mrs. Attie (Nick) Provinzano, radiated good cheer as she greeted the visitors that paused to view her display of curio-oddities within the glass showcase. She extended her hand in welcome as I approached and we were soon oblivious to those about us as we renewed and reviewed old acquaintanceship and activities. I remembered her as a Corona Park Garden Club member, when we returned to Pueblo during the depression days, for I had been fascinated by her verve and stamina. Though mother of five children, she was an active P.T.A. worker (for 19 years) and the dynamo that sparked the enthusiasm of her chosen garden club, organizing and directing a Hill Billy Band with great gusto. They presented programs in the city and surrounding areas, and derived greatest pleasure from entertaining shut-ins. Unable to read a musical note she developed her own system of teaching others to play the harmonica (she played in the band) and the accordion; thus revealing the rugged individualism, natural instincts, quick thinking, determination and consideration for others that was so pronounced in both Kit Carson and Tom Tobin, her great-grandfathers. These intervening years hadn't dimmed her enthusiasm for meeting and helping people, it seemed, and I listened intently as she shared her knowledge of fashioning doll heads from various fruits; apples, peaches or pears. "What started you on this hobby?" I asked. "My grandmother in Germany sent me an 100 year old apple doll and I planned to keep it clean, so I placed a glass jar over it. It soon disintegrated and I was heartsick about it." "How old were you then?" "Oh, about 10. My mother dried my tears when she suggested we go into the orchard to find an apple and thought I might be able to reproduce another." "How do you begin?" "By peeling the apple and setting it aside to dry, but pinching the features in during this drying process." "What do you use for teeth?" a bystander asked. Mrs. Provinzano smiled as she said, "Lima beans, and see what I make of the skins of the lima beans, small artificial rose buds." The conversation became more animated as others questioned her. She explained that apples shrink to one half or one third their original size during the drying period and this gives the appearance of wrinkled skin. She devised a scheme to overcome the wrinkles and gently massaged cold cream into the apple doll. "It takes three weeks for it to dry into wrinkled features and it takes three weeks to massage those wrinkles out, for all time." The apple heads retain the soft texture indefinitely, for they pick up enough moisture from the air to retain the texture, but not enough to rot. These heads are mounted on sticks, i.e., clothespins, and inserted into bottles. These are draped with a dress or tunic suitable for the subject, thus eliminating the need for making a body or wire base. A mask fashioned from half a grapefruit and one of an orange were pointed out. She cautioned would-be hobbyists against using a knife to define the features, as the acid in the fruit rots the knife (metal) incisions. Toothpicks should be used for this procedure. Wall paper cleaner is used for the clay to fill the scooped out citrus fruit, pinching in the nose, punching out the eyes and mouth with toothpicks. [Illustration: Mrs. Provinzano and her exhibit at the International Hobby Show in California.] "What about this Nun doll's head? It's very pale compared to the apple doll's head." "Oh, they're fashioned of hard and dry marshmallows." "But how do you fashion the features?" "I use an emery board to hollow out the depressions. I save all the powder that falls during this process and mix it with rouge and gently rub it into the cheeks for a bit of color." "Do they need a protective coating to keep them?" "Yes, I learned by trial and error, for one doll was sent to India and the ants got at it, so I instructed them to send the head back to me and I'd make up another in exchange. The coating of shellac preserved it, even from the ants." "What's this jewelry made of?" "Some of it's made of bubble gum. I neglected to coat it with a preservative when I first learned to fashion flowers from it, and one day in summer I could feel the earring lengthen, so I removed it to experiment with a coating of shellac, and it worked." "This Indian head looks like a wall plaque." "Yes, and it's made of old bread." "Old bread? I usually feed mine to the birds." "Heavens, at my house everything is used to fashion some sort of plaque, or doll head or picture. I soak the old bread in a very little water then squeeze it dry, and add about ¼ cup salt to 1 cup of the bread dough and knead it. It will rise after salt has been added, but it will eventually stop rising and you will have a good clay to fashion your figurines with. Take this cowboy plaque. The plaque itself is papier-mache, the figure of the horseman of various materials; the upper body of gum, the chaps of dried banana peelings that are fashioned over rolls of clay, the seams laced with thread, and they dry resembling leather." "And this picture of apple blossoms?" "Oh, that's made of wall paper cleaner. I dye portions of it and use it for earrings and children's dishes as well as for wall plaques or framed pictures. I dilute the mixture used as background." "Dilute it? With what?" "Water, but only to the consistency of cream, then I cover the backing, usually a piece of cardboard. When that is dry I use a thicker mixture and press a bit, about the size of my thumb, on the prepared surface and add more petals until I have the desired picture. That one was made up so that you could hang it from any side and it would show flowering branches." Her most famous doll is the Kit Carson doll, patented and registered with the Doll Guild of America. The buckskin suits are made from old leather jackets. She carves the wooden guns and uses the spurs from chicken legs for the powder horns. A coon-skin cap and a cowboy hat complete each outfit. Although they sell for twelve dollars, these dolls are in great demand and there is a great backlog of orders. She believes that everyone should have two hobbies, because a single hobby can become monotonous. As one alternate, she exhibits Indian belts made from pounded out soda pop bottle tops laced with colored yarn. She also works down gnarled tree roots for use as lamp stands. Mrs. Provinzano has traveled thru-out the west exhibiting her dolls, which range from pioneer scouts to Indians and Mexicans, at various fairs. At the International Hobby Show in California, some years ago, she won a first place ribbon for "Ingenuity". She possesses the abiding faith in Divine guidance and protection that was her grandfather's, believing that she is on this earth to help others. She believes sharing brings its rewards, for often a remark dropped by another will open up a door to new achievements, and she has an illustrious record of achievements to her credit. Records reveal that she taught swimming for the Young Women's Christian Association, hobbies and handcrafts for the Steel Works Young Men's Christian Association and devoted many years to showing crippled children at the St. Mary's Hospital pediatric ward how to generate their own sunshine by making things with their hands, often deformed hands that responded slowly to determined little minds. She also taught harmonica and handicraft at Sacred Heart Orphanage. The Provinzano home is called the Kit Carson Rancho, part dream and part reality, because Attie hoped some day to acquire a mountain ranch, destined to become a summer camp for boys, that they may know some of the wonders of nature, and the pleasure of living under the stars among the pines. Whether this dream becomes a reality remains to be seen. Though she conquered serious injuries, she is familiar with the shadow of bereavement; a daughter, some years back, and most recently, last March, the husband who had planned to work beside her to enjoy her worthwhile hobbies that she now teaches to boys at Fort Carson. As for me, and her close friends, the sight of polished apples and citrus fruits will always be a bright reminder of the vivacious, courageous sunshine lady who now operates a Hobby Shop at Beulah, Colorado. [Illustration: _Photo Courtesy Florist Telegraph_ FLORAL DESIGNS POPULAR AT CHRISTMAS This table arrangement of carnations, holly and candles (above) forms an unusual background for a display of holiday greeting cards, and ranks high with all members of the family as a Christmas gift. This Christmas more Americans than ever before in history will give "Flowers for Christmas."] DOUBLE LIFE OF A SOAP SUD [Illustration: _Photos Credit Cleanliness Bureau_ What better way to keep the small fry occupied on a holiday afternoon than painting a Christmas mural on the living room mirror with easily removable "suds-snow." An outline drawn on the mirror with a soap sliver or a grease pencil can be an easy guide for the young artists to follow. After the holidays, the suds painting can be washed away with a damp cloth, leaving the mirror shining clean.] It's Christmas ... visions of sugar plums dance in children's heads, What do _you see_--too much to do in a short time? Those last-minute decorative chores, for example. Will they send you scurrying? You can end such anxieties--swiftly, and easily--with soapsuds. That's right--_soapsuds_! It's a novel way to complete holiday projects; glistening suds whipped up like snow will decorate your Christmas tree and gift boxes ... adorn your creche ... bring three-dimensional artwork to your mirrors and windows ... provide an effective safety valve for your youngsters' excitement. "Suds-snow" not only works like magic, it's as simple to produce as rubbing Aladdin's lamp. All you do is pour several cups of packaged soap (or detergent) and a minimum of water into a bowl. Beat with an electric or hand mixer until suds have the consistency of whipped cream--and you're ready to decorate! Start with your Christmas tree. Realistic suds-snow will bring that white Christmas to your evergreen--no matter what the weather _outside_. Using a spoon, drift some "snow" artistically on the boughs of your tree. If the tree is white, add vegetable coloring while mixing your suds to achieve a beautiful color contrast. (A similar "snowfall" provides just the right decor for the roof of your creche and on holly and evergreen sprigs that surround it.) [Illustration: Invitation to the family to gather round for Christmas carols--the piano topped with a creche and holiday greens. Snow suds on the creche and branches add beauty to the scene. That big tree-background is red paper, decorated with homemade snowflakes made by squeezing a thick soap-and-water mixture through a cookie press. When dry, glue them to the paper with rubber cement.] [Illustration: This little Christmas tree never saw a forest--or real snow either for that matter! But here it stands, proudly laden with lacy golden cones, made of gold paper doilies, and filled with toothsome sweets. A delightful young decorator is heaping the life-like plastic boughs with suds-snow as beautiful as any in the great outdoors--only not so perishable.] [Illustration: This youngster is just bubbling over with enthusiasm for her artwork. She feels just like one of Santa's helpers at the North Pole--because she's able, with a bowl of suds-snow and tempera paint, to make almost all the Christmas presents for her gift list. Shown here are a stationery holder and a pencil holder for her dad; the picture above is for mother to hang in the playroom; and the Christmas card holder is a gift for the house!] After "frosting" your tree, complete your decoration with distinctive ornaments made from the same basic soap--but mixed to a stiff, dough-like consistency. For example, fill a cookie press with these thick suds. Then press snowflake circles or diamonds--with holes in the middle--onto a cookie sheet, and add glitter for a sparkling touch. Let them dry for 24 hours and they're ready to be tied to the boughs of your tree with colorful ribbons or strings. You can also glue them to any flat surface. Versatile suds-snow comes in handy for decorating gift packages, too. Just wrap your presents with attractive paper ... fill a pastry tube with medium dense suds ... and you're ready to "draw" any appropriate design for the occasion--initials, messages, snowflakes, candy cane, or what have you. Place these on the broadest surface of your box and accent them with holly sprigs or miniature balls. You'll find you've created the most distinctive packages under your tree! There's one more happy side to the advent of snow-suds for the Yule season. They provide a constructive medium for your children--a happy outlet during your flurry of Yuletide activity. Let them have fun decorating the mirrors and windows of their rooms with Christmas pictures. Armed with no more than paint brushes and a bowlful of thick suds, they can create striking 3-D effects--that wash off after the holidays easily as any soap does, leaving your mirrors and windows cleaner than ever! Youngsters can also make Christmas gifts from suds! One idea: a pencil holder made from an empty frozen juice can. First, the top has to be removed. Then your child colors the can, using a mixture of one teaspoon of soap or detergent to two or three teaspoons of tempera. This is an important recipe because tempera paints adhere to shiny, waxed, or metal surfaces only when soap or detergent is added. After the paint dries, Junior or Sis can design a suds-snow picture over it to provide an eye-catching decoration--and an attractive gift for any member of the family. No matter which of these refreshing soap-suds decorations you use, remember to let it dry for 24 hours. It will remain bright as frost in the moonlight for a Christmas-through-New Year's decoration that brings cheer to your holiday guests. [Illustration: (uncaptioned)] A Viking legend has it that the Lord sent his three messengers, Faith, Hope, and Love to aid a missionary by seeking out a tree for lighting that was as high as faith, as eternal as hope, as wide spread as love, and which bore the sign of the cross on every branch. After due consideration, they selected the balsam fir as the tree most nearly meeting these specifications. L. D. "LEW" HAMMER Landscape Contractor Tel. WE 5-5938 DENVER BOTANIC GARDENS _Photos by Jack Fason_ [Illustration: The Alpine Unit--This natural area is located on Mt. Goliath above Echo Lake. Here foot trails lead through timberline trees, rock formations and carpets of alpine flowers. The first of our zonal units, it will serve as a testing ground for high altitude and Arctic plants.] [Illustration: City Park Unit--This area of approximately 100 acres now contains the major collection of roses, lilacs, evergreens, iris, crabapples, tulips and chrysanthemums.] [Illustration: Botanic Gardens House--This unit, acquired in March, has become the center of horticultural activity for the metropolitan area. Over 6000 persons have made use of its facilities for meetings, lectures, and information.] [Illustration: The Herbaceous Unit--Also newly acquired, but showing considerable progress. Major construction items such as the fence, sprinkler system, walks and parking lot are completed. In addition there are plantings of roses, iris, hemerocallis, annuals, peonies, tulips and some lawn area.] FRANKINCENSE AND MYRRH The Bible says that when Jesus was born in Bethlehem, "behold, there came wise men from the east". It does not say how many but tradition has it that they were three magi or, perhaps, three kings. "And when they were come into the house, they saw the young child with Mary its mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto Him gifts; gold, and frankincense, and myrrh." At the end of His life on earth, after the crucifixion, we are told that Nicodemus brought a mixture of myrrh and aloes, "about an hundred pound weight", which they placed in the linen shroud, "as the manner of the Jews is to bury." Throughout the Bible, including the 37th chapter of Genesis and the 18th of Revelations, those two exotic spices--frankincense and myrrh--are mentioned again and again. When Jehovah spake unto Moses on Mount Sinai, specifying how the tabernacle, the ark and the altar must be built, He also commanded that the holy ointment should contain prescribed quantities of pure myrrh and three other spices mixed with olive oil; further, the sacred perfume or incense should contain equal quantities of pure frankincense and three "sweet spices". These and other ordinances in the Mosaic Law were probably influenced by customs and observances in Egypt where the Children of Israel had lived for 430 years and Moses had grown up as a prince in Pharaoh's court. For thousands of years, spices had been brought to Egypt by camel caravans from India, Arabia and eastern Africa. From them, by secret formulas, the priests prepared several perfumes and ointments for religious rites and domestic use. At the feast of Isis the burnt offering was an ox, its body filled with frankincense and myrrh. When embalming their dead, the body was filled with myrrh, cassia and other fragrant materials, dried, wrapped in fine linen, and placed in a painted wooden case. Frankincense is a fragrant gum resin obtained from three or more of five species of trees--_the Boswellias_--that grow in Abyssinia and Somaliland in Africa, southern Arabia, India and the East Indies. Usually of small or medium size, they are related to the terebinth or turpentine tree and their compound leaves, with 7 to 9 glossy leaflets, are similar to those of a mountain ash. The gum, obtained by making deep gashes in the trunk and branches, and peeling back a few inches of bark below each cut, oozes in large white or amber "tears". After 3 or 4 months exposure they become hard and brittle, and are collected. During handling and shipping they become covered with white dust from rubbing against one another. They ignite readily, burn with a clear white flame, and give off a fragrant balsam-like odor because, in addition to resin and gum, they contain a volatile inflammable oil. The incense burned in a censer or thurible during rituals of Roman and Greek Catholic churches is a mixture of frankincense imported from India, Egypt and Somalia. Myrrh, also a fragrant gum resin, is obtained by similar methods from two species of shrubs or small trees that grow on rocky places in Abyssinia, Somaliland and Arabia. Their bark and wood have a strong fragrance. The gum, as it oozes from the stems and branches naturally or from the incisions made, is at first a soft sticky, somewhat oily, white or yellowish brown resin very bitter to the taste. It soon hardens into reddish-brown beads. --_From Nature Bulletin Forest Preserve District of Cook County, Ill._ The Widening of Colorado Boulevard at City Park By J. Harrison Belknap Our Association membership is indeed interested in the highway system within our city, and we are also interested in the beauty of Denver and our parks and their usefulness. The widening and relocation of Colorado Boulevard has been watched with interest and we are convinced that that important thoroughfare has been improved greatly. But we are concerned that in this improvement our fair city has lost valuable park area and that a beautiful planting of American Elms has been destroyed. Our concern is greatest because we fear that other contemplated highway changes may cut further into our dedicated park lands. In the light of the very definite interest of the Colorado Forestry and Horticulture Association in the welfare of our people, and the usefulness and beauty of the dedicated park lands, I have been asked by the Editorial Committee of "The Green Thumb" to study and report on the Colorado Boulevard situation and to provide a layman's analysis of the legal aspects as presented in the "Brief of the Plaintiff in Error". That brief was presented by Mr. I. H. Kaiser, attorney for the "Plaintiff in Error", Mrs. Madaline M. Welch. First of all, as I see it, I should provide some background for the Colorado Boulevard project. This I will do. It is known that the State Department of Highways has had a right-of-way through the city for Colorado Boulevard. That right-of-way embraces land that has been a part of City Park and land that, to all intents and purposes, has been a part of the private properties abutting on the boulevard. It was decided by the State Department of Highways to realign the boulevard and in the widening to cut largely from the park area on the west, or park, side of the thoroughfare, and to use only a small portion of the right-of-way on the east side of the boulevard, opposite City Park. On the basis of that decision all of the right-of-way land on the City Park side would be used for the realigned and widened highway, and an additional 17 feet of dedicated park land would also be used. This means that a total width of 35 feet would be taken from City Park. On the other hand, the right-of-way strip on the east and private property side to the street edge of the then existing sidewalk only would be required for the proposed realigned and widened street. Our City Council agreed to this decision and set up two enabling ordinances. In addition it was agreed, in a somewhat inconclusive interpolation, that the city would be given eight thousand dollars for the dedicated park land taken, or to provide new trees to compensate for those that would be destroyed as a result of the widening of the boulevard. Now, we are all aware that the realignment and widening of the boulevard has been accomplished, and we know that dedicated park land has been taken from City Park. In the initial court action the plaintiff asked for temporary and permanent restraint to prevent the use of dedicated park land for other than park purposes. But at the suggestion of the court, she agreed to refrain from pressing her motion for a preliminary injunction, with the understanding that the issues raised by her motion could be dealt with at once at the trial. The defendant agreed not to permit construction on the dedicated park land until after trial, or without giving the plaintiff sufficient advance notice to enable her to call the motion for a preliminary injunction for hearing. The trial was in open court. After due deliberation, the court decided the ordinances of the City Council of the City and County of Denver to be consistent with the trust empowered upon the Council to preserve dedicated park land within the borders of Denver. The defendants were then authorized to proceed with the widening of Colorado Boulevard utilizing dedicated park land as proposed. Suit was appealed to the Supreme Court of the State of Colorado by Mrs. Madaline M. Welch, "Plaintiff in Error", against the City and County of Denver and the State Highway Commission of the State of Colorado to have the ordinances declared null and void on the grounds that City Council did not have the authority to take dedicated park land for other than park purposes under existing statutes and common law. The further allegations of the plaintiff were that the greatest good for the greatest number of people as well as the public health, welfare and safety were not being served by the ordinances, and that the ordinances violated: a. The basic City Planning concept of the preservation of dedicated park land; b. the inviolability of dedicated park land; and c. the consideration of available and reasonable alternates which should have been investigated before consideration was given to the encroachment upon dedicated park land. The plaintiff has contended in the Supreme Court that error was committed in the Lower Court, and that the judgment given by that court should be reversed. It was stated in the brief that ordinances by City Council under the present charter did not have legal standing and that work should have been delayed until there had been a decision by the electorate of the City and County of Denver. A point made by the plaintiff is that the City Council may not, according to the City Charter, sell or lease land dedicated to park purposes. And it was then contended that the action by City Council was, to all intents and purposes, a sale or lease. On the other hand, the defendant claimed that an easement only had been granted. It is understood that the City bargained with the State Highway Department and was to receive eight thousand dollars, which sum was a consideration in return for the City granting the additional land, or an interest in the land, to the State Highway Department for use as a thoroughfare. It appears also, as mentioned in the foregoing, that this amount may be used to purchase nursery stock to compensate for the loss of the two rows of American Elms. As said before, we, as citizens of Denver, are vitally interested in our city and its services, including the thoroughfares, and we hope that the beauty of our parks and their usefulness can be maintained, and even bettered. We do not want to stand in the way of progress, but we are concerned that the action on Colorado Boulevard at City Park may constitute a precedent for similar violations of dedicated park land. We fear that our lovely Berkeley Park area and its lake will be reduced to but a small segment of its present size if presently considered plans are carried out. We respectfully appeal to the people of our fair city to be on guard against actions which do not consider all alternatives and which emphasize improvement in the arterial highway scheme, and which may tend to disregard the usefulness and beauty of our dedicated park lands. DIG THESE QUESTIONS [Illustration: DIG THESE QUESTIONS] Question: I recently received a potted azalea plant as a gift; can you give me some pointers on how to care for it? Answer: Azaleas prefer a cool place, but must have some sun. They like to be kept moist, and the leaves should be sprayed occasionally with clear water. They are subject to red spider, so watch for this pest. Spraying the leaves is a preventive measure. Since azaleas like acid soil, they seem to benefit from an occasional watering with a solution of a teaspoon of vinegar to a quart of water. In the summer the pot may be sunk in the soil in the shade and returned to the house in the autumn. With good care, your azalea should bloom again and can be maintained for a long time. Question: My neighbor uses the branches from her Christmas tree as a mulch on her tulip bed. Is this a good idea? Answer: Yes, branches from the Christmas tree make a good mulch for the tulip bed. They keep the soil from warming up too early, resulting in too quick growth and loss of bloom. They are useful for mulching perennial beds, too. Question: Could you give me the names of persons to contact about joining a garden club or plant society in our area? Answer: The following is a list of persons to contact for the major garden groups: Colorado Federation of Garden Clubs--Mrs. D. W. Viles, Durango; Mrs. C. C. Buckbee, 4190 Depew, Denver Men's Garden Club of Colorado--Arnold Perreten, 821 Adams, Denver Rose Society--Herbert C. Gundell, Westside Court Building, Denver Iris Society--Charles P. Gordon, 414 Eudora, Denver Gladiolus Society--W. H. Yarger, 12,500 Morrison Road, Denver Cactus Society--Mrs. A. L. Chambers, 850 Kearney, Denver Orchid Society--Gilman C. Daggett, 1260 Holly, Denver MARSHALL NURSERIES _Better Built Trees--Landscaping with Personality_ 5825 W. 16th Avenue BElmont 7-0446 Garden Club Briefs Mrs. Edmund Wallace, _Federated Garden Clubs_ The Regional Meeting of the National Council of Garden Clubs was held in Denver, October 16th, at the Shirley-Savoy Hotel. All seven states were represented. These included Wyoming, Montana, Utah, Nebraska, Kansas and South Dakota. Mrs. George Card, Chairman of the event, was ably assisted by Mrs. F. S. Mattocks, Co-Chairman. One of the honors for Colorado was the election of Mrs. C. C. Buckbee as Auditor for the Region, a new post created at this meeting. Mrs. Daniel Mooney, past president of the National Council of State Garden Clubs, is now working on the support and endowment of the permanent home of the National Council of State Garden Clubs, in St. Louis, Missouri. She suggested, at this Annual Meeting, that each Garden Club donate one dollar ($1.00) a year to the home, so that in four, or five years, the interest from this fund would completely cover the maintenance costs of this worthy project. Let's do some serious thinking regarding this suggestion. We are all delighted that Mrs. John Nickels was able to take a "few books" and go off to the northwest on a much deserved vacation at the conclusion of the Convention at Idaho Springs. The fact that she was elected president of Judges Council for the following year, means that she will soon be back on the job again with her own special brand of enthusiastic dedication to whatever task she undertakes. Mrs. Jeanette G. George of Boulder, is to be Secretary-Treasurer for the group. The Columbine Garden Club members of Idaho Springs, under the handicap of an unseasonal snow storm, were ideal hostesses for the Annual State Convention of Garden Clubs held in their city September 29, 30, and October 1. The many thoughtful services, recognition of those who have long given of their time and ability without reward or favor, beautifully planned decorations and souvenirs, as well as the Convention planning itself, was done in such a fine way that those who were forced to cancel their reservations felt deprived of a special experience in Garden Club Conventions. Please take a bow, all you wonderful Idaho Springs Garden Clubbers. MOUNTAIN PEAT FERTILIZERS _Nursery Stock and Evergreens_ McCoy & Jensen Nursery located 1 mi. west of South Wadsworth on the Morrison Road Morrison, Colorado WAlnut 2-1176 and WAlnut 2-1177 The Denver Forestry & Landscape Company Call us for your Tree Spraying, Trimming and Removal In Denver Since 1918 1677 S. Clarkson PEarl 3-1929 AFRICAN VIOLETS House Plants, Bowls, Planters, Plant Stands, Supplies. The New Book, "African Violet Variety List," Over 4000 Names and Descriptions, $2.50 CORYELL'S GREEN HOUSES 14,005 W. 64th (Hwy. 72) Arvada, Colo. Mrs. F. C. Vetting has announced the following new Life Members to Membership in the Colorado State Federation of Garden Clubs:-- Mrs. E. R. Abbott, Littleton Mrs. C. C. Buckbee, Denver Mrs. Glenn Clayton, Englewood Mrs. W. A. Crabtree, Denver Mrs. J. B. Delano, Denver Mrs. H. D. Duston, (deceased), Lakewood Mrs. Owen Goodspeed, Aurora Mrs. C. A. Hedburg, Denver Mrs. E. F. Hennessy, Arvada Mrs. T. L. Lewis, Arvada Mrs. L. T. Mickle, Denver Mrs. John Nickels, Littleton Mrs. Albert Petrick, Englewood Mrs. W. Ed Searle, Aurora Mrs. G. A. Seastone, Englewood Mrs. John Scott, Englewood Mrs. S. A. Turner, Denver Mrs. Peter Van Uithoven, Denver Mrs. R. C. Wilson, Englewood Mrs. J. L. Woodman, Englewood It is with great pleasure that I introduce to you your new "Garden Briefs" correspondent, the former Editor of _Colorado Composters_, Mrs. John Scott of Englewood. May she enjoy the association with the Editorial Committee of _The Green Thumb_ as much as I have. * CHRISTMAS SHOPPING FOR A GARDENING FRIEND, A NATURE LOVER, A NEW HOME OWNER. GIVE A LASTING GIFT, GIVE THE GREEN THUMB MAGAZINE Let a Membership to the COLORADO FORESTRY AND HORTICULTURE ASSOCIATION SAY _Merry Christmas_ FOR YOU Do Your Christmas Shopping the Easy Way. Use the Convenient Subscription Blank on the Reverse Side of This Page [Illustration: (uncaptioned)] Please Print My Name_________________________________ Street____________________________________ City_______________ Zone____ State____________ [_] Enter My Membership [_] Renew My Membership Classes of Membership: Supporting, $3.00; Sustaining, $5.00; Contributing, $10.00; Patron, $25.00; Donor, $100.00. Gift Membership Send to Name__________________________________ Street____________________________________ City_______________ Zone____ State____________ Gift Membership Send to Name__________________________________ Street____________________________________ City_______________ Zone____ State____________ _Make Checks Payable to Colorado Forestry and Horticulture Association_ IN APPRECIATION OF RAY T. MILLER By M. Walter Pesman [Illustration: Ray T. Miller] You could always depend on Ray Miller! We hear a great deal these days of "featherbedding", and we have seen some of it ourselves. I could only wish that those who are suspicious,--and the guilty ones as well, could have known Ray in his work, and in his attitude. He would always do his job well and conscientiously. Many of his horticultural accomplishments bear witness to his thorough way of doing things. I first knew him as superintendent of Berkeley Park, at that time one of the outlying parks. He carried out many of the improvements planned by the newly appointed Parks landscape architect, S. R. DeBoer. Both worked together for at least thirty years on the Denver Park System. Ray became superintendent of City Park, later he was in charge of the western division of all city parks. Whatever job was given him to do, everybody knew it was going to be done promptly and properly, and with full knowledge of our unusual conditions of Rocky Mountain horticulture. He became an expert on transplanting and on collecting native plant material. He'd always do just a little more than might be reasonably expected of him. Born in Springfield, Kansas, he moved to Denver in 1905 at the age of twenty-six. His was a happy family. The two sons soon made a place for themselves, even if they did not remain with horticulture. His wife was active in many civic affairs. When the Roadside Development program was initiated in Colorado, both Mr. Vail, the Highway engineer, and I, as landscape engineer, wanted Ray to take an active part as foreman and supervisor on the new jobs; a man was needed here who was familiar with nursery stock, including native plants, who could read blueprints with full understanding of what was planned, and who could deal with the public in many ways. Highway engineers are not always familiar with plants and their requirements. People adjoining roadside projects could not always see why they should cooperate in giving easements. Nursery contractors needed to be shown that the State Highways wanted to be fair and live up to specifications. The new landscape supervisor soon showed that he could make friends with all, and gain their respect and understanding. At times he had to carry out certain plans and specifications with his own crew. I remember one particular job in which he superintended the collecting, balling and burlapping of over a hundred rather large ponderosa pines in the midst of winter. They were planted just north of the Blakeland underpass: only one or two failed to survive the difficult ordeal. To this day they bear witness to his skill and know-how. After the roadside program was discontinued, due to the war, Mr. Miller was wanted at various jobs where his skills, horticultural knowledge, and his enormous capacity for work were needed. Not until recently was he willing to concede that a man approaching eighty ought not to attempt the physical labors of a younger man. Even then, he went on an arduous fishing trip after being an octogenarian! To many of us, interested in horticulture, Ray Miller represents a symbol. If only we could train a hundred men in his attitude and pass on to them his knowledge of practical plant methods, we'd feel safer about the future of horticulture in the Rocky Mountain region. He has made a place in Denver and Colorado for himself, that will survive, and that will serve as an inspiration for all of us who strive for the best in horticulture. COLORADO GARDEN SHOW APRIL 1-10-14 DENVER COLISEUM Preliminary plans and drawings for the Spring Garden Show have been accepted by the Show committee. From the preview of these plans it is easy to see that the residents of this area are in for a garden extravaganza second to none. The committee has accomplished the basic ground work for this spectacular show and is now ready to proceed with the additional planning and staging necessary to make it a reality in April. [Illustration: Mrs. Nickels and Mrs. Honnen discuss plans on how the Garden Show will be arranged in the scale model of the Denver Coliseum. The entire show will be planned and staged in the scale model so that everything will be in readiness for the actual show in April.] Featuring today's outdoor living, this show promises to be a great boon to gardening in the Rocky Mountains. Its success depends on the enthusiasm and cooperation of all the various gardening groups in the area. Your Association, confident of its success and recognizing its great educational value, is co-sponsoring this show with the Botanic Gardens. We urge you, as a member, to give it your enthusiastic approval and to pass the word on to your friends. FERTOSAN compost accelerator This bacteria concentrate will rot down leaves, garden waste, straw, etc., into valuable compost quickly. Free instructions. 1-ton unit $1; 4-ton unit $3 From Western Seed Co., and all good seedsmen. "Fertosan," West Jordan, Utah JOHN VAN WYK LANDSCAPING Lawn and Garden Maintenance SK 6-0789 2101 So. Adams _Seasonal Suggestions_ [Illustration: MERRY CHRISTMAS · CHRISTMAS GIFTS · WINTER READING · FOR THE BIRDS] This is the month of Evergreens. Their color and place in the landscape bridge the winter gap between summer and spring. At this season they are not only the dominant feature in the garden, but in the home as well, when they stand bedecked with tinsel and lights at Christmas. This is their shining hour. Theirs is the symbol of Christmas. It is also a time for gardeners to relax, that is if you haven't forgotten to hill up your roses or haven't had time to plant your spring flowering bulbs. Of course, Christmas preparations will take up some of the slack time, but a good gardener should find some time for reading, now and in the wintery months ahead. This is a gentle reminder that, as a member of the Association, you have lending privileges at the Helen Fowler Library at 909 York Street. This excellent library contains a great many books on all phases of gardening, and is open Monday through Friday from 8:30 a.m. to 5 p.m. Whether you are interested in roses or iris, bugs or plant diseases, landscaping or rock gardens, you will find an appropriate book in our library. To make your Christmas shopping easier, here are a few suggestions for your gardening friends. "The Green Thumb," itself, makes an excellent gift for the new home owner or novice gardener. Just use the gift blank on page 350 in this magazine. Good books on gardening, such as George Kelly's "Good Gardens in the Sunshine States", are welcome gifts. Your local garden shop is well stocked with tools and gimmicks that will make a hit with the weekend gardener. For the hard-to-please you will find gift certificates available at most of the nurseries and garden centers. House plants become more noticeable and attractive now that outdoor plants have faded from the limelight. Like the plants in our gardens, they need some attention if they are to perform well. The addition, about once a month, of a soluble fertilizer to their water will take care of their mineral requirements. Check them occasionally for aphids and mealy bugs. If only a few are present, they can be removed with a cotton swab and alcohol. However if there is a heavy infestation, take them outside on a warm day (60-70°) and spray with malathion. Frequent syringing or spraying of the foliage is beneficial to most house plants. Take care not to overwater plants in ceramic or plastic containers without drainage. Small quantities of charcoal in the bottom of such containers helps keep the soil sweet. While many of our birds have gone south for the winter, we find that many have taken up winter quarters here. When the weather is good, they seem to forage pretty well for themselves, but when snow covers the ground they are often hard pressed for food. Set up a bird feeding station in your yard and enjoy the antics of the different feathered personalities who come to take advantage of your winter hospitality. Some of the foods recommended for such a feeding station are: suet and fatty trimmings from meat; seeds of sunflower, pumpkin, millet, rye, barley, wheat, and numerous weed seeds. Most of the garden shops now carry mixed seeds for wild birds. In addition bread crumbs, popcorn, and nuts are welcome tidbits for the birds. Once you start a feeding station keep it filled. Birds learn to rely on finding food there and will suffer when you neglect it. One word in regard to the weather, if it should stay dry for any long period of time, 3 to 4 weeks, get out the hose and give everything, particularly the evergreens, a good soaking. Merry Christmas and a Happy New Year-- --Pat. [Illustration: (uncaptioned)] Can you think of a better gift for a new gardener or old than George Kelly's book, HOW TO HAVE GOOD GARDENS IN THE SUNSHINE STATES? It will be used and appreciated for many years. Available at Botanic Gardens House, at book stores, or from the author at the COTTONWOOD GARDEN SHOP, 4849 South Santa Fe Drive, Littleton. GEORGE and SUE Cottonwood Garden Shop 4849 South Santa Fe Drive PYramid 4-0430 1959 Index ANNUALS 1959 All-America Selection, W. R. Hastings, Jan.-Feb., P. 21 BIOGRAPHIES Passing of an Outdoorsman--Dr. R. Lanier, George Kelly, Jan.-Feb., P. 27 New Director Appointed for Denver's Botanic Garden, Fred Johnson, August, P. 221 Melanie B. Brown in Retrospect and Prospect, M. Walter Pesman, August, P. 238 Introducing a New Member of the Green Thumb Staff, Sept., P. 258. L. D. Hammer Employs Turf Expert, Sept., P. 264 Personal Item About Mrs. Sue McLane (Mrs. George), M. Walter Pesman, Oct., P. 302 The Extraordinary Apple Doll Lady, Lilygayle Fleischer, Nov.-Dec., P. 335 In Appreciation of Ray T. Miller, M. Walter Pesman, Nov.-Dec., P. 351 BIRDS There's Something About a Waxwing, James B. Stewart, June, P. 174 BOOK REVIEWS August, P. 243 In Our Library! Oct., P. 317 In Our Library! Nov.-Dec., P. 358 BOTANIC GARDENS Denver Botanic Gardens, April, P. 78 Denver Botanic Gardens, May, P. 113 The Voice of a Layman, Mrs. Garrey, June, P. 166 The Royal Botanic Gardens at Kew, M. Walter Pesman, July, P. 196 New Director Appointed for Denver's Botanic Gardens, Fred Johnson, August, P. 221 Iris Planting in the Botanic Garden, Mrs. Howard Housley, Sept., P. 268 Denver Botanic Gardens, Frances Novitt, Sept., P. 269 Progress at Botanic Gardens, Photos by Pat, Sept., P. 270 Denver Botanic Gardens Dedication, Dr. A. C. Hildreth, Oct., P. 293 Iris Planting at Botanical Gardens, Mrs. Howard Housley, Oct., P. 295 Denver Botanic Gardens, Nov.-Dec., P. 342 BULBS Experts Recommend Locations for Dutch Bulb Planting, Sept., P. 259 Look Ahead to Next Spring--Plant Bulbs Now, Sept., P. 261 CENTENNIAL The Ghost of a Past, Loay Winifred Boggess, June, P. 156 Centennial Musings on Agriculture, Lilygayle Fleischer, Sept., P. 272 Hail the Lowly Rhubarb, Helen Marsh Zeiner, Sept., P. 281 Those Colorado Spuds, Helen Marsh Zeiner, Oct., P. 316 COLORADO FORESTRY AND HORTICULTURE ASS'N Operation 5000, Jan.-Feb., P. 5 Through the Garden Gate, S. R. DeBoer, Jan.-Feb., P. 20 Auld Lang Syne, March, P. 41 Historic Association Gavel Changes Hands, March, P. 42 President's Report, March, P. 43 Plant Auction, April, P. 77 Centennial Garden Tour, June, P. 149 Centennial Garden Tour, July, P. 185 Winners of Door Prizes on Look and Learn Tour, Aug., P. 250 Chuck Wagon Roundup, Vella Hood Conrad, Sept., P. 257 Board of Trustees, Oct., P. 304 CONSERVATION Flowers Around the World, Olaus J. Murie, Jan.-Feb., P. 28 What Value Air Rights, Julia Jane Silverstein, March, P. 49 Wasteland, from "More in Anger," Marya Mannes, July, P. 187 Penstemons in Cultivation, Sue McLane, Aug., P. 223 Concerning Trees, Aug., P. 246 Mission 66 and Mesa Verde National Park, Mrs. Jean Pinkley, Oct., P. 296 CULTURAL PRACTICES Plant Propagation Practices--Hardwood Cuttings, Bill Lucking, Jan.-Feb., P. 17 Living with Roses, Clyde Learned, March, P. 45 Seed Propagation, Bill Lucking, March, P. 53 Living Screens, Robin Long, April, P. 83 How to Start Your Own Plants from Softwood Cuttings, Bill Lucking, April, P. 89 Our Garden Lilacs, John Wister, May, P. 114 Propagation by Division, Bill Lucking, May, P. 121 Pruning Time for Roses, Clyde Learned, May, P. 134 A New Lawn-Patching Method, Robert Schery, June, P. 169 Timely Tips, June, P. 176 How to Make a Good Rock Garden, George Kelly, July, P. 188 Experts Recommend Locations for Dutch Bulb Planting, Sept., P. 259 Look Ahead to Next Spring--Plant Bulbs Now, Sept., P. 261 Dig In and See, George Kelly (Seasonal Suggestions), Sept., P. 285 "Mums" The Word, Mrs. J. R. Travis, Oct., P. 318 Operation Tree Salvage, Pat Gallavan, Nov.-Dec., P. 329 DO-IT-YOURSELF Native Plant Material for Dried Arrangements, Sept., P. 267 Double Life of a Soap Sud, Cleanliness Bureau, Nov.-Dec., P. 339 FLORAL ARRANGEMENTS Flower Arranging for the Beginner, Mrs. J. A. Seastone, Sept., P. 278 FORESTRY The Colorado State Forest Service, Dale Shaw, April, P. 101 Diamond Jubilee of the Colorado State Forest Service, Fred Johnson, July, P. 207 GARDEN CLUBS Garden Club Briefs, Mrs. E. Wallace, Jan.-Feb., P. 16 Garden Club Briefs, Mrs. E. Wallace, March, P. 67 Garden Club Briefs, Mrs. E. Wallace, April, P. 100 Garden Club Briefs, Mrs. E. Wallace, May, P. 136 Garden Club Briefs, Mrs. E. Wallace, June, P. 165 Garden Club Briefs, Mrs. E. Wallace, July, P. 212 Durango Garden Club Beautifies Town, Pat Gallavan, Aug., P. 230 Garden Club Briefs, Mrs. E. Wallace, Aug., P. 242 Garden Club Briefs, Mrs. E. Wallace, Sept., P. 266 Garden Club Briefs, Mrs. John Nickels, Oct., P. 311 Burlington Garden Club Landscapes Hospital Grounds, Bessie M. Wilson, Oct., P. 313 Garden Club Briefs, Mrs. E. Wallace, Nov.-Dec., P. 348 GARDEN SUPPLIES AND PRODUCTS What's New? Pauline Steele, Jan.-Feb., P. 30 Easier Gardening This Summer, April, P. 87 What's New? April, P. 104 What's New? May, P. 136 What's New? June, P. 171 HERBS Herbs and Barbecuing are Gourmet Partners, Mrs. Hayes W. Neil, July, P. 202 HORTICULTURE ORGANIZATIONS Swingle Memorial Fund, George W. Kelly, Jan.-Feb., P. 32 Fifteenth International Horticulture Congress, March, P. 64 Rocky Mountain Chapter of Landscape Architects Joins National Group, Aug., P. 240 Spring Garden Show, Nov.-Dec., P. 352 HOUSE PLANTS Orchids as House Plants, Rebecca Northern, Jan.-Feb., P. 7 Tropical Plants Add Interest Indoors, Jan.-Feb., P. 12 How to Care for Indoor Plants, Jan.-Feb., P. 14 LANDSCAPE DESIGN How I Landscaped My Backyard, Clayton Greenleaf, Jan.-Feb., P. 24 What Value Air Rights, Julia Jane Silverstein, March, P. 49 Use Sense and Save Dollars, Julia Andrews, March, P. 58 Improve the Personality of Your House, March, P. 60 Tackle Your Garden Problems Systematically, April, P. 80 Living Screens, Robin Long, April, P. 83 Design in Flower Beds, M. Walter Pesman, May, P. 125 Garden Accents, Photos by Pat Gallavan, May, P. 130 A Game Court in the Garden, E. A. Johnson, June, P. 161 How to Make a Good Rock Garden, George Kelly, July, P. 188 Downtown's Barren "Wall Street" Green With Trees, Vivian C. Anderson, July, P. 204 Durango Garden Club Beautifies Town, Pat Gallavan, Aug., P. 230 Bathe Your Home With Light, Aug., P. 232 Scorecard for Judging Home Grounds, M. Walter Pesman, Aug., P. 244 Burlington Garden Club Landscapes Hospital Grounds, Bessie M. Wilson, Oct., P. 313 LAWNS Lawn Grass Research, Jan.-Feb., P. 31 A New Lawn-Patching Method, Robert Schery, June, P. 169 LETTERS TO THE EDITOR August, P. 248 September, P. 284 LIBRARY In Our Library! Oct., P. 317 In Our Library! Nov.-Dec., P. 358 MEETINGS AND REPORTS President's Report, March, P. 43 Fifteenth International Horticultural Congress, March, P. 64 Centennial Garden Tour, June, P. 149 Centennial Garden Tour, July, P. 185 Rocky Mountain Chapter of Landscape Architects Joins National Group, Aug., P. 240 Winners of Door Prizes on Look and Learn Tour, Aug., P. 250 Colorado Forestry and Horticulture Association Board of Trustees, Oct., P. 304 NATURE TRIPS You Can't Miss Them in August, M. Walter Pesman, Aug., P. 226 A Flower Trip and Contest for August, Moras Shubert, Aug., P. 228 ORCHIDS Orchids as House Plants, Rebecca Northern, Jan.-Feb., P. 7 PARKS Good Progress Has Been Made in Providing Better Roadside Parks, April, P. 97 The Tiger Is Through the Gate, Grady Clay, June, P. 172 Park Invasion Worries Group, June, P. 173 Mission 66 and Mesa Verde National Park, Mrs. Jean Pinkley, Oct., P. 296 Regional Parks Plan, Arnold Perretin, Oct., P. 303 A History of the Denver Parks, S. R. De-Boer, Oct., P. 305 The Widening of Colorado Boulevard at City Park, Dr. J. H. Belknap, Nov.-Dec., P. 345 PERENNIALS AND BIENNIALS Iris Puts on a New Face, Ann Long, June, P. 152 Penstemons in Cultivation, Aug., P. 223 Hail the Lowly Rhubarb! Helen Zeiner, Sept., P. 281 New Bird Mums, Sept., P. 282 "Mums" The Word, Mrs. Jay R. Travis, Oct., P. 318 PLANT PROPAGATION Plant Propagation Practices--Hardwood Cuttings, Bill Lucking, Jan.-Feb., P. 17 Seed Propagation, Bill Lucking, March, P. 53 How to Start Your Own Plants From Softwood Cuttings, Bill Lucking, April, P. 89 Propagation by Division, Bill Lucking, May, P. 121 POEMS Anonymous, April, P. 106 Who Tends a Garden, Elizabeth Demaria, Sept., P. 280 Cedar Waxwing, L. Young Correthers, Oct., P. 315 ROCK GARDENS, POOLS, FOUNTAINS How to Make a Good Rock Garden, George Kelly, July, P. 188 Water in the Garden, Julia Jane Silverstein, July, P. 198 QUESTIONS AND ANSWERS Dig These Questions, Helen Zeiner, Oct., P. 320 Dig These Questions, Helen Zeiner, Nov.-Dec., P. 347 RECIPES Herbs and Barbecuing are Gourmet Partners, Mrs. Hayes W. Neil, July, P. 202 ROSES Living With Roses, Clyde Learned, March, P. 45 So You Think the Price You Pay for a Rose Bush is too High? March, P. 50 Pruning Time for Roses, Clyde Learned, May, P. 134 SEASONAL SUGGESTIONS January-February, P. 33 March, P. 69 April, P. 105 May, P. 141 June, P. 177 July, P. 213 August, P. 249 September, P. 285 October, P. 321 November-December, P. 353 SHRUBS Living Screens, Robin Long, April, P. 83 SPECIFIC PLANTS The Bug-Killing Daisies, May, P. 137 Voters Can Help Congress Pick National Floral Emblem, Oct., P. 300 Frankincense and Myrrh, Nature Bulletin, Cook County Forest Preserve, Nov.-Dec., P. 344 TREES Dwarf Fruit Trees, Frederic Adams, April, P. 93 Wetwood, Charles Drage, May, P. 133 Concerning Trees, Aug., P. 246 Native Son, J. A. Bixby, Sept., P. 276 Why City Trees Die, Dorothy E. Hansell, Oct., P. 299 Operation Tree Salvage, Pat Gallavan, Nov.-Dec., P. 329 Tax Deductions for Trees Lost in Storms, Shade Tree Digest, Nov.-Dec., P. 333 TROPICAL PLANTS Tropical Plants Add Interest Indoors, Jan.-Feb., P. 12 How to Care for Indoor Plants, Jan.-Feb., P. 14 VEGETABLES 1959 All-America Selections, W. Ray Hastings, Jan.-Feb., P. 21 Back to the Cabbage Patch, Herbert Gundell, April, P. 95 WILDFLOWERS Penstemons in Cultivation, Sue McLane, Aug., P. 223 You Can't Miss Them in August, M. Walter Pesman, Aug., P. 226 A Flower Trip and Contest for August, Moras Shubert, Aug., P. 228 Mother Nature's Fancy Work, Marjorie Shepherd, Aug., P. 229 Wild Flowers from Seed, Helen Zeiner, Sept., P. 265 In Our Library! _Christmas Lighting and Decorating--Outdoors and Indoors_, Theodore Saros. Van Nostrand. "Here is a store house of ideas and suggestions the whole family can enjoy in preparing home Christmas decorations both outdoors and indoors." "Tips for competing in Christmas lighting display contests are given and helpful hints on photographing decorations are included." "Decorating projects utilize traditional materials but also emphasize the unusual." Publisher. _Christmas Idea Book_, Dorothy Biddle and Dorothea Blom. Interesting use of traditional Christmas materials and some other plant materials in arrangements and decorations for tables, mantels, doorways, and Christmas wreaths and trees. _Decorating with Pods and Cones_, Eleanor Van Rensselaer. Van Nostrand. Selection, preparation and use of pods, seeds, cones, berries, nuts, the dried bough, bark, lichen, and burr in original and interesting home decorations. _Old Roses for Modern Gardens_, Richard Thomson. Van Nostrand. An interesting and scholarly history and description of the old roses of Europe and the Orient with an evaluation of the old varieties the author has grown. Appendices list roses for special purposes; the top 30 old roses from Will Tillotson's collection of 150 and growers of old roses in the United States. _The Complete Book of Gardening and Lawn Care_, Will Peigelbeck. Random House. This book is arranged so that "you start with the site itself, learn about soils and plant foods, then go on to lawns, different flowers, shrubs and trees, and fruits and vegetables. After this comes discussion of special points, such as controlling insects and growing your own plants from seeds and cuttings." Author's Foreword. --E.T.L. _Merry Christmas and Happy New Year_ from W. W. Wilmore Nurseries 38th and Wadsworth Wheatridge HA 4-5584 _Visit Our Garden Shop and Select Your Christmas Presents from Our Large Selection of Unusual Gifts Shop the Easy Way--Phone or Send in for Your Gift Certificates_ Merry Christmas and the Best of Gardening for 1960 ALAMEDA NURSERY, Inc. _Denver's Garden Center_ 2645 W. Alameda Ave. Write or call for free catalogue WE 5-3528 SERVICE . . . QUALITY . . . DEPENDABILITY . . . _Peerless Printing Co._ 1989 BROADWAY TA 5-3368 Transcriber's Notes --Silently corrected a few typos. --Retained publication information from the printed edition: this eBook is public-domain in the country of publication. --In the text versions only, text in italics is delimited by _underscores_. --Included advertisements within boxes to clarify text flow. --Transcribed text within advertisements, but omitted images and ignored some font changes. *** END OF THE PROJECT GUTENBERG EBOOK THE GREEN THUMB, NOV.-DEC. 1959, VOL. 16, NO. 10 *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.