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Title: The Modern Scottish Minstrel, Volume IV.
The Songs of Scotland of the Past Half Century
Author: Various
Release Date: October 11, 2006 [EBook #19525]
Language: English
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IN SIX VOLUMES;
VOL. IV.
EDINBURGH:
ADAM & CHARLES BLACK, NORTH BRIDGE,
BOOKSELLERS AND PUBLISHERS TO HER MAJESTY.
M.DCCC.LVI.
EDINBURGH:
PRINTED BY BALLANTYNE AND COMPANY,
PAUL'S WORK.
TO
FRANCIS BENNOCH, ESQ., F.S.A.,
ONE OF THE MOST ACCOMPLISHED OF LIVING SCOTTISH SONG-WRITERS,
AND THE MUNIFICENT PATRON OF MEN OF LETTERS,
THIS FOURTH VOLUME
OF
The Modern Scottish Minstrel
IS DEDICATED,
WITH SINCERE REGARD AND ESTEEM,
BY
HIS VERY FAITHFUL SERVANT,
CHARLES ROGERS.
It is exceedingly difficult to settle the exact place of, as well as to compute the varied influences wielded by, a great original genius. Every such mind borrows so much from his age and from the past, as well as communicates so much from his own native stores, that it is difficult to determine whether he be more the creature or the creator of his period. But, ere determining the influence exerted by Burns on Scottish song and poetry, it is necessary first to inquire what he owed to his predecessors in the art, as well as to the general Scottish atmosphere of thought, feeling, scenery and manners.
First of all, Burns felt, in common with his forbears in the genealogy of Scottish song, the inspiring influences breathing from our mountain-land, and from the peculiar habits and customs of a "people dwelling[Pg vi] alone, and not reckoned among the nations." He was not born in a district peculiarly distinguished for romantic beauty—we mean, in comparison with some other regions of Scotland. The whole course of the Ayr, as Currie remarks, is beautiful; and beautiful exceedingly the Brig of Doon, especially as it now shines through the magic of the Master's poetry. But it yields to many other parts of Scotland, some of which Burns indeed afterwards saw, although his matured genius was not much profited by the sight. Ayrshire—even with the peaks of Arran bounding the view seaward—cannot vie with the scenery around Edinburgh; with Stirling—its links and blue mountains; with "Gowrie's Carse, beloved of Ceres, and Clydesdale to Pomona dear;" with Straths Tay and Earn, with their two fine rivers flowing from finer lakes, through corn-fields, woods, and rocks, to melt into each other's arms in music, near the fair city of Perth; with the wilder and stormier courses of the Spey, the Findhorn, and the Dee; with the romantic and song-consecrated precincts of the Border; with the "bonnie hills o' Gallowa" and Dumfriesshire; or with that transcendent mountain region stretching up along Lochs Linnhe, Etive, and Leven—between the wild, torn ridges of Morven and Appin—uniting Ben Cruachan to Ben Nevis, and including in its sweep the lonely and magnificent Glencoe—a region unparalleled in wide Britain for its quantity and variety of desolate grandeur, where every shape is bold, every shape blasted, but all blasted at such different angles as to produce endless diversity, and yet where the whole seems twisted into a certain terrible harmony; not to speak of the glorious isles
Iona, which, being interpreted, means the "Island of[Pg vii] the Waves," the rocky cradle of Scotland's Christianity; Staffa with grass growing above the unspeakable grandeur which lurks in the cathedral-cave below, and cows peacefully feeding over the tumultuous surge which forms the organ of the eternal service; and Skye, with its Loch Coriskin, piercing like a bright arrow the black breast of the shaggy hills of Cuchullin. Burns had around him only the features of ordinary Scottish scenery, but from these he drank in no common draught of inspiration; and how admirably has he reproduced such simple objects as the "burn stealing under the lang yellow broom," and the "milk-white thorn that scents the evening gale," the "burnie wimplin' in its glen," and the
These objects constituted the poetry of his own fields; they were linked with his own joys, loves, memories, and sorrows, and these he felt impelled to enshrine in song. It may, indeed, be doubted if his cast of mind would have led him to sympathise with bold and savage scenery. In proof of this, we remember that, although he often had seen the gigantic ridges of Arran looming through the purple evening air, or with the "morning suddenly spread" upon their summer summits, or with premature snow tinging their autumnal tops, he never once alludes to them, so far as we remember, either in his poetry or prose; and that although he spent a part of his youth on the wild smuggling coast of Carrick, he has borrowed little of his imagery from the sea—none, we think, except the two lines in the "Vision"—
His descriptions are almost all of inland scenery. Yet, that there was a strong sense of the sublime in his mind is manifest from the lines succeeding the above—
as well as from the delight he expresses in walking beside a planting in a windy day, and listening to the blast howling through the trees and raving over the plain. Perhaps his mind was most alive to the sublimity of motion, of agitation, of tumultuous energy, as exhibited in a snow-storm, or in the "torrent rapture" of winds and waters, because they seemed to sympathise with his own tempestuous passions, even as the fierce Zanga, in the "Revenge," during a storm, exclaims—-
Probably Burns felt little admiration of the calm, colossal grandeur of mountain-scenery, where there are indeed vestiges of convulsion and agony, but where age has softened the storm into stillness, and where the memory of former strife and upheaving only serves to deepen the feeling of repose—vestiges which, like the wrinkles on the stern brow of the Corsair,
With these records of bygone "majestic pains," on the other hand, the genius of Milton and Wordsworth seemed made to sympathise; and the former is never greater than standing on Niphates Mount with Satan,[Pg ix] or upon the "hill of Paradise the highest" with Michael, or upon the "Specular Mount" with the Tempter and the Saviour; and the latter is always most himself beside Skiddaw or Helvellyn. Byron professes vast admiration for Lochnagar and the Alps; but the former is seen through the enchanting medium of distance and childish memory; and among the latter, his rhapsodies on Mont Blanc, and the cold "thrones of eternity" around him, are nothing to his pictures of torrents, cataracts, thunderstorms; in short, of all objects where unrest—the leading feeling in his bosom—constitutes the principal element in their grandeur. It is curious, by the way, how few good descriptions there exist in poetry of views from mountains. Milton has, indeed, some incomparable ones, but all imaginary—such, at least, as no actual mountain on earth can command; but, in other poets, we at this moment remember no good one. They seem always looking up to, not down from, mountains. Wordsworth has given us, for example, no description of the view from Skiddaw; and there does not exist, in any Scottish poetical author, a first-rate picture of the view either from Ben Lomond, Schehallion, Ben Cruachan, or Ben Nevis.
After all, Burns was more influenced by some other characteristics of Scotland than he was by its scenery. There was, first, its romantic history. That had not then been separated, as it has since been, from the mists of fable, but lay exactly in that twilight point of view best adapted for arousing the imagination. To the eye of Burns, as it glared back into the past, the history of his country seemed intensely poetical—including the line of early kings who pass over the stage of Boece' and Buchanan's story as their brethren over the magic glass of Macbeth's witches—equally fantastic and equally[Pg x] false—the dark tragedy of that terrible thane of Glammis and Cawdor—the deeds of Wallace and Bruce—the battle of Flodden—and the sad fate of Queen Mary; and from most of these themes he drew an inspiration which could scarcely have been conceived to reside even in them. On Wallace, Bruce, and Queen Mary, his mind seems to have brooded with peculiar intensity—on the two former, because they were patriots; and on the latter, because she was a beautiful woman; and his allusions to them rank with the finest parts in his or any poetry. He seemed especially adapted to be the poet-laureate of Wallace—a modern edition, somewhat improved, of the broad, brawny, ragged bard who actually, it is probable, attended in the train of Scotland's patriot hero, and whose constant occupation it was to change the gold of his achievements into the silver of song. Scottish manners, too, as well as history, exerted a powerful influence on Scotland's peasant-poet. They were then far more peculiar than now, and had only been faintly or partially represented by previous poets. Thus, the christening of the wean, with all its ceremony and all its mirth—Hallowe'en, with its "rude awe and laughter"—the "Rockin'"—the "Brooze"—the Bridal—and a hundred other intensely Scottish and very old customs, were all ripe and ready for the poet, and many of them he has treated, accordingly, with consummate felicity and genius. It seems almost as if the final cause of their long-continued existence were connected with the appearance, in due time, of one who was to extract their finest essence, and to embalm them for ever in his own form of ideal representation.
Burns, too, doubtless derived much from previous poets. This is a common case, as we have before[Pg xi] hinted, with even the most original. Had not Shakspeare and Milton been "celestial thieves," their writings would have been far less rich and brilliant than they are; although, had they not possessed true originality, they would not have taken their present lofty position in the world of letters. So, to say that Burns was much indebted to his predecessors, and that he often imitated Ramsay and Fergusson, and borrowed liberally from the old ballads, is by no means to derogate from his genius. If he took, he gave with interest. The most commonplace songs, after they had, as he said, "got a brushing" from his hands, assumed a totally different aspect. Each ballad was merely a piece of canvas, on which he inscribed his inimitable paintings. Sometimes even by a single word he proclaimed the presence of the master-poet, and by a single stroke exalted a daub into a picture. His imitations of Ramsay and Fergusson far surpass the originals, and remind you of Landseer's dogs, which seem better than the models from which he drew. When a king accepts a fashion from a subject, he glorifies it, and renders it the rage. It was in this royal style that Burns treated the inferior writers who had gone before him; and although he highly admired and warmly praised them, he must have felt a secret sense of his own vast superiority.
We come now shortly to speak of the influence he has exerted on Scottish poetry. This was manifold. In the first place, a number were encouraged by his success to collect and publish their poems, although few of them possessed much merit; and he complained that some were a wretched "spawn" of mediocrity, which the sunshine of his fame had warmed and brought forth prematurely. Lapraik, for instance, was induced by the praise of Burns to print an edition of his poems,[Pg xii] which turned out a total failure. There was only one good piece in it all, and that was pilfered from an old magazine. Secondly, Burns exerted an inspiring influence on some men of real genius, who, we verily believe, would, but for Burns, have never written, or, at least, written so well—such as Alexander Wilson, Tannahill, Macneil, Hogg, and the numerous members of the "Whistle-Binkie" school. In all these writers we trace the influence of the large "lingering star" of the genius of Burns. "Wattie and Meg," by Wilson, when it first appeared anonymously, was attributed to Burns. Tannahill is, in much of his poetry, an echo of Burns, although in song-writing he is a real original. Macneil was roused by Burns' praises of whisky to give a per contra, in his "Scotland's Scaith; or, the History of Will and Jean." And although the most of Hogg's poetry is entirely original, we find the influence of Burns distinctly marked in some of his songs—such as the "Kye come Hame."
But there is a wider and more important light in which to regard the influence of our great national Bard. He first fully revealed the interest and the beauty which lie in the simpler forms of Scottish scenery, he darted light upon the peculiarities of Scottish manners, and he opened the warm heart of his native land. Scotland, previous to Burns' poetry, was a spring shut up and a fountain sealed.
The glories of her lakes, her glens, her streams, her mountains, the hardy courage, the burning patriotism, the trusty attachments, the loves, the games, the superstitions, and the devotion of her inhabitants, were all[Pg xiii] unknown and unsuspected as themes for song till Burns took them up, and less added glory than shewed the glory that was in them, and shewed also that they opened up a field nearly inexhaustible. Writers of a very high order were thus attracted to Scotland, not merely as their native country, but as a theme for poetry; and, while disdaining to imitate Burns' poetry slavishly, and some of them not writing in verse at all, they found in Scottish subjects ample scope for the exercise of their genius; and in some measure to his influence we may attribute the fictions of Mrs Hamilton and Miss Ferrier, Scott's poems and novels, Galt's, Lockhart's, Wilson's, Delta's, and Aird's tales and poetry, and much of the poetry of Campbell, who, although he never writes in Scotch, has embalmed, in his "Lochiel's Warning," "Glenara," "Lord Ullin's Daughter," some interesting subjects connected with Scotland, and has, in "Gertrude of Wyoming," and in the "Pilgrim of Glencoe," made striking allusions to Scottish scenery. That the progress of civilisation, apart from Burns, would have ultimately directed the attention of cultivated men to a country so peculiar and poetical as Scotland cannot be doubted; but the rise of Burns hastened the result, as being itself a main element in propelling civilisation and diffusing genuine taste. His dazzling success, too, excited emulation in the breasts of our men of genius, as well as tended to exalt in their eyes a country which had produced such a stalwart and gifted son. We may, indeed, apply to the feeling of pride which animates Scotchmen, and particularly Scotchmen in other lands, at the thought of Burns being their countryman, the famous lines of Dryden[Pg xiv]—
The poor man, says Wilson, as he speaks of Burns, always holds up his head and regards you with an elated look. Scotland has become more venerable, more beautiful, more glorious in the eyes of her children, and a fitter theme for poetry, since the feet of Burns rested on her fields, and since his ardent eyes glowed with enthusiasm as he saw her scenery, and as he sung her praise; while to many in foreign parts she is chiefly interesting as being (what a portion of her has long been called) the Land of Burns.
The real successors of Burns, it is thus manifest, were not Tannahill or Macneil, but Sir Walter Scott, Campbell, Aird, Delta, Galt, Allan Cunningham, and Professor Wilson. To all of these, Burns, along with Nature, united in teaching the lessons of simplicity, of brawny strength, of clear common sense, and of the propriety of staying at home instead of gadding abroad in search of inspiration. All of these have been, like Burns, more or less intensely Scottish in their subjects and in their spirit.
That Burns' errors as a man have exerted a pernicious influence on many since, is, we fear, undeniable. He had been taught, by the lives of the "wits," to consider aberration, eccentricity, and "devil-may-careism" as prime badges of genius, and he proceeded accordingly to astonish the natives, many of whom, in their turn, set themselves to copy his faults. But when we subtract some half-dozen pieces, either coarse in language or equivocal in purpose, the influence of his poetry may be[Pg xv] considered good. (We of course say nothing here of the volume called the "Merry Muses," still extant to disgrace his memory.) It is doubtful if his "Willie brew'd a peck o' Maut" ever made a drunkard, but it is certain that his "Cottar's Saturday Night" has converted sinners, edified the godly, and made some erect family altars. It has been worth a thousand homilies. And, taking his songs as a whole, they have done much to stir the flames of pure love, of patriotism, of genuine sentiment, and of a taste for the beauties of nature. And it is remarkable that all his followers and imitators have, almost without exception, avoided his faults while emulating his beauties; and there is not a sentence in Scott, or Campbell, or Aird, or Delta, and not many in Wilson or Galt, that can be charged with indelicacy, or even coarseness. So that, on the whole, we may assert that, whatever evil he did by the example of his life, he has done very little—but, on the contrary, much good, both artistically and morally, by the influence of his poetry.
Henry Scott Riddell, one of the most powerful and pleasing of the living national song-writers, was born on the 23d September 1798, at Sorbie, in the Vale of Ewes—a valley remarkable for its pastoral beauty, lying in the south-east of Dumfriesshire. His father was a shepherd, well acquainted with the duties of his profession, and a man of strong though uneducated mind. "My father, while I was yet a child," writes Mr Riddell, in a MS. autobiography, "left Sorbie; but when I had become able to traverse both burn and brae, hill and glen, I frequently returned to, and spent many weeks together in, the vale of my nativity. We had gone, under the same employer, to what pastoral phraseology terms 'an out-bye herding,' in the wilds of Eskdalemuir, called Langshawburn. Here we continued for a number of years, and had, in this remote, but most friendly and hospitable district, many visitors, ranging from Sir Pulteney Malcolm down to Jock Gray, whom Sir Walter Scott, through one of his strange mistakes, called Davy Gellatly....[Pg 2] Among others who constituted a part of the company of these days, was one whom I have good reason to remember—the Ettrick Shepherd. Nor can I forbear observing that his seemed one of those hearts that do not become older in proportion as the head grows gray. Cheerful as the splendour of heaven, he carried the feelings, and, it may be said, the simplicity and pursuits of youth, into his maturer years; and if few of the sons of men naturally possessed such generous influence in promoting, so likewise few enjoyed so much pleasure in participating in the expedients of recreation, and the harmless glee of those who meet under the rural roof—the shepherd's bien and happy home. This was about the time when Hogg began to write, or at least to publish: as I can remember from the circumstance of my being able to repeat the most part of the pieces in his first publication by hearing them read by others before I could read them myself. It may, perhaps, be worth while to state that at these meetings the sons of farmers, and even of lairds, did not disdain to make their appearance, and mingle delightedly with the lads that wore the crook and plaid. Where pride does not come to chill nor foppery to deform homely and open-hearted kindness, yet where native modesty and self-respect induce propriety of conduct, society possesses its own attractions, and can subsist on its own resources.
"At these happy meetings I treasured up a goodly store of old Border ballads, as well as modern songs; for in those years of unencumbered and careless existence, I could, on hearing a song, or even a ballad, sung twice, have fixed it on my mind word for word. My father, with his family, leaving Langshawburn, went to Capplefoot, on the Water of Milk, and there for one year occupied a farm belonging to Thomas Beattie, Esq. of[Pg 3] Muckledale, and who, when my father was in Ewes, had been his friend. My employment here was, along with a younger brother, to tend the cows. In the winter season we entered the Corrie school, but had only attended a short while when we both took fever, and our attendance was not resumed. At Langshawburn, my father for several winters hired a person into his house, who taught his family and that of a neighbouring shepherd. In consequence of our distance from any place of regular education, I had also been boarded at several schools—at Devington in Eskdale, Roberton on Borthwick Water, and Newmill on the Teviot, at each of which, however, I only remained a short time, making, I suppose, such progress as do other boys who love the football better than the spelling-book.
"At the Whitsunday term my father relinquished his farm, and returned to his former employment in the Forest of Ettrick, under Mr Scott of Deloraine, to whom he had been a shepherd in his younger days. With this family, indeed, and that of Mr Borthwick, then of Sorbie, and late of Hopesrigg, all his years since he could wear the plaid were passed, with the exception of the one just mentioned. It was at Deloraine that I commenced the shepherd's life in good earnest. Through the friendly partiality of our employer, I was made principal shepherd at an age considerably younger than it is usual for most others to be intrusted with so extensive a hirsel[1] as was committed to my care. I had by this time, however, served what might be regarded as a regular apprenticeship to the employment, which almost all sons of shepherds do, whether they adhere to herding sheep in after-life or not. Seasons and emergencies not seldom occur when the aid which the little[Pg 4] boy can lend often proves not much less availing than that of the grown-up man. Education in this line consequently commences early. A knowledge of the habits, together with the proper treatment of sheep, and therefore of pastoral affairs in general, 'grows with the growth' of the individual, and becomes, as it were, a portion of his nature. I had thus assisted my father more or less all along; and when a little older, though still a mere boy, I went for a year to a friend at Glencotha, in Holmswater, as assistant shepherd or lamb-herd. Another year in the same capacity I was with a shepherd in Wester Buccleuch. It was at Glencotha that I first made a sustained attempt to compose in rhyme. When in Wester Buccleuch my life was much more lonely, and became more tinged with thoughts and feelings of a romantic cast. Owing to the nature of the stock kept on the farm, it was my destiny day after day to be out among the mountains during the whole summer season from early morn till the fall of even. But the long summer days, whether clear or cloudy, never seemed long to me—I never wearied among the wilds. My flocks being hirsled, as it is expressed, required vigilance: but, if this was judiciously maintained, the task was for the most part an easy and pleasant one. I know not if it be worth while to mention that the hills and glens on which my charge pastured at this period formed a portion of what in ancient times was termed the Forest of Rankleburn. The names of places in the district, though there were no other more intelligible traditions, might serve to shew that it is a range of country to which both kings and nobles had resorted. If from morning to night I was away far from the homes of living men, I was not so in regard to those of the dead. Where a lesser stream from the wild uplands[Pg 5] comes down and meets the Rankleburn, a church or chapel once stood, surrounded, like most other consecrated places of the kind, by a burial-ground. There tradition says that five dukes, some say kings, lie buried under a marble stone. I had heard that Sir Walter, then Mr Scott, had, a number of years previously, made a pilgrimage to this place, for the purpose of discovering the sepulchres of the great and nearly forgotten dead, but without success. This, however, tended, in my estimation, to confirm the truth of the tradition; and having enough of time and opportunity, I made many a toilsome effort of a similar nature, with the same result. With hills around, wild and rarely trodden, and the ceaseless yet ever-varying tinkling of its streams, together with the mysterious echoes which the least stir seemed to awaken, the place was not only lonely, but also creative of strange apprehensions, even in the hours of open day. It is strange that the heart will fear the dead, which, perhaps, never feared the living. Though I could muster and maintain courage to dig perseveringly among the dust of the long-departed when the sun shone in the sky, yet when the shadow of night was coming, or had come down upon the earth, the scene was sacredly secure from all inroad on my part: and to make the matter sufficiently intelligible, I may further mention that, some years afterwards, when I took a fancy one evening to travel eight miles to meet some friends in a shepherd's lone muirland dwelling, I made the way somewhat longer for the sake of evading the impressive loneliness of this locality. I had no belief that I should meet accusing spirits of the dead; but I disliked to be troubled in waging war with those eery feelings which are the offspring of superstitious associations.
"While a lamb-herd at Buccleuch, I read when I could[Pg 6] get a book which was not already threadbare. I had a few chisels, and files, and other tools, with which I took pleasure in constructing, of wood or bone, pieces of mechanism; and I kept a diary in which I wrote many minute and trivial matters, as well, no doubt as I then thought, many a sage observation. In this, likewise, I wrote rude rhymes on local occurrences. But I have anticipated a little. On returning home from Glencotha, and two years before I went to Buccleuch, a younger brother and I had still another round at herding cattle, which pastured in a park near by my father's cottage. Our part was to protect a meadow which formed a portion of it; and the task being easy to protect that for which the cattle did not much care, nor yet could skaithe greatly though they should trespass upon it, we were far too idle not to enter upon and prosecute many a wayward and unprofitable ploy. Our predilections for taming wild birds—the wilder by nature the better—seemed boundless; and our family of hawks, and owls, and ravens was too large not to cost us much toil, anxiety, and even sorrow. We fished in the Ettrick and the lesser streams. These last suited our way of it best, since we generally fished with staves and plough-spades—thus far, at least, honourably giving the objects of our pursuit a fair chance of escape. When the hay had been won, we went to Ettrick school, at which we continued throughout the winter, travelling to and from it daily, though it lay at the distance of five miles. This we, in good weather, accomplished conveniently enough; but it proved occasionally a serious and toilsome task through wind and rain, or keen frost and deep snow, when winter days and the mountain blasts came on.
"My father after being three years in Stanhopefoot, on the banks of the Ettrick, went to Deloraineshiels, an[Pg 7] out-bye herding, under the same employer. In the winter season either I or some other of the family assisted him; but so often as the weather was fine, we went to a school instituted by a farmer in the neighbourhood for behoof of his own family. When by and by I went to herd the hirsel which my father formerly tended, like most other regular shepherds I delighted in and was proud of the employment. A considerable portion of another hirsel lying contiguous, and which my elder brother herded, was for the summer season of the year added to mine, so that this already large was made larger; but exempted as I was from attending to aught else but my flock, I had pleasant days, for I loved the wilds among which it had become alike my destiny and duty to walk at will, and 'view the sheep thrive bonnie.' The hills of Ettrick are generally wild and green, and those of them on which I daily wandered, musing much and writing often, were as high, green, and wild, as any of them all.... It may be the partiality arising from early habit which induces me to think that a man gets the most comprehensive and distinct view of any subject which may occupy thought when he is walking, provided fatigue has not overtaken him. Mental confidence awake amid the stir seems increased by the exercise of bodily power, and becomes free and fearless as the step rejoicing in the ample scope afforded by the broad green earth and circumambient sky. On the same grounds, I have sometimes marvelled if it might not be the majesty of motion, as one may say, reigning around the seaman's soul, that made his heart so frank in communication, and in action his arm so vigorously energetic. At all events, there was in these days always enough around one to keep interest more or less ardent awake[Pg 8]—
"According to my ability I studied while wandering among the mountains, and at intervals, adopting my knee for my desk, wrote down the results of my musing. Let not the shepherd ever forget his dog—his constant companion and best friend, and without which all his efforts would little avail! Mine knew well the places where in my rounds I was wont to pause, and especially the majestic seat which I occupied so often on the loftiest peak of Stanhopelaw. It had also an adopted spot of rest the while, and, confident of my habits, would fold itself down upon it ere I came forward; and would linger still, look wistful, and marvel why if at any time I passed on without making my wonted delay. I did not follow these practices only 'when summer days were fine.' The lines of an epistle written subsequently will convey some idea of my habits:—
"The ancients had a maxim—'Revenge is sweet.' In rural, as well as in other life, there are things said and done which are more or less ungenerous. These, if at any time they came my way, I repelled as best I might. But I did not stop here; whether such matters, when occurring, might concern myself as an individual or not, I took it upon me, as if I had been a 'learned judge,' to write satires upon such persons as I knew or conceived to have spoken or acted in aught contrary to good manners. These squibs were written through the impulse of offended feeling, or the stirrings of that injudicious spirit which sometimes prompts a man to exercise a power merely because he possesses it. They were still, after all, only as things of private experiment, and not intended ever to go forth to the world—though it happened otherwise. I usually carried a lot of these writings in my hat, and by and by, unlike most other young authors, I got a publisher unsought for. This was the wind, which, on a wild day, swept my hat from my head, and tattering its contents asunder from their fold, sent them away over hill and dale like a flock of wild fowl. I recovered some where they had halted in bieldy places; others of them went further, and fell into other hands, and particularly into those of a neighbour, who, a short while previously, had played an unmanly part relating to a sheep and the march which ran between[Pg 10] us. He found his unworthy proceeding boldly discussed, in an epistle which, I daresay, no other carrier would ever have conveyed to him but the unblushing mountain blast. He complained to others, whom he found more or less involved in his own predicament, and the thing went disagreeably abroad. My master, through good taste and feeling, was vexed, as I understood, that I should have done anything that gave ground for accusation, though he did not mention the subject to myself; but my father, some days after the mischief had commenced, came to me upon the hill, and not in very good humour, disapproved of my imprudent conduct. As for the consequences of this untoward event, it proved the mean of revealing what I had hitherto concealed—procuring for me a sort of local popularity little to be envied. I made the best improvement of it, as I then thought, that lay in my power—by writing a satire upon myself.
"I continued shepherd at Deloraine two years, and then went in the same capacity to the late Mr Knox of Todrigg; and if at the former place I had been well and happy, here I was still more so. His son William, the poet of 'The Lonely Hearth,' paid me much friendly attention. He commended my verses, and augured my success as one of the song-writers of my native land. In those days, I did not write with the most remote view to publication. My aim did not extend beyond the gratification of hearing my mountain strains sung by lad or lass, as time and place might favour. And when, in the dewy gloaming of a summer eve, returning home from the hill, and 'the kye were in the loan,' I did hear this much, I thought, no doubt, that
"William Crozier, author of 'The Cottage Muse,' was also my neighbour and friend at Todrigg, during the summer part of the year; and even at this hour I feel delight in recalling to memory the happy harmony of thought and feeling that blended with and enhanced the genial sunshine of those departed days. I rejoice to dwell upon those remote and rarely-trodden pastoral solitudes, among which my lot in the early years of life was so continually cast; few may well conceive how distinctly I can recall them. Memory, which seems often to constitute the mind itself, more, perhaps, than any other faculty, can set them so brightly before me, as if they were painted on a dark midnight sky with brushes dipped in the essence of living light. To appreciate thoroughly the grandeur of the mountain solitudes, it is necessary to have dwelt among the scenes, and to have looked upon them at every season of the ever-changing year. They are fresh with solemn beauty, when bathed in the deep dews of a summer morning; or in autumn, if you have attained to the border of the mystery which has overhung your path, and therefore to a station high enough for the survey, all that meets the eye shall be as a dream of poetry itself. The deep folds of white vapour fill up glen and hollow, till the summit of the mountains, near and far away—far as sight itself can penetrate—are only seen tinged with the early radiance of the sun, the whole so combined as to appear a limitless plain of variegated marble, peaceful as heaven, and solemnly serene as eternity. What Winter writes with his frozen finger I need not state. When the venerable old man, Gladstanes, perished among the stormy blasts of these wilds, I was one of about threescore of men who for three days traversed them in search of the dead. Then was the scenery of the mountains impressive, much[Pg 12] beyond what can well be spoken. The bridal that loses the bride through some wayward freak of the fair may be sad enough; so also the train, in its dark array, that conveys the familiar friend to the chamber where the light of nature cannot come. But in this latter case, the hearts that still beat, necessarily know that their part is resignation, and suspense and anxiety mingle not in the mood of the living, as it relates to the dead; but otherwise is it with those who seem already constituting the funeral train of one who should have been—yet who is not there to be buried.
These are a few out of many more lines written on this subject, which at the time was so deeply interesting to mind and heart."
Mr Riddell here states that his poetical style of composition about this period underwent a considerable change. He laid aside his wayward wit for serious sentiment, an improvement which he ascribes to his admiration of the elegant strains of his friend, young Knox.
"My fortune in life," he proceeds, "had not placed me within the reach of a library, and I had read almost none; and although I had attempted to write, I merely followed the course which instinct pointed out. Need I state further, that if in these days I employed my mind and pen among the mountains as much as possible, my thoughts also often continued to pursue the same practice, even when among others, by the 'farmer's ingle.' I retired to rest when others retired, but if not outworn by matters of extra toil, the ardour of thought, through love of the poet's undying art, would, night after night for many hours, debar the inroads of sleep. The number of schools which I have particularised as having attended may occasion some surprise at the deficiency of my scholarship. For this, various reasons are assignable, all of which, however, hinge upon these two formidable obstacles—the inconveniency of local position, and the thoughtless inattention of youth. In remote country places, long and rough ways, conjoined not unfrequently with wild weather, require that children, before they[Pg 14] can enter school, be pretty well grown up; consequently, they quit it the sooner. They are often useful at home in the summer season, or circumstances may destine them to hire away. Among these inconveniences, one serious drawback is, that the little education they do get is rarely obtained continuously, and regular progress is interrupted. Much of what has been gained is lost during the intervals of non-attendance, and every new return to the book is little else than a new beginning. So was it with me. At the time when my father hired a teacher into his house, it was for what is termed the winter quarter, and I was then somewhat too young to be tied down to the regular routine of school discipline; and if older when boarded away, the other obstruction to salutary progress began to operate grievously against me. I acquired bit by bit the common education—reading, writing, and arithmetic. So far as I remember, grammar was not much taught at any of these schools, and the spelling of words was very nearly as little attended to as the meaning which they are appointed to convey was explained or sought after.
"But the non-understanding of words is less to be marvelled at than that a man should not understand himself. At this hour I cannot conceive how I should have been so recklessly careless about learning and books when at school, and yet so soon after leaving it seriously inclined towards them. I see little else for it than to suppose that boys who are bred where they have no companions are prone to make the most of companionship when once attained to. And then, in regard to books, as of these I rarely got more than what might serve as a whet to the appetite, I might have the desire of those whose longings after what they would obtain are increased by the difficulties which interpose between[Pg 15] them and the possession. One book which in school I sometimes got a glance of, I would have given anything to possess: this was a small volume entitled, 'The Three Hundred Animals.'
"I cannot forbear mentioning that, when at Deloraine, I was greatly advantaged by an old woman, called Mary Hogg, whose cottage stood on an isolated corner of the lands on which my flock pastured. Her husband had been a shepherd, who, many years previous to this period, perished in a snow-storm. In her youth she had opportunities of reading history, and other literature, and she did not only remember well what she had read, but could give a distinct and interesting account of it. In going my wonted rounds, few days there were on which I did not call and listen to her intelligent conversation. She was a singularly good woman—a sincere Christian; and the books which she lent me were generally of a religious kind, such as the 'Pilgrim's Progress,' and the 'Holy War;' but here I also discovered a romance, the first which I had ever seen. It was printed in the Gothic letter, and entitled 'Prissimus, the Renowned Prince of Bohemia.' Particular scenes and characters in 'Ivanhoe' reminded me strikingly of those which I had formerly met with in this old book of black print. And I must mention that few books interested me more than 'Bailey's Dictionary.' Day after day I bore it to the mountains, and I have an impression that it was a more comprehensive edition of the work than I have ever since been able to meet with.
"At Todrigg my reading was extended; and having begun more correctly to appreciate what I did read, the intention which I had sometimes entertained gathered strength: this was to make an effort to obtain a regular education. The consideration of the inadequacy of my[Pg 16] means had hitherto bridled my ambition; but having herded as a regular shepherd nearly three years, during which I had no occasion to spend much of my income, my prospects behoved to be a little more favourable. It was in this year that the severest trial which had yet crossed my path had to be sustained. The death of my father overthrew my happier mood; at the same time, instead of subduing my secret aim, the event rather strengthened my determination. My portion of my father's worldly effects added something considerable to my own gainings; and, resigning my situation, I bade farewell to the crook and plaid. I went to Biggar, in Clydesdale, where I knew the schoolmaster was an approved classical scholar. Besides, my Glencotha reminiscences tended to render me partial to this part of the world, and in the village I had friends with whom I could suitably reside. The better to insure attention to what I was undertaking, I judged it best to attend school during the usual hours. A learner was already there as old in years, and nearly as stout in form, as myself, so that I escaped from the wonderment which usually attaches to singularity much more comfortably than I anticipated. There were also two others in the school, who had formerly gone a considerable way in the path of classic lore, and had turned aside, but who, now repenting of their apostasy, returned to their former faith. These were likewise well grown up, and I may state that they are now both eminent as scholars and public men. The individual first mentioned and I sat in the master's desk, which he rarely, if ever, occupied himself; and although we were diligent upon the whole, yet occasionally our industry and conduct as learners were far from deserving approbation. To me the confinement was frequently irksome and[Pg 17] oppressive, especially when the days were bright with the beauty of sunshine. There were ways, woods, and even wilds, not far apart from the village, which seemed eternally wooing the step to retirement, and the mind to solitary contemplation. Some verses written in this school have been preserved, which will convey an idea of the cast of feeling which produced them:—
"My teacher, the late Richard Scott, was an accurate[Pg 19] classical scholar, which perhaps accounts for his being, unlike some others of his profession, free from pedantry. He was kind-hearted and somewhat disposed to indolence, loving more to converse with one of my years than to instruct him in languages. He had seen a good deal of the world and its ways, and I learned much from him besides Greek and Latin. We were great friends and companions, and rarely separate when both of us were unengaged otherwise.
"I bore aloof from making many acquaintances; yet, ere long, I became pretty extensively acquainted with the people of the place. It went abroad that I was a bard from the mountains, and the rumour affixed to me a popularity which I did not enjoy. A party of young men in the village had prepared themselves to act 'the Douglas Tragedy,' and wished a song, which was to be sung between this and the farce. The air was of their own fixing, and which, in itself, was wild and beautiful; but, unfortunately, like many others of our national airs possessed of these qualities, it was of a measure such as rendered it difficult to write words for. Since precluded from introducing poetic sentiment, I substituted a dramatic plot, and being well sung by alternate voices, the song was well received, and so my fame was enhanced.
"It was about this time that I wrote 'The Crook and Plaid'—not by request, but with the intention of supplanting a song, I think of English origin, called 'The Plough-boy,' and of a somewhat questionable character. 'The Crook and Plaid' accomplished the end intended, and soon became popular throughout the land. So soon as I got a glimpse of the Roman language, I began to make satisfactory progress in its acquisition. But I daily wrote more or less in my old way—now also embracing in my attempts[Pg 20] prose as well as verse. I wrote a Border Romance. This was more strongly than correctly expressed. Hogg, who took the trouble of reading it, gave me his opinion, by saying that there were more rawness and more genius in it than in any work he had seen. It, sometime afterwards, had also the honour of being read—for I never offered it for publication—by one who felt much interest in the characters and plot—Professor Wilson's lady—who, alas! went too early to where he himself also now is; lost, though not to fond recollection, yet to love and life below. I contributed some papers to the Clydesdale Magazine, and I sent a sort of poetic tale to the editor, telling him to do with it whatever he might think proper. He published it anonymously, and it was sold about Clydesdale.
"My intention had been to qualify myself for the University, and, perhaps in regard to Latin and Greek acquirements, I might have proceeded thither earlier than I ventured to do; but having now made myself master of my more immediate tasks, I took more liberty. A gentleman, who, on coming home after having made his fortune abroad, took up his residence at Biggar. I had, in these days, an aversion to coming into contact with rich strangers, and although he lived with a family which I was accustomed to visit, I bore aloof from being introduced to him. But he came to me one day on the hill of Bizzie-berry, and frankly told me that he wished to be acquainted with me, and therefore had taken the liberty of introducing himself. I found excuse for not dining with him on that day, but not so the next, nor for many days afterwards. He was intellectual—and his intelligence was only surpassed by his generosity. He gave me to understand that his horse was as much at my service as his own; and one learned, by and by,[Pg 21] to keep all wishes and wants as much out of view as possible, in case that they should be attended to when you yourself had forgotten them. When he began to rally me about my limited knowledge of the world, I knew that some excursion was in contemplation. We, on one occasion, rode down the Clyde, finding out, so far as we might, all things, both natural and artificial, worthy of being seen; and when at Greenock, he was anxious that we should have gone into the Highlands, but I resisted; for although not so much as a shade of the expenses was allowed to fall on me, I felt only the more ashamed of the extent of them.
"I had become acquainted with a number of people whom I delighted to visit occasionally; one family in particular, who lived amid the beauty of 'the wild glen sae green.' The song now widely known by this name I wrote for a member of this delightful family, who at that time herded one of the hirsels of his father's flocks on 'the heathy hill.' With the greater number of persons in the district possessing literary tastes I became more or less intimate. The schoolmasters I found friendly and obliging; one of these, in particular (now holding a higher office in the same locality), I often visited. His high poetic taste convinced me more and more of the value of mental culture, and tended to subdue me from those more rugged modes of expression in which I took a pride in conveying my conceptions. With this interesting friend I sometimes took excursions into rural regions more or less remote, and once we journeyed to the south, when I had the pleasure of introducing him to the Ettrick Shepherd. But of my acquaintances, I valued few more than my modest and poetic friend, the late James Brown of Symington.[2] Though humble in[Pg 22] station, he was high in virtuous worth. His mind, imbued with and regulated by sound religious and moral principle, was as ingenious and powerful as his heart was 'leal, warm, and kind.'
"Entering the University of Edinburgh, I took for the first session the Greek and Latin classes. Attending them regularly, I performed the incumbent exercises much after the manner that others did—only, as I have always understood it to be a rare thing with the late Mr Dunbar, the Greek Professor, to give much praise to anything in the shape of poetry, I may mention that marked merit was ascribed to me in his class for a poetical translation of one of the odes of Anacreon. I had laid the translation on his desk, in an anonymous state, one day before the assembling of the class. He read it and praised it, expressing at the same time his anxiety to know who was the translator; but the translator having intended not to acknowledge it, kept quiet. He returned to it, and praising it anew, expressed still more earnestly his desire to know the author; and so I made myself known, as all great unknowns I think, with the exception of Junius, are sooner or later destined to do.
"Of the philosophical classes, those that I liked best were the Logic and Moral Philosophy—particularly the latter. I have often thought that it is desirable, could it be possibly found practicable, to have all the teachers of the higher departments of education not merely of high scholastic acquirements, but of acknowledged genius. Youth reveres genius, and delights to be influenced by it; heart and spirit are kept awake and refreshed by it, and everything connected with its forthgivings is rendered doubly memorable. It fixes, in a certain sense, the limit of expectation, and the prevailing sentiment is—we are under the tuition of the highest among those[Pg 23] on earth who teach; if we do not profit here, we may not hope to do so elsewhere. These remarks I make with a particular reference to the late Professor Wilson, under the influence of whose genius and generous warmth of heart many have felt as I was wont to feel. If it brings hope and gladness to love and esteem the living, it also yields a satisfaction, though mingled with regret, to venerate the dead; and now that he is no more, I cannot forbear recording how he treated a man from the mountains who possessed no previous claim upon his attention. I had no introduction to him, but he said that he had heard of me, and would accept of no fee for his class when I joined it; at least he would not do so, he said, till I should be able to inform him whether or not I had been pleased with his lectures. But it proved all the same in this respect at the close as it was at the commencement of the session. He invited me frequently to his house as a friend, when other friends were to meet him there, besides requesting me to come and see him and his family whenever I could make it convenient. He said that his servant John was very perverse, and would be sure to drive me by like all others, if he possibly could; so he gave me a watchword, which he thought John, perverse as he was, would not venture to resist. I thus became possessed of a privilege of which I did not fail to avail myself frequently—a privilege which might well have been gratifying to such as were much less enthusiastic with regard to literary men and things than I was. To share in the conversation of those possessed of high literary taste and talent, and, above all, of poetic genius, is the highest enjoyment afforded by society; and if it be thus gratifying, it is almost unnecessary to add that it is also advantageous in no ordinary degree, if, indeed, properly appreciated and[Pg 24] improved. Any one who ever met the late Professor in the midst of his own happy family, constituted as it was when I had this pleasure, was not likely soon to forget a scene wherein so much genius, kindness, loveliness, and worth were blended. If the world does not think with a deep and undying regret of what once adorned it, and it has now lost, through the intervention of those shadows which no morning but the eternal one can remove, I am one, at least, who in this respect cannot follow its example.
"Edinburgh, with its 'palaces and towers,' and its many crowded ways, was at first strangely new to me, being as different, in almost all respects, to what I had been accustomed as it might seem possible for contrariety to make earthly things. Though I had friends in it, and therefore was not solitary, yet its tendency, like that of the noisy and restless sea, was to render me melancholy. Some features which the congregated condition of mankind exhibited penetrated my heart with something like actual dismay. I had seen nothing of the sort, nor yet even so much as a semblance of it, and therefore I had no idea that there existed such a miserable shred of degradation, for example, as a cinder-woman—desolate and dirty as her employment—bowed down—a shadow among shadows—busily prone, beneath the sheety night sky, to find out and fasten upon the crumb, whose pilgrimage certainly had not improved it since falling from the rich man's table. Compassion, though not naturally so, becomes painful when entertained towards those whom we believe labouring under suffering which we fain would but cannot alleviate.
"I had enough of curiosity for wishing to see all those things which others spoke of, and characterised as worthy of being seen; but I contented myself meanwhile with a[Pg 25] survey of the city's external attributes. In a week or two, however, my friend A. F. Harrower, formerly mentioned, having come into town from Clydesdale, took pleasure in finding out whatever could interest or gratify me, and of conveying me thither. With very few exceptions, every forenoon he called at my lodgings, leaving a note requesting me to meet him at some specified time and place. I sometimes sent apologies, and at other times went personally to apologise; but neither of these methods answered well. Through his persevering attentions towards me, I met with much agreeable society, and saw much above as well as somewhat below the earth, which I might never otherwise have seen. In illustration of the latter fact, I may state that, having gone to London, he returned with two Englishmen, when he invited me to assist them in exploring the battle-field of Pinkie. We terminated our excursion by descending one of Sir John Hope's coal-pits. These humorous and frank English associates amused themselves by bantering my friend and myself about the chastisement which Scotland received from the sister kingdom at Pinkie. As did the young rustic countryman—or, at least, was admonished to do—so did I. When going away to reside in England, he asked his father if he had any advice to give him. 'Nane, Jock, nane but this,' he said; 'dinna forget to avenge the battle o' Pinkie on them.' Ere I slept I wrote, in support of our native land, the song—'Ours is the land of gallant hearts;' and thus, in my own way, 'avenged the battle of Pinkie.'
"One of two other friends with whom I delighted to associate was R. B., an early school companion, who, having left the mountains earlier than I did, had now been a number of years in Edinburgh. Of excellent[Pg 26] head and generous heart, he loved the wild, green, and deep solitudes of nature. The other—G. M'D.—was of powerful and bold intellect, and remarkable for a retentive memory. Each of us, partial to those regions where nature strives to maintain her own undisturbed dominion, on all holidays hied away from the city, to the woodland and mountainous haunts, or the loneliness of the least frequented shores of the sea. The spirit of our philosophy varied much—sometimes profound and solemn, and sometimes humorous; but still we philosophised, wandering on. They were members of a literary society which met once a week, and which I joined. My propensity to study character and note its varieties was here afforded a field opening close upon me; but I was also much profited by performing my part in carrying forward the business of the institution. During all the sessions that I attended the University, but especially as these advanced toward their termination, I entered into society beyond that which might be regarded as professionally literary. I had an idea then, as I still have, that, in every process of improvement, care should be taken that one department of our nature is not cultivated to the neglect of another. There are two departments—the intellectual and the moral;—the one implying all that is rational, the other comprising whatever pertains to feeling and passion, or, more simply, there are the head and the heart; and if the intellect is to be cultivated, the heart is not to be allowed to run into wild waste, nor to sink into systematic apathy. Lore-lighted pages and unremitting abstract studies will make a man learned; but knowledge is not wisdom; and to know much is not so desirable, because it is not so beneficial, either to ourselves or others, as to understand, through the more generous and active sympathies of our nature, how the[Pg 27] information which we possess may be best applied to useful purposes. This we shall not well know, if the head be allowed or encouraged to leave the heart behind. If we forget society it will forget us, and, through this estrangement, a sympathetic knowledge of human nature may be lost. Thus, in the haunts of seclusion and solitary thought our acquirements may only prove availing to ourselves as matters of self-gratification. The benevolent affections, which ought not merely to be allowed, but taught to expand, may thus not only be permitted but encouraged to contract, and the exercise of that studious ingenuity, which perhaps leads the world to admire the achievements of learning, thus deceive us into a state of existence little better than cold selfishness itself. Sir Isaac Newton, who soared so high and travelled so far on the wing of abstract thought, gathering light from the stars that he might convey it in intelligible shape to the world, seems to have thought, high as the employment was, that it was not good, either for the heart or mind of man, to be always away from that intercourse with humanity and its affairs which is calculated to awaken and sustain the sympathies of life; and therefore turned to the contemplation of Him who was meek and lowly. And no countenance has been afforded to monks and hermits who retired from the world, though it even was to spend their lives in meditation and prayer; for Heaven had warned man, at an early date, not to withhold the compassionate feelings of the heart, and the helping-hand, from any in whom he recognised the attributes of a common nature, saying to him, 'See that thou hide not thyself from thine own flesh.'
"My last year's attendance at the College Philosophical Classes was at St Andrews. I had a craving to acquaint[Pg 28] myself with a city noted in story, and I could not, under the canopy of my native sky, have planted the step among scenes more closely interwoven with past national transactions, or fraught with more interesting associations. In attending the Natural Philosophy Class, not being proficient in mathematic lore, I derived less advantage than had otherwise been the case with me. Yet I did not sit wholly in the shade, notwithstanding that the light which shone upon me did not come from that which Campbell says yielded 'the lyre of Heaven another string.' A man almost always finds some excuse for deficiency; and I have one involving a philosophy which I think few will be disposed to do otherwise than acquiesce in—namely, that it is a happy arrangement in the creation and history of man, that all minds are not so constituted as to have the same predilections, or to follow the same bent. Considering that I had started at a rather late hour of life to travel in the paths of learning, and having so many things, interesting and important, to attend to by the way, it was perhaps less remarkable that I should be one who 'neither kenn'd nor cared' much about lines that had no breadth, and points which were without either breadth or length, than that I should have felt gratified to find on my arrival some of my simple strains sung in a city famed for its scientific acquirements.
"The ruins which intermingle with the scenery and happy homes of St Andrews, like gray hairs among those of another hue, rendered venerable the general aspect of the place. But I did not feel only the city interesting, but the whole of Fifeshire. By excursions made on the monthly holidays then as well as subsequently, when in after-years I returned to visit friends in the royal realm, I acquainted myself with a goodly number of those haunts and scenes which history and tradition have ren[Pg 29]dered attractive. A land, however, or any department of it, whatever may be its other advantages, is most to be valued in respect of the intelligence or worth of its inhabitants. And if so, then I am proud to aver that in Fife I came to possess many intelligent and excellent friends. Many of these have gone to another land—'the land o' the leal,' leaving the places which now know them no more, the more regretfully endeared to recollection. Of those friends who survive, I cannot forbear an especial mention of one, who is now a professor in the college in which he was then only a student. A man cannot be truly great unless he also be good, and I do not alone value him on the colder and statelier eminence of high intellectual powers and scientific acquirements, but also, if not much rather, for his generous worth and his benevolent feeling. My friend is one in whom these qualities are combined, and as I sincerely think, I will likewise freely say, that those will assuredly find a time, sooner or later, greatly to rejoice, whose fate has been so favourable as to place them under the range and influence of his tuition.
"I studied at St Andrews College under the late Dr Jackson, who was an eminent philosopher and friendly man; also under Mr Duncan, of the Mathematical Chair, whom I regarded as a personification of unworldly simplicity, clothed in high and pure thought; and I regularly attended, though not enrolled as a regular student, the Moral Philosophy Class of Dr Chalmers. Returning to Edinburgh and its university, I became acquainted, through my friend and countryman, Robert Hogg, with R. A. Smith, who was desirous that I should assist him with the works in which he was engaged, particularly 'The Irish Minstrel,' and 'Select Melodies.' Smith was a man of modest worth and superior intelligence;[Pg 30] peculiarly delicate in his taste and feeling in everything pertaining to lyric poetry as well as music; his criticisms were strict, and, as some thought, unnecessarily minute. Diffident and retiring, he was not got acquainted with at once, but when he gave his confidence, he was found a pleasant companion and warm-hearted friend. If, as he had sought my acquaintance, I might have expected more frankness on our meeting, I soon became convinced that his shyer cast arose alone from excess of modesty, combined with a remarkable sensitiveness of feeling. Proudly honourable, he seemed more susceptible of the influences of all sorts that affect life than any man I ever knew; and, indeed, a little acquaintance with him was only required to shew that his harp was strung too delicately for standing long the tear and wear of this world. He had done much for Scottish melody, both by fixing the old airs in as pure a state as possible, and by adding to the vast number of these national treasures some exquisite airs of his own. For a number of the airs in the works just mentioned, but particularly in the 'Select Melodies,' he had experienced difficulty in procuring suitable words, owing chiefly to the crampness of the measures—a serious drawback which appears to pervade, more or less, the sweetest melodies of other nations as well as those of our own. A number of these I supplied as well as I could.
"About this time the native taste for Scottish song in city society seemed nearly, if not altogether lost, and a kind of songs, such as 'I've been roaming,' 'I'd be a butterfly,' 'Buy a broom,' 'Cherry-ripe,' &c. (in which if the head contrived to find a meaning, it was still such as the heart could understand nothing about), seemed alone to be popular, and to prevail. R. A. Smith disliked this state of things, but, perhaps, few[Pg 31] more so than Mr P. M'Leod, who gave a most splendid evidence of his taste in his 'Original National Melodies.' Both Smith and M'Leod were very particular about the quality of the poetry which they honoured with their music. M'Leod was especially careful in this respect. He loved the lay of lofty and undaunted feeling as well as of love and friendship; for his genius is of a manly tone, and has a bold and liberal flow. And popular as some of the effusions in his work have become, such as 'Oh! why left I my hame?' and 'Scotland yet!' many others of them, I am convinced, will yet be popular likewise. When the intelligence of due appreciation draws towards them, it will take them up and delight to fling them upon the breezes that blow over the hills and glens, and among the haunts and homes of the isle of unconquerable men. To Mr M'Leod's 'National Melodies' I contributed a number of songs. In the composition of these I found it desirable to lay aside, in some considerable degree, my pastoral phraseology, for, as conveyed in such productions, I observed that city society cared little about rural scenery and sentiment. It was different with my kind and gifted friend Professor Wilson. He was wont to say that he would not have given the education, as he was pleased to term it, which I had received afar in the green bosom of mountain solitude, and among the haunts and homes of the shepherd—meaning the thing as applicable to poetry—for all that he had received at colleges. Wilson had introduced my song, 'When the glen all is still,' into the Noctes, and La Sapio composed music for it; and not only was it sung in Drury-lane, but published in a sheet as the production of a real shepherd; yet it did not become popular in city life. In the country it had been popular previous to this, where it is so still,[Pg 32] and where no effort whatever had been made to introduce it.
"About the time when I had concluded the whole of my college course, the 'Songs of the Ark,'[3] were published by Blackwood. These, as published, are not what they were at first, and were intended only to be short songs of a sacred nature, unconnected by intervening narrative, for which R. A. Smith wished to compose music. Unfortunately, his other manifold engagements never permitted him to carry his intention into practice; and seeing no likelihood of any decrease of these engagements, I gave scope to my thoughts on the subject, and the work became what it now is. But I ought to mention that this was not my first poetic publication in palpable shape. Some years previously I published stanzas, or a monody, on the death of Lord Byron. I had all along thought much, and with something like mysterious awe, upon the eccentric temperament, character and history of that great poet, and the tidings which told the event of his demise impressed me deeply. Being in the country, and remote from those who could exchange thoughts with me on the occurrence, I resorted to writing. That which I advanced was much mixed up with the result, if I may not say of former experience, yet of former reflection, for I had entertained many conjectures concerning what this powerful personage would or might yet do; and, indeed, his wilful waywardness, together with the misery which he represented as continually haunting him, constituted an impressive advertisement to the world, and served to keep human attention awake towards him.
"Those who write because it brings a relief to feeling, will write rapidly: likely, too, they will write with[Pg 33] energy, because not only the head but also the heart is engaged. 'The Monody,' which is of a goodly length, I finished in a few days; and though I felt a desire of having it published, yet it lay over for a time, till, being in Edinburgh, a friend shewed it to Dr Robert Anderson. I had been well satisfied with the result, had the production accomplished nothing more than procured me, as it did, the friendly acquaintance of this excellent, venerable man. He knew more of the minutiæ of literature, together with the character and habits of the literary men of his day, and of other days also, than any I had then or have since met with; and he seemed to take great pleasure in communicating his knowledge to others. He thought well of 'The Monody,' and warmly advised me to publish it. It was published accordingly by Mr John Anderson, bookseller, North Bridge, Edinburgh.
"Some of the reviewers, in regard to the 'Songs of the Ark,' seemed to think that a sufficiency of eastern scenery did not obtain in them. Doubtless this was correct; but I remark, that if my object in the undertaking had been to delineate scenery, I would not have turned my attention to the East, the scenes of which I never saw. Human nature being radically the same everywhere, a man, through the sympathies of that nature, can know to a certain extent what are likely to be the thoughts and feelings of his fellow-kind in any particular circumstances—therefore he has data upon which he can venture to give a representation of them; but it is very different from this in regard to topographical phenomena. It was therefore not the natural, but, if I may so call it, the moral scenery in which I was interested, more particularly since the whole scene of nature here below was, shortly after the period at[Pg 34] which the poem commences, to become a blank of desolate uniformity, as overwhelmed beneath a waste of waters.
"At the risk of incurring the charge of vanity, I would venture to adduce one or two of the favourable opinions entertained in regard to some of the miscellaneous pieces which went to make up the volume of the 'Songs of the Ark.' Of the piece entitled 'Apathy,' Allan Cunningham thus wrote:—'Although sufficiently distressful, it is a very bold and original poem, such as few men, except Byron, would have conceived or could have written.' Motherwell said of the 'Sea-gray Man,' that it was 'the best of all modern ballads.' This ballad, shortly after I had composed it, I repeated to the Ettrick Shepherd walking on the banks of the Yarrow, and he was fully more pleased with it than with anything of mine I had made him acquainted with. He was wont to call me his 'assistant and successor;' and although this was done humorously, it yet seemed to furnish him with a privilege on which he proceeded to approve or disapprove very frankly, that in either case I might profit by his remarks. He was pleased especially with the half mysterious way in which I contrived to get quit of the poor old man at last. This, indeed, was a contrivance; but the idea of the rest of the ballad was taken from an old man, who had once been a sailor, and who was wont to come to my mother's, in the rounds which he took in pursuit of charity at regular periods of the year, so that we called him her pensioner.
"The summer vacations of college years I passed in the country, sometimes residing with my mother, and eldest brother, at a small farm which he had taken at the foot of the Lammermuir hills, in East-Lothian, called Brookside, and sometimes, when I wished a variety,[Pg 35] with another brother, at Dryden, in Selkirkshire. At both places I had enough of time, not only for study, but also for what I may call amusement. The latter consisted in various literary projects which I entered upon, but particularly those of a poetic kind, and the writing of letters to friends with whom I regularly, and I may say also copiously corresponded; for in these we did not merely express immediate thoughts and feelings of a more personal nature, but remarked with vigorous frankness upon many standard affairs of this scene of things. To this general rule of the manner of my life at this time, however, I must mention an exception. A college companion and I, thinking to advantage ourselves, and perhaps others, took a school at Fisherrow. The speculation in the end, as to money matters, served us nothing. It was easier to get scholars than to get much if anything for teaching them. Yet neither was the former, in some respects, so easy as might have been expected. The offspring of man, in that locality, may be regarded as in some measure amphibious. Boys and girls equally, if not already in the sea, were, like young turtles, sure to be pointing towards it with an instinct too intense to err. I never met, indeed, with a race of beings believed, or even suspected to be rational, that, provided immediate impulses and inclinations could be gratified, cared so thoroughly little for consequences. On warm summer days, when we caused the school door to stand open, it is not easy to say how much of intense interest this simple circumstance drew towards it. The squint of the unsettled eye was on the door, out at which the heart and all its inheritance was off and away long previously, and the more than ordinarily propitious moment for the limbs following was only as yet not arrived. When that moment came, off went one, fol[Pg 36]lowed by another; and down the narrow and dark lanes of sooty houses. As well might the steps have proposed to pursue meteors playing at hide-and-seek among the clouds of a midnight sky that the tempest was troubling. Nevertheless, Colin Bell, who by virtue of his ceaseless stir in the exercise of his heathen-god-like abilities, had constituted himself captain of the detective band, would be up and at hand immediately, and would say 'Master—sir, Young an' me will bring them, sir, if ye'll let's.' It was just as good to 'let' as to hinder, for, for others to be out thus, and he in, seemed to be an advantage gained over Colin to which he could never be rightly reconciled. He was bold and frank, and full of expedients in cases of emergency; especially he appeared capable of rendering more reasons for an error in his conduct than one could well have imagined could have been rendered for anything done in life below. Another drawback in the case was, that one could never be very seriously angry with him. If more real than pretended at any time, his broad bright eye and bluff face, magnificently lifted up, like the sun on frost-work, melted down displeasure and threatened to betray all the policy depending on it; for in the main never a bit of ill heart had Colin, though doubtlessly he had in him, deeply established, a trim of rebellion against education that seemed ever on the alert, and which repulsed even its portended approach with a vigour resembling the electric energy of the torpedo.
"As we did not much like this place, we did not remain long in it. I had meanwhile, however, resources which brought relief. Those friends whose society I most enjoyed occasionally paid us a visit from Edinburgh; and in leisure hours I haunted the banks of the Esk, which, with wood, and especially with wild-roses,[Pg 37] are very beautiful around the church of Inveresk. This beauty was heightened by contrast—for I have ever hated the scenery of, and the effect produced by, sunny days and dirty streets. Nor do the scenes where mankind congregate to create bustle, 'dirdum and deray,' often fail of making me more or less melancholy. In the week of the Musselburgh Races, I only went out one day to toss about for a few hours in the complicated and unmeaning crowd. I insert the protest which I entered against it on my return:—
"I have dwelt at the greater length on these matters, trivial though they be, in consequence of my non-intention of tracing minutely the steps and stages of my probationary career. These, with me, I suppose, were much like what they are and have been with others. My acquaintance was a little extended with those that inhabit the land, and in some cases a closer intimacy than mere acquaintance took place, and more lasting friendships were formed.
"My brother having taken a farm near Teviothead, I left Brookside, and as all the members of the family were wont to account that in which my mother lived their home, it of course was mine. But, notwithstanding that the change brought me almost to the very border of[Pg 39] the vale of my nativity, I regretted to leave Brookside. It was a beautiful and interesting place, and the remembrance of it is like what Ossian says of joys that are past—'sweet and mournful to the soul.' I loved the place, was partial to the peacefulness of its retirement, its solitude, and the intelligence of its society. I was near the laird's library, and I had a garden in the glen. The latter was formed that I might gather home to it, when in musing moods among the mountains, the wild-flowers, in order to their cultivation, and my having something more of a possessory right over them. It formed a contrast to the scenery around, and lured to relaxation. Occasionally 'the lovely of the land' brought, with industrious delight, plants and flowers, that they might have a share in adorning it. Even when I was from home it was, upon the whole, well attended to; for although, according to taste or caprice, changes were made, yet I readily forgave the annoyances that might attend alteration, and especially those by the hands that sometimes printed me pleasing compliments on the clay with the little stones lifted from the walks. If the things which I have written and given to the world, or may yet give, continue to be cared for, these details may not be wholly without use, inasmuch as they will serve to explain frequent allusions which might otherwise seem introduced at capricious random, or made without a meaning.
"Shortly after becoming a probationer, I came to reside in this district, and, not long after, the preacher who officiated in the preaching-station here died. The people connected with it wished me to become his successor, which, after some difficulties on their part had been surmounted, I became. I had other views at the time which were promising and important; but as there had been[Pg 40] untoward disturbances in the place, owing to the lack of defined rights and privileges, I had it in my power to become a peacemaker, and, besides, I felt it my duty to comply with a call which was both cordial and unanimous. I now laid wholly aside those things which pertain to the pursuits of romantic literature, and devoted myself to the performance of incumbent duties. In consequence of no house having been provided for the preacher, and no one to be obtained but at a very inconvenient distance, I was in this respect very inconveniently situated. Travelling nine miles to the scene of my official duties, it was frequently my hap to preach in a very uncomfortable condition, when, indeed, the wet would be pouring from my arms on the Bible before me, and oozing over my shoes when the foot was stirred on the pulpit floor. But, by and by, the Duke of Buccleuch built a dwelling-house for me, the same which I still occupy."
To the ministerial charge of the then preaching station of Teviothead Mr Riddell was about to receive ordination, at the united solicitation of his hearers, when he was suddenly visited with severe affliction. Unable to discharge pulpit duty for a period of years, the pastoral superintendence of the district was devolved on another; and on his recovery, with commendable forbearance, he did not seek to interfere with the new ecclesiastical arrangement. This procedure was generously approved of by the Duke of Buccleuch, who conferred upon him the right to occupy the manse cottage, along with a grant of land, and a small annuity.
Mr Riddell's autobiography proceeds:—"In the hope of soon obtaining a permanent and comfortable settlement at Teviothead, I had ventured to make my own, by marriage, her who had in heart been mine through all[Pg 41] my college years, and who for my sake had, in the course of these, rejected wealth and high standing in life. The heart that, for the sake of leal faith and love, could despise wealth and its concomitants, and brave the risk of embracing comparative poverty, even at its best estate, was not one likely overmuch to fear that poverty when it appeared, nor flinch with an altered tone from the position which it had adopted, when it actually came. This, much rather, fell to my part. It preyed upon my mind too deeply not to prove injurious in its effects; and it did this all the more, that the voice of love, true to its own law, had the words of hope and consolation in it, but never those of complaint. It appeared the acmé of the severity of fate itself to have lived to be the mean of placing a heart and mind so rich in disinterested affection on so wild and waste a scene of trial.
"From an experience of fourteen years, in which there were changes in almost all things except in the affection which bound two hearts in one, before the hands were united, it might be expected that I should give some eminent admonitions concerning the imprudence of men, and particularly of students, allowing their hearts to become interested in, and the remembrance of their minds more fraught with the rich beauty of auburn ringlets than in the untoward confusion, for example, of irregular Greek verbs; yet I much fear that admonition would be of no use. If their fate be woven of a texture similar to that of mine, how can they help it? A man may have an idea that to cling to the shelter which he has found, and indulge in the sleep that has overtaken him amid the stormy blasts of the waste mountains, may be little else than opening for himself the gates of death, yet the toils of the way through which he has already[Pg 42] passed may also have rendered him incapable of resisting the dangerous rest and repose of his immediate accommodation. In regard to my own love affairs, I, throughout all these long years which I have specified, might well have adopted, as the motto of both mind and heart, these lines—
I had, as has already been hinted, a rival, who, if not so devotedly attached as I, nevertheless was by far too much so for any one who is destined to love without encouragement. He was as rich in proportion as I was poor. The gifts of love, called the gifts of friendship, which he contrived to bestow were costly; mine, as fashioned forth by a higher hand than that of art, might be equally rich and beautiful in the main, yet wild-flowers, though yellow as the gold, and though wrapped in rhymes, are light ware when weighed against the solid material. He, in personal appearance, manners, and generosity of heart, was one with whom it was impossible to be acquainted and not to esteem; and another feature of this affair was, that we were friends, and almost constant companions for some years. When in the country I had to be with him as continually as possible; and when I went to the city, it was his wont to follow me. Here, then, was a web strangely woven by the fingers of a wayward fate. Feelings were brought into daily exercise which might seem the least compatible with being brought into contact and maintained in harmony. And these things, which are strictly true, if set forth in the contrivances of romance might, or in all likelihood would, be pronounced unnatural or overstrained. The worth and truth of the heart to which these fond anxieties related left me no ground to fear[Pg 43] for losing that regard which I valued as 'light and life' itself; but in another way there reached me a matchless misery, and which haunted me almost as constantly as my own shadow when the sun shone. Considering the dark uncertainty of my future prospects in life, that regard I felt it fearful almost beyond measure even to seek to retain, incurring the responsibility of marring the fortune of one whom nevertheless I could not bear the thought of another than myself having the bliss of rendering blessed. If selfishness be thus seen to exist even in love itself, I would fain hope that it is of an elevated and peculiar kind, and not that which grovels, dragging downwards, and therefore justly deserving of the name. I am the more anxious in regard to this on account of its being in my own case felt so deeply. It maintained its ground with more or less firmness at all times, and ultimately triumphed, in despite of all efforts made to the contrary over the suggestions of prudence and even the sterner reasonings of the sense of justice. In times of sadness and melancholy, which, like the preacher's days of darkness, were many, when hope scarcely lit the gloom of the heart on which it sat though the band of love was about its brow, I busied myself in endeavouring to form resolutions to resign my pretensions to the warmer regard of her who was the object of all this serious solicitude; but neither she herself, nor time and place seemed, so far as I could see, disposed in the least to aid me in these efforts of self-control and denial; and, indeed, even at best, I much suspect that the resolutions of lovers in such cases are only like the little dams which the rivulet forms in itself by the frail material of stray grass-piles, and wild-rose leaves, easily overturned by the next slight impulse that[Pg 44] the wave receives. In a ballad called 'Lanazine,' written somewhat in the old irregular style, sentiments relating to this matter, a little—and only a little—disguised, are set forth. The following is a portion of these records, written from time to time for the sake of preserving to the memory what might once be deeply interesting to the heart:—
"Notwithstanding the ever-living solicitude and sad suffering constituting the keen and trying experience of many years, as arising in consequence of this attachment and untoward circumstances, it has brought more than a sufficient compensation; and were it possible, and the choice given, I would assuredly follow the same course, and suffer it all over again, rather than be without 'that treasure of departed sorrow' that is even now at my right hand as I write these lines.
"'The Christian Politician'[4] was published during the time of my indisposition. This work I had written at leisure hours, with the hopes of its being beneficial to the people placed under my care, by giving them a general and connected view of the principles and philosophical bearing of the Christian religion. In exhorting them privately, I discovered that many of them understood that religion better in itself, than they appeared to comprehend the manner in which it stood in connexion with the surrounding circumstances of this life. In other words, they were acquainted with doctrines and principles whose application and use, whether in regard to thought, or feeling, or daily practice, they did not so clearly recognise. To remedy this state of things, I wrote 'The Christian Politician' in a style as simple as the subjects treated of in it would well admit of, giving it a conversational cast, instead of systematic[Pg 47] arrangement, that it might be the less forbidding to those for whom it was principally intended. Being published, however, at the time when, through my indisposition, I could take no interest in it, it was sent forth in a somewhat more costly shape than rightly suited the original design; and although extensively introduced and well received, it was in society of a higher order than that which it was its object chiefly to benefit.
"My latest publication is a volume of 'Poems and Songs,'[5] published by Messrs Sutherland and Knox of Edinburgh. 'The Cottagers of Glendale,' the 'Lay of Life,' and some others of the compositions in this volume, were written during the period of my convalescence; the songs are, for the greater part, the production of 'the days of other years.' Many of the latter had been already sung in every district of the kingdom, but had been much corrupted in the course of oral transmission. These wanderers of the hill-harp are now secured in a permanent form."
To this autobiographical sketch it remains to be added, that Mr Riddell is possessed of nearly all the qualities of a great master of the Scottish lyre. He has viewed the national character where it is to be seen in its most unsophisticated aspects, and in circumstances the most favourable to its development. He has lived, too, among scenes the best calculated to foster the poetic temperament. "He has got," wrote Professor Wilson, "a poet's education: he has lived the greater part of his days amidst pastoral scenes, and tended sheep among the green and beautiful solitudes of nature." Sufficiently imaginative, he does not, like his minstrel predecessor the Ettrick Shepherd, soar into the regions[Pg 48] of the supernatural, or roam among the scenes of the viewless world. He sings of the mountain wilds and picturesque valleys of Caledonia, and of the simple joys and habits of rural or pastoral life. His style is essentially lyrical, and his songs are altogether true to nature. Several of his songs, such as "Scotland Yet," "The Wild Glen sae Green," "The Land of Gallant Hearts," and "The Crook and Plaid," will find admirers while Scottish lyric poetry is read or sung.
In 1855, Mr Riddell executed a translation of the Gospel of Matthew into the Scottish language by command of Prince Lucien Bonaparte, a performance of which only a limited number of copies have been printed under the Prince's auspices. At present, he is engaged in preparing a romance connected with Border history.[Pg 49]
Air—"The Posy, or Roslin Castle."
Air—"Cold Frosty Morning."
Air—"Buccleuch Gathering."
Air—"The Ploughman."
Air—"Bonnie Mary Hay."
Air—"Paddy's Resource."
The writer of spirited and elegant poetry, Mrs Margaret Maxwell Inglis was the youngest daughter of Alexander Murray, a medical practitioner, who latterly accepted a small government situation in the town of Sanquhar, Dumfriesshire. She was born at Sanquhar on the 27th October 1774, and at an early age became the wife of a Mr Finlay, who held a subordinate post in the navy. On the death of her husband, which took place in the West Indies, she resided with the other members of her family in Dumfries; and in 1803, she married Mr John Inglis, only son of John Inglis, D.D., minister of Kirkmabreck, in Galloway. By the death of Mr Inglis in 1826, she became dependent, with three children by her second marriage, on a small annuity arising from an appointment which her late husband had held in the Excise. She relieved the sadness of her widowhood by a course of extensive reading, and of composition both in prose and verse. In 1838 she published, at the solicitation of friends, a duodecimo volume, entitled "Miscellaneous Collection of Poems, chiefly Scriptural Pieces." Of the compositions in this volume, there are several of very superior merit, while the whole are marked by a vein of elegant fancy.
Mrs Inglis died in Edinburgh on the 21st December 1843. Eminently gifted as a musician, she could boast of having been complimented by the poet Burns on the grace with which she had, in his presence, sung his own[Pg 74] songs. Of retiring and unobtrusive habits, she mixed sparingly in general society; but among her intimate friends, she was held in estimation for the extent of her information and the unclouded cheerfulness of her disposition. She has left some MSS. of poems and songs, from which we have been privileged to make selections for the present work.[Pg 75]
Air—"Banks of the Devon."
Air—"Drummond Castle."
Air—"Tullymet."
James King was born in Paisley in 1776. His paternal ancestors, for a course of centuries, were farmers in the vicinity of Gleniffer Braes. Having been only one year at school, he was, at the age of eight, required to assist his father in his trade of muslin-weaving. Joining a circulating library, he soon acquired an acquaintance with books; he early wrote verses, and became the intimate associate of Tannahill, who has honourably mentioned him in one of his poetical epistles. In his fifteenth year he enlisted in a fencible regiment, which was afterwards stationed at Inverness. On its being disembodied in 1798, he returned to the loom at Paisley, where he continued till 1803, when he became a recruit in the Renfrewshire county militia. He accompanied this regiment to Margate, Deal, Dover, Portsmouth, and London, and subsequently to Leith, the French prisoners' depôt at Penicuick, and the Castle of Edinburgh. At Edinburgh his poetical talents recommended him to some attention from Sir Walter Scott, the Ettrick Shepherd, and several others of the poets of the capital.
Accused of exciting disaffection, and promoting an attempt made by a portion of his comrades to resist lawful authority while the regiment was stationed at Perth, King, though wholly innocent of the charge, fearing the vengeance of the adjutant, who was hostile to him, contrived to effect his escape. By a circuitous route, so as to elude the vigilance of parties sent to apprehend him, he reached the district of Galloway,[Pg 84] where he obtained employment as a shepherd and agricultural labourer. He subsequently wrought as a weaver at Crieff till 1815, when, on his regiment being disembodied, he was honourably acquitted from the charge preferred against him, and granted his discharge. He now settled as a muslin-weaver, first at Glasgow, and afterwards at Paisley and Charleston. He died at Charleston, near Paisley, on the 27th September 1849, in his seventy-third year.
Of vigorous intellect, lively fancy, and a keen appreciation of the humorous, King was much esteemed among persons of a rank superior to his own. His mind was of a fine devotional cast, and his poetical compositions are distinguished by earnestness of expression and sentiment.[Pg 85]
Air—"Scott's Boat Song."
The author of a sweet pastoral lyric, which has been praised both by Robert Burns and Allan Cunningham, Isobel Pagan claims a biographical notice. She was born in the parish of New Cumnock, Ayrshire, about the year 1741. Deserted by her relations in youth, and possessing only an imperfect education, she was led into a course of irregularities which an early moral training would have probably prevented. She was lame and singularly ill-favoured, but her manners were spirited and amusing. Her chief employment was the composition of verses, and these she sung as a mode of subsistence. She published, in 1805, a volume of doggerel rhymes, and was in the habit of satirising in verse those who had offended her. Her one happy effort in song-making has preserved her name. She lived chiefly in the neighbourhood of Muirkirk. She died on the 3d November 1821, in her eightieth year, and her remains were interred in the churchyard of Muirkirk. A tombstone marks her grave.[Pg 89]
John Mitchell, the Paisley bard, died in that place on the 12th August 1856, in his seventieth year. He was born at Paisley in 1786. The labour of weaving he early sought to relieve by the composition of verses. He contributed pieces, both in prose and verse, to the Moral and Literary Observer, a small Paisley periodical of the year 1823, and of which he was the publisher. In 1838, he appeared as the author of "A Night on the Banks of the Doon, and other Poems," a volume which was followed in 1840 by "The Wee Steeple's Ghaist, and other Poems and Songs," the latter being dedicated to Professor Wilson. In the year 1840, he likewise produced, jointly with a Mr Dickie, the "Philosophy of Witchcraft," a work which, published by Messrs Oliver and Boyd, was well received. His next publication appeared in 1845, with the title, "One Hundred Original Songs." His last work, "My Gray Goose Quill, and other Poems and Songs," was published in 1852.
Mitchell employed himself latterly in forwarding the sale of his publications, and succeeded by this course in securing a comfortable maintenance. He wrote verses with much readiness, and occasionally with considerable power. His songs, which we have selected for the present work, are distinguished by graceful simplicity and elegant pathos. Had Mitchell written less, and more carefully, he had reached a higher niche in the Temple of National Song. His manners were eccentric, and he was not unconscious of his poetical endowments.[Pg 91]
Alexander Jamieson was born in the village of Dalmellington, Ayrshire, on the 29th January 1789. After a course of study at the University of Edinburgh, he obtained licence as a medical practitioner. In 1819, he settled as a surgeon and apothecary in the town of Alloa. A skilful mechanician, he constructed a small printing-press for his own use; he was likewise ardently devoted to the study of botany. He composed verses with remarkable facility, many of which he contributed to the Stirling Journal newspaper. His death was peculiarly melancholy: he had formed one of a pic-nic party, on a fine summer day, to the summit of Bencleugh, one of the Ochils, and descending by a shorter route to visit a patient at Tillicoultry, he missed his footing, and was precipitated about two hundred feet into one of the ravines. He was early next morning discovered by a shepherd, but only survived a few hours afterwards. His death took place on the 26th July 1826. Possessed of varied talents, and excellent dispositions, Jamieson was deeply regretted by his friends. He left a widow, who died lately in Dunfermline. His songs, of which two specimens are adduced, afford evidence of power.[Pg 96]
"Russian Air."
Welsh Air—"Sir William Watkin Wynne."
A short-lived poet and song-writer of some promise, John Goldie was born at Ayr on the 22d December 1798. His father, who bore the same Christian name, was a respectable shipmaster. Obtaining an ample education at the academy of his native town, he became, in his fifteenth year, assistant to a grocer in Paisley; he subsequently held a similar situation in a stoneware and china shop in Glasgow. In 1821 he opened, on his own account, a stoneware establishment at Ayr; but proving unfortunate in business, he abandoned the concerns of trade. From his boyhood being devoted to literature he now resolved on its cultivation as a means of support. Already known as an occasional contributor, both in prose and verse, to the public press, he received the appointment of assistant editor of the Ayr Courier, and shortly after obtained the entire literary superintendence of that journal. In 1821, he published a pamphlet of respectable verses; and in the following year appeared as the author of a duodecimo volume of "Poems and Songs," which he inscribed to the Ettrick Shepherd. Of the compositions in the latter publication, the greater portion, he intimates in the preface, "were composed at an early age, chiefly betwixt the years of sixteen and twenty;" and as the production of a very young man, the volume is altogether creditable to his genius and taste.
Deprived of the editorship of the Courier, in consequence of a change in the proprietary, Goldie proceeded[Pg 99] to London, in the hope of forming a connexion with some of the leading newspapers in the metropolis. Unsuccessful in this effort, he formed the project of publishing The London Scotsman, a newspaper to be chiefly devoted to the consideration of Scottish affairs. Lacking that encouragement necessary to the ultimate success of this adventure, he abandoned the scheme after the third publication, and in very reduced circumstances returned to Scotland. He now projected the Paisley Advertiser, of which the first number appeared on the 9th October 1824. The editorship of this newspaper he retained till his death, which took place suddenly on the 27th February 1826, in his twenty-eighth year.
Of a vigorous intellect, and possessed of a correct literary taste, Goldie afforded excellent promise of eminence as a journalist. As a poet and song-writer, a rich vein of humour pervades certain of his compositions, while others are marked by a plaintive tenderness. Of sociable and generous dispositions, he was much esteemed by a circle of admiring friends. His personal appearance was pleasing, and his countenance wore the aspect of intelligence.[Pg 100]
Air—"Loudon's Bonnie Woods and Braes."
Robert Pollok, author of the immortal poem, "The Course of Time," was the son of a small farmer in the parish of Eaglesham, Renfrewshire, where he was born on the 19th October 1798. With a short interval of employment in the workshop of a cabinetmaker, he was engaged till his seventeenth year in services about his father's farm. Resolving to prepare for the ministry in the Secession Church, he took lessons in classical learning at the parish school of Fenwick, Ayrshire, and in twelve months fitted himself for the university. He attended the literary and philosophical classes in Glasgow College, during five sessions, and subsequently studied in the Divinity Hall of the United Secession Church. He wrote verses in his boyhood, in his eighteenth year composed a poetical essay, and afterwards produced respectable translations from the Classics as college exercises. His great poem, "The Course of Time," was commenced in December 1824, and finished within the space of nineteen months. On the 24th March 1827, the poem was published by Mr Blackwood; and on the 2d of the following May the author received his license as a probationer. The extraordinary success of his poem had excited strong anticipations in respect of his professional career, but these were destined to disappointment. Pollok only preached four times. His constitution, originally robust, had suffered from over exertion in boyhood, and more recently from a course of sedulous application in preparing for license, and in the[Pg 104] production of his poem. To recruit his wasted strength, a change of climate was necessary, and that of Italy was recommended. The afflicted poet only reached Southampton, where he died a few weeks after his arrival, on the 18th September 1827. In Millbrook churchyard, near Southampton, where his remains were interred, a monument has been erected to his memory.
Besides his remarkable poem, Pollok published three short tales relative to the sufferings of the Covenanters. He had projected a large work respecting the influences which Christianity had exercised upon literature. Since his death, several short poetical pieces from his pen have, along with a memoir, been published by his brother. In person he was of the ordinary height, and of symmetrical form. His complexion was pale brown; his features small, and his eyes dark and piercing. "He was," writes Mr Gabriel Neil, who enjoyed his friendship, "of plain simple manners, with a well-cultivated mind; he loved debate, and took pleasure in good-humoured controversy." The copyright of "The Course of Time" continues to produce emolument to the family.[Pg 105]
J. C. Denovan was born at Edinburgh in 1798. Early evincing a predilection for a seafaring life, he was enabled to enter a sloop of war, with the honorary rank of a midshipman. After accomplishing a single voyage, he was necessitated, by the death of his father, to abandon his nautical occupation, and to seek a livelihood in Edinburgh. He now became, in his sixteenth year, apprentice to a grocer; and he subsequently established himself as a coffee-roaster in the capital. He died in 1827. Of amiable dispositions, he was an agreeable and unassuming member of society. He courted the Muse to interest his hours of leisure, and his poetical aspirations received the encouragement of Sir Walter Scott and other men of letters.[Pg 107]
John Imlah, one of the sweetest and most patriotic of Scottish song-writers, was born in North Street, Aberdeen, about the close of the year 1799. His progenitors were farmers in the parish of Fyvie, but his father followed the profession of an innkeeper. Of seven sons, born in succession to his parents, the poet was the youngest. On completing an ordinary education at the grammar-school, he was apprenticed to a pianoforte maker in Aberdeen. Excelling as a piano-tuner he, in this capacity, sought employment in London, and was fortunate in procuring an engagement from the Messrs Broadwood. For the first six months of the year he performed the duties of a tuner in the metropolis, and during the remaining six months prosecuted his vocation in Scotland. Attached to his native country, he took delight in celebrating her strains. He composed songs from his boyhood. In 1827, he published "May Flowers," a duodecimo volume of lyrics, chiefly in the Scottish dialect, which he followed by a second volume of "Poems and Songs" in 1841. He contributed to Macleod's "National Melodies" and the Edinburgh Literary Journal. On the 9th January 1846, his death took place at Jamaica, whither he had gone on a visit to one of his brothers.
Imlah was a person of amiable dispositions and agreeable manners. Of his numerous lyrics, each is distinguished by a rich fancy, and several of his songs will maintain a lasting place in the national minstrelsy.[Pg 109]
Air—"The Humours of Glen."
Air—"O'er the Muir amang the Heather."
Air—"Kinloch."
Air—"The Dawtie."
John Tweedie was born in the year 1800, in the vicinity of Peebles, where his father was a shepherd. Obtaining a classical education, he proceeded to the University of Edinburgh, to prosecute his studies for the Established Church. By acting as a tutor during the summer months, he was enabled to support himself at the university, and after the usual curriculum, he was licensed as a probationer. Though possessed of popular talents as a preacher, he was not successful in obtaining a living in the Church. During his probationary career, he was employed as a tutor in the family of the minister of Newbattle, assisted in the parish of Eddleston, and ultimately became missionary at Stockbridge, Edinburgh. He died at Linkfieldhall, Musselburgh, on the 29th February 1844. Tweedie was a person of amiable dispositions and unaffected piety; he did not much cultivate his gifts as a poet, but the following song from his pen, to the old air, "Saw ye my Maggie," has received a considerable measure of popularity.[14][Pg 121]
Thomas Atkinson, a respectable writer of prose and verse, was born at Glasgow about the year 1800. Having completed an apprenticeship to Mr Turnbull, bookseller, Trongate, he entered into copartnership with Mr David Robertson, subsequently King's publisher in the city. Of active business habits, he conducted, along with his partner, an extensive bookselling trade, yet found leisure for the pursuits of elegant literature. At an early age he published "The Sextuple Alliance," a series of poems on the subject of Napoleon Bonaparte, which afforded considerable promise, and received the commendation of Sir Walter Scott. In 1827, he published "The Ant," a work in two volumes, one of which consists of entirely original, and the other of selected matter. "The Chameleon," a publication of the nature of an annual, commenced in 1831, and extended to three octavo volumes. Of this work, a melange of prose and poetry, the contents for the greater part were of his own composition. The last volume appeared in September 1833, shortly before his death.
Deeply interested in the public affairs, Atkinson was distinguished as a public speaker. At the general election, subsequent to the passing of the Reform Bill, he was invited to become a candidate in the liberal interest for the parliamentary representation of the Stirling burghs, in opposition to Lord Dalmeny, who was[Pg 123] returned. Naturally of a sound constitution, the exertions of his political canvass superinduced an illness, which terminated in pulmonary consumption. During a voyage he had undertaken to Barbadoes for the recovery of his health, he died at sea on the 10th October 1833. His remains, placed in an oaken coffin, which he had taken along with him, were buried in the deep. He bequeathed a sum, to be applied, after accumulation, in erecting a building in Glasgow for scientific purposes. A monument to his memory has been erected in the Glasgow Necropolis. The following stanzas were composed by the dying poet at the outset of his voyage, and less than three weeks prior to his decease; they are dated the "River Mersey," 21st September 1833:—
In the "Chameleon" several of Mr Atkinson's songs are set to music, but, with the exception of "Mary Shearer," none of them are likely to obtain popularity.[Pg 124]
William Gardiner, the author of "Scotland's Hills," was born at Perth about the year 1800. He established himself as a bookseller in Cupar-Fife. During a period of residence in Dundee, in acquiring a knowledge of his trade, he formed the acquaintance of the poet Vedder. With the assistance of this gifted individual, he composed his popular song of "Scotland's Hills." Introduced at a theatre in Dundee, it was received with marked approbation. It was first printed, in January 1829, in the Fife Herald newspaper, with a humorous preface by Vedder, and was afterwards copied into the Edinburgh Literary Gazette. It has since found a place in many of the collections of Scottish song, and has three different times been set to music.
Gardiner was unfortunate as a bookseller, and ultimately obtained employment in the publishing office of the Fife Herald. He died at Perth on the 4th July 1845. Some years before his death, he published a volume of original and selected compositions, under the title of "Gardiner's Miscellany." He was a person of amiable dispositions; and to other good qualities of a personal character, added considerable skill in music.[Pg 127]
Robert Hogg was born in the parish of Stobo, about the close of the century. His father was William Hogg, eldest brother of the Ettrick Shepherd. William Hogg was also a shepherd, a sensible, well-conducted man, and possessed of considerable literary talent. Receiving a classical education at the grammar-school of Peebles, Robert proceeded to the University of Edinburgh, with the intention of studying for the Church. Abandoning his original views, he became corrector of the press, or reader in the printing-office of Messrs Ballantyne. John Wilson, the future vocalist, was his yoke-fellow in office. His official duties were arduous, but he contrived to find leisure for contributing, both in prose and verse, to the periodicals. His literary talents attracted the favourable notice of Mr J. G. Lockhart, who, on being appointed, in 1825, to conduct the Quarterly Review, secured his services as secretary or literary assistant. He therefore proceeded to London, but as it was found there was not sufficient occasion for his services in his new appointment, he returned in a few months to the duties of his former situation. For a short period he acted as amanuensis to Sir Walter Scott, while the "Life of Napoleon" was in progress. According to his own account,[16] this must have been no relief from his ordinary toils, for Sir Walter was at his task from early morning till almost[Pg 130] evening, excepting only two short spaces for meals. When Chambers's Edinburgh Journal was commenced, Hogg was asked by his former schoolfellow, Mr Robert Chambers, to undertake the duties of assistant editor, on a salary superior to that which he then received; but this office, from a conscientious scruple about his ability to give satisfaction, he was led to decline. He was an extensive contributor, both in prose and verse, to the two first volumes of this popular periodical; but before the work had gone further, his health began to give way, and he retired to his father's house in Peeblesshire, where he died in 1834. He left a young wife and one child.
Robert Hogg was of low stature and of retiring manners. He was fond of humour, but was possessed of the strictest integrity and purity of heart. His compositions are chiefly scattered among the contemporary periodical literature. He contributed songs to the "Scottish and Irish Minstrels" and "Select Melodies" of R. A. Smith; and a ballad, entitled "The Tweeddale Raide," composed in his youth, was inserted by his uncle in the "Mountain Bard." Those which appear in the present work are transcribed from a small periodical, entitled "The Rainbow," published at Edinburgh, in 1821, by R. Ireland; and from the Author's Album, in the possession of Mr Henry Scott Riddell, to whom it was presented by his parents after his decease. In the "Rainbow," several of Hogg's poetical pieces are translations from the German, and from the Latin of Buchanan. All his compositions evince taste and felicity of expression, but they are defective in startling originality and power.[17][Pg 131]
A son of genius and of misfortune, John Wright was born on the 1st September 1805, at the farm-house of Auchincloigh, in the parish of Sorn, Ayrshire. From his mother, a woman of much originality and shrewdness, he inherited a strong inclination towards intellectual culture. His school education was circumscribed, but he experienced delight in improving his mind, by solitary musings amidst the amenities of the vicinity of Galston, a village to which his father had removed. At the age of seven, he began to assist his father in his occupation of a coal driver; and in his thirteenth year he was apprenticed to the loom. His master supplied him with books, which he perused with avidity, and he took an active part in the weekly meetings of apprentices for mutual literary improvement; but his chief happiness was still experienced in lonely rambles amidst the interesting scenes of the neighbourhood, which, often celebrated by the poets, were especially calculated to foment his own rapidly developing fancy. He fell in love, was accepted, and ultimately cast off—incidents which afforded him opportunities of celebrating the charms, and deploring the inconstancy of the fair. He composed a poem, of fifteen hundred lines, entitled "Mahomet, or the Hegira," and performed the extraordinary mental effort of retaining the whole on his memory, at the period being unable to write. "The Retrospect," a poem of more matured power, was an[Pg 138]nounced in 1824. At the recommendation of friends, having proceeded to Edinburgh to seek the counsel of men of letters, he submitted the MS. of his poem to Professor Wilson, Dr M'Crie, Mr Glassford Bell, and others, who severally expressed their approval, and commended a publication. "The Retrospect," accordingly, appeared with a numerous list of subscribers, and was well received by the press. The poet now removed to Cambuslang, near Glasgow, where he continued to prosecute his occupation of weaving. He entered into the married state by espousing Margaret Chalmers, a young woman of respectable connexions and considerable literary tastes. The desire of obtaining funds to afford change of climate to his wife, who was suffering from impaired health, induced him to propose a second edition of his poems, to be published by subscription. During the course of his canvass, he unfortunately contracted those habits of intemperance which have proved the bane of so many of the sons of genius. Returning to the loom at Cambuslang, he began to exchange the pleasures of the family hearth for the boisterous excitement of the tavern. He separated from his wife and children, and became the victim of dissipation. In 1853, some of his literary friends published the whole of his poetical works in a duodecimo volume, in the hope of procuring the means of extricating him from his painful condition. The attempt did not succeed. He died in an hospital in Glasgow, of fever, contracted by intemperance. As a poet, he was possessed of a rich fancy, with strong descriptive powers. His "Retrospect" abounds with beautiful passages; and some of his shorter poems and songs are destined to survive.[Pg 139]
Joseph Grant, a short-lived poet and prose writer, was born on the farm of Affrusk, parish of Banchory-Ternan, Kincardineshire, on the 26th of May 1805. He was instructed in the ordinary branches at the parish school, and employed as a youth in desultory labour about his father's farm. From boyhood he cherished a passionate love for reading, and was no less ardent in his admiration of the picturesque and beautiful in nature. So early as his fourteenth year he composed verses of some merit. In 1828, he published "Juvenile Lays," a collection of poems and songs; and in 1830, "Kincardineshire Traditions"—a small volume of ballads—both of which obtained a favourable reception. Desirous of emanating from the retirement of his native parish, he accepted, in 1831, the situation of assistant to a shop-keeper in Stonehaven, and soon afterwards proceeded to Dundee, where he was employed in the office of the Dundee Guardian newspaper, and subsequently as clerk to a respectable writer.
Grant furnished a series of tales and sketches for Chambers's Edinburgh Journal. In 1834, he published a second small volume of "Poems and Songs;" and subsequently, in the same year, committed to the press a prose work, entitled "Tales of the Glens," which he did not, however, survive to publish. After an illness of fifteen weeks, of a pulmonary complaint, he died on the 14th April 1835, in his thirtieth year. His remains[Pg 144] were interred in the churchyard of Strachan, Kincardineshire, where a tombstone, inscribed with some elegiac verses, has been erected to his memory. The "Tales of the Glens" were published shortly after his decease, under the editorial care of the late Mr James M'Cosh, of Dundee, editor of the Northern Warder newspaper; and, in 1836, an edition of his collected works was published at Edinburgh, with a biographical preface by the poet Nicol.
Of a fine genius, a gentle and amiable nature, and pure Christian sentiments, Grant afforded eminent promise, with a prolonged career, of becoming an ornament to literature. Cut down in the bloom of youth, his elegy has been recorded by the Brechin poet, Alexander Laing—
A poet of remarkable ingenuity and power, Dugald Moore was born in Stockwell Street, Glasgow, in 1805. His father, who was a private soldier in one of the Highland regiments, died early in life, leaving his mother in circumstances of poverty. From his mother's private tuition, he received the whole amount of his juvenile education. When a child he was sent to serve as a tobacco-boy for a small pittance of wages, and as a youth was received into the copper-printing branch of the establishment of Messrs James Lumsden and Son, booksellers, Queen Street. He very early began to write verses, and some of his compositions having attracted the notice of Mr Lumsden, senior, that benevolent gentleman afforded him every encouragement in the prosecution of his literary tastes. Through Mr Lumsden's personal exertions in procuring subscribers, he was enabled to lay before the public in 1829 a volume of poems entitled "The African, a Tale, and other Poems." Of this work a second edition was required in the following year, when he likewise gave to the world a second volume, with the title "Scenes from the Flood; the Tenth Plague, and other Poems." "The Bridal Night, and other Poems," a volume somewhat larger than its predecessors, appeared from his pen in 1831. The profits of these publications enabled him to commence on his own account as a bookseller and stationer in the city. His shop, No. 96 Queen Street, became the[Pg 148] rendezvous of men of letters, and many of the influential families gave its occupant the benefit of their custom.
In 1833, Moore published "The Bard of the North, a series of Poetical Tales, illustrative of Highland Scenery and Character;" in 1835, "The Hour of Retribution, and other Poems;" and in 1839, "The Devoted One, and other Poems." He died unmarried, after a brief illness, on the 2d January 1841, in his thirty-sixth year, leaving a competency for the support of his aged mother. Buried in the Necropolis of the city, a massive monument, surmounted by a bust, has been raised by his personal friends in tribute to his memory. Though slightly known to fame, Moore is entitled to rank among the most gifted of the modern national poets. Possessed of a vigorous conception, a lofty fancy, intense energy of feeling, and remarkable powers of versification, his poetry is everywhere impressed with the most decided indications of genius. He has chosen the grandest subjects, which he has adorned with the richest illustration, and an imagery copious and sublime. Had he occupied his Muse with themes less exalted, he might have enjoyed a wider temporary popularity; as it is, his poems will find admirers in future times.[Pg 149]
The author of the deservedly popular words and air of "The Araby Maid," Thomas Gordon Torry Anderson was the youngest son of Patrick Torry, D.D., titular bishop of St Andrews, Dunkeld, and Dunblane. His mother, Jane Young, was the daughter of Dr William Young, of Fawsyde, Kincardineshire. Born at Peterhead on the 9th July 1805, he received his elementary education at the parish school of that place. He subsequently prosecuted his studies in Marischal College, Aberdeen, and the University of Edinburgh. In 1827, he received holy orders, and was admitted to the incumbency of St John's Episcopal Church, Portobello. He subsequently became assistant in St George's Episcopal Church, Edinburgh, and was latterly promoted to the pastorate of St Paul's Episcopal Church, Dundee.
Devoted to the important duties of the clerical office, Mr Torry Anderson experienced congenial recreation in the cultivation of music and song, and in the occasional composition of both. He composed, in 1833, the words and air of "The Araby Maid," which speedily obtained a wide popularity. The music and words of the songs, entitled "The Maiden's Vow," and "I Love the Sea," were composed in 1837 and 1854, respectively. To a work, entitled "Poetical Illustrations of the Achievements of the Duke of Wellington and his Companions in Arms," published in 1852, he extensively contributed.[Pg 159] During the summer of 1855, he fell into bad health, and was obliged to resign his incumbency. He afterwards resided on his estate of Fawsyde, to which he had succeeded, in 1850, on the death of his uncle, Dr Young. He died at Aberdeen on the 20th of June 1856, in his fifty-first year. He was three times married—first, in 1828, to Mrs Gaskin Anderson of Tushielaw, whose name he adopted to suit the requirements of an entail; secondly, he espoused, in 1838, Elizabeth Jane, daughter of Dr Thomas Sutter, R.N.; and lastly, Mrs Hill, widow of Mr William Hill, R.N., whom he married in 1854. He has left a widow and six children.[Pg 160]
George Allan was the youngest son of John Allan, farmer at Paradykes, near Edinburgh, where he was born on the 2d February 1806. Ere he had completed his fourteenth year, he became an orphan by the death of both his parents. Intending to prosecute his studies as a lawyer, he served an apprenticeship in the office of a Writer to the Signet. He became a member of that honourable body, but almost immediately relinquished legal pursuits, and proceeded to London, resolved to commence the career of a man of letters. In the metropolis his literary aspirations were encouraged by Allan Cunningham and Mr and Mrs S. C. Hall. In 1829, he accepted an appointment in Jamaica; but, his health suffering from the climate of the West Indies, he returned in the following year. Shortly after his arrival in Britain, he was fortunate in obtaining the editorship of the Dumfries Journal, a respectable Conservative newspaper. This he conducted with distinguished ability and success for three years, when certain new arrangements, consequent on a change in the proprietary, rendered his services unnecessary. A letter of Allan Cunningham, congratulating him on his appointment as a newspaper editor, is worthy of quotation, from its shrewd and sagacious counsels:—
"Study to fill your paper," writes Cunningham, "with such agreeable and diversified matter as will allure readers; correct intelligence, sprightly and elegant paragraphs, remarks on men and[Pg 164] manners at once free and generous; and local intelligence pertaining to the district, such as please men of the Nith in a far land. These are the staple commodity of a newspaper, and these you can easily have. A few literary paragraphs you can easily scatter about; these attract booksellers, and booksellers will give advertisements where they find their works are noticed. Above all things, write cautiously concerning all localities; if you praise much, a hundred will grumble; if you are severe, one only may complain, but twenty will shake the head. You will have friends on one side of the water desiring one thing, friends on the other side desiring the reverse, and in seeking to please one you vex ten. An honest heart, a clear head, and a good conscience, will enable you to get well through all."
On terminating his connexion with the Dumfries Journal, Allan proceeded to Edinburgh, where he was immediately employed by the Messrs Chambers as a literary assistant. In a letter addressed to a friend, about this period, he thus expresses himself regarding his enterprising employers:—
"They are never idle. Their very recreations are made conducive to their business, and they go through their labours with a spirit and cheerfulness, which shew how consonant these are with their dispositions." "Mr Robert Chambers," he adds, "is the most mild, unassuming, kind-hearted man I ever knew, and is perfectly uneasy if he thinks there is any one uncomfortable about him. The interest which he has shewn in my welfare has been beyond everything I ever experienced, and the friendly yet delicate way in which he is every other day asking me if I am all comfortable at home, and bidding me apply to him when I am in want of anything, equally puzzles me to understand or express due thanks for."
Besides contributing many interesting articles to Chambers's Edinburgh Journal, and furnishing numerous communications to the Scotsman newspaper, Allan wrote a "Life of Sir Walter Scott," in an octavo volume, which commanded a wide sale, and was much commended by the public press. In preparing that elegant work, the[Pg 165] "Original National Melodies of Scotland," the ingenious editor, Mr Peter M'Leod, was favoured by him with several songs, which he set forth in that publication, with suitable music. In 1834, some of his relatives succeeded, by political influence, in obtaining for him a subordinate situation in the Stamp Office,—one which at once afforded him a certain subsistence, and did not necessarily preclude the exercise of his literary talents. But a constitutional weakness of the nervous system did not permit of his long enjoying the smiles of fortune. He died suddenly at Janefield, near Leith, on the 15th August 1835, in his thirtieth year. In October 1831, he had espoused Mrs Mary Hill, a widow, eldest daughter of Mr William Pagan, of Curriestanes, and niece of Allan Cunningham, who, with one of their two sons, still survives. Allan was a man of singularly gentle and amiable dispositions, a pleasant companion, and devoted friend. In person he was tall and rather thin, with a handsome, intelligent countenance. An enthusiast in the concerns of literature, it is to be feared that he cut short his career by overstrained application. His verses are animated and vigorous, and are largely imbued with the national spirit.[20][Pg 166]
Thomas Brydson was born in Glasgow in 1806. On completing the usual course of study at the Universities of Glasgow and Edinburgh, he became a licentiate of the Established Church. He assisted in the Middle Church, Greenock, and in the parish of Kilmalcolm, Renfrewshire, and was, in 1839, ordained minister of Levern Chapel, near Paisley. In 1842, he was translated to the full charge of Kilmalcolm, where he continued to minister with much acceptance till his death, which took place suddenly on the 28th January 1855.
A man of fine fancy and correct taste, Mr Brydson was, in early life, much devoted to poetical composition. In 1829, he published a duodecimo volume of "Poems;" and a more matured collection of his poetical pieces in 1832, under the title of "Pictures of the Past." He contributed, in prose and verse, to the Edinburgh Literary Journal; the Republic of Letters, a Glasgow publication; and some of the London annuals. Though fond of correspondence with his literary friends, and abundantly hospitable, he latterly avoided general society, and, in a great measure, confined himself to his secluded parish of Kilmalcolm. Among his parishioners he was highly esteemed for the unction and fervour which distinguished his public ministrations, as well as for the gentleness of his manners and the generosity of his heart. Of domestic animals he was devotedly fond. He took delight in pastoral scenery, and in solitary musings among the hills. His poetry is pervaded by elegance of sentiment and no inconsiderable vigour of expression.[Pg 173]
Though a native of Ireland, Charles Doyne Sillery has some claim to enrolment among the minstrels of Caledonia. His mother was a Scotchwoman, and he was himself brought up and educated in Edinburgh. He was born at Athlone, in Ireland, on the 2d of March 1807. His father, who bore the same Christian and middle names, was a captain of the Royal Artillery.[24] He distinguished himself in the engagements of Talavera on the 27th and 28th of July 1809; but from his fatigues died soon after. His mother, Catherine Fyfe, was the youngest daughter of Mr Barclay Fyfe, merchant in Leith. She subsequently became the wife of James Watson, Esq., now of Tontley Hall, Berkshire.
Of lively and playful dispositions, Sillery did not derive much advantage from scholastic training. His favourite themes were poetry and music, and these he assiduously cultivated, much to the prejudice of other[Pg 175] important studies. At a subsequent period he devoted himself with ardour to his improvement in general knowledge. He read extensively, and became conversant with the ancient and some of the modern languages. Disappointed in obtaining a commission in the Royal Artillery, on which he had calculated, he proceeded to India as midshipman in a merchant vessel. Conceiving a dislike to a seafaring life, after a single voyage, he entered on the study of medicine in the University of Edinburgh. From early youth he composed verses. In 1829, while only in his twenty-second year, he published, by subscription, a poem, in nine cantos, entitled "Vallery; or, the Citadel of the Lake." This production, which refers to the times of Chivalry, was well received; and, in the following year, the author ventured on the publication of a second poem, in two books, entitled "Eldred of Erin." In the latter composition, which is pervaded by devotional sentiment, the poet details some of his personal experiences. In 1834 he published, in a small duodecimo volume, "The Exiles of Chamouni; a Drama," a production which received only a limited circulation. About the same period, he became a contributor of verses to the Edinburgh Literary Journal. He ultimately undertook the editorial superintendence of a religious periodical.
Delicate in constitution, and of a highly nervous temperament, Sillery found the study of medicine somewhat uncongenial, and had formed the intention of qualifying himself for the Church. He calculated on early ecclesiastical preferment through the favour of Her Majesty Queen Adelaide, to whom he had been presented, and who had evinced some interest on his behalf. But his prospects were soon clouded by the slow but certain progress of an insidious malady. He was seized[Pg 176] with pulmonary consumption, and died at Edinburgh on the 16th May 1836, in his twenty-ninth year.
Of sprightly and winning manners, Sillery was much cherished in the literary circles of the capital. He was of the ordinary height, and of an extremely slender figure; and his eye, remarkably keen and piercing, was singularly indicative of power. Poetry, in its every department, he cherished with the devotion of an enthusiast; and though sufficiently modest on the subject of his own poetical merits, he took delight in singing his own songs. Interested in the history of the Middle Ages, he had designed to publish an "Account of Ancient Chivalry." Latterly, his views were more concentrated on the subject of religion. Shortly before his death, he composed a "Discourse on the Sufferings of Christ," the proof-sheets of which he corrected on his deathbed. As a poet, with more advanced years, he would have obtained a distinguished place. With occasional defects, the poem of "Vallery" is possessed of much boldness of imagery, and force and elegance of expression.[Pg 177]
Robert Miller, the author of the two following songs, was a native of Glasgow, and was educated for the legal profession. He contributed verses to the periodicals, but did not venture on any separate publication. He died at Glasgow, in September 1834, at the early age of twenty-four. His "Lay of the Hopeless" was written within a few days of his decease.
Alexander Hume was born at Kelso on the 1st of February 1809. His father, Walter Hume, occupied a respectable position as a retail trader in that town. Of the early history of our author little has been ascertained. His first teacher was Mr Ballantyne of Kelso, a man somewhat celebrated in his vocation. To his early preceptor's kindness of heart, Hume frequently referred with tears. While under Mr Ballantyne's scholastic superintendence, his love of nature first became apparent. After school hours it was his delight to wander by the banks of the Tweed, or reclining on its brink, to listen to the music of its waters. From circumstances into which we need not inquire, his family was induced to remove from Kelso to London. The position they occupied we have not learned; but young Hume is remembered as being a quick, intelligent, and most affectionate boy, eager, industrious, self-reliant, and with an occasional dash of independence that made him both feared and loved. He might have been persuaded to adopt almost any view, but an attempt at coercion only excited a spirit of antagonism. To use an old and familiar phrase, "he might break, but he would not bend."
About this period (1822 or 1823), when irritated by those who had authority over him, he suddenly disappeared from home, and allied himself to a company of strolling players, with whom he associated for several months. He had an exquisite natural voice, and sung[Pg 183] the melting melodies of Scotland in a manner seldom equalled. With the itinerant manager he was a favourite, because he was fit for anything—tragedy, comedy, farce, a hornpipe, and, if need be, a comic song, in which making faces at the audience was an indispensable accomplishment. His greatest hit, we are told, was in the absurdly extravagant song, "I am such a Beautiful Boy;" when he used to say that in singing one verse, he opened his mouth so wide that he had difficulty in closing it; but it appears he had neither difficulty nor reluctance in closing his engagement. Getting tired of his new profession, and disgusted with his associates, poorly clad and badly fed, he slipped away when his companions were fast asleep, and returned to London. Here, weary and footsore, he presented himself to a relative, who received him kindly, and placed him in a position where by industry he might provide for his necessities.
In 1827, he obtained a situation with Forbes & Co. of Mark Lane, the highly respectable agents for Berwick & Co. of Edinburgh, the celebrated brewers of Scotch ale. His position being one of considerable responsibility, he was obliged to find security in the sum of £500, which he obtained from the relative who had always stood his friend. But such was his probity and general good conduct, that his employers cancelled the security, and returned the bond as a mark of their appreciation of his integrity and worth.
About this period it was that he first gave utterance to his feelings in verse. Impulsive and impassioned naturally, his first strong attachment roused the deepest feelings of the man, and awoke the dormant passion of the poet. The non-success of his first wooing only made his song the more vehement for a while, but as no flame[Pg 184] can burn intensely for ever, his love became more subdued, and his song gradually assumed that touching pathos which has ever characterised the best lyrics of Scotland.
Some time between the years 1830 and 1833, he became a member of the Literary and Scientific Institution, Aldersgate Street, where he made the acquaintance of many kindred spirits, young men of the same standing as himself, chiefly occupied in the banks, offices, and warehouses of the city of London. There they had classes established for the study of history, for the discussion of philosophical and literary subjects, and for the practice of elocution. The recitations of the several members awoke the embers that smouldered in his heart from the time he had left the stage. His early experience had made him acquainted with the manner in which the voice ought to be modulated to make the utterance effective; and although he seldom ventured to recite, he was always a fair critic and a deeply interested auditor. The young ambition of a few had led them to aspire to authorship, and they established a monthly magazine. Although the several articles were not of the highest order, they were, nevertheless, quite equal to the average periodical writings of the day. In this magazine it is believed that Hume published his first song. It had been sent in the ordinary way, signed Daft Wattie, and the editor, not appreciating the northern dialect in which it was written, had tossed it aside. Shortly afterwards, one of the managers on turning over the rejected papers was attracted by the verses, read them, and was charmed. He placed them back in the editor's box, certifying them as fit for publication by writing across them,
to which he signed his name, William Raine. This circumstance soon led to an intimate acquaintance with Mr Raine, who was a man of considerable original power, excellent education, and of a social and right manly nature. This new acquaintance coloured the whole of Hume's future life. They became fast friends, and were inseparable. The imagination of Hume was restrained by the acute judgment and critical ability of Mr Raine. When Hume published his first volume of "Songs," it would perhaps be difficult to determine whether their great success and general popularity resulted from the poet whose name they bore, or from the friend who weighed and suggested corrections in almost every song, until they finally came before the public in a collected form. The volume was dedicated to Allan Cunningham, and in the preface he says: "I composed them by no rules excepting those which my own observation and feelings formed; I knew no other. As I thought and felt, so have I written. Of all poetical compositions, songs, especially those of the affections, should be natural, warm gushes of feeling—brief, simple, and condensed. As soon as they have left the singer's lips, they should be fast around the hearer's heart."
In 1837, Hume married Miss Scott, a lady well calculated to attract the eye and win the heart of a poet. He remained connected with the house of Berwick & Co. until 1840, when, to recover his health, which had been failing for some time, he was advised to visit America, where he travelled for several months. On his return to England, he entered into an engagement with the Messrs Lane of Cork, then the most eminent brewers in the south of Ireland. To this work he devoted himself with great energy, and was duly rewarded for his labour by almost immediate success. The article[Pg 186] he sold became exceedingly popular in the metropolis; nor was he disappointed in the hope of realising considerable pecuniary advantages.
For several years he had written very little. The necessity to make provision for a rapidly increasing family, and the ambition to take a high position in the business he had chosen, occupied his every hour, and became with him a passion as strong as had ever moved him in works of the imagination.
In 1847 there were slight indications of a return of the complaint from which he had suffered in 1840, and he again crossed the Atlantic. Although he returned considerably improved in health, he was by no means well. Fortunately he had secured the services of a Mr Macdonald as an assistant in his business, whose exertions in his interest were unremitting. Mr Hume's health gradually declined, and ultimately incapacitated him for the performance of any commercial duty. In May 1851 he died at Northampton, leaving a widow and six children.
As a song writer, Hume is entitled to an honourable place among those authors whose writings have been technically called "the Untutored Muse of Scotland." His style is eminently graceful, and a deep and genuine pathos pervades his compositions. We confidently predict that some of his lyrics are destined to obtain a lasting popularity. In 1845, a complete edition of his "Songs and Poems" was published at London in a thin octavo volume.[Pg 187]
Air—"The Boatie Rows."
Air—"The Posie."
Air—"Fee him, Father."
Air—"The Posie."
Air—"Heigh-ho! for Somebody."
Air—"Gala Water."
A poet and indefatigable prose-writer, Thomas Smibert was born in Peebles on the 8th February 1810. Of his native town his father held for a period the office of chief magistrate. With a view of qualifying himself for the medical profession, he became apprentice to an apothecary, and afterwards attended the literary and medical classes in the University of Edinburgh. Obtaining licence as a surgeon, he commenced practice in the village of Inverleithen, situated within six miles of his native town. He was induced to adopt this sphere of professional labour from an affection which he had formed for a young lady in the vicinity, who, however, did not recompense his devotedness, but accepted the hand of a more prosperous rival. Disappointed in love, and with a practice scarcely yielding emolument sufficient to pay the annual rent of his apothecary's store, he left Inverleithen after the lapse of a year, and returned to Peebles. He now began to turn his attention to literature, and was fortunate in procuring congenial employment from the Messrs Chambers, as a contributor to their popular Journal. Of this periodical he soon attained the position of sub-editor; and in evidence of the indefatigable nature of his services in this literary connexion, it is worthy of record that, during the period intervening between 1837 and 1842, he contributed to the Journal no fewer than five hundred essays, one hundred tales, and about fifty biographical sketches. Within the same period he edited a new edition of Paley's "Natural Theology," with scientific notes, and wrote[Pg 196] extensively for a work of the Messrs Chambers, entitled "Information for the People." In 1842, he was appointed to the sub-editorship of the Scotsman newspaper. The bequest of a relative afterwards enabled him to relinquish stated literary occupation, but he continued to exhibit to the world pleasing evidences of his learning and industry. He became a frequent contributor to Hogg's Instructor, an Edinburgh weekly periodical; produced a work on "Greek History;" and collated a "Rhyming Dictionary." A large, magnificently illustrated volume, the "Clans of the Highlands of Scotland," was his most ambitious and successful effort as a prose-writer. His poetical compositions, which were scattered among a number of the periodicals, he was induced to collect and publish in a volume, with the title, "Io Anche! Poems chiefly Lyrical;" Edinburgh, 1851, 12mo. An historical play from his pen, entitled "Condé's Wife," founded on the love of Henri Quatre for Marguerite de Montmorency, whom the young Prince of Condé had wedded, was produced in 1842 by Mr Murray in the Theatre Royal, Edinburgh, and during a run of nine nights was received with applause.
Smibert died at Edinburgh on the 16th January 1854, in his forty-fourth year. With pleasing manners, he was possessed of kindly dispositions, and was much cherished for his intelligent and interesting conversation. In person he was strong built, and his complexion was fair and ruddy. He was not undesirous of reputation both as a poet and prose-writer, and has recorded his regret that he had devoted so much time to evanescent periodical literature. His poetry is replete with patriotic sentiment, and his strain is forcible and occasionally brilliant. His songs indicate a fine fancy and deep pathos.[Pg 197]
The younger of two remarkable brothers, whose names are justly entitled to remembrance, John Bethune, was born at the Mount, in the parish of Monimail, Fifeshire, during the summer of 1810. The poverty of his parents did not permit his attendance at a public school; he was taught reading by his mother, and writing and arithmetic by his brother Alexander,[26] who was considerably his senior. After some years' employment as a cow-herd, he was necessitated, in his twelfth year, to break stones on the turnpike-road. At the recommendation of a comrade, he apprenticed himself, early in 1824, to a weaver in a neigh[Pg 204]bouring village. In his new profession he rapidly acquired dexterity, so that, at the end of one year, he could earn the respectable weekly wages of fifteen shillings. Desirous of assisting his aged parents, he now purchased a loom and settled as a weaver on his own account, with his elder brother as his apprentice. A period of mercantile embarrassments which followed, severely affecting the manufacturing classes, pressed heavily on the subject of this notice; his earnings became reduced to six shillings weekly, and he was obliged to exchange the labours of the shuttle for those of the implements of husbandry. During the period of his apprenticeship, his thoughts had been turned to poetical composition, but it was subsequent to the commercial disasters of 1825 that he began earnestly to direct his attention towards the concerns of literature. Successive periods of bad health unfitting him for continued labour in the fields, were improved by extensive reading and composition. Before he had completed his nineteenth year he had produced upwards of twenty poetical compositions, each of considerable length, and the whole replete with power, both of sentiment and expression. Till considerably afterwards, however, his literary productions were only known to his brother Alexander, or at furthest to his parents. "Up to the latter part of 1835," writes his brother in a biographical sketch, "the whole of his writing had been prosecuted as stealthily as if it had been a crime punishable by law. There being but one apartment in the house, it was his custom to write by the fire, with an old copy-book, upon which his paper lay, resting on his knee, and this, through life, was his only writing-desk. On the table, which was within reach, an old newspaper was kept constantly lying, and as soon as the footsteps of any one were heard approach[Pg 205]ing the door, copy-book, pens, and ink-stand were thrust under this covering, and before the visitor came in, he had, in general, a book in his hand, and appeared to have been reading."
For a number of years Bethune had wrought as a day-labourer in the grounds of Inchrye, in the vicinity of his birthplace. On the death of the overseer on that property he was appointed his successor, entering on the duties at the term of Martinmas 1835, his brother accompanying him as his assistant. The appointment yielded £26 yearly, with the right of a cow's pasturage—emoluments which considerably exceeded the average of his previous earnings. To the duties of his new situation he applied himself with his wonted industry, still continuing to dedicate only his evenings and the intervals of toil to literary occupation. But his comparative prosperity was of short duration. During the summer following his appointment at Inchrye the estate changed owners, and the new proprietor dispensed with his services at the next term. In another year the landlord required the little cottage at Lochend, occupied by his parents. Undaunted by these reverses, John Bethune and his brother summoned stout courage; they erected a cottage at Mount Pleasant, near Newburgh, the walls being mostly reared by their own hands. The future career of Bethune was chiefly occupied in literary composition. He became a contributor to the Scottish Christian Herald, Wilson's Tales of the Borders, and other serial publications. In 1838 appeared "Tales and Sketches of the Scottish Peasantry," the mutual production of the poet and his brother—a work which, published in Edinburgh, was well received. A work on "Practical Economy," on which the brothers had bestowed much pains, and which had received the favourable opinion of persons of literary[Pg 206] eminence, was published in May 1839, but failed to attract general interest. This unhappy result deeply affected the health of the poet, whose constitution had already been much shattered by repeated attacks of illness. He was seized with a complaint which proved the harbinger of pulmonary consumption. He died at Mount Pleasant on the 1st September 1839, in his thirtieth year.
With a more lengthened career, John Bethune would have attained a high reputation, both as an interesting poet and an elegant prose-writer. His genius was versatile and brilliant; of human nature, in all its important aspects, he possessed an intuitive perception, and he was practically familiar with the character and habits of the sons of industry. His tales are touching and simple; his verses lofty and contemplative. In sentiment eminently devotional, his life was a model of genuine piety. His Poems, prefaced by an interesting Memoir, were published by his surviving brother in 1840; and from the profits of a second edition, published in the following year, a monument has been erected over his grave in the churchyard of Abdie.[Pg 207]
Allan Stewart, a short-lived poet of no inconsiderable merit, was born in the village of Houston, Renfrewshire, on the 30th January 1812. His father prosecuted the humble vocation of a sawyer. Deprived of his mother in early life, the loss was in some degree repaired by the kind attentions of his maternal aunt, Martha Muir, whose letters on religious subjects have been published. Receiving an ordinary education at school, he followed the trade of a weaver in Paisley. His leisure hours were employed in reading, and in the composition of verses. He died of typhus fever, at Paisley, on the 12th November 1837, in his twenty-sixth year. His "Poetical Remains" were published in 1838, in a thin duodecimo volume, with a well-written biographical sketch from the pen of his friend, Mr Charles Fleming.
Stewart was a person of modest demeanour, and of a thoughtful and somewhat melancholy cast. His verses are generally of a superior order; his songs abound in sweetness of expression and elegance of sentiment.[Pg 212]
Air—"The Soldier's Tear."
Air—"The Banks of the Devon."
Robert L. Malone was a native of Anstruther, in Fife, where he was born in 1812. His father was a captain in the navy, and afterwards was employed in the Coast Guard. He ultimately settled at Rothesay, in Bute. Receiving a common school education, Robert entered the navy in his fourteenth year. He served on board the gun-brig Marshall, which attended the Fisheries department in the west; next in the Mediterranean ocean; and latterly in South America. Compelled, from impaired health, to renounce the seafaring life, after a service of ten years, he returned to his family at Rothesay, but afterwards settled in the town of Greenock. In 1845, he became a clerk in the Long-room of the Customs at Greenock, an appointment which he retained till nigh the period of his death. A lover of poetry from his youth, he solaced the hours of sickness by the composition of verses. He published, in 1845, a duodecimo volume of poetry, entitled, "The Sailor's Dream, and other Poems," a work which was well received. His death took place at Greenock on the 6th of July 1850, in his thirty-eighth year. Of modest and retiring dispositions, Malone was unambitious of distinction as a poet. His style is bold and animated, and some of his pieces evince considerable power.[Pg 217]
Air—"Humours o' Glen."
Air—"Love's Young Dream."
Peter Still was born in the parish of Fraserburgh, Aberdeenshire, on the 1st day of January 1814. At the time of his birth his father rented a farm, but, being unfortunate, he was compelled to seek the support of his family by manual labour. With a limited education at the parish-school of Longside, whither his parents had removed, the subject of this memoir was sent, in his eleventh year, to tend cattle. When somewhat older, he found employment as a farm-servant; but having married in his twentieth year, he afterwards followed the more precarious occupation of a day-labourer. Of a delicate constitution, he suffered much from impaired health, being frequently, for months together, confined to the sick-chamber. During the periods of convalescence from illness, he composed verses, which he gave to the world in three separate publications. His last work—"The Cottar's Sunday, and other Poems"—appeared in 1845, in a handsome duodecimo volume. He closed a life of much privation and suffering at Peterhead, on the 21st March 1848.
Of sound religious principles and devoted Christian feeling, Still meekly submitted to the bitterness of his lot in life. He was fortunate in arresting the attention of some, who occasionally administered to his wants, and contributed, by their patronage, to the increase of his reputation. His verses are largely pervaded with poetical fervour and religious sentiment, while his songs are generally true to nature. In person he was tall and slender, of a long thin countenance, large dark blue eyes, and curling black hair.[Pg 221]
Air—"Lord Gregory."
Air—"John Todd."
One of the most gifted and hopeful of modern Scottish song writers, Robert Nicoll, was born at Little Tulliebeltane, in the parish of Auchtergaven, Perthshire, on the 7th January 1814. Of a family of nine children, he was the second son. His father, who bore the same Christian name, rented a farm at the period of his birth and for five years afterwards, when, involved in an affair of cautionary, he was reduced to the condition of an agricultural labourer. Young Nicoll received the rudiments of his education from his mother, a woman of superior shrewdness and information; subsequently to his seventh year he tended cattle in the summer months, to procure the means of attending the parish school during the other portion of the year. From his childhood fond of reading, books were his constant companions—in the field, on the highway, and during the intervals of leisure in his father's cottage. In his thirteenth year, he wrote verses and became the correspondent of a newspaper. Apprenticed to a grocer and wine-merchant in Perth, and occupied in business from seven o'clock morning till nine o'clock evening, he prosecuted mental culture by abridging the usual hours of rest. At the age of nineteen he communicated a tale to Johnstone's Magazine, an Edinburgh periodical, which was inserted, and attracted towards him the notice of Mr Johnstone, the ingenious proprietor. By this gentleman he was introduced, during a visit he made to the capital,[Pg 226] to some men of letters, who subsequently evinced a warm interest in his career.
In 1834, Nicoll opened a small circulating library in Dundee, occupying his spare time in reading and composition, and likewise taking part in public meetings convened for the support of Radical or extreme liberal opinions. To the liberal journals of the town he became a frequent contributor both in prose and verse, and in 1835 appeared as the author of a volume of "Poems and Lyrics." This publication was highly esteemed by his friends, and most favourably received by the press. Abandoning business in Dundee, which had never been prosperous, he meditated proceeding as a literary adventurer to London, but was induced by Mr Tait, his friendly publisher, and some other well-wishers, to remain in Edinburgh till a suitable opening should occur. In the summer of 1836 he was appointed editor of the Leeds Times newspaper, with a salary of £100. The politics of this journal were Radical, and to the exposition and advocacy of these opinions he devoted himself with equal ardour and success. But the unremitting labour of conducting a public journal soon began materially to undermine the energies of a constitution which, never robust, had been already impaired by a course of untiring literary occupation. The excitement of a political contest at Leeds, during a general parliamentary election, completed the physical prostration of the poet; he removed from Leeds to Knaresborough, and from thence to Laverock Bank, near Edinburgh, the residence of his friend Mr Johnstone. His case was hopeless; after lingering a short period in a state of entire prostration, he departed this life in December 1837, in his twenty-fourth year. His remains, attended by a numerous assemblage, were consigned to the churchyard of North Leith.[Pg 227]
Possessed of strong poetical genius, Robert Nicoll has attained a conspicuous and honoured niche in the temple of the national minstrelsy. Several of his songs, especially "Bonnie Bessie Lee" and "Ordé Braes," have obtained an equal popularity with the best songs of Burns. Since the period of his death, four different editions of his "Poems" have been called for. The work has latterly been published by the Messrs Blackie of Glasgow in a handsome form, prefaced by an interesting memoir. Nicoll's strain is eminently smooth and simple; and, though many of his lyrics published after his decease had not the benefit of his revision, he never falls into mediocrity. Of extensive sympathies, he portrays the loves, hopes, and fears of the human heart; while he depicts nature only in her loveliness. His sentiments breathe a devoted and simple piety, the index of an unblemished life. In person Nicoll was rather above the middle height, with a slight stoop. His countenance, which was of a sanguine complexion, was thoughtful and pleasing; his eyes were of a deep blue, and his hair dark brown. In society he was modest and unobtrusive, but was firm and uncompromising in the maintenance of his opinions. His political views were founded on the belief that the industrial classes had suffered oppression from the aristocracy. The solace of his hours of leisure were the songs and music of his country. He married shortly prior to his decease, but was not long survived by his widow. A monument to his memory, towards which nearly £100 has lately been subscribed, is about to be erected on the Ordé Braes, in his native parish.[Pg 228]
Archibald Stirling Irving was born in Edinburgh on the 18th of December 1816. His father, John Irving, Writer to the Signet, was the intimate early friend of Sir Walter Scott, and is "the prosperous gentleman" referred to in the general Introduction to the Waverley Novels. Having a delicate constitution, young Irving was unable to follow any regular profession, but devoted himself, when health permitted, to the concerns of literature. He made himself abundantly familiar with the Latin classics, and became intimately conversant with the more distinguished British poets. Possessed of a remarkably retentive memory, he could repeat some of the longest poems in the language. Receiving a handsome annuity from his father, he resided in various of the more interesting localities of Scottish scenery, some of which he celebrated in verse. He published anonymously, in 1841, a small volume of "Original Songs," of which the song selected for the present work may be regarded as a favourable specimen. He died at Newmills, near Ardrossan, on the 20th September 1851, in his thirty-fifth year. Some time before his death, he exclusively devoted himself to serious reflection and Scriptural reading. He married in October 1850, and his widow still survives.[Pg 236]
Tune—"Caledonia."
Alexander Abernethy Ritchie, author of "The Wells o' Wearie," was born in the Canongate, Edinburgh, in 1816. In early youth he evinced a lively appreciation of the humorous and the pathetic, and exhibited remarkable artistic talent, sketching from nature with fidelity and ease. His parents being in humble circumstances, he was apprenticed as a house-painter, and soon became distinguished for his skill in the decorative branch of his profession. On the expiry of his apprenticeship, he cultivated painting in a higher department of the art, and his pictures held a highly respectable place at the annual exhibitions of the Scottish Academy. Among his pictures which became favourites may be mentioned the "Wee Raggit Laddie," "The Old Church Road," "The Gaberlunzie," "Tak' your Auld Cloak about ye," and "The Captive Truant." His illustrations of his friend, Mr James Ballantine's works, "The Gaberlunzie's Wallet" and "The Miller of Deanhaugh," and of some other popular works, evince a lively fancy and keen appreciation of character. He executed a number of water-colour sketches of the more picturesque and interesting lanes and alleys of Edinburgh; and contributed to the Illustrated London News representations of remarkable events as they occurred in the Scottish[Pg 238] capital. He died suddenly at St John's Hill, Canongate, Edinburgh, in 1850, in the thirty-fourth year of his age. Ritchie was possessed of a vast fund of humour, and was especially esteemed for the simplicity of his manners and his kindly dispositions. He excelled in reading poetry, whether dramatic or descriptive, and sung his own songs with intense feeling. He lived with his aged mother, whom he regarded with dutiful affection, and who survives to lament his loss. Shortly before his death he composed the following hymn, which has been set to appropriate music:—
Air—"Bonnie House o' Airlie."
One of the simplest and most popular of the living national song-writers, Alexander Laing, was born at Brechin on the 14th May 1787. His father, James Laing, was an agricultural labourer. With the exception of two winters' schooling, he was wholly self-taught. Sent to tend cattle so early as his eighth year, he regularly carried books and writing-materials with him to the fields. His books were procured by the careful accumulation of the halfpence bestowed on him by the admirers of his juvenile tastes. In his sixteenth year, he entered on the business of a flax-dresser, in his native town—an occupation in which he was employed for a period of fourteen years. He afterwards engaged in mercantile concerns, and has latterly retired from business. He now resides at Upper Tenements, Brechin, in the enjoyment of a well-earned competency.
Mr Laing early wrote verses. In 1819, several songs from his pen appeared in the "Harp of Caledonia"—a respectable collection of minstrelsy, edited by John Struthers. He subsequently became a contributor to the "Harp of Renfrewshire" and the "Scottish Minstrel," edited by R. A. Smith. His lyrics likewise adorn the pages of Robertson's "Whistle Binkie" and the "Book of Scottish Song." He published, in 1846, a collected edition of his poems and songs, in a duodecimo volume, under the designation of "Wayside Flowers." A second edition appeared in 1850. He has been an occasional contributor to[Pg 242] the local journals; furnished a number of anecdotes for the "Laird of Logan," a humorous publication of the west of Scotland; and has compiled some useful elementary works for the use of Sabbath-schools. His lyrics are uniformly pervaded by graceful simplicity, and the chief themes of his inspiration are love and patriotism. Than his song entitled "My Ain Wife," we do not know a lay more beautifully simple. His "Hopeless Exile" is the perfection of tenderness.[Pg 243]
Air—"The Cock Laird."
Air—"Lass, gin I come near you."
Air—"Lass of Arranteenie."
Air—"John Anderson, my Jo."
Air—"O tell me the Way for to Woo."
Air—"Miss Forbes's Farewell to Banff."
Air—"Alas! for Poor Teddy Macshane."
Air—"O rest thee, my Darling."
Alexander Carlile was born at Paisley in the year 1788. His progenitors are said to have been remarkable for their acquaintance with the arts, and relish for elegant literature. His eldest brother, the late Dr Carlile of Dublin attained much eminence as a profound thinker and an accomplished theologian. Having received a liberal education, first at the grammar-school of Paisley, and afterwards in the University of Glasgow, the subject of this sketch settled as a manufacturer in his native town. Apart from the avocations of business, much of his time has been devoted to the concerns of literature; he has contributed to the more esteemed periodicals, and composed verses for several works on the national minstrelsy. At an early period he composed the spirited and popular song, beginning "Oh, wha's at the window, wha, wha?" which has since obtained a place in all the collections. His only separate publication, a duodecimo volume of "Poems," appeared in 1855, and has been favourably received. Mr Carlile is much devoted to the interests of his native town, and has sedulously endeavoured to promote the moral and social welfare of his fellow-townsmen. His unobtrusive worth and elegant accomplishments have endeared him to a wide circle of friends. His latter poetical compositions have been largely pervaded by religious sentiment.[Pg 253]
John Nevay, the bard of Forfar, was born in that town on the 28th of January 1792. He was educated at the schools of his native place, and considerably improved himself in classical learning, at an early age, under the tuition of Mr James Clarke, sometime master of the Burgh School, and the friend and correspondent of Burns. Fond of solitary rambles in the country, he began, while a mere youth, to portray in verse his impressions of the scenery which he was in the habit of surveying. He celebrated the green fields, the lochs and mountains near the scene of his nativity, and was rewarded with the approving smiles of the family circle. Acquiring facility in the production of verses, he was at length induced to venture on a publication. In 1818 he gave to the world a "Pamphlet of Rhymes," which, obtaining a ready sale, induced him to publish a second small collection of verses in 1821. After an interval devoted to mental improvement, he appeared, in 1834, as the author of "The Peasant, a Poem in Nine Cantos, with other Poems," in one volume, 12mo. In the following year he published "The Child of Nature, and other Poems," in a thin duodecimo volume. In 1853 he printed, by subscription, a third volume, entitled "Rosaline's Dream, in Four Duans, and other Poems," which was accompanied with an introductory essay by the Rev. George Gilfillan. His latest production—"The Fountain of the Rock, a Poem"—appeared in a[Pg 258] pamphlet form, in 1855. He has repeatedly written prose tales for the periodicals, and has contributed verses to Blackwood's Magazine and the Edinburgh Literary Journal.
From the labour of a long career of honourable industry, John Nevay is now enjoying the pleasures of retirement. He continues to compose verses with undiminished ardour, and has several MS. poems ready for the press. He has also prepared a lengthened autobiography. As a poet, his prevailing themes are the picturesque objects of nature. His lyrical pieces somewhat lack simplicity. His best production—"The Emigrant's Love-letter"—will maintain a place in the national minstrelsy. It was composed during the same week with Motherwell's "Jeanie Morrison," which it so peculiarly resembles both in expression and sentiment.[Pg 259]
Thomas Lyle, author of the highly popular song, "Kelvin Grove," is a native of Paisley. Attending the philosophical and medical classes in the University of Glasgow, he obtained the diploma of surgeon in the year 1816. He commenced medical practice in Glasgow, where he remained till 1826, when he removed to the parish of Airth in Stirlingshire. The latter locality afforded him abundant opportunities for prosecuting his favourite study of botany; and he frequently proceeded at early dawn to great distances in quest of curious or rare plants, so as to gratify his peculiar tastes without interfering with the duties of his profession, or the conveniences of his patients. At an earlier period of life, having cherished a love for the ancient national music, he was in the habit of collecting and noting such of the older airs as were rapidly passing into oblivion. He was particularly struck with one of these airs, which he deemed worthy of more suitable words than those to which it was commonly sung.[31] At this period he often resorted, in his botanical rambles, to the wooded and sequestered banks of the Kelvin, about two miles north-west of Glasgow;[32] and in consequence, he was led to compose for his favourite tune[Pg 262] the words of his beautiful song, "Kelvin Grove." "The Harp of Renfrewshire" was now in the course of being published, in sixpence numbers, under the editorship of his college friend and professional brother, John Sim, and to this work he contributed his new song. In a future number of the work, the song appeared without his name, as was requested, but with some unauthorised alterations. Of these he complained to Mr Sim, who laid the blame on Mr John Murdoch, who had succeeded him in the editorship, and Mr Lyle did not further prosecute inquiry on the subject. On the retirement of Mr Murdoch, the editorship of "The Harp of Renfrewshire" was intrusted to the poet Motherwell, who incautiously ascribed the song to Mr Sim in the index of the work. Sim died in the West Indies before this period;[33] and, in the belief that the song had been composed by him, Mr Purdie, music-seller in Edinburgh, made purchase of the copyright from his representatives, and published the words, with music arranged for the piano by Robert Archibald Smith. Mr Lyle now asserted his title to the authorship, and on Mr Sim's letter regarding the alterations being submitted to Messrs Motherwell and Smith, a decision in favour of his claim was pronounced by these gentlemen. Mr Lyle was shortly after invited by Mr Smith to contribute songs for the "Irish Minstrel," one of his numerous musical publications.
In 1827 Mr Lyle published the results of his researches into the song literature of his country, in a duodecimo volume, entitled "Ancient Ballads and Songs, chiefly from Tradition, Manuscripts, and scarce Works, with Biographical and Illustrative Notices." Of this work, the more interesting portion consists of[Pg 263] "Miscellaneous Poems, by Sir William Mure, Knight of Rowallan," together with several songs of various merit by the editor.
Having acted as medical practitioner at Airth during the period of twenty-eight years, Mr Lyle, in the close of 1853, returned to Glasgow, where he soon found himself actively employed by the medical boards of the city during the prevalence of the Asiatic Cholera. At the present time he is one of the city district surgeons. A man of the most retiring dispositions, he has hitherto avoided public reputation, and has written verses, as he has studied botany, solely for his amusement. He will, however, be remembered as the writer of some exquisitely sweet and simple lyrics.[Pg 264]
James Home, the author of "Mary Steel," and other popular songs, was born, early in the century, on the farm of Hollybush, about a mile south of Galashiels. During a period of about thirty years, he has been engaged in the humble capacity of a dry-stone mason in Peeblesshire. He resides in the hamlet of Rachan Mill in that county, where, in addition to his ordinary employment, he holds the office of postmaster.
Home has not ventured on a publication, and latterly has abandoned the composition of verses. In youth he was, writes a correspondent, "an enthusiast in love, music, and poetry." A number of his songs and poetical pieces, which he had addressed to friends, have long been popular in the south of Scotland. His song entitled "This Lassie o' Mine" has enjoyed an uncommon measure of general favour. His compositions are replete with pathos; he has skilfully told the lover's tale; and has most truthfully depicted the joys and sorrows, hopes and fears of human life. Some of his best pieces appear in the "Unknown Poets" of Mr Alexander Campbell,—a work which only reached a single number. Of mild dispositions, modest manners, and industrious habits, Home is much respected in private life. Of a somewhat sanguine complexion, his countenance betokens superior intellectual power. He enjoys the comfort of a suitable partner in life, and is a respected office-bearer of the Free Church congregation at Broughton.[Pg 268]
Air—"The Last Rose of Summer."
Tune—"Wattie's Ramble."
James Telfer, an ingenious prose writer and respectable poet, was born about the commencement of the century, near the source of the river Jed, in the parish of Southdean, and county of Roxburgh. Passionate in his admiration of Hogg's "Queen's Wake," he early essayed imitations of some of the more remarkable portions of that poem. In 1824 he published at Jedburgh a volume of "Border Ballads and Miscellaneous Poems," which he inscribed to the Bard of Ettrick. "Barbara Gray," an interesting prose tale, appeared from his pen in 1835, printed at Newcastle. A collected edition of his best productions in prose and verse was published at London in 1852, with the title of "Tales and Sketches." He has long been a contributor to the provincial journals.
Some of Mr Telfer's ballads are respectable specimens of this class of compositions; and his tales in prose are written with much vigour, the narrative of "Barbara Gray" being especially interesting. For many years he has taught an adventure school at Saughtree, Liddisdale; and with emoluments not much beyond twenty pounds a-year, he has contrived to support a family. He has long maintained a literary correspondence with his ingenious friend, Mr Robert White of Newcastle; and his letters, some of which we have seen, abound with curious and interesting speculations.
One of the most learned of the modern Gaelic song-writers, Evan Maclachlan, was born in 1775, in a small hut called Torracaltuin, in the district of Lochaber. After struggling with many difficulties in obtaining the means of education, he qualified himself for the duties of an itinerating tutor. In this capacity it was his good fortune to live in the families of the substantial tenantry of the district, two of whom, the farmers at Clunes and Glen Pean, were led to evince an especial interest in his welfare. The localities of those early patrons he has celebrated in his poetry. Another patron, the Chief of Glengarry, supplied funds to enable him to proceed to the university, and he was fortunate in gaining, by competition, a bursary or exhibition at King's College, Aberdeen. For a Greek ode, on the generation of light, he gained the prize granted for competition to the King's College by the celebrated Dr Claudius Buchanan. Having held, during a period of years, the office of[Pg 280] librarian in King's College, he was in 1819 elected master of the grammar school of Old Aberdeen. His death took place on the 29th March 1822. To the preparation of a Gaelic dictionary he devoted the most important part of his life. Subsequent to his decease, the work was published in two quarto volumes, by the Highland Society, under the editorial care of Dr Mackay, formerly of Dunoon. The chief amusement of Maclachlan's leisure hours was executing translations of Homer into Gaelic. His translation of the third book of the Iliad has been printed. Of his powers as a Gaelic poet, an estimate may be formed from the following specimens in English verse.[Pg 281]
The first stanza of this song was the composition of a lady. Maclachlan completed the composition in Gaelic, and afterwards produced the following version of the whole in English.
These verses are allegorical. In the character of a song-bird the bard relates the circumstances of his nativity, the simple habits of his progenitors, and his own rural tastes and recreations from infancy, giving the first place to the delights of melody. He proceeds to give an account of his flight to a strange but hospitable region, where he continued to sing his songs among the birds, the flocks, the streams, and cultivated fields of the land of his sojourn. This piece is founded upon a common usage of the Gaelic bards, several of whom assume the allegorical character of the "Mavis" of their own clan. Thus we have the Mavis of Clan-ranald by Mac-Vaistir-Allister—of Macdonald (of Sleat) by Mac Codrum—of Macleod, and many others.
One of the bards of Cowal is believed to have been born in the parish of Inverchaolain about 1750; his family name was Brun or Broun, as distinguished from the Lowland Brown, which he assumed. He first appeared as a poet by the publication, at Perth, in 1786, of a small volume of Gaelic poetry, dedicated to the Duke of Montrose. The subsequent portion of his career seems to have been chiefly occupied in genealogical researches. In 1792 he completed, in two large sheets, his "Historical and Genealogical Tree of the Royal Family of Scotland;" of which the second edition bears the date 1811. This was followed by similar genealogical trees of the illustrious family of Graham, of the noble house of Elphinstone, and other families. In these productions he uniformly styles himself, "Genealogist to his R. H. the Prince of Wales, for Scotland." Brown died at Edinburgh in the beginning of the year 1821. He had formed a respectable connexion by marriage, under circumstances which he has commemorated in the annexed specimen of his poetry, but his latter years were somewhat clouded by misfortune. He is remembered as a solicitor for subscriptions to his genealogical publications.[Pg 287]
The poet had paid his addresses to one of the sisters, but without the consent of her relatives, who ultimately induced her to wed another. After a lapse of time the bard transferred his affection to another daughter of the same distinguished family, and being successful, was compensated for his former trials.
The Rev. Dr Stewart was born at Appin, Argyllshire, in 1751. His mother was a daughter of Edmonstone of Cambuswallace, the representative of an old and distinguished family in the counties of Perth and Stirling; and his father was brother of Stewart of Invernachoil, who was actively engaged in the cause of Prince Charles Edward, and has been distinguished in the romance of Waverley as the Baron of Bradwardine. This daring Argyllshire chief, whom Scott represents as being fed in the cave by "Davie Gellatly," was actually tended in such a place of concealment by his own daughter, a child about ten years old.
On receiving license, Dr Stewart soon attained popularity as a preacher. In 1779, being in his twenty-eighth year, he was ordained to the pastoral charge of the parish of Strachur, Argyllshire. He died in the manse of Strachur on the 24th of May 1826, in the seventy-fifth year of his age, and the forty-seventh of his ministry. A tombstone was erected to his memory in the parochial burying-ground, by the members of the kirk-session. Possessed of superior talents, a vast fund of humour, and a delightful store of traditional information, he was much cherished by a wide circle of admiring friends. Faithful in the discharge of the public duties of his office, he was distinguished among his parishioners for his private amenities and acts of benevolence. He was the author only of one song, but this has attained much favour among the Gael.[Pg 290]
Angus Fletcher was born at Coirinti, a wild and romantic spot on the west bank of Loch Eck, in June 1776. His education was chiefly conducted at the parish school of Kilmodan, Glendaruel. From Glendaruel he went to Bute, in 1791, where he was variously employed till May 1804, when he was elected schoolmaster of Dunoon, his native parish. His death took place at Dunoon in 1852. The first of the two following songs was contributed anonymously to the Weekly Journal newspaper, whence it was transferred by Turner into his Gaelic collection. It soon became popular in the Highlands, and the authorship came to be assigned to different individuals. Fletcher afterwards announced himself as the author, and completely established his claim. He was the author of various metrical compositions both in Gaelic and English.
Versified from the Gaelic Original by the Author.
Aboon, above.
Aumry, a store-place.
Baum, balm.
Beuk, book.
Bicker, a drinking vessel.
Burnie, a small stream.
Caller, cool.
Cled, clad.
Clud, cloud.
Couthy, frank.
Daffin', merry-making.
Dighted, wiped.
Doit, a small coin.
Doitet, dotard.
Douf, sad.
Dree, endure.
Dwine, dwindle.
Fauld, fold.
Fleechit, cajoled.
Fykes, troubles, anxieties.
Gaed, went.
Gar, compel.
Gate, way.
Glour, look earnestly.
Grannie, grandmother.
Grat, wept.
Grit, great.
Haill, whole.
Haud, hold, keep.
Heuk, reaping-hook.
Hie, high.
Hinny, honey.
Hizzie, Hussy, a thoughtless girl.
Ken, know.
Knows, knolls, hillocks.
Laith, loth.
Lift, firmament.
Lowin', burning.
Minnie, mother.
Parochin', parish.
Pu', pull.
Roos'd, praised.
Sabbit, sobbed.
Scour, search.
Slee, sly.
Speerin', inquiring.[Pg 296]
Swiggit, swallowed.
Syne, then.
Thole, endure.
Toom, empty.
Troth, truth, vow.
Trow, believe.
Tyne, lose.
Unco, uncommon.
Wag, shake.
Waur, worse.
Ween, guess.
Yirth, earth.
Yowes, ewes.
END OF VOL. IV.
EDINBURGH: PRINTED BY BALLANTYNE AND COMPANY.
[1] A flock of sheep.
[2] See Minstrel, vol. iii. p. 186.
[3] "Songs of the Ark, with other Poems." Edin. 1831. 8vo.
[4] "The Christian Politician, or the Right Way of Thinking." Edinburgh, 1844, 8vo. This work, now nearly out of print, we would especially commend to the favourable attention of the Religious Tract Society.—Ed.
[5] "Poems, Songs, and Miscellaneous Pieces." Edinburgh, 1847, 12mo.
[6] This song, set to music by Mr Peter M'Leod, was published in a separate form, and the profits, which amounted to a considerable sum, given for the purpose of placing a parapet and railing around the monument of Burns on the Calton Hill, Edinburgh.
[7] This exquisite lay forms a portion of "The Cottagers of Glendale," Mr Riddell's longest ballad poem.
[8] This song was composed by Mrs Inglis, in honour of the Ettrick Shepherd, shortly after the period of his death.
[9] Printed for the first time.
[10] Of this song a new version was composed by Burns, the original chorus being retained. Burns' version commences—"Hark the mavis' evening sang."
[11] This song was addressed by Mr Jamieson to Miss Jane Morrison of Alloa, the heroine of Motherwell's popular ballad of "Jeanie Morrison," and who had thus the singular good fortune to be celebrated by two different poets. For some account of Miss Morrison, now Mrs Murdoch, see vol. iii. p. 233.
[12] A MS. copy of this song had been sent by the author to the Ettrick Shepherd. Having been found among the Shepherd's papers after his decease, it was regarded as his own composition, and has consequently been included in the posthumous edition of his songs, published by the Messrs Blackie. The song appears in Imlah's "May Flowers," published in 1827.
[13] The chorus of this song, which is said to have been originally connected with a plaintive Jacobite ditty, now lost, has suggested several modern songs similar in manner and sentiment. Imlah composed two songs with this chorus. The earlier of these compositions appears in the "May Flowers." It is evidently founded upon a rumour, which prevailed in Aberdeenshire during the first quarter of the century, to the effect, that a Scottish officer, serving in Egypt, had been much affected on hearing a soldier's wife crooning to herself the original words of the air. We have inserted in the text Imlah's second version, as being somewhat smoother in versification. It is the only song which we have transcribed from his volume, published in 1841. But the most popular words which have been attached to the air and chorus were the composition of a student in one of the colleges of Aberdeen, nearly thirty years since, who is now an able and accomplished clergyman of the Scottish Church. Having received the chorus and heard the air from a comrade, he immediately composed the following verses, here printed from the author's MS.:—
"The air," communicates the reverend author of this song, "is undoubtedly old, from its resemblance to several Gaelic and Irish airs. 'Cuir's chiste moir me,' and several others, might be thought to have been originally the same in the first part. The second part of the air is, I think, modern." The Gadie is a rivulet, and Bennachie a mountain, in Aberdeenshire.
[14] In the "Cottagers of Glendale," Mr H. S. Riddell alludes to two of Tweedie's brothers, who perished among the snow in the manner described in that poem. The present memoir is prepared from materials chiefly supplied by Mr Riddell.
[15] At the request of one Roger, a music-master in Edinburgh, who had obtained a copy of the first two stanzas, a third was added by Mr Robert Chambers, and in this form the song appears in some of the collections. Mr Chambers's stanza proceeds thus:—
[16] See Lockhart's "Life of Sir Walter Scott."
[17] We have to acknowledge our obligations to Mr Robert Chambers for many of the particulars contained in this memoir.
[18] Printed from the author's MS., in the possession of Mr H. S. Riddell.
[19] Printed for the first time from the original MS.
[20] We are indebted to William Pagan, Esq. of Clayton, author of "Road Reform," for much of the information contained in this memoir. Mr Pagan kindly procured for our use the whole of Mr Allan's papers and MSS.
[21] In Blackie's "Book of Scottish Song," this song is attributed to the Rev. George Allan, D.D. It is also inserted among the songs of the Ettrick Shepherd, published by the Messrs Blackie. The latter blunder is accounted for by the fact that a copy of the song, which was sent to the Shepherd by Mr H. S. Riddell, as a specimen of Mr Allan's poetical talents, had been found among his papers subsequent to his decease. This song, with the two immediately following, appeared in M'Leod's "National Melodies," but they are here transcribed from the author's MSS.
[22] Printed, for the first time, from the author's MS.
[23] Printed for the first time.
[24] Captain Doyne Sillery was born in Drogheda, Ireland, of which place his father was mayor during the Rebellion of 1798, and where he possessed considerable property. He was descended from one of the most ancient and illustrious families in France, of which the representative took refuge in England during the infamous persecution of the Protestants in the sixteenth century. On the reduction of priestly power in Ireland by Cromwell, the family settled in that portion of the United Kingdom. The family name was originally Brulart. Nicolas Brulart, Marquis de Sillery, Lord de Pinsieux, de Marinis, and de Berny, acquired much reputation from the many commissions in which he served in France. (See "L'Histoire Généalogique et Chronologique des Chanceliers de France," tom. vi. p. 524). On the maternal side Captain Sillery was lineally descended from Edward Hyde, Earl of Clarendon, the famous chancellor.
[25] Admiral Sir Charles Napier.
[26] Alexander Bethune, the elder brother of the poet, and his constant companion and coadjutor in literary work, was born at Upper Rankeillor, in the parish of Monimail, in July 1804. His education was limited to a few months' attendance at a subscription school in his sixth year, with occasional lessons from his parents. Like his younger brother, he followed the occupation of a labourer, frequently working in the quarry or breaking stones on the public road. Early contracting a taste for literature, his leisure hours were devoted to reading and composition. In 1835, several of his productions appeared in Chambers' Edinburgh Journal. "Tales and Sketches of the Scottish Peasantry," a volume by the brothers, of which the greater portion was written by Alexander, was published in 1838; their joint-treatise on "Practical Economy" in the year following. In 1843, Alexander published a small volume of tales, entitled "The Scottish Peasant's Fireside," which was favourably received. During the same year he was offered the editorship of the Dumfries Standard newspaper, with a salary of £100 a-year, but he was unable to accept the appointment from impaired health. He died at Mount Pleasant, near Newburgh, on the 13th June 1843, and his remains were interred in his brother's grave in Abdie churchyard. An interesting volume of his Memoirs, "embracing Selections from his Correspondence and Literary Memoirs," was published in 1845 by Mr William M'Combie.
[27] The last four lines of this stanza are not the production of Nicoll, but have been contributed for the present work by Mr Alexander Wilson, of Perth. The insertion of the lines prevents the occurrence of a half stanza, which has hitherto interfered with the singing of this popular song.
[28] We are indebted to Mr James Ballantine, of Edinburgh, for the particulars contained in this memoir.
[29] "Glen-na-h'Albyn, or Glen-more-na-h'Albyn, the great Glen of Caledonia, is a name applied to the valley which runs in a direction from north-east to south-west, the whole breadth of the kingdom, from the Moray Firth at Inverness to the Sound of Mull below Fort-William, and is almost filled with lakes."
[30] The title of this song seems to have been suggested by that of a ballad recovered by Cromek, and published in his "Remains of Nithsdale and Galloway Song," p. 219. The first line of the old ballad runs thus: "Oh, who is this under my window."—Ed.
[31] The former words to this air commenced, "Oh, the shearing's no for you, bonnie lassie, O!"
[32] The wooded scenery of the Kelvin will in a few years be included within the boundaries of the city, which has already extended within a very limited space of the "grove" celebrated in the song.
[33] See vol. iii., p. 226.
[34] Contributed by Mr Lyle to the present work.
[35] This song was formerly introduced in this work (vol. ii. p. 70) as the composition of the Ettrick Shepherd. The error is not ours; we found the song in the latest or posthumous edition of the Shepherd's songs, p. 201 (Blackie, Glasgow), and we had no reason to suspect the authenticity. We have since ascertained that a copy of the song, having been handed to the Shepherd by the late Mr Peter Roger, of Peebles, Hogg, with the view of directing attention to the real author, introduced it shortly after in his Noctes Bengerianæ, in the "Edinburgh Literary Journal" (vol. i. p. 258). Being included in this periodical paper, the editor of his posthumous works had assumed that the song was the Shepherd's own composition. So much for uncertainty as to the authorship of our best songs!
[36] Portions of the first and second verses of this song are fragments of an older ditty.—Note by the Author.
[37] The stream that flows through Glen Pean.
[38] The Gaelic name of Clunes, where the bard was entertained for many years of his tutor life.
[39] Cowal is that portion of Argyllshire bordering the Frith of Clyde, and extending inland to the margin of Lochfine.
[40] Brunach—The Brown, viz., the poet himself.
[41] The Macdougalls of Dunolly claim descent from the Scoto-Irish kings who reigned in Dunstaffnage.
[42] Supposed to be the first of our Christian kings.
[43] Prince Charles Edward.
[44] Invernahyle removed with his family to Edinburgh, and became very intimate with the father of Sir Walter Scott. He seems to have made a great impression on the future poet.
[45] Festivals, saint-days.
[46] The poet waxes professional. He was session-clerk and clerk-depute of presbytery.
[47] The war was raging in Holland, under the command of the Duke of York. The bard threatens to exchange the pen for the sword.
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