The Project Gutenberg EBook of Jerry Junior, by Jean Webster

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Jerry Junior

Author: Jean Webster

Illustrator: Orson Lowell

Release Date: January 14, 2007 [EBook #20358]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK JERRY JUNIOR ***




Produced by Bruce Albrecht, Louise Pryor and the Online
Distributed Proofreading Team at https://www.pgdp.net











  Jerry Junior




  [Illustration: "Constance studied the mountains a moment"]




  Jerry Junior

  By
  Jean Webster
  Author of "When Patty Went to College," etc.

  With Illustrations
  by Orson Lowell

  New York
  The Century Co.
  1907




  Copyright, 1907, by
  THE CENTURY CO.

       *       *       *       *       *

  Copyright, 1906, 1907, by
  THE CROWELL PUBLISHING COMPANY

       *       *       *       *       *

  _Published April_, 1907


  THE DE VINNE PRESS




List of Illustrations

  FACING PAGE

  "Constance studied the mountains a moment"      _Frontispiece_

  "'Hello, Gustavo! Is that for me?'"                                   5

  "The fourth girl, with gray eyes and yellow-brown hair, was
  sitting at ease on the balustrade"                                   23

  "Giuseppe still made a feint of preoccupation"                       29

  "He had also shifted his position so that he might command the
  profile of the girl"                                                 45

  Beppo and the donkeys                                                67

  "Constance clasped her hands in an ecstasy of admiration"            71

  "Constance ahead on Fidilini, an officer marching at each side
  of her saddle"                                                       85

  "She seated herself in the deep embrasure of a window close
  beside Tony's parapet"                                               95

  "The man bowed with a gesture which made her free of the book"      119

  "She turned the pages and paused at the week's entries"             133

  "Constance ripped the letter open and read it aloud"                149

  "Nannie caught sight of the visitors first, and came running
  forward to meet them"                                               199

  "The two mounted the steps of the jail and jerked the bell"         253

  "Never before had he had such overwhelming reason to doubt his
  senses"                                                             273




Jerry Junior




CHAPTER I


The courtyard of the Hotel du Lac, furnished with half a dozen tables and
chairs, a red and green parrot chained to a perch, and a shady little
arbor covered with vines, is a pleasant enough place for morning coffee,
but decidedly too sunny for afternoon tea. It was close upon four of a
July day, when Gustavo, his inseparable napkin floating from his arm,
emerged from the cool dark doorway of the house and scanned the burning
vista of tables and chairs. He would never, under ordinary circumstances,
have interrupted his siesta for the mere delivery of a letter; but this
particular letter was addressed to the young American man, and young
American men, as every head waiter knows, are an unreasonably impatient
lot. The court-yard was empty, as he might have foreseen, and he was
turning with a patient sigh towards the long arbor that led to the lake,
when the sound of a rustling paper in the summer house deflected his
course. He approached the doorway and looked inside.

The young American man, in white flannels with a red guide-book
protruding from his pocket, was comfortably stretched in a lounging chair
engaged with a cigarette and a copy of the Paris _Herald_. He glanced up
with a yawn--excusable under the circumstances--but as his eye fell upon
the letter he sprang to his feet.

"Hello, Gustavo! Is that for me?"

[Illustration: "'Hello, Gustavo! Is that for me?'"]

Gustavo bowed.

"_Ecco_! She is at last arrive, ze lettair for which you haf so moch
weesh." He bowed a second time and presented it. "Meestair Jayreen
Ailyar!"

The young man laughed.

"I don't wish to hurt your feelings, Gustavo, but I'm not sure I
should answer if my eyes were shut."

He picked up the letter, glanced at the address to make sure--the name
was Jerymn Hilliard Jr.--and ripped it open with an exaggerated sigh of
relief. Then he glanced up and caught Gustavo's expression. Gustavo came
of a romantic race; there was a gleam of sympathetic interest in his eye.

"Oh, you needn't look so knowing! I suppose you think this is a love
letter? Well it's not. It is, since you appear to be interested, a letter
from my sister informing me that they will arrive tonight, and that we
will pull out for Riva by the first boat tomorrow morning. Not that I
want to leave you, Gustavo, but--Oh, thunder!"

He finished the reading in a frowning silence while the waiter stood at
polite attention, a shade of anxiety in his eye--there was usually
anxiety in his eye when it rested on Jerymn Hilliard Jr. One could never
foresee what the young man would call for next. Yesterday he had rung
the bell and demanded a partner to play lawn tennis, as if the hotel kept
partners laid away in drawers like so many sheets.

He crumpled up the letter and stuffed it in his pocket.

"I say, Gustavo, what do you think of this? They're going to stay in
Lucerne till the tenth--that's next week--and they hope I don't mind
waiting; it will be nice for me to have a rest. A _rest_, man, and I've
already spent three days in Valedolmo!"

"_Si_, signore, you will desire ze same room?" was as much as Gustavo
thought.

"Ze same room? Oh, I suppose so."

He sank back into his chair and plunged his hands into his pockets with
an air of sombre resignation. The waiter hovered over him, divided
between a desire to return to his siesta, and a sympathetic interest in
the young man's troubles. Never before in the history of his connection
with the Hotel du Lac had Gustavo experienced such a munificent,
companionable, expansive, entertaining, thoroughly unique and
inexplicable guest. Even the fact that he was American scarcely accounted
for everything.

The young man raised his head and eyed his companion gloomily.

"Gustavo, have you a sister?"

"A sister?" Gustavo's manner was uncomprehending but patient. "_Si_,
signore, I have eight sister."

"Eight! Merciful saints. How do you manage to be so cheerful?"

"Tree is married, signore, one uvver is betrofed, one is in a convent,
one is dead and two is babies."

"I see--they're pretty well disposed of; but the babies will grow up,
Gustavo, and as for that betrothed one, I should still be a little
nervous if I were you; you can never be sure they are going to stay
betrothed. I hope she doesn't spend her time chasing over the map of
Europe making appointments with you to meet her in unheard of little
mountain villages where the only approach to Christian reading matter is
a Paris _Herald_ four days old, and then doesn't turn up to keep her
appointments?"

Gustavo blinked. His supple back achieved another bow.

"Sank you," he murmured.

"And you don't happen to have an aunt?"

"An aunt, signore?" There was vagueness in his tone.

"Yes, Gustavo, an aunt. A female relative who reads you like an open
book, who sees your faults and skips your virtues, who remembers how dear
and good and obliging your father was at your age, who hoped great things
of you when you were a baby, who had intended to make you her heir but
has about decided to endow an orphan asylum--have you, Gustavo, by chance
an aunt?"

"_Si_, signore."

"I do not think you grasp my question. An _aunt_--the sister of your
father, or perhaps your mother."

A gleam of illumination swept over Gustavo's troubled features.

"_Ecco_! You would know if I haf a _zia_--a aunt--yes, zat is it. A aunt.
_Sicuramente_, signore, I haf ten--leven aunt."

"Eleven aunts! Before such a tragedy I am speechless; you need say no
more, Gustavo, from this moment we are friends."

He held out his hand. Gustavo regarded it dazedly; then, since it seemed
to be expected, he gingerly presented his own. The result was a shining
newly-minted two-lire piece. He pocketed it with a fresh succession of
bows.

"_Grazie tanto_! Has ze signore need of anysing?"

"Have I need of anysing?" There was reproach, indignation, disgust in the
young man's tone. "How can you ask such a question, Gustavo? Here am I,
three days in Valedolmo, with seven more stretching before me. I have
plenty of towels and soap and soft-boiled eggs, if that is what you mean;
but a man's spirit cannot be nourished on soap and soft-boiled eggs.
What I need is food for the mind--diversion, distraction, amusement--no,
Gustavo, you needn't offer me the Paris _Herald_ again. I already know by
heart the list of guests in every hotel in Switzerland."

"Ah, it is diversion zat you wish? Have you seen zat ver' beautiful Luini
in ze chapel of San Bartolomeo? It is four hundred years old."

"Yes, Gustavo, I have seen the Luini in the chapel of San Bartolomeo. I
derived all the pleasure to be got out of it the first afternoon I came."

"Ze garden of Prince Sartonio-Crevelli? Has ze signore seen ze cedar of
Lebanon in ze garden of ze prince?"

"Yes, Gustavo, the signore has seen the cedar of Lebanon in the garden of
the prince, also the ilex tree two hundred years old and the india-rubber
plant from South America. They are extremely beautiful but they don't
last a week."

"Have you swimmed in ze lake?"

"It is lukewarm, Gustavo."

The waiter's eyes roved anxiously. They lighted on the lunette of
shimmering water and purple mountains visible at the farther end of the
arbor.

"Zere is ze view," he suggested humbly. "Ze view from ze water front is
consider ver' beautiful, ver' nice. Many foreigners come entirely for
him. You can see Lago di Garda, Monte Brione, Monte Baldo wif ze ruin
castle of ze Scaliger, Monte Maggiore, ze Altissimo di Nago, ze snow
cover peak of Monte--"

Mr. Jerymn Hilliard Jr. stopped him with a gesture.

"That will do; I read Baedeker myself, and I saw them all the first night
I came. You must know at your age, Gustavo, that a man can't enjoy a view
by himself; it takes two for that sort of thing--Yes, the truth is that I
am lonely. You can see yourself to what straits I am pushed for
conversation. If I had your command of language, now, I would talk to the
German Alpine climbers."

An idea flashed over Gustavo's features.

"Ah, zat is it! Why does not ze signore climb mountains? Ver' helful;
ver' diverting. I find guide."

"You needn't bother. Your guide would be Italian, and it's too much of a
strain to talk to a man all day in dumb show." He folded his arms with a
weary sigh. "A week of Valedolmo! An eternity!"

Gustavo echoed the sigh. Though he did not entirely comprehend the
trouble, still he was of a generously sympathetic nature.

"It is a pity," he observed casually, "zat you are not acquaint wif ze
Signor Americano who lives in Villa Rosa. He also finds Valedolmo
undiverting. He comes--but often--to talk wif me. He has fear of
forgetting how to spik Angleesh, he says."

The young man opened his eyes.

"What are you talking about--a Signor Americano here in Valedolmo?"

"_Sicuramente_, in zat rose-color villa wif ze cypress trees and ze
_terrazzo_ on ze lake. His daughter, la Signorina Costantina, she live
wif him--ver' yong, ver' beautiful--" Gustavo rolled his eyes and clasped
his hands--"beautiful like ze angels in Paradise--and she spik Italia
like I spik Angleesh."

Jerymn Hilliard Jr. unfolded his arms and sat up alertly.

"You mean to tell me that you had an American family up your sleeve all
this time and never said a word about it?" His tone was stern.

"_Scusi_, signore, I have not known zat you have ze plaisir of zer
acquaintance."

"The pleasure of their acquaintance! Good heavens, Gustavo, when one
ship-wrecked man meets another ship-wrecked man on a desert island must
they be introduced before they can speak?"

"_Si_, signore."

"And why, may I ask, should an intelligent American family be living in
Valedolmo?"

"I do not know, signore. I have heard ze Signor Papa's healf was no good,
and ze doctors in Americk' zay say to heem, 'you need change, to breave
ze beautiful climate of Italia.' And he say, 'all right, I go to
Valedolmo.' It is small, signore, but ver' _famosa_. Oh, yes, _molto
famosa_. In ze autumn and ze spring foreigners come from all ze
world--Angleesh, French, German--_tutti_! Ze Hotel du Lac is full. Every
day we turn peoples away."

"So! I seem to have struck the wrong season.--But about this American
family, what's their name?"

"La familia Veeldair from Nuovo York."

"Veeldair." He shook his head. "That's not American, Gustavo, at least
when you say it. But never mind, if they come from New York it's all
right. How many are there--just two?"

"But no! Ze papa and ze signorina and ze--ze--" he rolled his eyes in
search of the word--"ze aunt!"

"Another aunt! The sky appears to be raining aunts today. What does she
do for amusement--the signorina who is beautiful as the angels?"

Gustavo spread out his hands.

"Valedolmo, signore, is on ze frontier. It is--what you say--garrison
_citta_. Many soldiers, many officers--captains, lieutenants, wif
uniforms and swords. Zay take tea on ze _terrazzo_ wif ze Signor Papa and
ze Signora Aunt, and most _specialmente_ wif ze Signorina Costantina. Ze
Signor Papa say he come for his healf, but if you ask me, I sink maybe he
come to marry his daughter."

"I see! And yet, Gustavo, American papas are generally not so keen as you
might suppose about marrying their daughters to foreign captains and
lieutenants even if they have got uniforms and swords. I shouldn't be
surprised if the Signor Papa were just a little nervous over the
situation. It seems to me there might be an opening for a likely young
fellow speaking the English language, even if he hasn't a uniform and
sword. How does he strike you?"

"_Si_, signore."

"I'm glad you agree with me. It is now five minutes past four; do you
think the American family would be taking a siesta?"

"I do not know, signore." Gustavo's tone was still patient.

"And whereabouts is the rose-colored villa with the terrace on the lake?"

"It is a quarter of a hour beyond ze Porta Sant' Antonio. If ze gate is
shut you ring at ze bell and Giuseppe will open. But ze road is ver' hot
and ver' dusty. It is more cooler to take ze paf by ze lake. Straight to
ze left for ten minutes and step over ze wall; it is broken in zat place
and quite easy."

"Thank you, that is a wise suggestion; I shall step over the wall by all
means." He jumped to his feet and looked about for his hat. "You turn to
the left and straight ahead for ten minutes? Good-bye then till dinner. I
go in search of the Signorina Costantina who is beautiful as the angels
in Paradise, and who lives in a rose-colored villa set in a cypress grove
on the shores of Lake Garda--not a bad setting for romance, is it,
Gustavo?--Dinner, I believe, is at seven o'clock?"

"_Si_, signore, at seven; and would you like veal cooked Milanese
fashion?"

"Nothing would please me more. We have only had veal Milanese fashion
five times since I came."

He waved his hand jauntily and strolled whistling down the arbor that led
to the lake. Gustavo looked after him and shook his head. Then he took
out the two-lire piece and rang it on the table. The metal rang true. He
shrugged his shoulders and turned back indoors to order the veal.




CHAPTER II


The terrace of Villa Rosa juts out into the lake, bordered on three sides
by a stone parapet, and shaded above by a yellow-ochre awning. Masses of
oleanders hang over the wall and drop pink petals into the blue waters
below. As a study in color the terrace is perfect, but, like the
court-yard of the Hotel du Lac, decidedly too hot for mid-afternoon. To
the right of the terrace, however, is a shady garden set in alleys of
cypress trees, and separated from the lake by a strip of beach and a low
balustrade. There could be no better resting place for a warm afternoon.

It was close upon four--five minutes past to be accurate--and the usual
afternoon quiet that enveloped the garden had fled before the garrulous
advent of four girls. Three of them, with black eyes and blacker hair,
were kneeling on the beach thumping and scrubbing a pile of linen. In
spite of their chatter they were working busily, and the grass beyond the
water-wall was already white with bleaching sheets, while a lace trimmed
petticoat fluttered from a near-by oleander, and a row of silk stockings
stretched the length of the parapet. The most undeductive observer would
have guessed by this time that the pink villa, visible through the trees,
contained no such modern conveniences as stationary tubs.

The fourth girl, with gray eyes and yellow-brown hair, was sitting at
ease on the balustrade, fanning herself with a wide brimmed hat and
dangling her feet, clad in white tennis shoes, over the edge. She wore a
suit of white linen cut sailor fashion, low at the throat and with
sleeves rolled to the elbows. She looked very cool and comfortable and
free as she talked, with the utmost friendliness, to the three girls
below. Her Italian, to an unaccustomed ear, was exactly as glib as
theirs.

The washer-girls were dressed in the gayest of peasant clothes--green and
scarlet petticoats, flowered kerchiefs, coral beads and flashing
earrings; you would have to go far into the hills in these degenerate
days before meeting their match on an Italian highway. But the girl on
the wall, who was actual if not titular ruler of the domain of Villa
Rosa, possessed a keen eye for effect; and--she plausibly argued--since
one must have washer-women about, why not, in the name of all that is
beautiful, have them in harmony with tradition and the landscape?
Accordingly, she designed and purchased their costumes herself.

There drifted presently into sight from around the little promontory that
hid the village, a blue and white boat with yellow lateen sails. She was
propelled gondolier fashion, for the wind was a mere breath, by a
picturesque youth in a suit of dark blue with white sash and flaring
collar--the hand of the girl on the wall was here visible also.

[Illustration: "The fourth girl, with gray eyes and yellow-brown hair,
was sitting at ease on the balustrade"]

The boat fluttering in toward shore, looked like a giant butterfly; and
her name, emblazoned in gold on her prow, was, appropriately, the
_Farfalla_. Earlier in the season, with a green hull and a dingy brown
sail, she had been prosaically enough, the _Maria_. But since the advent
of the girl all this had been changed. The _Farfalla_ dropped her yellow
wings with the air of a salute, and lighted at the foot of the
water-steps under the terrace. The girl on the parapet leaned forward
eagerly.

"Did you get any mail, Giuseppe?" she called.

"_Si_, signorina." He scrambled up the steps and presented a copy of the
London _Times_.

She received it with a shrug. Clearly, she felt little interest in the
London _Times_. Giuseppe took himself back to his boat and commenced
fussing about its fittings, dusting the seats, plumping up the cushions,
with an air of absorption which deceived nobody. The signorina watched
him a moment with amused comprehension, then she called peremptorily:

"Giuseppe, you know you must spade the garden border."

Poor Giuseppe, in spite of his nautical costume, was man of all work. He
glanced dismally toward the garden border which lay basking in the
sunshine under the wall that divided Villa Rosa from the rest of the
world. It contained every known flower which blossoms in July in the
kingdom of Italy from camellias and hydrangeas to heliotrope and wall
flowers. Its spading was a complicated business and it lay too far off to
permit of conversation. Giuseppe was not only a lazy, but also a social
soul.

"Signorina," he suggested, "would you not like a sail?"

She shook her head. "There is not wind enough and it is too hot and too
sunny."

"But yes, there's a wind, and cool--when you get out on the lake. I will
put up the awning, signorina, the sun shall not touch you."

She continued to shake her head and her eyes wandered suggestively to the
hydrangeas, but Giuseppe still made a feint of preoccupation. Not being a
cruel mistress, she dropped the subject, and turned back to her
conversation with the washer-girls. They were discussing--a pleasant
topic for a sultry summer afternoon--the probable content of Paradise.
The three girls were of the opinion that it was made up of warm sunshine
and cool shade, of flowers and singing birds and sparkling waters, of
blue skies and cloud-capped mountains--not unlike, it will be observed,
the very scene which at the moment stretched before them. In so much they
were all agreed, but there were several debatable points. Whether the
stones were made of gold, and whether the houses were not gold too, and,
that being the case, whether it would not hurt your eyes to look at them.
Marietta declared, blasphemously, as the others thought, that she
preferred a simple gray stone villa or at most one of pink stucco, to
all the golden edifices that Paradise contained.

It was by now fifteen minutes past four, and a spectator had arrived,
though none of the five were aware of his presence. The spectator was
standing on the wall above the garden border examining with appreciation
the idyllic scene below him, and with most particular appreciation, the
dainty white-clad person of the girl on the balustrade. He was
wondering--anxiously--how he might make his presence known. For no very
tangible reason he had suddenly become conscious that the matter would be
easier if he carried in his pocket a letter of introduction. The purlieus
of Villa Rosa in no wise resembled a desert island; and in the face of
that very fluent Italian, the suspicion was forcing itself upon him that
after all, the mere fact of a common country was not a sufficient bond of
union. He had definitely decided to withdraw, when the matter was taken
from his hands.

[Illustration: "Giuseppe still made a feint of preoccupation"]

The wall--as Gustavo had pointed out--was broken; it was owing to this
fact that he had been so easily able to climb it. Now, as he stealthily
turned, preparing to re-descend in the direction whence he had come, the
loose stone beneath his foot slipped and he slipped with it. Five
startled pairs of eyes were turned in his direction. What they saw, was a
young man in flannels suddenly throw up his arms, slide into an azalea
bush, from this to the balustrade, and finally land on all fours on the
narrow strip of beach, a shower of pink petals and crumbling masonry
falling about him. A momentary silence followed; then the washer-girls,
making sure that he was not injured, broke into a shrill chorus of
laughter, while the _Farfalla_ rocked under impact of Giuseppe's mirth.
The girl on the wall alone remained grave.

The young man picked himself up, restored his guide book to his pocket,
and blushingly stepped forward, hat in hand, to make an apology. One knee
bore a splash of mud, and his tumbled hair was sprinkled with azalea
blossoms.

"I beg your pardon," he stammered, "I didn't mean to come so suddenly;
I'm afraid I broke your wall."

The girl dismissed the matter with a polite gesture.

"It was already broken," and then she waited with an air of grave
attention until he should state his errand.

"I--I came--" He paused and glanced about vaguely; he could not at the
moment think of any adequate reason to account for his coming.

"Yes?"

Her eyes studied him with what appeared at once a cool and an amused
scrutiny. He felt himself growing red beneath it.

"Can I do anything for you?" she prompted with the kind desire of putting
him at his ease.

"Thank you--" He grasped at the first idea that presented itself. "I'm
stopping at the Hotel du Lac and Gustavo, you know, told me there was a
villa somewhere around here that belongs to Prince Someone or Other. If
you ring at the gate and give the gardener two francs and a visiting
card, he will let you walk around and look at the trees."

"I see!" said the girl, "and so now you are looking for the gate?" Her
tone suggested that she suspected him of trying to avoid both it and the
two francs. "Prince Sartorio-Crevelli's villa is about half a mile
farther on."

"Ah, thank you," he bowed a second time, and then added out of the
desperate need of saying something, "There's a cedar of Lebanon in it and
an India rubber plant from South America."

"Indeed!"

She continued to observe him with polite interest, though she made no
move to carry on the conversation.

"You--are an American?" he asked at length.

"Oh, yes," she agreed easily. "Gustavo knows that."

He shifted his weight.

"I am an American too," he observed.

"Really?" The girl leaned forward and examined him more closely, an
innocent, candid, wholly detached look in her eyes. "From your appearance
I should have said you were German--most of the foreigners who visit
Valedolmo are German."

"Well, I'm not," he said shortly. "I'm American."

"It is a pity my father is not at home," she returned, "_he_ enjoys
meeting Americans."

A gleam of anger replaced the embarrassment in the young man's eyes. He
glanced about for a dignified means of escape; they had him pretty well
penned in. Unless he wished to reclimb the wall--and he did not--he must
go by the terrace which retreat was cut off by the washer-women, or by
the parapet, already occupied by the girl in white and the washing. He
turned abruptly and his elbow brushed a stocking to the ground.

He stooped to pick it up and then he blushed still a shade deeper.

"This is washing day," observed the girl with a note of apology. She rose
to her feet and stood on the top of the parapet while she beckoned to
Giuseppe, then she turned and looked down upon the young man with an
expression of frank amusement. "I hope you will enjoy the cedar of
Lebanon and the India rubber tree. Good afternoon."

She jumped to the ground and crossed to the water-steps where Giuseppe,
with a radiant smile, was steadying the boat against the landing. She
settled herself comfortably among the cushions and then for a moment
glanced back towards shore.

"You would better go out by the gate," she called. "The wall on the
farther side is harder to climb than the one you came in by; and besides,
it has broken glass on the top."

Giuseppe raised the yellow sail and the _Farfalla_ with a graceful dip,
glided out to sea. The young man stood eyeing its progress revengefully.
Now that the girl was out of hearing, a number of pointed things occurred
to him which he might have said. His thoughts were interrupted by a fresh
giggle from behind and he found that the three washer-girls were laughing
at him.

"Your mistress's manners are not the best in the world," said he,
severely, "and I am obliged to add that yours are no better."

They giggled again, though there was no malice behind their humor; it was
merely that they found the lack of a language in common a mirth-provoking
circumstance. Marietta, with a flash of black eyes, murmured something
very kindly in Italian, as she shook out a linen sailor suit--the exact
twin of the one that had gone to sea--and spread it on the wall to dry.

The young man did not linger for further words. Setting his hat firmly on
his head, he vaulted the parapet and strode off down the cypress alley
that stretched before him; he passed the pink villa without a glance. At
the gate he stood aside to admit a horse and rider. The horse was
prancing in spite of the heat; the rider wore a uniform and a shining
sword. There was a clank of accoutrements as he passed, and the wayfarer
caught a gleam of piercing black eyes and a slight black moustache turned
up at the ends. The rider saluted politely and indifferently, and jangled
on. The young man scowled after him maliciously until the cypresses hid
him from view; then he turned and took up the dusty road back towards the
Hotel du Lac.

It was close upon five, and Gustavo was in the court-yard feeding the
parrot, when his eye fell upon the American guest scuffling down the road
in a cloud of white dust. Gustavo hastened to the gate to welcome him
back, his very eyebrows expressive of his eagerness for news.

"You are returned, signore?"

The young man paused and regarded him unemotionally.

"Yes, Gustavo, I am returned--with thanks."

"You have seen ze Signorina Costantina?"

"Yes, I saw her."

"And is it not as I have said, zat she is beautiful as ze holy angels?"

"Yes, Gustavo, she is--and just about equally remote. You may make out my
bill."

The waiter's face clouded.

"You do not wish to remain longer, signore?"

"Can't stand it, Gustavo; it's too infernally restful."

Poor Gustavo saw a munificent shower of tips vanishing into nothing. His
face was rueful but his manner was undiminishingly polite.

"_Si_, signore, sank you. When shall you wish ze omnibus?"

"Tomorrow morning for the first boat."

Gustavo bowed to the inevitable; and the young man passed on. He paused
half way across the court-yard.

"What time does the first boat leave?"

"At half past five, signore."

"Er--no--I'll take the second."

"_Si_, signore. At half-past ten."




CHAPTER III


It was close upon ten when Jerymn Hilliard Jr., equipped for travel in
proper blue serge, appeared in the doorway of the Hotel du Lac. He looked
at his watch and discovered that he still had twenty minutes before the
omnibus meeting the second boat was due. He strolled across the
court-yard, paused for a moment to tease the parrot, and sauntered on to
his favorite seat in the summer house. He had barely established himself
with a cigarette when who should appear in the gateway but Miss Constance
Wilder of Villa Rosa and a middle-aged man--at a glance the Signor Papa.
Jerymn Hilliard's heart doubled its beat. Why, he asked himself
excitedly, _why_ had they come?

The Signor Papa closed his green umbrella, and having dropped into a
chair--obligingly near the summer house--took off his hat and fanned
himself. He had a tendency toward being stout and felt the heat. The
girl, meanwhile, crossed the court and jangled the bell; she waited
two--three--minutes, then she pulled the rope again.

"Gustavo! Oh, Gustavo!"

The bell might have been rung by any-one--the fisherman, the
omnibus-driver, Suor Celestina from the convent asking her everlasting
alms--and Gustavo took his time. But the voice was unmistakable; he
waited only to throw a clean napkin over his arm before hurrying to
answer.

"_Buon giorno_, signorina! Good morning, signore. It is beautiful
wea-thir, but warm. _Gia_, it is warm."

He bowed and smiled and rubbed his hands together. His moustaches, fairly
bristling with good will, turned up in a half circle until they caressed
his nose on either side. He bustled about placing table and chairs, and
recklessly dusting them with the clean napkin. The signorina laid her
fluffy white parasol on one chair and seated herself on another, her
profile turned to the summer house. Gustavo hovered over them, awaiting
their pleasure, the genius itself of respectful devotion. It was
Constance who gave the order--she, it might be noticed, gave most of the
orders that were given in her vicinity. She framed it in English out of
deference to Gustavo's pride in his knowledge of the language.

"A glass of _vino santo_ for the Signore and _limonata_ for me. I wish to
put the sugar in myself, the last time you mixed it, Gustavo, it was all
sugar and no lemon. And bring a bowl of cracked ice--_fino_--_fino_--and
some pine nut cakes if you are sure they are fresh."

"Sank you, signorina. _Subitissimo_!"

He was off across the court, his black coat-tails, his white napkin
streaming behind, proclaiming to all the world that he was engaged on the
Signorina Americana's bidding; for persons of lesser note he still
preserved a measure of dignity.

The young man in the summer house had meanwhile dropped his cigarette
upon the floor and noiselessly stepped on it. He had also--with the
utmost caution lest the chair creak--shifted his position so that he
might command the profile of the girl. The entrance to the summer house
was fortunately on the other side, and in all likelihood they would not
have occasion to look within. It was eavesdropping of course, but he had
already been convicted of that yesterday, and in any case it was not such
very bad eavesdropping. The court-yard of the Hotel du Lac was public
property; he had been there first, he was there by rights as a guest of
the house; if anything, they were the interlopers. Besides, nobody talked
secrets with a head waiter. His own long conversations with Gustavo were
as open and innocent as the day; the signorina was perfectly welcome to
listen to them as much as she chose.

She was sitting with her chin in her hand, eyeing the flying coat-tails
of Gustavo, a touch of amusement in her face. Her father was eyeing her
severely.

"Constance, it is disgraceful!"

She laughed. Apparently she already knew or divined what it was that was
disgraceful, but the accusation did not appear to bother her much. Mr.
Wilder proceeded grumblingly.

"It's bad enough with those five deluded officers, but they walked into
the trap with their eyes open and it's their own affair. But look at
Gustavo; he can scarcely carry a dish without breaking it when you are
watching him. And Giuseppe--that confounded _Farfalla_ with its yellow
sails floats back and forth in front of the terrace till I am on the
point of having it scuttled as a public nuisance; and those three
washer-women and the post-office clerk and the boy who brings milk, and
Luigi and--every man, woman and child in the village of Valedolmo!"

"And my own dad as well?"

Mr. Wilder shook his head.

[Illustration: "He had also shifted his position so that he might
command the profile of the girl"]

"I came here at your instigation for rest and relaxation--to get rid of
nervous worries, and here I find a big new worry waiting for me that I'd
never thought of having before. What if my only daughter should take it
in her head to marry one of these infernally good-looking Italian
officers?"

Constance reached over and patted his arm.

"Don't let it bother you, Dad; I assure you I won't do anything of the
sort. I should think it my duty to learn the subjunctive mood, and that
is impossible."

Gustavo came hurrying back with a tray. He arranged the glasses, the ice,
the sugar, the cakes, with loving, elaborate obsequiousness. The
signorina examined the ice doubtfully, then with approval.

"It's exactly right to-day, Gustavo! You got it too large the last time,
you remember."

She stirred in some sugar and tasted it tentatively, her head on one
side. Gustavo hung upon her expression in an agony of apprehension; one
would have thought it a matter for public mourning if the lemonade were
not mixed exactly right. But apparently it was right--she nodded and
smiled--and Gustavo's expression assumed relief. Constance broke open a
pine nut cake and settled herself for conversation.

"Haven't you any guests, Gustavo?" Her eyes glanced over the empty
court-yard. "I am afraid the hotel is not having a very prosperous
season."

"_Grazie_, signorina. Zer never are many in summer; it is ze dead time,
but still zay come and zay go. Seven arrive last night."

"Seven! That's nice. What are they like?"

"German mountain-climbers wif nails in zer shoes. Zey have gone to Riva
on ze first boat."

"That's too bad--then the hotel is empty?"

"But no! Zer is an Italian Signora wif two babies and a governess, and
two English ladies and an American gentleman--"

"An American gentleman?" Her tone was languidly interested. "How long has
he been here?"

"Tree--four day."

"Indeed--what is he like?"

"Nice--ver' nice." (Gustavo might well say that; his pockets were lined
with the American gentleman's silver lire.) "He talk to me always.
'Gustavo,' he say, 'I am all alone; I wish to be 'mused. Come and talk
Angleesh.' Yes, it is true; I have no time to finish my work; I spend
whole day talking wif dis yong American gentleman. He is just a little--"
He touched his head significantly.

"Really?" She raised her eyes with an air of awakened interest. "And how
did he happen to come to Valedolmo?"

"He come to meet his family, his sister and his--his aunt, who are going
wif him to ze Tyrollo. But zay have not arrive. Zey are in Lucerne, he
says, where zer is a lion dying, and zey wish to wait until he is dead;
zen zey come.--Yes, it is true; he tell me zat." Gustavo tapped his head
a second time.

The signorina glanced about apprehensively.

"Is he safe, Gustavo--to be about?"

"_Si_, signorina, _sicuramente_! He is just a little simple."

Mr. Wilder chuckled.

"Where is he, Gustavo? I think I'd like to make that young man's
acquaintance."

"I sink, signore, he is packing his trunk. He go away today."

"Today, Gustavo?" There was audible regret in Constance's tone. "Why is
he going?"

"It is not possible for him to stand it, signorina. Valedolmo too dam
slow."

"Gustavo! You mustn't say that; it is very, very bad. Nice men don't say
it."

Gustavo held his ground.

"_Si_, signorina, zat yong American gentleman say it--dam slow, no
_divertimento_."

"He's just about right, Gustavo," Mr. Wilder broke in. "The next time a
young American gentleman blunders into the Hotel du Lac you send him
around to me."

"_Si_, signore."

Gustavo rolled his eyes toward the signorina; she continued to sip her
lemonade.

"I have told him yesterday an American family live at Villa Rosa; he say
'All right, I go call,' but--but I sink maybe you were not at home."

"Oh!" The signorina raised her head in apparent enlightenment. "So that
was the young man? Yes, to be sure, he came, but he said he was looking
for Prince Sartorio's villa. I am sorry you were away, Father, you would
have enjoyed him; his English was excellent.--Did he tell you he saw me,
Gustavo?"

"_Si_, signorina, he tell me."

"What did he say? Did he think I was nice?"

Gustavo looked embarrassed.

"I--I no remember, signorina."

She laughed and to his relief changed the subject.

"Those English ladies who are staying here--what do they look like? Are
they young?"

Gustavo delivered himself of an inimitable gesture which suggested that
the English ladies had entered the bounds of that indefinite period when
the subject of age must be politely waived.

"They are tall, signorina, and of a thinness--you would not believe it
possible."

"I see! And so the poor young man was bored?"

Gustavo bowed vaguely. He saw no connection.

"He was awfully good-looking," she added with a sigh. "I'm afraid I made
a mistake. It would be rather fun, don't you think, Dad, to have an
entertaining young American gentleman about?"

"Ump!" he grunted. "I thought you were so immensely satisfied with the
officers."

"Oh, I am," she agreed with a shrug which dismissed forever the young
American gentleman.

"Well, Gustavo," she added in a business-like tone, "I will tell you why
we called. The doctor says the Signor Papa is getting too fat--I don't
think he's too fat, do you? He seems to me just comfortably chubby; but
anyway, the doctor says he needs exercise, so we're going to begin
climbing mountains with nails in our shoes like the Germans. And we're
going to begin to-morrow because we've got two English people at the
villa who adore mountains. Do you think you can find us a guide and some
donkeys? We want a nice, gentle, lady-like donkey for my aunt, and
another for the English lady and a third to carry the things--and maybe
me, if I get tired. Then we want a man who will twist their tails and
make them go; and I am very particular about the man. I want him to be
picturesque--there's no use being in Italy if you can't have things
picturesque, is there, Gustavo?"

"_Si_, signorina," he bowed and resumed his attitude of strained
attention.

"He must have curly hair and black eyes and white teeth and a nice smile;
I should like him to wear a red sash and earrings. He must be obliging
and cheerful and deferential and speak good Italian--I won't have a man
who speaks only dialect. He must play the mandolin and sing Santa
Lucia--I believe that's all."

"And I suppose since he is to act as guide he must know the region?" her
father mildly suggested.

"Oh, no, that's immaterial; we can always ask our way."

Mr. Wilder grunted, but offered no further suggestion.

"We pay four lire a day and furnish his meals," she added munificently.
"And we shall begin with the castle on Monte Baldo; then when we get very
proficient we'll climb Monte Maggiore. Do you understand?"

"Ze signorina desires tree donkeys and a driver at seven o'clock
to-morrow morning to climb Monte Baldo?"

"In brief, yes, but _please_ remember the earrings."

       *       *       *       *       *

Meanwhile a commotion was going on behind them. The hotel omnibus had
rumbled into the court yard. A _fachino_ had dragged out a leather trunk,
an English hat box and a couple of valises and dumped them on the ground
while he ran back for the paste pot and a pile of labels. The two
under-waiters, the chamber-maid and the boy who cleaned boots had drifted
into the court. It was evident that the American gentleman's departure
was imminent.

The luggage was labelled and hoisted to the roof of the omnibus; they all
drew up in a line with their eyes on the door; but still the young man
did not come. Gustavo, over his shoulder, dispatched a waiter to hunt him
up. The waiter returned breathless. The gentleman was nowhere. He had
searched the entire house; there was not a trace. Gustavo sent the
boot-boy flying down the arbor to search the garden; he was beginning to
feel anxious. What if the gentleman in a sudden fit of melancholia had
thrown himself into the lake? That would indeed be an unfortunate affair!

Constance reassured him, and at the same time she arose. It occurred to
her suddenly that, since the young man was going, there was nothing to be
gained by waiting, and he might think--She picked up her parasol and
started for the gate, but Mr. Wilder hung back; he wanted to see the
matter out.

"Father," said she reproachfully, "it's embarrassing enough for him to
fee all those people without our staying and watching him do it."

"I suppose it is," he acknowledged regretfully, as he resumed his hat and
umbrella and palm leaf fan.

She paused for a second in the gateway.

"_Addio_, Gustavo," she called over her shoulder. "_Don't_ forget the
earrings."

Gustavo bowed twice and turned back with a dazed air to direct the
business in hand. The boot-boy, reappearing, shook his head. No, the
gentleman was not to be found in the garden. The omnibus driver leaned
from his seat and swore.

_Corpo di Bacco_! Did he think the boat would wait all day for the sake
of one passenger? As it was, they were ten minutes late and would have to
gallop every step of the way.

The turmoil of ejaculation and gesture was approaching a climax; when
suddenly, who should come sauntering into the midst of it, but the young
American man himself! He paused to light a cigarette, then waved his hand
aloft toward his leather belongings.

"Take 'em down, Gustavo. Changed my mind; not going to-day--it's too
hot."

Gustavo gasped.

"But, signore, you have paid for your ticket."

"True, Gustavo, but there is no law compelling me to use it. To tell the
truth I find that I am fonder of Valedolmo than I had supposed. There is
something satisfying about the peace and tranquility of the place--one
doesn't realize it till the moment of parting comes. Do you think I can
obtain a room for a--well, an indefinite period?"

Gustavo saw a dazzling vista of silver lire stretching into the future.
With an all-inclusive gesture he placed the house, the lake, the
surrounding mountains, at the disposal of the American.

"You shall have what you wish, signore. At dis season ze Hotel du Lac--"

"Is not crowded, and there are half a hundred rooms at my disposal? Very
well, I will keep the one I have which commands a very attractive view of
a rose-colored villa set in a grove of cypress trees."

The others had waited in a state of suspension, dumbfounded at what was
going on. But as soon as the young man dipped into his pocket and fished
out a handful of silver, they broke into smiles; this at least was
intelligible. The silver was distributed, the luggage was hoisted down,
the omnibus was dismissed. The courtyard resumed its former quiet; just
the American gentleman, Gustavo and the parrot were left.

Then suddenly a frightful suspicion dawned upon Gustavo--it was more than
a suspicion; it was an absolute certainty which in his excitement he had
overlooked. From where had the American gentleman dropped? Not the sky,
assuredly, and there was no place else possible, unless the door of the
summer house. Yes, he had been in the summer house, and not sleeping
either. An indefinable something about his manner informed Gustavo that
he was privy to the entire conversation. Gustavo, a picture of guilty
remorse, searched his memory for the words he had used. Why, oh why, had
he not piled up adjectives? It was the opportunity of a lifetime and he
had wantonly thrown it away.

But--to his astonished relief--the young man appeared to be bearing no
malice. He appeared, on the contrary, quite unusually cheerful as he
sauntered whistling, across the court and seated himself in the exact
chair the signorina had occupied. He plunged his hand into his pocket
suggestively--Gustavo had been the only one omitted in the distribution
of silver--and drew forth a roll of bills. Having selected five crisp
five-lire notes, he placed them under the sugar bowl, and watched his
companion while he blew three meditative rings of smoke.

"Gustavo," he inquired, "do you suppose you could find me some nice,
gentle, lady-like donkeys and a red sash and a pair of earrings?"

Gustavo's fascinated gaze had been fixed upon the sugar bowl and he had
only half caught the words.

"_Scusi_, signore, I no understand."

"Just sit down, Gustavo, it makes me nervous to see you standing all the
time. I can't be comfortable, you know, unless everybody else is
comfortable. Now pay strict attention and see if you can grasp my
meaning."

Gustavo dubiously accepted the edge of the indicated chair; he wished to
humor the signore's mood, however incomprehensible that mood might be.
For half an hour he listened with strained attention while the gentleman
talked and toyed with the sugar bowl. Amazement, misgiving, amusement,
daring, flashed in succession across his face; in the end he leaned
forward with shining eyes.

"_Si, si_," he whispered after a conspiratorial glance over his shoulder,
"I will do it all; you may trust to me."

The young man rose, removed the sugar bowl, and sauntered on toward the
road. Gustavo pocketed the notes and gazed after him.

"_Dio mio_," he murmured as he set about gathering up the glasses, "zese
Americans!"

At the gate the young man paused to light another cigarette.

"_Addio_, Gustavo," he called over his shoulder, "_don't_ forget the
earrings!"




CHAPTER IV


The table was set on the terrace; breakfast was served and the company
was gathered. Breakfast consisted of the usual caffe-latte, rolls and
strained honey, and--since a journey was to the fore and something
sustaining needed--a soft-boiled egg apiece. There were four persons
present, though there should have been five. The two guests were an
Englishman and his wife, whom the chances of travel had brought over
night to Valedolmo.

Between them, presiding over the coffee machine, was Mr. Wilder's sister,
"Miss Hazel"--never "Miss Wilder" except to the butcher and baker. It was
the cross of her life, she had always affirmed, that her name was not
Mary or Jane or Rebecca. "Hazel" does well enough when one is eighteen
and beautiful, but when one is fifty and no longer beautiful, it is
little short of absurd. But if anyone at fifty could carry such a name
gracefully, it was Miss Hazel Wilder; her fifty years sat as jauntily as
Constance's twenty-two. This morning she was very business-like in her
short skirt, belted jacket, and green felt Alpine hat with a feather in
the side. No one would mistake her for a cyclist or a golfer or a
motorist or anything in the world but an Alpine climber; whatever Miss
Hazel was or was not, she was always _game_.

Across from Miss Hazel sat her brother in knickerbockers, his Alpine
stock at his elbow and also his fan. Since his domicile in Italy, Mr.
Wilder's fan had assumed the nature of a symbol; he could no more be
separated from it than St. Sebastian from his arrows or St. Laurence from
his gridiron. At Mr. Wilder's elbow was the empty chair where Constance
should have been--she who had insisted on six as a proper breakfast hour,
and had grudgingly consented to postpone it till half-past out of
deference to her sleepy-headed elders. Her father had finished his egg
and hers too, before she appeared, as nonchalant and smiling as if she
were out the earliest of all.

"I think you might have waited!" was her greeting from the doorway.

She advanced to the table, saluted in military fashion, dropped a kiss on
her father's bald spot, and possessed herself of the empty chair. She too
was clad in mountain-climbing costume, in so far as blouse and skirt and
leather leggings went, but above her face there fluttered the fluffy
white brim of a ruffled sun hat with a bunch of pink rosebuds set over
one ear.

"I am sorry not to wear my own Alpine hat, Aunt Hazel; I look so
deliciously German in it, but I simply can't afford to burn all the skin
off my nose."

"You can't make us believe that," said her father. "The reason is, that
Lieutenant di Ferara and Captain Coroloni are going with us today, and
that this hat is more becoming than the other."

"It's one reason," Constance agreed imperturbably, "but, as I say, I
don't wish to burn the skin off my nose, because that is unbecoming too.
You are ungrateful, Dad," she added as she helped herself to honey with a
liberal hand, "I invited them solely on your account because you like to
hear them talk English. Have the donkeys come?"

"The donkeys are at the back door nibbling the buds off the rose-bushes."

"And the driver?"

"Is sitting on the kitchen doorstep drinking coffee and smiling over the
top of his cup at Elizabetta. There are two of him."

"Two! I only ordered one."

"One is the official driver and the other is a boy whom he has brought
along to do the work."

Constance eyed her father sharply. There was something at once guilty and
triumphant about his expression.

"What is it, Dad?" she inquired sternly. "I suppose he has not got a
sash and earrings."

"On the contrary, he has."

"Really? How clever of Gustavo! I hope," she added anxiously, "that he
talks good Italian?"

"I don't know about his Italian, but he talks uncommonly good English."

"English!" There was reproach, disgust, disillusionment, in her tone.
"Not really, father?"

"Yes, really and truly--almost as well as I do. He has lived in New York
and he speaks English like a dream--real English--not the
Gustavo--Lieutenant di Ferara kind. I can understand what he says."

"How simply horrible!"

"Very convenient, I should say."

[Illustration: Beppo and the donkeys]

"If there's anything I detest, it's an Americanized Italian--and here in
Valedolmo of all places, where you have a right to demand something
unique and romantic and picturesque and real. It's too bad of Gustavo!
I shall never place any faith in his judgment again. You may talk English
to the man if you like; I shall address him in nothing but Italian."

As they rose from the table she suggested pessimistically, "Let's go and
look at the donkeys--I suppose they'll be horrid, scraggly, knock-kneed
little beasts."

They turned out however to be unusually attractive, as donkeys go, and
they were innocently engaged in nibbling, not rose-leaves but grass,
under the tutelage of a barefoot boy. Constance patted their shaggy
mouse-colored noses, made the acquaintance of the boy, whose name was
Beppo, and looked about for the driver proper. He rose and bowed as she
approached. His appearance was even more violently spectacular than she
had ordered; Gustavo had given good measure.

He wore a loose white shirt--immaculately white--with a red silk
handkerchief knotted about his throat, brown corduroy knee-breeches, and
a red cotton sash with the hilt of a knife conspicuously protruding. His
corduroy jacket was slung carelessly across his shoulders, his hat was
cocked jauntily, with a red heron feather stuck in the band; last,
perfect touch of all, in his ears--at his ears rather (a close
examination revealed the thread)--two golden hoops flashed in the
sunlight. His skin was dark--not too dark--just a good healthy out-door
tan: his brows level and heavy, his gaze candor itself. He wore a tiny
suggestion of a moustache which turned up at the corners (a suspicious
examination of this, might have revealed the fact that it was touched up
with burnt cork); there was no doubt but that he was a handsome fellow,
and his attire suggested that he knew it.

Constance clasped her hands in an ecstasy of admiration.

"He's perfect!" she cried. "Where on earth did Gustavo find him? Did you
ever see anything so beautiful?" she appealed to the others. "He looks
like a brigand in opera bouffe."

[Illustration: "Constance clasped her hands in an ecstasy of
admiration"]

The donkey-man reddened visibly and fumbled with his hat.

"My dear," her father warned, "he understands English."

She continued to gaze with the open admiration one would bestow upon a
picture or a view or a blue-ribbon horse. The man flashed her a momentary
glance from a pair of searching gray eyes, then dropped his gaze humbly
to the ground.

"_Buon giorno_," he said in glib Italian.

Constance studied him more intently. There was something elusively
familiar about his expression; she was sure she had seen him before.

"_Buon giorno_," she replied in Italian. "You have lived in the United
States?"

"_Si_, signorina."

"What is your name?"

"I spik Angleesh," he observed.

"I don't care if you do speak English; I prefer Italian--what is your
name?" She repeated the question in Italian.

"_Si_, signorina," he ventured again. An anxious look had crept to his
face and he hastily turned away and commenced carrying parcels from the
kitchen. Constance looked after him, puzzled and suspicious. The one
insult which she could not brook was for an Italian to fail to understand
her when she talked Italian. As he returned and knelt to tighten the
strap of a hamper, she caught sight of the thread that held his earring.
She looked a second longer, and a sudden smile of illumination flashed to
her face. She suppressed it quickly and turned away.

"He seems rather slow about understanding," she remarked to the others,
"but I dare say he'll do."

"The poor fellow is embarrassed," apologized her father. "His name is
Tony," he added--even he had understood that much Italian.

"Was there ever an Italian who had been in America whose name was not
Tony? Why couldn't he have been Angelico or Felice or Pasquale or
something decently picturesque?"

"My dear," Miss Hazel objected, "I think you are hypercritical. The man
is scarcely to blame for his name."

"I suppose not," she agreed, "though I should have included that in my
order."

Further discussion was precluded by the appearance of a station-carriage
which turned in at the gate and stopped before them. Two officers
descended and saluted. In summer uniforms of white linen with gold
shoulder-straps, and shining top-boots, they rivalled the donkey-man in
decorativeness. Constance received them with flattering acclaim, while
she noted from the corner of her eye the effect upon Tony. He had not
counted upon this addition to the party, and was as scowling as she could
have wished. While the officers were engaged in making their bow to the
others, Constance casually reapproached the donkeys. Tony feigned
immersion in the business of strapping hampers; he had no wish to be
drawn into any Italian tete-a-tete. But to his relief she addressed him
this time in English.

"Are these donkeys used to mountain-climbing?"

"But yes, signorina! _Sicuramente_. Zay are ver' strong, ver' good. Zat
donk', signorina, he go all day and never one little stumble."

His English, she noted with amused appreciation, was an exact copy of
Gustavo's; he had learned his lesson well. But she allowed not the
slightest recognition of the fact to appear in her face.

"And what are their names?" she inquired.

"Dis is Fidilini, signorina, and zat one wif ze white nose is Macaroni,
and zat ovver is Cristoforo Colombo."

Elizabetta appeared in the doorway with two rush-covered flasks, and Tony
hurried forward to receive them. There was a complaisant set to his
shoulders as he strode off, Constance noted delightedly; he was
felicitating himself upon the ease with which he had fooled her. Well!
She would give him cause before the day was over for other than
felicitations. She stifled a laugh of prophetic triumph and sauntered
over to Beppo.

"When Tony is engaged as a guide do you always go with him?"

"Not always, signorina, but Carlo has wished me to go to-day to look
after the donkeys."

"And who is Carlo?"

"He is the guide who owns them."

Beppo looked momentarily guilty; the answer had slipped out before he
thought.

"Oh, indeed! But if Tony is a guide why doesn't he have donkeys of his
own?"

"He used to, but one unfortunately fell into the lake and got drowned and
the other died of a sickness."

He put forth this preposterous statement with a glance as grave and
innocent as that of a little cherub.

"Is Tony a good guide?"

"But yes, of the best!"

There was growing anxiety in Beppo's tone. He divined suspicion behind
these persistent inquiries, and he knew that in case Tony were
dismissed, his own munificent pay would stop.

"Do you understand any English?" she suddenly asked.

He modestly repudiated any great knowledge. "A word here, a word there; I
learn it in school."

"I see!" She paused for a moment and then inquired casually, "Have you
known Tony long?"

"_Si_, signorina."

"How long?"

Beppo considered. Someone, clearly, must vouch for the man's
respectability. This was not in the lesson that had been taught him, but
he determined to branch out for himself.

"He is my father, signorina."

"Really! He looks young to be your father--have you any brothers and
sisters, Beppo?"

"I have four brothers, signorina, and five sisters." He fell back upon
the truth with relief.

"_Davvero_!"

The signorina smiled upon him, a smile of such heavenly sweetness that
he instantly joined the already crowded ranks of her admirers. She drew
from her pocket a handful of coppers and dropped them into his grimy
little palm.

"Here, Beppo, are some soldi for the brothers and sisters. I hope that
you will be good and obedient and _always_ tell me the truth."




CHAPTER V


After some delay--owing to Tony's inability to balance the chafing-dish
on Cristoforo Colombo's back--they filed from the gateway, an imposing
cavalcade. The ladies were on foot, loftily oblivious to the fact that
three empty saddles awaited their pleasure. Constance, a gesticulating
officer at either hand, was vivaciously talking Italian, while Tony,
trudging behind, listened with a somber light in his eye. She now and
then cast a casual glance over her shoulder, and as she caught sight of
his gloomy face the animation of her Italian redoubled. The situation
held for her mischief-loving soul undreamed-of possibilities; and though
she ostensibly occupied herself with the officers, she by no means
neglected the donkey-man.

During the first few miles of the journey he earned his four francs.
Twice he reshifted the pack because Constance thought it insecure (it was
a disgracefully unprofessional pack; most guides would have blushed at
the making of it); once he retraced their path some two hundred yards in
search of a veil she thought she had dropped--it turned out that she had
had it in her pocket all of the time. He chased Fidilini over half the
mountainside while the others were resting, and he carried the
chafing-dish for a couple of miles because it refused to adjust itself
nicely to the pack. The morning ended by his being left behind with a
balking donkey, while the others completed the last ascent that led to
their halting-place for lunch.

It was a small plateau shaded by oak trees with a broad view below them,
and a mountain stream foaming down from the rocks above. It was owing to
Beppo's knowledge of the mountain paths rather than Tony's which had
guided them to this agreeable spot; though no one in the party except
Constance appeared to have noted the fact. Tony arrived some ten minutes
after the others, hot but victorious, driving Cristoforo Colombo before
him. Constance welcomed his return with an off-hand nod and set him about
preparing lunch. He and Beppo served it and repacked the hampers,
entirely ignored by the others of the party. Poor Tony was beginning to
realize that a donkey-man lives on a desert island in so far as any
companionship goes. But his moment was coming. As they were about to
start on, Constance spied high above their heads where the stream burst
from the rocks, a clump of starry white blossoms.

"Edelweiss!" she cried. "Oh, I must have it--it's the first I ever saw
growing; I hadn't supposed we were high enough." She glanced at the
officers.

The ascent was not dangerous, but it was undeniably muddy, and they both
wore white; with very good cause they hesitated. And while they
hesitated, the opportunity was lost. Tony sprang forward, scrambled up
the precipice hand over hand, swung out across the stream by the aid of
an overhanging branch and secured the flowers. It was very gracefully and
easily done, and a burst of applause greeted his descent. He divided his
flowers into two equal parts, and sweeping off his hat, presented them
with a bow, not to Constance, but to the officers, who somewhat sulkily
passed them on. She received them with a smile; for an instant her eyes
met Tony's, and he fell back, rewarded.

The captain and lieutenant for the first time regarded the donkey-man,
and they regarded him narrowly, red sash, earrings, stiletto and all.
Constance caught the look and laughed.

"Isn't he picturesque?" she inquired in Italian. "The head-waiter at the
Hotel du Lac found him for me. He has been in the United States and
speaks English, which is a great convenience."

The two said nothing, but they looked at each other and shrugged.

The donkeys were requisitioned for the rest of the journey; while Tony
led Miss Hazel's mount, he could watch Constance ahead on Fidilini, an
officer marching at each side of her saddle. She appeared to divide her
favors with nice discrimination; it was not her fault if the two were
jealous of one another. Tony could draw from that obvious fact what
consolation there was in it.

[Illustration: "Constance ahead on Fidilini, an officer marching at each
side of her saddle."]

The ruined fortress, their destination, was now exactly above their
heads. The last ascent boldly skirted the shoulder of the mountain, and
then doubled upward in a series of serpentine coils. Below them the whole
of Lake Garda was spread like a map. Mr. Wilder and the Englishman,
having paused at the edge of the declivity, were endeavoring to trace the
boundary line of Austria, and they called upon the officers for help. The
two relinquished their post at Constance's side, while the donkeys kept
on past them up the hill. The winding path was both stony and steep,
and, from a donkey's standpoint, thoroughly objectionable. Fidilini was
well in the lead, trotting sedately, when suddenly without the slightest
warning, he chose to revolt. Whether Constance pulled the wrong rein, or
whether, as she affirmed, it was merely his natural badness, in any case,
he suddenly veered from the path and took a cross cut down the rocky
slope below them. Donkeys are fortunately sure-footed beasts; otherwise
the two would have plunged together down the sheer face of the mountain.
As it was it looked ghastly enough to the four men below; they shouted to
Constance to stick on, and commenced scrambling up the slope with
absolutely no hope of reaching her.

It was Tony's chance a second time to show his agility--and this time to
some purpose. He was a dozen yards behind and much lower down, which gave
him a start. Leaping forward, he dropped over the precipice, a fall of
ten feet, to a narrow ledge below. Running toward them at an angle, he
succeeded in cutting off their flight. Before the frightened donkey could
swerve, Tony had seized him--by the tail--and had braced himself against
a boulder. It was not a dignified rescue, but at least it was effective;
Fidilini came to a halt. Constance, not expecting the sudden jolt,
toppled over sidewise, and Tony, being equally unprepared to receive her,
the two went down together rolling over and over on the grassy slope.

"My dear, are you hurt?"

Mr. Wilder, quite pale with anxiety, came scrambling to her side.
Constance sat up and laughed hysterically, while she examined a bleeding
elbow.

"N--no, not dangerously--but I think perhaps Tony is."

Tony however was at least able to run, as he was again on his feet and
after the donkey. Captain Coroloni and her father helped Constance to her
feet while Lieutenant di Ferara recovered a side-comb and the white sun
hat. They all climbed down together to the path below, none the worse
for the averted tragedy. Tony rejoined them somewhat short of breath, but
leading a humbled Fidilini. Constance, beyond a brief glance, said
nothing; but her father, to the poor man's intense embarrassment, shook
him warmly by the hand with the repeated assurance that his bravery
should not go unrewarded.

They completed their journey on foot; Tony following behind, quite
conscious that, if he had played the part of hero, he had done it with a
lamentable lack of grace.




CHAPTER VI


Tony was stretched on the parapet that bordered the stone-paved platform
of the fortress. Above him the crumbling tower rose many feet higher,
below him a marvelous view stretched invitingly; but Tony had eyes
neither for medieval architecture nor picturesque scenery. He lay with
his coat doubled under his head for a pillow, in a frowning contemplation
of the cracked stone pavement.

The four other men, after an hour or so of easy lounging under the pines
at the base of the tower, had organized a fresh expedition to the summit
a mile farther up. Mr. Wilder, since morning, had developed into an
enthusiastic mountain-climber--regret might come with the morrow, but as
yet ambition still burned high. The remainder of the party were less
energetic. The three ladies were resting on rugs spread under the pines;
Beppo was sleeping in the sun, his hat over his face, and the donkeys,
securely tethered (Tony had attended to that) were innocently nibbling
mountain herbs.

There was no obvious reason why, as he lighted a cigarette and stretched
himself on the parapet, Tony should not have been the most self-satisfied
guide in the world. He had not only completed the expedition in safety,
but had saved the heroine's life by the way; and even if the heroine did
not appear as thankful as she might, still, her father had shown due
gratitude, and, what was to the point, had promised a reward. That should
have been enough for any reasonable donkey-driver.

But it was distinctly not enough for Tony. He was in a fine temper as he
lay on the parapet and scowled at the pavement. Nothing was turning out
as he had planned. He had not counted on the officers or her
predilection for Italian. He had not counted on chasing donkeys in person
while she stood and looked on--Beppo was to have attended to that. He had
not counted on anything quite so absurd as his heroic capture of
Fidilini. Since she must let the donkey run away with her, why, in the
name of all that was romantic--could it not have occurred by moonlight?
Why, when he caught the beast, could it not have been by the bridle
instead of the tail? And above all, why could she not have fallen into
his arms, instead of on top of him?

The stage scenery was set for romance, but from the moment the curtain
rose the play had persisted in being farce. However, farce or romance, it
was all one to him so long as he could play leading-man; what he objected
to was the minor part. The fact was clear that sash and earrings could
never compete with uniform and sword and the Italian language. His mind
was made up; he would withdraw tonight before he was found out, and
leave Valedolmo tomorrow morning by the early boat. Miss Constance Wilder
should never have the satisfaction of knowing the truth.

He was engaged in framing a dignified speech to Mr. Wilder--thanking him
for his generosity, but declining to accept a reward for what had been
merely a matter of duty--when his reflections were cut short by the sound
of footsteps on the stairs. They were by no means noiseless footsteps;
there were good strong nails all over the bottom of Constance's shoes.
The next moment she appeared in the doorway. Her eyes were centered on
the view; she looked entirely over Tony. It was not until he rose to his
feet that she realized his presence with a start.

"Dear me, is that you, Tony? You frightened me! Don't get up; I know you
must be tired." This with a sweetly solicitous smile.

Tony smiled too and resumed his seat; it was the first time since morning
that she had condescended to consider his feelings. She sauntered over
to the opposite side and stood with her back to him examining the view.
Tony turned his back and affected to be engaged with the view in the
other direction; he too could play at indifference.

Constance finished with her view first, and crossing over, she seated
herself in the deep embrasure of a window close beside Tony's parapet. He
rose again at her approach, but there was no eagerness in the motion; it
was merely the necessary deference of a donkey-driver toward his
employer.

"Oh, sit down," she insisted, "I want to talk to you."

[Illustration: "She seated herself in the deep embrasure of a window
close beside Tony's parapet"]

He opened his eyes with a show of surprise; his hurt feelings insisted
that all the advances should be on her part. Constance seemed in no hurry
to begin; she removed her hat, pushed back her hair, and sat playing with
the bunch of edelweiss which was stuck in among the roses--flattening the
petals, rearranging the flowers with careful fingers; a touch, it
seemed to Tony's suddenly clamoring senses, that was almost a caress.
Then she looked up quickly and caught his gaze. She leaned forward with a
laugh.

"Tony," she said, "do you spik any language besides Angleesh?"

He triumphantly concealed all sign of emotion.

"_Si_, signorina, I spik my own language."

"Would you mind my asking what that language is?"

He indulged in a moment's deliberation. Italian was clearly out of the
question, and French she doubtless knew better than he--he deplored this
polyglot education girls were receiving nowadays.

He had it! He would be Hungarian. His sole fellow guest in the hotel at
Verona the week before had been a Hungarian nobleman, who had informed
him that the Magyar language was one of the most difficult on the face of
the globe. There was at least little likelihood that she was acquainted
with that.

"My own language, signorina, is Magyar."

"Magyar?" She was clearly taken by surprise.

"_Si_, signorina, I am Hungarian; I was born in Budapest." He met her
wide-opened eyes with a look of innocent candor.

"Really!" She beamed upon him delightedly; he was playing up even better
than she had hoped. "But if you are Hungarian, what are you doing here in
Italy, and how does it happen that your name is Antonio?"

"My movver was Italian. She name me Antonio after ze blessed Saint
Anthony of Padua. If you lose anysing, signorina, and you say a prayer to
Saint Anthony every day for nine days, on ze morning of ze tenth you will
find it again."

"That is very interesting," she said politely. "How do you come to know
English so well, Tony?"

"We go live in Amerik' when I li'l boy."

"And you never learned Italian? I should think your mother would have
taught it to you."

He imitated Beppo's gesture.

"A word here, a word there. We spik Magyar at home."

"Talk a little Magyar, Tony. I should like to hear it."

"What shall I say, signorina?"

"Oh, say anything you please."

He affected to hesitate while he rehearsed the scraps of language at his
command. Latin--French--German--none of them any good--but, thank
goodness, he had elected Anglo-Saxon in college; and thank goodness again
the professor had made them learn passages by heart. He glanced up with
an air of flattered diffidence and rendered, in a conversational
inflection, an excerpt from the Anglo-Saxon Bible.

"_Ealle gesceafta, heofonas and englas, sunnan and monan, steorran and
eorthan, he gesceop and geworhte on six dagum._"

"It is a very beautiful language. Say some more."

He replied with glib promptness, with a passage from Beowulf.

"_Hie dygel lond warigeath, wulfhleothu, windige naessas._"

"What does that mean?"

Tony looked embarrassed.

"I don't believe you know!"

"It means--_scusi_, signorina, I no like to say."

"You don't know."

"It means--you make me say, signorina,--'I sink you ver' beautiful like
ze angels in Paradise.'"

"Indeed! A donkey-driver, Tony, should not say anything like that."

"But it is true."

"The more reason you should not say it."

"You asked me, signorina; I could not tell you a lie."

The signorina smiled slightly and looked away at the view; Tony seized
the opportunity to look sidewise at her. She turned back and caught him;
he dropped his eyes humbly to the floor.

"Does Beppo speak Magyar?" she inquired.

"Beppo?" There was wonder in his tone at the turn her questions were
taking. "I sink not, signorina."

"That must be very inconvenient. Why don't you teach it to him?"

"_Si_, signorina." He was plainly nonplussed.

"Yes, he says that you are his father and I should think--"

"His father?" Tony appeared momentarily startled; then he laughed. "He
did not mean his real father; he mean--how you say--his god-father. I
give to him his name when he get christened."

"Oh, I see!"

Her next question was also a surprise.

"Tony," she inquired with startling suddenness, "why do you wear
earrings?"

He reddened slightly.

"Because--because--der's a girl I like ver' moch, signorina; she sink
earrings look nice. I wear zem for her."

"Oh!--But why do you fasten them on with thread?"

"Because I no wear zem always. In Italia, yes; in Amerik' no. When I
marry dis girl and go back home, zen I do as I please, now I haf to do as
she please."

"H'm--" said Constance, ruminatingly. "Where does this girl live, Tony?"

"In Valedolmo, signorina."

"What does she look like?"

"She look like--" His eyes searched the landscape and came back to her
face. "Oh, ver' beautiful, signorina. She have hair brown and gold, and
eyes--yes, eyes! Zay are sometimes black, signorina, and sometimes gray.
Her laugh, it sounds like the song of a nightingale." He clasped his
hands and rolled his eyes in a fine imitation of Gustavo. "She is
beautiful, signorina, beautiful as ze angels in Paradise!"

"There seem to be a good many people beautiful as the angels in
Paradise."

"She is most beautiful of all."

"What is her name?"

"Costantina." He said it softly, his eyes on her face.

"Ah," Constance rose and turned away with a shrug. Her manner suggested
that he had gone too far.

"She wash clothes at ze Hotel du Lac," he called after her.

Constance paused and glanced over her shoulder with a laugh.

"Tony," she said, "the quality which I admire most in a donkey-driver,
besides truthfulness and picturesqueness, is imagination."




CHAPTER VII


On the homeward journey Tony again trudged behind while the officers held
their post at Constance's side. But Tony's spirits were still singing
from the little encounter on the castle platform, and in spite of the
animated Italian which floated back, he was determined to look at the
sunny side of the adventure. It was Mr. Wilder who unconsciously supplied
him with a second opportunity for conversation. He and the Englishman,
being deep in a discussion involving statistics of the Italian army
budget, called on the two officers to set them straight. Tony, at their
order, took his place beside the saddle; Constance was not to be
abandoned again to Fidilini's caprice. Miss Hazel and the Englishwoman
were ambling on ahead in as matter-of-fact a fashion as if that were
their usual mode of travel. Their donkeys were of a sedater turn of mind
than Fidilini--a fact for which Tony offered thanks.

They were by this time well over the worst part of the mountain and the
brief Italian twilight was already fading. Tony, with a sharp eye on the
path ahead and a ready hand for the bridle, was attending strictly to the
duties of a well-trained donkey-man. It was Constance again who opened
the conversation.

"Ah, Tony?"

"_Si_, signorina?"

"Did you ever read any Angleesh books--or do you do most of your reading
in Magyar?"

"I haf read one, two, Angleesh books."

"Did you ever read--er--'The Lightning Conductor' for example?"

"No, signorina; I haf never read heem."

"I think it would interest you. It's about a man who pretends he's a
chauffeur in order to--to-- There are any number of books with the same
motive; 'She Stoops to Conquer,' 'Two Gentlemen of Verona,' 'Lalla
Rookh,' 'Monsieur Beaucaire'--Oh, dozens of them! It's an old plot; it
doesn't require the slightest originality to think of it."

"_Si_, signorina? Sank you." Tony's tone was exactly like Gustavo's when
he has failed to get the point, but feels that a comment is necessary.

Constance laughed and allowed a silence to follow, while Tony redirected
his attention to Fidilini's movements. His "Yip! Yip!" was an exact
imitation, though in a deeper guttural, of Beppo's cries before them. It
would have taken a close observer to suspect that he had not been bred to
the calling.

"You have not always been a donkey-driver?" she inquired after an
interval of amused scrutiny.

"Not always, signorina."

"What did you do in New York?"

"I play hand-organ, signorina."

Tony removed his hand from the bridle and ground "Yankee Doodle" from an
imaginary instrument.

"I make musica, signorina, wif--wif--how you say, monk, monka? His name
Vittorio Emanuele. Ver' nice monk--simpatica affezionata."

"You've never been an actor?"

"An actor? No, signorina."

"You should try it; I fancy you might have some talent in that
direction."

"_Si_, signorina. Sank you."

She let the conversation drop, and Tony, after an interval of silence,
fell to humming Santa Lucia in a very presentable baritone. The tune,
Constance noted, was true enough, but the words were far astray.

"That's a very pretty song, Tony, but you don't appear to know it."

"I no understand Italian, signorina. I just learn ze tune because
Costantina like it."

"You do everything that Costantina wishes?"

"Everysing! But if you could see her you would not wonder. She has hair
brown and gold, and her eyes, signorina, are sometimes gray and sometimes
black, and her laugh sounds like--"

"Oh, yes, I know; you told me all that before."

"When she goes out to work in ze morning, signorina, wif the sunlight
shining on her hair, and a smile on her lips, and a basket of clothes on
her head--Ah, _zen_ she is beautiful!"

"When are you going to be married?"

"I do not know, signorina. I have not asked her yet."

"Then how do you know she wishes to marry you?"

"I do not know; I just hope."

He rolled his eyes toward the moon which was rising above the mountains
on the other side of the lake, and with a deep sigh he fell back into
Santa Lucia.

Constance leaned forward and scanned his face.

"Tony! Tell me your name." There was an undertone of meaning, a note of
persuasion in her voice.

"Antonio, signorina."

She shook her head with a show of impatience.

"Your real name--your last name."

"Yamhankeesh."

"Oh!" she laughed. "Antonio Yamhankeesh doesn't seem to me a very musical
combination; I don't think I ever heard anything like it before."

"It suits me, signorina." His tone carried a suggestion of wounded
dignity. "Yamhankeesh has a ver' beautiful meaning in my language--'He
who dares not, wins not'."

"And that is your motto?"

"_Si_, signorina."

"A very dangerous motto, Tony; it will some day get you into trouble."

They had reached the base of the mountain and their path now broadened
into the semblance of a road which wound through the fields, between
fragrant hedgerows, under towering chestnut trees. All about them was the
fragrance of the dewy, flower-scented summer night, the flash of
fireflies, the chirp of crickets, occasionally the note of a
nightingale. Before them out of a cluster of cypresses, rose the square
graceful outline of the village campanile.

Constance looked about with a pleased, contented sigh.

"Isn't Italy beautiful, Tony?"

"Yes, signorina, but I like America better."

"We have no cypresses and ruins and nightingales in America, Tony. We
have a moon sometimes, but not that moon."

They passed from the moonlight into the shade of some overhanging
chestnut trees. Fidilini stumbled suddenly over a break in the path and
Tony pulled him up sharply. His hand on the bridle rested for an instant
over hers.

"Italy is beautiful--to make love in," he whispered.

She drew her hand away abruptly, and they passed out into the moonlight
again. Ahead of them where the road branched into the highway, the others
were waiting for Constance to catch up, the two officers looking back
with an eager air of expectation. Tony glanced ahead and added with a
quick frown.

"But perhaps I do not need to tell you that--you may know it already?"

"You are impertinent, Tony."

She pulled the donkey into a trot that left him behind.

The highway was broad and they proceeded in a group, the conversation
general and in English, Tony quite naturally having no part in it. But at
the corners where the road to the village and the road to the villa
separated, Fidilini obligingly turned stubborn again. His mind bent upon
rest and supper, he insisted upon going to the village; the harder
Constance pulled on the left rein, the more fixed was his determination
to turn to the right.

"Help! I'm being run away with again," she called over her shoulder as
the donkey's pace quickened into a trot.

Tony, awakening to his duty, started in pursuit, while the others
laughingly shouted directions. He did not run as determinedly as he
might and they had covered considerable ground before he overtook them.
He turned Fidilini's head and they started back--at a walk.

"Signorina," said Tony, "may I ask a question, a little impertinent?"

"No, certainly not."

Silence.

"Ah, Tony?" she asked presently.

"_Si_, signorina?"

"What is it you want to ask?"

"Are you going to marry that Italian lieutenant--or perhaps the captain?"

"That _is_ impertinent."

"Are you?"

"You forget yourself, Tony. It is not your place to ask such a question."

"_Si_, signorina; it is my place. If it is true I cannot be your
donkey-man any longer."

"No, it is not true, but that is no concern of yours."

"Are you going on another trip Friday--to Monte Maggiore?"

"Yes."

"May I come with you?"

His tone implied more than his words. She hesitated a moment, then
shrugged indifferently.

"Just as you please, Tony. If you don't wish to work for us any more I
dare say we can find another man."

"It is as you please, signorina. If you wish it, I come, if you do not
wish it, I go."

She made no answer. They joined the others and the party proceeded to the
villa gates.

Lieutenant di Ferara helped Constance dismount, while Captain Coroloni,
with none too good a grace, held the donkey. A careful observer would
have fancied that the lieutenant was ahead, and that both he and the
captain knew it. Tony untied the bundles, dumped them on the kitchen
floor, and waited respectfully, hat in hand, while Mr. Wilder searched
his pockets for change. He counted out four lire and added a note. Tony
pocketed the lire and returned the note, while Mr. Wilder stared his
astonishment.

"Good-bye, Tony," Constance smiled as he turned away.

"Good-bye, signorina." There was a note of finality in his voice.

"Well!" Mr. Wilder ejaculated. "That is the first--" "Italian" he started
to say, but he caught the word before it was out "--donkey-driver I ever
saw refuse money."

Lieutenant di Ferara raised his shoulders.

"_Mache_! The fellow is too honest; you do well to watch him." There was
a world of disgust in his tone.

Constance glanced after the retreating figure and laughed.

"Tony!" she called.

He kept on; she raised her voice.

"Mr. Yamhankeesh."

He paused.

"You call, signorina?"

"Be sure and be here by half past six on Friday morning; we must start
early."

"Sank you, signorina. Good-night."

"Good-night, Tony."




CHAPTER VIII


The Hotel du Lac may be approached in two ways. The ordinary, obvious
way, which incoming tourists of necessity choose, is by the highroad and
the gate. But the romantic way is by water. One sees only the garden then
and the garden is the distinguished feature of the place; it was planned
long before the hotel was built to adorn a marquis's pleasure house.
There are grottos, arbors, fountains, a winding stream; and, stretching
the length of the water front, a deep cool grove of interlaced plane
trees. At the end of the grove, half a dozen broad stone steps dip down
to a tiny harbor which is carpeted on the surface with lily pads. The
steps are worn by the lapping waves of fifty years, and are grown over
with slippery, slimy water weeds.

The world was just stirring from its afternoon siesta, when the
_Farfalla_ dropped her yellow sails and floated into the shady little
harbor. Giuseppe prodded and pushed along the fern-grown banks until the
keel jolted against the water steps. He sprang ashore and steadied the
boat while Constance alighted. She slipped on the mossy step--almost went
under--and righted herself with a laugh that rang gaily through the
grove.

She came up the steps still smiling, shook out her fluffy pink skirts,
straightened her rose-trimmed hat, and glanced reconnoiteringly about the
grove. One might reasonably expect, attacking the hotel as it were from
the flank, to capture unawares any stray guest. But aside from a
chaffinch or so and a brown-and-white spotted calf tied to a tree, the
grove was empty--blatantly empty. There was a shade of disappointment in
Constance's glance. One naturally does not like to waste one's best
embroidered gown on a spotted calf.

Then her eye suddenly brightened as it lighted on a vivid splash of
yellow under a tree. She crossed over and picked it up--a paper covered
French novel; the title was _Bijou_, the author was Gyp. She turned to
the first page. Any reasonably careful person might be expected to write
his name in the front of a book--particularly a French book--before
abandoning it to the mercies of a foreign hotel. But the several fly
leaves were immaculately innocent of all sign of ownership.

So intent was she upon this examination, that she did not hear footsteps
approaching down the long arbor that led from the house; so intent was
the young man upon a frowning scrutiny of the path before him, that he
did not see Constance until he had passed from the arbor into the grove.
Then simultaneously they raised their heads and looked at each other. For
a startled second they stared--rather guiltily--both with the air of
having been caught. Constance recovered her poise first; she nodded--a
nod which contained not the slightest hint of recognition--and laughed.

"Oh!" she said. "I suppose this is your book? And I am afraid you have
caught me red-handed. You must excuse me for looking at it, but usually
at this season only German Alpine-climbers stop at the Hotel du Lac, and
I was surprised you know to find that German Alpine-climbers did anything
so frivolous as reading Gyp."

The man bowed with a gesture which made her free of the book, but he
continued his silence. Constance glanced at him again, and this time she
allowed a flash of recognition to appear in her face.

"Oh!" she re-exclaimed with a note of interested politeness, "you are the
young man who stumbled into Villa Rosa last Monday looking for the garden
of the prince?"

He bowed a second time, an answering flash appearing in his face.

[Illustration: "The man bowed with a gesture which made her free of the
book"]

"And you are the young woman who was sitting on the wall beside a row
of--of--"

"Stockings?" She nodded. "I trust you found the prince's garden without
difficulty?"

"Yes, thank you. Your directions were very explicit."

A slight pause followed, the young man waiting deferentially for her to
take the lead.

"You find Valedolmo interesting?" she inquired.

"Interesting!" His tone was enthusiastic. "Aside from the prince's garden
which contains a cedar of Lebanon and an India rubber plant from South
America, there is the Luini in the chapel of San Bartolomeo, and the
statue of Garibaldi in the piazza. And then--" he waved his hand toward
the lake, "there is always the view."

"Yes," she agreed, "one can always look at the view."

Her eyes wandered to the lake, and across the lake to Monte Maggiore with
clouds drifting about its peak. And while she obligingly studied the
mountain, he studied the effect of the pink gown and the rose-bud hat.
She turned back suddenly and caught him; it was a disconcerting habit of
Constance's. He politely looked away and she--with frank
interest--studied him. He was bareheaded and dressed in white flannels;
they were very becoming, she noted critically, and yet--they needed just
a touch of color; a red sash, for example, and earrings.

"The guests of the Hotel du Lac," she remarked, "have a beautiful garden
of their own. Just the mere pleasure of strolling about in it ought to
keep them contented with Valedolmo."

"Not necessarily," he objected. "Think of the garden of Eden--the most
beautiful garden there has ever been if report speaks true--and yet the
mere pleasure of strolling about didn't keep Adam contented. One gets
lonely you know."

"Are you the only guest?"

"Oh, no, there are four of us, but we're not very companionable; there's
such a discrepancy in languages."

"And you don't speak Italian?"

He shook his head.

"Only English and--" he glanced at the book in her hand--"French
indifferently well."

"I saw someone the other day who spoke Magyar--that is a beautiful
language."

"Yes?" he returned with polite indifference. "I don't remember ever to
have heard it."

She laughed and glanced about. Her eyes lighted on the arbor hung with
grape-vines and wistaria, where, far at the other end, Gustavo's figure
was visible lounging in the yellow stucco doorway. The sight appeared to
recall an errand to her mind. She glanced down at a pink wicker-basket
which hung on her arm, and gathered up her skirts with a movement of
departure.

The young man hastily picked up the conversation.

"It _is_ a jolly old garden," he affirmed. "And there's something
pathetic about its appearing on souvenir post-cards as a mere adjunct to
a blue and yellow hotel."

She nodded sympathetically.

"Built for romance and abandoned to tourists--German tourists at that!"

"Oh, not entirely--we've a Russian countess just now."

"A Russian countess?" Constance turned toward him with an air of
reawakened interest. "Is she as young and beautiful and fascinating and
wicked as they always are in novels?"

"Oh, dear no! Seventy, if she's a day. A nice grandmotherly old soul who
smokes cigarettes."

"Ah!" Constance smiled; there was even a trace of relief in her manner as
she nodded to the young man and turned away. His face reflected his
disappointment; he plainly wished to detain her, but could think of no
expedient. The spotted calf came to his rescue. The calf had been
watching them from the first, very much interested in the visitor; and
now as she approached his tree, he stretched out his neck as far as the
tether permitted and sniffed insistently. She paused and patted him on
the head. The calf acknowledged the caress with a grateful _moo_; there
was a plaintive light in his liquid eyes.

"Poor thing--he's lonely!" She turned to the young man and spoke with an
accent of reproach. "The four guests of the Hotel du Lac don't show him
enough attention."

The young man shrugged.

"We're tired of calves. It's only a matter of a day or so before he'll be
breaded and fried and served Milanese fashion with a sauce of tomato and
garlic."

Constance shook her head sympathetically; though whether her sympathy was
for the calf or the partakers of _table d'hote_, was not quite clear.

"I know," she agreed. "I've been a guest at the Hotel du Lac myself--it's
a tragedy to be born a calf in Italy!"

She nodded and turned; it was evident this time that she was really
going. He took a hasty step forward.

"Oh, I say, please don't go! Stay and talk to me--just a little while.
That calf isn't half so lonely as I am."

"I should like to, but really I mustn't. Elizabetta is waiting for me to
bring her some eggs. We are planning a trip up the Maggiore tomorrow, and
we have to have a cake to take with us. Elizabetta made one this morning
but she forgot to put in the baking powder. Italian cooks are not used to
making cakes; they are much better at--" her eyes fell on the calf--"veal
and such things."

He folded his arms with an air of desperation.

"I'm an American--one of your own countrymen; if you had a grain of
charity in your nature you would let the cake go."

She shook her head relentlessly.

"Five days at Valedolmo! You would not believe the straits I've been
driven to in search of amusement."

"Yes?" There was a touch of curiosity in her tone. "What for example?"

"I am teaching Gustavo how to play tennis."

"Oh!" she said. "How does he do?"

"Broken three windows and a flower pot and lost four balls."

She laughed and turned away; and then as an idea occurred to her, she
turned back and fixed her eyes sympathetically on his face.

"I suppose Valedolmo _is_ stupid for a man; but why don't you try
mountain climbing? Everybody finds that diverting. There's a guide here
who speaks English--really comprehensible English. He's engaged for
tomorrow, but after that I dare say he'll be free. Gustavo can tell you
about him."

She nodded and smiled and turned down the arbor.

The young man stood where she left him, with folded arms, watching her
pink gown as it receded down the long sun-flecked alley hung with purple
and green. He waited until it had been swallowed up in the yellow
doorway; then he fetched a deep breath and strolled to the water-wall.
After a few moments' prophetic contemplation of the mountain across the
lake, he threw back his head with a quick amused laugh, and got out a
cigarette and lighted it.




CHAPTER IX


As Constance emerged at the other end of the arbor, Gustavo, who had been
nodding on the bench beside the door, sprang to his feet, consternation
in his attitude.

"Signorina!" he stammered. "You come from ze garden?"

She nodded in her usual off-hand manner and handed him the basket.

"Eggs, Gustavo--two dozen if you can spare them. I am sorry always to be
wanting so many, but--" she sighed, "eggs are so breakable!"

Gustavo rolled his eyes to heaven in silent thanksgiving. She had not, it
was evident, run across the American, and the cat was still safely in the
bag; but how much longer it could be kept there, the saints alone knew.
He was feeling--very properly--guilty in regard to this latest escapade;
but what can a defenceless waiter do in the hands of an impetuous young
American whose pockets are stuffed with silver lire and five-franc notes?

"Two dozen? Certainly, signorina. _Subitissimo_!" He took the basket and
hurried to the kitchen.

Constance occupied the interval with the polyglot parrot of the
courtyard. The parrot, since she had last conversed with him, had
acquired several new expressions in the English tongue. As Gustavo
reappeared with the eggs, she confronted him sternly.

"Have you been teaching this bird English? I am surprised!"

"No, signorina. It was--it was--" Gustavo mopped his brow. "He jus' pick
it up."

"I'm sorry that the Hotel du Lac has _guests_ that use such language;
it's very shocking."

"_Si_, signorina."

"By the way, Gustavo, how does it happen that that young American man
who left last week is still here?"

Gustavo nearly dropped the eggs.

"I just saw him in the garden with a book--I am sure it was the same
young man. What is he doing all this time in Valedolmo?"

Gustavo's eyes roved wildly until they lighted on the tennis court.

"He--he stay, signorina, to play lawn tennis wif me, but he go tomorrow."

"Oh, he is going tomorrow?--What's his name, Gustavo?"

She put the question indifferently while she stooped to pet a
tortoise-shell cat that was curled asleep on the bench.

"His name?" Gustavo's face cleared. "I get ze raygeester; you read heem
yourself."

He darted into the bureau and returned with a black book.

"_Ecco_, signorina!" spreading it on the table before her.

His alacrity should have aroused her suspicions; but she was too intent
on the matter in hand. She turned the pages and paused at the week's
entries; Rudolph Ziegelmann und Frau, Berlin; and just beneath, in bold
black letters that stretched from margin to margin, Abraham Lincoln, U.
S. A.

Gustavo hovered above anxiously watching her face; he had been told that
this would make everything right, that Abraham Lincoln was an exceedingly
respectable name. Constance's expression did not change. She looked at
the writing for fully three minutes, then she opened her purse and looked
inside. She laid the money for the eggs in a pile on the table, and took
out an extra lira which she held in her hand.

"Gustavo," she asked, "do you think that you _could_ tell me the truth?"

"Signorina!" he said reproachfully.

"How did that name get there?"

"He write it heemself!"

[Illustration: "She turned the pages and paused at the week's entries."]

"Yes, I dare say he did--but it doesn't happen to be his name. Oh, I'm
not blind; I can see plainly enough that he has scratched out his own
name underneath."

Gustavo leaned forward and affected to examine the page. "It was a li'l'
blot, signorina; he scratch heem out."

"Gustavo!" Her tone was despairing. "Are you incapable of telling the
truth? That young man's name is no more Abraham Lincoln than Victor
Emmanuel II. When did he write that and why?"

Gustavo's eyes were on the lira; he broke down and told the truth.

"Yesterday night, signorina. He say, 'ze next time zat Signorina
Americana who is beautiful as ze angels come to zis hotel she look in ze
raygeester, an' I haf it feex ready'."

"Oh, he said that, did he?"

"_Si_, signorina."

"And his real name that comes on his letters?"

"Jayreem Ailyar, signorina.

"Say it again, Gustavo." She cocked her head.

He gathered himself together for a supreme effort. He rolled his r's; he
shouted until the courtyard reverberated.

"Meestair-r Jay-r-reem Ailyar-r!"

Constance shook her head.

"Sounds like Hungarian--at least the way you pronounce it. But anyway
it's of no consequence; I merely asked out of idle curiosity. And
Gustavo--" She still held the lira--"if he asks you if I looked in this
register, what are you going to say?"

"I say, 'no, Meestair Ailyar, she stay all ze time in ze courtyard
talking wif ze parrot, and she was ver' moch shocked at his Angleesh'."

"Ah!" Constance smiled and laid the lira on the table. "Gustavo," she
said, "I hope, for the sake of your immortal soul, that you go often to
confession."

The eggs were not heavy, but Gustavo insisted upon carrying them; he was
determined to see her safely aboard the _Farfalla_, with no further
accidents possible. That she had not identified the young man of the
garden with the donkey-driver of yesterday was clear--though how such
blindness was possible, was not clear. Probably she had only caught a
glimpse of his back at a distance; in any case he thanked a merciful
Providence and decided to risk no further chance. As they neared the end
of the arbor, Gustavo was talking--shouting fairly; their approach was
heralded.

They turned into the grove. To Gustavo's horror the most conspicuous
object in it was this same reckless young man, seated on the water-wall
nonchalantly smoking a cigarette. The young man rose and bowed; Constance
nodded carelessly, while Gustavo behind her back made frantic signs for
him to flee, to escape while still there was time. The young man
telegraphed back by the same sign language that there was no danger; she
didn't suspect the truth. And to Gustavo's amazement, he fell in beside
them and strolled over to the water steps. His recklessness was catching;
Gustavo suddenly determined upon a bold stroke himself.

"Signorina," he asked, "zat man I send, zat donk' driver--you like
heem?"

"Tony?" Her manner was indifferent. "Oh, he does well enough; he seems
honest and truthful, though a little stupid."

Gustavo and the young man exchanged glances.

"And Gustavo," she turned to him with a sweetly serious air that admitted
no manner of doubt but that she was in earnest. "I told this young man
that in case he cared to do any mountain climbing, you would find him the
same guide. It would be very useful for him to have one who speaks
English."

Gustavo bowed in mute acquiescence. He could find no adequate words for
the situation.

The boat drew alongside and Constance stepped in, but she did not sit
down. Her attention was attracted by two washer-women who had come
clattering on to the little rustic bridge that spanned the stream above
the water steps. The women, their baskets of linen on their heads, had
paused to watch the embarkation.

"Ah, Gustavo," Constance asked over her shoulder, "is there a
washer-woman here at the Hotel du Lac named Costantina?"

"_Si_, signorina, zat is Costantina standing on ze bridge wif ze yellow
handkerchief on her head."

Constance looked at Costantina, and nodded and smiled. Then she laughed
out loud, a beautiful rippling, joyous laugh that rang through the grove
and silenced the chaffinches.

Perhaps once upon a time Costantina was beautiful--beautiful as the
angels--but if so, it was long, long ago. Now she was old and fat with a
hawk nose and a double chin and one tooth left in the middle of the
front. But if she were not beautiful, she was at least a cheerful old
soul, and, though she could not possibly know the reason, she echoed the
signorina's laugh until she nearly shook the clean clothes into the
water.

Constance settled herself among the cushions and glanced back toward the
terrace.

"Good afternoon," she nodded politely to the young man.

He bowed with his hand on his heart.

"_Addio_, Gustavo."

He bowed until his napkin swept the ground.

"_Addio_, Costantina," she waved her hand toward her namesake.

The washer-woman laughed again and her earrings flashed in the sunlight.

Giuseppe raised the yellow sail; they caught the breeze, and the
_Farfalla_ floated away.




CHAPTER X


Half past six on Friday morning and Constance appeared on the terrace;
Constance in fluffy, billowy, lacy white with a spray of oleander in her
belt--the last costume in the world in which one would start on a
mountain climb. She cast a glance in passing toward the gateway and the
stretch of road visible beyond, but both were empty, and seating herself
on the parapet, she turned her attention to the lake. The breeze that
blew from the farther shore brought fresh Alpine odors of flowers and
pine trees. Constance sniffed it eagerly as she gazed across toward the
purple outline of Monte Maggiore. The serenity of her smile gradually
gave place to doubt; she turned and glanced back toward the house,
visibly changing her mind.

But before the change was finished, the quiet of the morning was broken
by a clatter of tiny scrambling obstinate hoofs and a series of
ejaculations, both Latin and English. She glanced toward the gate where
Fidilini was visible, plainly determined not to come in. Constance
laughed expectantly and turned back to the water, her eyes intent on the
fishing-smacks that were putting out from the little _marino_. The sounds
of coercion increased; a command floated down the driveway in the English
tongue. It sounded like:

"You twist his tail, Beppo, while I pull."

Apparently it was understood in spite of Beppo's slight knowledge of the
language. An eloquent silence followed; then an outraged grunt on the
part of Fidilini, and the cavalcade advanced with a rush to the kitchen
door. Tony left Beppo and the donkeys, and crossed the terrace alone. His
bow swept the ground in the deferential manner of Gustavo, but his
glance was far bolder than a donkey-driver's should have been. She noted
the fact and tossed him a nod of marked condescension. A silence followed
during which Constance studied the lake; when she turned back, she found
Tony arranging a spray of oleander that had dropped from her belt in the
band of his hat. She viewed this performance in silent disfavor. Having
finished to his satisfaction, he tossed the hat aside and seated himself
on the balustrade. Her frown became visible. Tony sprang to his feet with
an air of anxiety.

"_Scusi_, signorina. I have not meant to be presumptious. Perhaps it is
not fitting that anyone below the rank of lieutenant should sit in your
presence?"

"It will not be very long, Tony, before you are discharged for
impertinence."

"Ah, signorina, do not say that! If it is your wish I will kneel when I
address you. My family, signorina, are poor; they need the four francs
which you so munificently pay."

"You told me that you were an orphan; that you had no family."

"I mean the family which I hope to have. Costantina has extravagant
tastes and coral earrings cost two-fifty a pair."

Constance laughed and assumed a more lenient air. She made a slight
gesture which might be interpreted as an invitation to sit down; and Tony
accepted it.

"By the way, Tony, how do you talk to Costantina, since she speaks no
English and you no Italian?"

"We have no need of either Italian or English; the language of love,
signorina, is universal."

"Oh!" she laughed again. "I was at the Hotel du Lac yesterday; I saw
Costantina."

"You saw Costantina!--Ah, signorina, is she not beautiful? Ze mos'
beautiful in all ze world? But ver' unkind signorina. Yes, she laugh at
me; she smile at ozzer men, at soldiers wif uniforms." He sighed
profoundly. "But I love her just ze same, always from ze first moment I
see her. It was washday, signorina, by ze lac. I climb over ze wall and
talk wif her, but she make fun of me--ver' unkind. I go away ver' sad. No
use, I say, she like dose soldiers best. But I see her again; I hear her
laugh--it sound like angels singing--I say, no, I can not go away; I stay
here and make her love me. Yes, I do everysing she ask--but everysing! I
wear earrings; I make myself into a fool just to please zat Costantina."

He leaned forward and looked into her eyes. A slow red flush crept over
Constance's face and she turned her head away and looked across the
water.

Mr. Wilder, in full Alpine regalia, stepped out upon the terrace and
viewed the beauty of the morning with a prophetic eye. Miss Hazel
followed in his wake; she wore a lavender dimity. And suddenly it
occurred to Tony's slow moving masculine perception that neither lavender
dimity nor white muslin were fabrics fit for mountain climbing.

Constance slipped down from her parapet and hurried to meet them.

"Good-morning, Aunt Hazel. Morning, Dad! You look beautiful! There's
nothing so becoming to a man as knickerbockers--especially if he's a
little stout.--You're late," she added with a touch of severity.
"Breakfast has been waiting half an hour and Tony fifteen minutes."

She turned back toward the donkey-man who was standing, hat in hand,
respectfully waiting orders. "Oh, Tony, I forgot to tell you; we shall
not need Beppo and the donkeys to-day. You and my father are going
alone."

"You no want to climb Monte Maggiore--ver' beautiful mountain." There was
disappointment, reproach, rebellion in his tone.

"We have made inquiries and my aunt thinks it too long a trip. Without
the donkeys you can cross by boat, and that cuts off three miles."

"As you please, signorina." He turned away.

Constance looked after him with a shade of remorse. When this plan of
sending her father and Tony alone had occurred to her as she sailed
homeward yesterday from the Hotel du Lac, it had seemed a humorous and
fitting retribution. The young man had been just a trifle too sure of her
interest; the episode of the hotel register must not go unpunished.
But--it was a beautiful morning, a long empty day stretched before her,
and Monte Maggiore looked alluring; there was no pursuit, for the moment,
which she enjoyed as much as donkey-riding. Oh yes, she was spiting
herself as well as Tony; but considering the circumstances the sacrifice
seemed necessary.

When the _Farfalla_ drifted up ready to take the mountain-climbers, Miss
Hazel suggested (Constance possessed to a large degree the diplomatic
faculty of making other people propose what she herself had decided on)
that she and her niece cross with them. Tony was sulky and Constance
could not forego the pleasure of baiting him further.

They put in at the village, on their way, for the morning mail; Mr.
Wilder wished his paper, even at the risk of not beginning the ascent
before the sun was high. Giuseppe brought back from the post, among other
matters, a letter for Constance. The address was in a dashing, angular
hand that pretty thoroughly covered the envelope. Had she not been so
intent on the writing herself, she would have noted Tony's astonished
stare as he passed it to her.

"Why!" she exclaimed, "here's a letter from Nannie Hilliard, postmarked
Lucerne."

"Lucerne!" Miss Hazel echoed her surprise. "I thought they were to be in
England for the summer?"

"They were--the last I heard." Constance ripped the letter open and read
it aloud.

[Illustration: "Constance ripped the letter open and read it aloud."]

     "DEAR CONSTANCE: You'll doubtless be surprised to hear from us in
     Switzerland instead of in England, and to learn further, that in
     the course of a week, we shall arrive at Valedolmo en route for
     the Dolomites. Jerry Junior at the last moment decided to come with
     us, and you know what a _man_ is when it comes to European travel.
     Instead of taking two months comfortably to England, as Aunt Kate
     and I had planned, we did the whole of the British Isles in ten
     days, and Holland and France at the same breathless rate.

     "Jerry says he holds the record for the Louvre; he struck a
     six-mile pace at the entrance, and by looking neither to the right
     nor the left he did the whole building in forty-three minutes.

     "You can imagine the exhausted state Aunt Kate and I are in after
     travelling five weeks with him. We simply struck in Switzerland and
     sent him on to Italy alone. I had hoped he would meet us in
     Valedolmo, but we have been detained here longer than we expected,
     and now he's rushed off again--where to, goodness only knows; we
     don't.

     "Anyway, Aunt Kate and I shall land in Valedolmo about the end of
     the week. I am dying to see you; I have some beautiful news that's
     too complicated to write. We've engaged rooms at the Hotel du
     Lac--I hope it's decent; it's the only place starred in Baedeker.

     "Aunt Kate wishes to be remembered to your father and Miss Hazel.

                                             "Yours ever,
                                                 NAN HILLIARD.

     "P. S. I'm awfully sorry not to bring Jerry; I know you'd adore
     him."

She returned the letter to its envelope and looked up.

"Now isn't that abominable?" she demanded.

"Abominable!" Miss Hazel was scandalized. "My dear, I think it's
delightful."

"Oh, yes--I mean about Jerry Junior; I've been trying for six years to
get hold of that man."

Tony behind them made a sudden movement that let out nearly a yard of
rope, and the _Farfalla_ listed heavily to starboard.

"Tony!" Constance threw over her shoulder. "Don't you know enough to sit
still when you are holding the sheet?"

"_Scusi_," he murmured. The sulky look had vanished from his face; he
wore an expression of alert attention.

"Of course we shall have them at the villa," said Miss Hazel. "And we
shall have to get some new dishes. Elizabetta has already broken so many
plates that she has to stop and wash them between courses."

Constance looked dreamily across the lake; she appeared to be thinking.
"I wonder," she inquired finally, "if Jerry Junior knew we were here in
Valedolmo?"

Her father emerged from the columns of his paper.

"Of course he knew it, and having heard what a dangerous young person you
were, he said to himself, 'I'd better keep out.'"

"I wish I knew. It would make the score against him considerably
heavier."

"So there is already a score? I hadn't supposed that the game had begun."

She nodded.

"Six years ago--but he doesn't know it. Yes, Dad," her tone was
melodramatic, "for six years I've been waiting for Jerry Junior and
planning my revenge. And now, when I have him almost in my grasp, he
eludes me again!"

"Dear me!" Mr. Wilder ejaculated. "What did the young man do?"

Had Constance turned she would have found Tony's face an interesting
study. But she knew well enough without looking at him that he was
listening to the conversation, and she determined to give him something
to listen to. It was a salutary thing for Tony to be kept in mind of the
fact that there were other men in the world.

She sighed.

"He was the first man I ever loved, Father, and he spurned me. Do you
remember that Christmas when I was in boarding-school and you were called
South on business? I wanted to visit Nancy Long, but you wouldn't let me
because you didn't like her father; and you got Mrs. Jerymn Hilliard whom
I had never set eyes on to invite me there? I didn't want to go, and you
said I must, and were perfectly horrid about it--you remember that?"

Mr. Wilder grunted.

"Yes, I see you do. And you remember how, with my usual sweetness, I
finally gave way? Well, Dad, you never knew the reason. The Yale Glee
Club came to Westfield that year just before the holidays began, and Miss
Jane let everybody go to the concert whose deportment had been above
eighty--that of course included me.

"Well, we all went, and we all fell in love--in a body--with a sophomore
who played the banjo and sang negro songs. He had lovely dark
gazelle-like eyes and he sang funny songs without smiling. The whole
school raved about him all the way home; we cut his picture out of the
program and pasted in the front of our watches. His name, Father--" she
paused dramatically, "was Jerymn Hilliard Junior!"

"I sat up half the night writing diplomatic letters to you and Mrs.
Hilliard; and the next day when it got around that I was actually going
to visit in his house--well, I was the most popular girl in school. I was
sixteen years old then; I wore sailor suits and my hair was braided down
my back. Probably I did look young; and then Nannie, whom I was
supposedly visiting, was only fifteen. There were a lot of cousins in the
house besides all the little Hilliards, and what do you think? They made
the children eat in the schoolroom! I never saw him until Christmas
night; then when we were introduced, he shook my hand in a listless sort
of way, said 'How d' y' do?' and forgot all about me. He went off with
the Glee Club the next day, and I only saw him once more.

"We were playing blind man's buff in the school-room; I had just been
caught by the hair. It hurt and I was squealing. Everybody else was
clapping and laughing, when suddenly the door burst open and there stood
Jerry Junior! He looked straight at me and growled:

"'What are you kids making such an infernal racket about?'"

She shut her eyes.

"Aunt Hazel, Dad, just think. He was my first love. His picture was at
that moment in a locket around my neck. And he called me a _kid_!"

"And you've never seen him since?" Miss Hazel's smile expressed amused
indulgence.

Constance shook her head.

"He's always been away when I've visited Nan--and for six years I've been
waiting." She straightened up with an air of determination. "But now, if
he's on the continent of Europe, I'll get him!"

"And what shall you do with him?" her father mildly inquired.

"Do with him? I'll make him take it back; I'll make him eat that word
kid!"

"H'm!" said her father. "I hope you'll get him; he might act as an
antidote to some of these officers."

They had run in under the shadow of the mountain and the keel grated on
the shore. Constance raised her eyes and studied the towering crag above
their heads; when she lowered them again, her gaze for an instant met
Tony's. There was a new light in his eyes--amusement, triumph, something
entirely baffling. He gave her the intangible feeling of having at last
got the mastery of the situation.




CHAPTER XI


The sun was setting behind Monte Maggiore, the fishing smacks were coming
home, Luigi had long since carried the tea things into the house; but
still the two callers lingered on the terrace of Villa Rosa. It was
Lieutenant di Ferara's place to go first since he had come first, and
Captain Coroloni doggedly held his post until such time as his junior
officer should see fit to take himself off. The captain knew, as well as
everyone else at the officer's mess, that in the end the lieutenant would
be the favored man; for he was a son of Count Guido di Ferara of Turin,
and titles are at a premium in the American market. But still the
marriage contract was not signed yet, and the fact remained that the
captain had come last: accordingly he waited.

They had been there fully two hours, and poor Miss Hazel was worn with
the strain. She sat nervously on the edge of her chair, and leaned
forward with clasped hands listening intently. It required very keen
attention to keep the run of either the captain's or the lieutenant's
English. A few days before she had laughed at what seemed to be a funny
story, and had later learned that it was an announcement of the death of
the lieutenant's grandmother. Today she confined her answers to
inarticulate murmurs which might be interpreted as either assents or
negations as the case required.

Constance however was buoyantly at her ease; she loved nothing better
than the excitement of a difficult situation. As she bridged over pauses,
and unobtrusively translated from the officer's English into real
English, she at the same time kept a watchful eye on the water. She had
her own reasons for wishing to detain the callers until her father's
return.

Presently she saw, across the lake, a yellow sailboat float out from the
shadow of Monte Maggiore and head in a long tack toward Villa Rosa. With
this she gave up the task of keeping the conversation general; and
abandoning Captain Coroloni to her aunt, she strolled over to the terrace
parapet with Lieutenant di Ferara at her side. The picture they made was
a charming color scheme. Constance wore white, the lieutenant pale blue;
an oleander tree beside them showed a cloud of pink blossoms, while
behind them for a background, appeared the rose of the villa wall and the
deep green of cypresses against a sunset sky. The picture was
particularly effective as seen from the point of view of an approaching
boat.

Constance broke off a spray of oleander, and while she listened to the
lieutenant's recountal of a practice march, she picked up his hat from
the balustrade and idly arranged the flowers in the vizor. He bent toward
her and said something; she responded with a laugh. They were both too
occupied to notice that the boat had floated close in shore, until the
flap of the falling sail announced its presence. Constance glanced up
with a start. She caught her father's eye fixed anxiously upon her;
whatever Gustavo and the officer's mess of the tenth cavalry might think,
he had not the slightest wish in the world to see his daughter the
Contessa di Ferara. Tony's face also wore an expression; he was sober,
disgusted, disdainful; there was a glint of anger and determination in
his eye. Constance hurried to the water steps to greet her father. Of
Tony she took no manner of notice; if a man elects to be a donkey-driver,
he must swallow the insults that go with the part.

The officers, observing that Luigi was hovering about the doorway waiting
to announce dinner, waived the question of precedence and made their
adieus. While Mr. Wilder and Miss Hazel were intent on the captain's
labored farewell speech, the lieutenant crossed to Constance who still
stood at the head of the water steps. He murmured something in Italian
as he bowed over her hand and raised it to his lips. Constance blushed
very becomingly as she drew her hand away; she was aware, if the officer
was not, that Tony was standing beside them looking on. But as he raised
his eyes, he too became aware of it; the man's expression was more than
impertinent. The lieutenant stepped to his side and said something low
and rapid, something which should have made a right-minded donkey-driver
touch his hat and slink off. But Tony held his ground with a laugh which
was more impertinent than the stare had been. The lieutenant's face
flushed angrily and his hand half instinctively went to his sword.
Constance stepped forward.

"Tony! I shall have no further need of your services. You may go."

Tony suddenly came to his senses.

"I--beg your pardon, Miss Wilder," he stammered.

"I shall not want you again; please go." She turned her back and joined
the others.

The two officers with final salutes took themselves off. Miss Hazel
hurried indoors to make ready for dinner; Mr. Wilder followed in her
wake, muttering something about finding the change to pay Tony. Constance
stood where they left her, staring at the pavement with hotly burning
cheeks.

"Miss Wilder!" Tony crossed to her side; his manner was humble--actually
humble--the usual mocking undertone in his voice was missing. "Really I'm
awfully sorry to have caused you annoyance; it was unpardonable."

Constance turned toward him.

"Yes, Tony, I think it was. Your position does not give you the right to
insult my guests."

Tony stiffened slightly.

"I acknowledge that I insulted him, and I'm sorry. But he insulted me,
for the matter of that. I didn't like the way he looked at me, any more
than he liked the way I looked at him."

"There is a certain deference, Tony, which an officer in the Royal
Italian Army has a right to expect from a donkey-driver."

Tony shrugged.

"It is a difficult position to hold, Miss Wilder. A donkey-driver, I
find, plays the same accommodating role as the family watch-dog. You pat
him when you choose; you kick him when you choose; and he is supposed to
swallow both attentions with equal grace."

"You should have chosen another profession."

"Naturally, I was not flattered to find that your real reason for staying
at home today, was that you were expecting more entertaining callers."

"Is there any use in discussing it further? I am not going to climb any
more mountains, and I shall not, as I told you, need a donkey-man again."

"Then I'm discharged?"

"If you wish to put it so. You must see for yourself that the play has
gone far enough. However, it has been amusing, and we will at least part
friends."

She held out her hand; it was a mark of definite dismissal rather than a
token of friendly forgiveness.

Tony bowed over her hand in perfect mimicry of the lieutenant's manner.
"Signorina, _addio_!" He gravely raised it to his lips.

She snatched her hand away quickly and without glancing at him turned
toward the house. He let her cross half the terrace then he called
softly:

"Signorina!"

She kept on without pausing. He took a quick step after.

"Signorina, a moment!"

She half turned.

"Well?"

"I beg of you--one little favor. There are two American ladies expected
at the Hotel du Lac and I thought--perhaps--would you mind writing me a
letter of recommendation?"

Constance turned back without a word and walked into the house.

Mr. Wilder's conversation at dinner that night was of the day's
excursion and Tony. He was elated, enthusiastic, glowing.
Mountain-climbing was the most interesting pursuit in the world; he would
begin tomorrow and exhaust the Alps. And as for Tony--his intelligence,
his discretion, his cleverness--there never had been such a guide.
Constance listened silently, her eyes on her plate. At another time it
might have occurred to her that her father's enthusiasm was excessive,
but tonight she was occupied with her thoughts, and she had no reason in
the world to suspect him of guile. She decided, however, to postpone the
announcement of Tony's dismissal; tomorrow mountain-climbing might look
less alluring.

Dinner over, Mr. Wilder with a tired if satisfied sigh, dropped into a
chair to finish his reading of the London _Times_. He no longer skimmed
his paper lightly as in the days when papers were to be had hot at any
hour. He read it carefully, painstakingly, from the first advertisement
to the last obituary; and he laid it down in the end with a disappointed
sigh that there were not more residential properties for hire, that the
day's death list was so meager.

Miss Hazel settled herself to her knitting. She was making a rain-bow
shawl of seven colors and an intricate pattern, and she had to count her
stitches; conversation was impossible. Constance, vaguely restless,
picked up a book and laid it down, and finally sauntered out to the
terrace with no thought in the world but to see the moon rise over the
mountains.

As she approached the parapet she became aware that someone was lounging
on the water-steps smoking a cigarette. The smoker rose politely but
ventured no remark.

"Is that you, Giuseppe?" she asked in Italian.

"No, signorina. It is I--Tony. I am waiting for orders."

"For orders!" There was astonishment as well as indignation in her tone.
"I thought I made it clear--"

"That I was discharged? Yes, signorina. But I have been so fortunate as
to find another place. The Signor Papa has engage me. I go wif him; we
climb all ze mountain around." He waved his hand largely to comprise the
whole landscape. "I sink perhaps it is better so--for the Signor Papa and
me to go alone. Mountain climbing is too hard; zere is too much fatigue,
signorina, for you."

He bowed humbly and deferentially, and retired to the steps and his
cigarette.




CHAPTER XII


Half past six on the following morning found Constance and her father
rising from the breakfast table and Tony turning in at the gate.
Constance's nod of greeting was barely perceptible, and her father's eye
contained a twinkle as he watched her. Tony studied her mountain-climbing
costume with an air of concern.

"You go wif us, signorina?" His expression was blended of surprise and
disapproval, but in spite of himself his tone was triumphant. "You say to
me yesterday you no want to climb any more mountain."

"I have changed my mind."

"But zis mountain today too long, too high. You get tired, signorina.
Perhaps anozzer day we take li'l' baby mountain, zen you can go."

"I am going today."

"It is not possible, signorina. I have not brought ze donk'."

"Oh, I'm going to walk."

"As you please, signorina."

He sighed patiently. Then he looked up and caught her eye. They both
laughed.

"Signorina," he whispered, "I ver' happy today. Zat Costantina she more
kind. Yesterday ver' unkind; I go home ver' sad. But today I sink--"

"Yes?"

"I sink after all maybe she like me li'l' bit."

       *       *       *       *       *

Giuseppe rowed the three climbers a mile or so down the lake and set them
ashore at the base of their mountain. They started up gaily and had
accomplished half their journey before they thought of being tired. Tony
surpassed himself; if he had been entertaining the day before he was
doubly so now. His spirits were bubbling over and contagious. He and
Constance acted like two children out of school. They ran races and
talked to the peasants in the wayside cottages. They drove a herd of
goats for half a mile while the goatherd strolled behind and smoked
Tony's cigarettes. Constance took a water jar from a little girl they met
coming from the fountain and endeavored to balance it on her own head,
with the result that she nearly drowned both herself and the child.

They finally stopped for luncheon in a grove of chestnut trees with sheep
nibbling on the hillside below them and a shepherd boy somewhere out of
sight playing on a mouth organ. It should have been a flute, but they
were in a forgiving mood. Constance this time did her share of the work.
She and Tony together spread the cloth and made the coffee while her
father fanned himself and looked on. If Mr. Wilder had any unusual
thoughts in regard to the donkey-man, they were at least not reflected in
his face.

When they had finished their meal Tony spread his coat under a tree.

"Signorina," he said, "perhaps you li'l' tired? Look, I make nice place
to sleep. You lie down and rest while ze Signor Papa and me, we have
li'l' smoke. Zen after one, two hours I come call you."

Constance very willingly accepted the suggestion. They had walked five
uphill miles since morning. It was two hours later that she opened her
eyes to find Tony bending over her. She sat up and regarded him sternly.
He had the grace to blush.

"Tony, did you kiss my hand?"

"_Scusi_, signorina. I ver' sorry to wake you, but it is tree o'clock and
ze Signor Papa he say we must start just now or we nevair get to ze top."

"Answer my question."

"Signorina, I cannot tell to you a lie. It is true, I forget I am just
poor donkey-man. I play li'l' game. You sleeping beauty; I am ze prince.
I come to wake you. Just _one_ kiss I drop on your hand--one ver' little
kiss, signorina."

Constance assumed an air of indignant reproof but in the midst of it she
laughed.

"I wish you wouldn't be so funny, Tony; I can't scold you as much as you
deserve. But I am angry just the same, and if anything like that ever
happens again I shall be very _very_ angry.

"Signorina, I would not make you very _very_ angry for anysing. As long
as I live nosing like zat shall happen again. No, nevair, I promise."

They plunged into a pine wood and climbed for another two hours, the
summit always vanishing before them like a mirage. At the end of that
time they were apparently no nearer their goal than when they had
started. They had followed first one path, then another, until they had
lost all sense of direction, and finally when they came to a place where
three paths diverged, they had to acknowledge themselves definitely lost.
Mr. Wilder elected one path, Tony another, and Constance sat down on a
rock.

"I'm not going any farther," she observed.

"You can't stay here all night," said her father.

"Well, I can't walk over this mountain all night. We don't get anywhere;
we merely move in circles. I don't think much of the guide you engaged.
He doesn't know his way."

"He wasn't engaged to know his way," Tony retorted. "He was engaged to
wear earrings and sing Santa Lucia."

Constance continued to sit on her rock while Tony went forward on a
reconnoitering expedition. He returned in ten minutes with the
information that there was a shepherd's hut not very far off with a
shepherd inside who would like to be friendly. If the signorina would
deign to ask some questions in the Italian language which she spoke so
fluently, they could doubtless obtain directions as to the way home.

They found the shepherd, the shepherdess and four little shepherds eating
their evening polenta in an earth-floored room, with half a dozen
chickens and the family pig gathered about them in an expectant group.
They rose politely and invited the travellers to enter. It was an event
in their simple lives when foreigners presented themselves at the door.

Constance commenced amenities by announcing that she had been walking on
the mountain since sunrise and was starving. Did they by chance have any
fresh milk?

"Starving! _Madonna mia_, how dreadful!" Madame held up her hands. But
yes, to be sure they had fresh milk. They kept four cows. That was their
business--turning milk into cheese and selling it on market day in the
village. Also they had some fresh mountain strawberries which Beppo had
gathered that morning--perhaps they too might be pleasing to the
signorina?

Constance nodded affirmatively, and added, with her eyes on the pig, that
it might be pleasanter to eat outside where they could look at the view.
She became quite gay again over what she termed their afternoon
tea-party, and her father had to remind her most insistently that if they
wished to get down before darkness overtook them they must start at once.
An Italian twilight is short. They paid for the food and presented a
lira apiece to the children, leaving them silhouetted against the sky in
a bobbing row shouting musical farewells.

Their host led them through the woods and out on to the brow of the
mountain in order to start them down by the right path. He regretted that
he could not go all the way but the sheep had still to be brought in for
the night. At the parting he was garrulous with directions.

The easiest way to get home now would be straight down the mountain to
Grotta del Monte--he pointed out the brown-tiled roofs of a village far
below them--there they could find donkeys or an ox-cart to take them
back. It was nine kilometres to Valedolmo. They had come quite out of
their way; if they had taken the right path in the morning they would
have reached the top where the view was magnificant--truly magnificant.
It was a pity to miss it. Perhaps some other day they would like to come
again and he himself would be pleased to guide them. He shook hands and
wished them a pleasant journey. They would best hurry a trifle, he added,
for darkness came fast and when one got caught on the mountain at
night--he shrugged his shoulders and looked at Tony--one needed a guide
who knew his business.

They had walked for ten minutes when they heard someone shouting behind
and found a young man calling to them to wait. He caught up with them and
breathlessly explained.

Pasquale had told him that they were foreigners from America who were
climbing the mountain for diversion and who had lost their way. He was
going down to the village himself and would be pleased to guide them.

He fell into step beside Constance and commenced asking questions, while
Tony, as the path was narrow, perforce fell behind. Occasionally
Constance translated, but usually she laughed without translating, and
Tony, for the twentieth time, found himself hating the Italian language.

The young man's questions were refreshingly ingenuous. He was curious
about America, since he was thinking, he said, of becoming an American
himself some day. He knew a man once who had gone to America to live and
had made a fortune there--but yes a large fortune--ten thousand lire in
four years. Perhaps the signorina knew him--Giuseppe Motta; he lived in
Buenos Aires. And what did it look like--America? How was it different
from Italy?

Constance described the skyscrapers in New York.

His wonder was intense. A building twenty stories high! _Dio mio_! He
should hate to mount himself up all those stairs. Were the buildings like
that in the country too? Did the shepherds live in houses twenty stories
high?

"Oh no," she laughed. "In the country the houses are just like these only
they are made of wood instead of stone."

"Of wood?" He opened his eyes. "But signorina, do they never burn?"

He had another question to ask. He had been told--though of course he did
not believe it--that the Indians in America had red skins.

Constance nodded yes. His eyes opened wider.

"Truly red like your coat?" with a glance at her scarlet golf jacket.

"Not quite," she admitted.

"But how it must be diverting," he sighed, "to travel the world over and
see different things." He fell silent and trudged on beside her, the
wanderlust in his eyes.

It was almost dark when they reached the big arched gateway that led into
the village. Here their ways parted and they paused for farewell.

"Signorina," the young man said suddenly, "take me with you back to
America. I will prune your olive trees, I will tend your vines. You can
leave me in charge when you go on your travels."

She shook her head with a laugh.

"But I have no vines; I have no olive trees. You would be homesick for
Italy."

He shrugged his shoulders.

"Then good bye. You, signorina, will go around the world and see many
sights while I, for travel, shall ride on a donkey to Valedolmo."

He shook hands all around and with the grace of a prince accepted two of
Tony's cigarettes. His parting speech showed him a fatalist.

"What will be, will be. There is a girl--" he waved his hand vaguely in
the direction of the village. "If I go to America then I cannot stay
behind and marry Maria. So perhaps it is planned for the best. You will
find me, signorina, when next you come to Italy, still digging the ground
in Grotta del Monte."

As he swung away Tony glanced after him with a suggestion of malice, then
he transferred his gaze to the empty gateway.

"I see no one else with whom you can talk Italian. Perhaps for ten
minutes you will deign to speak English with me?"

"I am too tired to talk," she threw over her shoulder as she followed her
father through the gate.

They plunged into a tangle of tortuous paved streets, the houses pressing
each other as closely as if there were not all the outside world to
spread in. Grotta del Monte is built on a slope and its streets are in
reality long narrow flights of stairs all converging in the little
piazza. The moon was not yet up, and aside from an occasional flickering
light before a madonna's shrine, the way was black.

"Signorina, take my arm. I'm afraid maybe you fall."

Tony's voice was humbly persuasive. Constance laughed and laid her hand
lightly on his arm. Tony dropped his own hand over hers and held her
firmly. Neither spoke until they came to the piazza.

"Signorina," he whispered, "you make me ver' happy tonight."

She drew her hand away.

"I'm tired, Tony. I'm not quite myself."

"No, signorina, yesterday I sink maybe you not yourself, but to-day you
ver' good ver' kind--jus' your own self ze way you ought to be."

The piazza, after the dark, narrow streets that led to it, seemed
bubbling with life. The day's work was finished and the evening's play
had begun. In the center, where a fountain splashed into a broad bowl,
groups of women and girls with copper water-jars were laughing and
gossiping as they waited their turns. One side of the square was flanked
by the imposing facade of a church with the village saint on a pedestal
in front; the other side, by a cheerfully inviting osteria with tables
and chairs set into the street and a glimpse inside of a blazing hearth
and copper kettles.

Mr. Wilder headed in a straight line for the nearest chair and dropped
into it with an expression of permanence. Constance followed and they
held a colloquy with a bowing host. He was vague as to the finding of
carriage or donkeys, but if they would accommodate themselves until after
supper there would be a diligence along which would take them back to
Valedolmo.

"How soon will the diligence arrive?" asked Constance.

The man spread out his hands.

"It is due in three quarters of an hour, but it may be early and it may
be late. It arrives when God and the driver wills."

"In that case," she laughed, "we will accommodate ourselves until after
supper--and we have appetites! Please bring everything you have."

They supped on _minestra_ and _fritto misto_ washed down with the red
wine of Grotta del Monte, which, their host assured them, was famous
through all the country. He could not believe that they had never heard
of it in Valedolmo. People sent for it from far off; even from Verona.

They finished their supper and the famous wine, but there was still no
diligence. The village also had finished its supper and was drifting in
family groups into the piazza. The moon was just showing above the
house-tops, and its light, combined with the blazing braziers before the
cook-shops made the square a patch work of brilliant high-lights and
black shadows from deep cut doorways. Constance sat up alertly and
watched the people crowding past. Across from the inn an itinerant show
had established itself on a rudely improvised stage, with two flaring
torches which threw their light half across the piazza, and turned the
spray of the fountain into an iridescent shower. The gaiety of the scene
was contagious. Constance rose insistently.

"Come, Dad; let's go over and see what they're doing."

"No, thank you, my dear. I prefer my chair."

"Oh, Dad, you're so phlegmatic!"

"But I thought you were tired."

"I'm not any more; I want to see the play.--You come then, Tony."

Tony rose with an elaborate sigh.

"As you please, signorina," he murmured obediently. An onlooker would
have thought Constance cruel in dragging him away from his well-earned
rest.

They made their way across the piazza and mounted the church steps behind
the crowd where they could look across obliquely to the little stage. A
clown was dancing to the music of a hurdy-gurdy while a woman in a tawdry
pink satin evening gown beat an accompaniment on a drum. It was a very
poor play with very poor players, and yet it represented to these people
of Grotta del Monte something of life, of the big outside world which
they in their little village would never see. Their upturned faces
touched by the moonlight and the flare of the torches contained a look of
wondering eagerness--the same look that had been in the eyes of the young
peasant when he had begged to be taken to America.

The two stood back in the shadow of the doorway watching the people with
the same interest that the people were expending on the stage. A child
had been lifted to the base of the saint's pedestal in order to see, and
in the excitement of a duel between two clowns he suddenly lost his
balance and toppled off. His mother snatched him up quickly and commenced
covering the hurt arm with kisses to make it well.

Constance laughed.

"Isn't it queer," she asked, "to think how different these people are
from us and yet how exactly the same. Their way of living is absolutely
foreign but their feelings are just like yours and mine."

He touched her arm and called her attention to a man and a girl on the
step below them. It was the young peasant again who had guided them down
the mountain, but who now had eyes for no one but Maria. She leaned
toward him to see the stage and his arm was around her. Their interest in
the play was purely a pretense and both of them knew it.

Tony laughed softly and echoed her words.

"Yes, their feelings are just like yours and mine."

He slipped his arm around her.

Constance drew back quickly.

"I think," she remarked, "that the diligence has come."

"Oh, hang the diligence!" Tony growled. "Why couldn't it have been five
minutes late?"

They returned to the inn to find Mr. Wilder already on the front seat,
and obligingly holding the reins, while the driver occupied himself with
a glass of the famous wine. The diligence was a roomy affair of four
seats and three horses. Behind the driver were three Italians
gesticulating violently over local politics; a new _sindaco_ was
imminent. Behind these were three black-hooded nuns covertly interested
in the woman in the pink evening gown. And behind the three, occupying
the exact center of the rear seat, was a fourth nun with the portly
bearing of a Mother Superior. She was very comfortable as she was, and
did not propose to move. Constance climbed up on one side of her and
Tony on the other.

"We are well chaperoned," he grumbled, as they jolted out of the piazza.
"I always did think that the Church interfered too much with the rights
of individuals."

Constance, in a spirit of friendly expansiveness, proceeded to pick up an
acquaintance with the nuns, and the four black heads were presently
bobbing in unison, while Tony, in gloomy isolation at his end of the
seat, folded his arms and stared at the road. The driver had passed
through many villages that day and had drunk many glasses of famous wine;
he cracked his whip and sang as he drove. They rattled in and out of
stone-paved villages, along open stretches of moonlit road, past villas
and olive groves. Children screamed after them, dogs barked, Constance
and her four nuns were very vivacious, and Tony's gloom deepened with
every mile.

They had covered three quarters of the distance when the diligence was
brought to a halt before a high stone wall and a solid barred gate. The
nuns came back to the present with an excited cackling. Who would believe
they had reached the convent so soon! They made their adieus and
ponderously descended, their departure accelerated by Tony who had become
of a sudden alertly helpful. As they started again he slid along into the
Mother Superior's empty seat.

"What were we saying when the diligence interrupted?" he inquired.

"I don't remember, Tony, but I don't want to talk any more; I'm tired."

"You tired, signorina? Lay your head on my shoulder and go to sleep."

"Tony, _please_ behave yourself. I'm simply too tired to make you do it."

He reached over and took her hand. She did not try to withdraw it for
two--three minutes; then she shot him a sidewise glance.

"Tony," she said, "don't you think you are forgetting your place?"

"No, signorina, I am just learning it."

"Let go my hand."

He gazed pensively at the moon and hummed Santa Lucia under his breath.

"Tony! I shall be angry with you."

"I shall be ver' sorry for zat, signorina. I do not wish to make you
angry, but I sink--perhaps you get over it."

"You are behaving abominably today, Tony. I shall never stay alone with
you again."

"Signorina, look at zat moon up dere. Is it not ver' bright? When I look
at zat moon I have always beautiful toughts about how much I love
Costantina."

An interval followed during which neither spoke. The driver's song was
growing louder and the horses were galloping. The diligence suddenly
rounded a curved cliff on two wheels. Constance lurched against him; he
caught her and held her. Her lips were very near his; he kissed her
softly.

She moved to the far end of the seat and faced him with flushed cheeks.

"I thought you were a gentleman!"

"I used to be, signorina; now I am only poor donkey-man."

"I shall never speak to you again. You can climb as many mountains as you
wish with my father, but you can't have anything more to do with me."

"_Scusi_, signorina. I--I did not mean to. It was just an accident,
signorina."

Constance turned her back and stared at the road.

"It was not my fault. Truly it was not my fault. I did not wish to kiss
you--no nevair. But I could not help it. You put your head too close."

She raised her eyes and studied the mountain-top.

"Signorina, why you treat me so cruel?"

Her back was inflexible.

"I am desolate. If you forgive me zis once I will nevair again do a sing
so wicked. Nevair, nevair, nevair."

Constance continued her inspection of the mountain-top. Tony leaned
forward until he could see her face.

"Signorina," he whispered, "jus' give me one li'l' smile to show me you
are not angry forever."

The stage had stopped and Mr. Wilder was climbing down but Constance's
gaze was still fixed on the sky, and Tony's eyes were on her.

"What's the matter, Constance, have you gone to sleep? Aren't you going
to get out?"

She came back with a start.

"Are we here already?"

There was a suspicion of regret in her tone which did not escape Tony.

At the Villa Rosa gates he wished them a humbly deferential good-night
but with a smile hovering about the corners of his mouth. Constance made
no response. As he strode off, however, she turned her head and looked
after him. He turned too and caught her. He waved his hand with a laugh,
and took up his way, whistling Santa Lucia in double time.




CHAPTER XIII


Three days passed in which Mr. Wilder and Tony industriously climbed, and
in which nothing of consequence passed between Constance and Tony. If she
happened to be about when the expeditions either started or came to an
end (and for one reason or another she usually was) she ignored him
entirely; and he ignored her, except for an occasional mockingly
deferential bow. He appeared to extract as much pleasure from the
excursions as Mr. Wilder, and he asked for no extra compensation by the
way.

It was Tuesday again, just a week and a day since the young American had
dropped over the wall of Villa Rosa asking for the garden of the prince.
Tony and Mr. Wilder were off on a trip; Miss Hazel and Constance on the
point of sitting down to afternoon tea--there were no guests today--when
the gardener from the Hotel du Lac appeared with a message from Nannie
Hilliard. She and her aunt had arrived half an hour before, which was a
good two days earlier than they were due. Constance read the note with a
clouded brow and silently passed it to Miss Hazel. The news was not so
entirely welcome as under other circumstances it would have been. Nannie
Hilliard was both perspicacious and fascinating, and Constance foresaw
that her presence would tangle further the already tangled plot of the
little comedy which was unfolding itself at Villa Rosa. But Miss Hazel,
divining nothing of comedies or plots, was thrown into a pleasant flutter
by the news. Guests were a luxury which occurred but seldom in the quiet
monotony of Valedolmo.

"We must call on them at once and bring them back to the house."

"I suppose we must." Constance agreed with an uncordial sigh.

Fifteen minutes later they were on their way to the Hotel du Lac, while
Elizabetta, on her knees in the villa guest-room, was vigorously
scrubbing the mosaic floor.

Gustavo hurried out to meet them. He was plainly in a flutter; something
had occurred to upset the usual suavity of his manners.

"_Si_, signorina, in ze garden--ze two American ladies--having tea. And
you are acquaint wif ze family; all ze time you are acquaint wif zem, and
you never tell me!" There was mystification and reproach in his tone.

Constance eyed him with a degree of mystification on her side.

"I am acquainted with a number of families that I have never told you
about," she observed.

"_Scusi_, signorina," he stammered; and immediately, "Tony, zat
donk'-man, what you do wif him?"

"Oh, he and my father are climbing Monte Brione today."

"What time zay come home?"

"About seven o'clock, I fancy."

"Ze signora and ze signorina--zay come two days before zay are expect."
He was clearly aggrieved by the fact.

Constance's mystification increased; she saw not the slightest
connection.

"I suppose, Gustavo, you can find them something to eat even if they did
come two days before they were expected?"

The two turned toward the arbor, but Constance paused for a moment and
glanced back with a shade of mischief in her eye.

"By the way, Gustavo, that young man who taught the parrot English has
gone?"

Gustavo rolled his eyes to the sky and back to her face. She understood
nothing; was there ever a muddle like this?

"_Si_, signorina," he murmured confusedly, "ze yong man is gone."

Nannie caught sight of the visitors first, and with a start which nearly
upset the tea table, came running forward to meet them; while her aunt,
Mrs. Eustace, followed more placidly. Nannie was a big wholesome outdoor
girl of a purely American type. She waited for no greetings; she had news
to impart.

"Constance, Miss Hazel! I'm so glad to see you--what do you think? I'm
engaged!"

Miss Hazel murmured incoherent congratulations, and tried not to look as
shocked as she felt. In her day, no lady would have made so delicate an
announcement in any such off-hand manner as this. Constance received it
in the spirit in which it was given.

"Who's the man?" she inquired, as she shook hands with Mrs. Eustace.

[Illustration: "Nannie caught sight of the visitors first, and came
running forward to meet them"]

"You don't know him--Harry Eastman, a friend of Jerry's. Jerry doesn't
know it yet, and I had to confide in someone. Oh, it's no secret; Harry
cabled home--he wanted to get it announced so I couldn't change my mind.
You see he only had a three weeks' vacation; he took a fast boat, landed
at Cherbourg, followed us the whole length of France, and caught us in
Lucerne just after Jerry had gone. I couldn't refuse him after he'd
taken such a lot of trouble. That's what detained us: we had expected to
come a week ago. And now--" by a rapid change of expression she became
tragic--"We've lost Jerry Junior!"

"Lost Jerry Junior!" Constance's tone was interested. "What has become of
him?"

"We haven't an idea. He's been spirited off--vanished from the earth and
left no trace. Really, we're beginning to be afraid he's been captured by
brigands. That head waiter, that Gustavo, knows where he is, but we can't
get a word out of him. He tells a different story every ten minutes. I
looked in the register to see if by chance he'd left an address there,
and what do you think I found?"

"Oh!" said Constance; there was a world of illumination in her tone.
"What did you find?" she asked, hastily suppressing every emotion but
polite curiosity.

"'Abraham Lincoln' in Jerry's hand-writing!"

"Really!" Constance dimpled irrepressibly. "You are sure Jerry wrote
it?"

"It was his writing; and I showed it to Gustavo, and what do you think he
said?"

Constance shook her head.

"He said that Jerry had forgotten to register, that that was written by a
Hungarian nobleman who was here last week--imagine a Hungarian nobleman
named Abraham Lincoln!"

Constance dropped into one of the little iron chairs and bowed her head
on the back and laughed.

"Perhaps you can explain?" There was a touch of sharpness in Nannie's
tone.

"Don't ever ask me to explain anything Gustavo says; the man is not to be
believed under oath."

"But what's become of Jerry?"

"Oh, he'll turn up." Constance's tone was comforting. "Aunt Hazel," she
called. Miss Hazel and Mrs. Eustace, their heads together over the tea
table, were busily making up three months' dropped news. "Do you remember
the young man I told you about who popped into our garden last week?
That was Jerry Junior!"

"Then you've seen him?" said Nannie.

Constance related the episode of the broken wall--the sequel she omitted.
"I hadn't seen him for six years," she added apologetically, "and I
didn't recognize him. Of course if I'd dreamed--"

Nannie groaned.

"And I thought I'd planned it so beautifully!"

"Planned what?"

"I suppose I might as well tell you since it's come to nothing. We
hoped--that is, you see--I've been so worried for fear Jerry--" She took
a breath and began again. "You know, Constance, when it comes to getting
married, a man has no more sense than a two-year child. So I determined
to pick out a wife for Jerry, myself, one I would like to have for a
sister. I've done it three times and he simply wouldn't look at them; you
can't imagine how stubborn he is. But when I found we were coming to
Valedolmo, I said to myself, now this is my opportunity; I will have him
marry Connie Wilder."

"You might have asked my permission."

"Oh, well, Jerry's a dear; next to Harry you couldn't find anyone nicer.
But I knew the only way was not to let him suspect. I thought you see
that you were still staying at the hotel; I didn't know you'd taken a
villa, so I planned for him to come to meet us three days before we
really expected to get here. I thought in the meantime, being stranded
together in a little hotel you'd surely get acquainted--Jerry's very
resourceful that way--and with all this beautiful Italian scenery about,
and nothing to do--"

"I see!" Constance's tone was somewhat dry.

"But nothing happened as I had planned. You weren't here, he was bored to
death, and I was detained longer than I meant. We got the most pathetic
letter from him the second day, saying there was no one but the head
waiter to talk to, nothing but an india-rubber tree to look at, and if we
didn't come immediately, he'd do the Dolomites without us. Then finally,
just as we were on the point of leaving, he sent a telegram saying:
'Don't come. Am climbing mountains. Stay there till you hear from me.'
But being already packed, we came, and this is what we find--" She waved
her hand over the empty grove.

"It serves you right; you shouldn't deceive people."

"It was for Jerry's good--and yours too. But what shall we do? He doesn't
know we're here and he has left no address."

"Come out to the villa and visit us till he comes to search for you."

Constance could hear her aunt delivering the same invitation to Mrs.
Eustace, and she perforce repeated it, though with the inward hope that
it would be declined. She had no wish that Tony and her father should
return from their trip to find a family party assembled on the terrace.
The adventure was not to end with any such tame climax as that. To her
relief they did decline, at least for the night; they could make no
definite plans until they had heard from Jerry. Constance rose upon this
assurance and precipitated their leave-takings; she did not wish her aunt
to press them to change their minds.

"Good-bye, Mrs. Eustace, good-bye, Nannie; we'll be around tonight to
take you sailing--provided there's any breeze."

She nodded and dragged her aunt off; but as they were entering the arbor
a plan for further complicating matters popped into her head, and she
turned back to call:

"You are coming to the villa tomorrow, remember, whether Jerry Junior
turns up or not. I'll write a note and invite him too--Gustavo can give
it to him when he comes, and you needn't bother any more about him."

They found Gustavo hovering omnivorously in the courtyard, hungering for
news; Constance summoned him to her side.

"Gustavo, I am going to send you a note tonight for Mr. Jerymn Hilliard.
You will see that it gets to him as soon as he arrives?"

"Meestair Jayreem Ailyar?" Gustavo stared.

"Yes, the brother of the signorina who came today. He is expected
tomorrow or perhaps the day after."

"_Scusi_, signorina. You--you acquaint wif him?"

"Yes, certainly. I have known him for six years. Don't forget to deliver
the note; it's important."

They raised their parasols and departed, while Gustavo stood in the
gateway bowing. The motion was purely mechanical; his thoughts were
laboring elsewhere.




CHAPTER XIV


Constance occupied herself upon their return to Villa Rosa in writing the
letter to Jerry Junior. It had occurred to her that this was an excellent
chance to punish him, and it was the working philosophy of her life that
a man should always be punished when opportunity presented. Tony had been
entirely too unconcerned during the past few days; he needed a lesson.
She spent three quarters of an hour in composing her letter and tore up
two false starts before she was satisfied. It did not contain the
slightest hint that she knew the truth, and--considered in this light--it
was likely to have a chastening effect. The letter ran:

                                             "VILLA ROSA, VALEDOLMO,
                                                 "LAGO DI GARDA.

     "DEAR JERRY JUNIOR: I hope you don't mind being called "Jerry
     Junior," but "Mr. Hilliard" sounds so absurdly formal, when I have
     known your sister so long and so well. We are spending the summer
     here in Valedolmo, and Mrs. Eustace and Nannie have promised to
     stop with us for a few days, provided you can be persuaded to pause
     in your mad rush through Europe. Now please take pity on us--guests
     are such unusual luxuries, and as for _men_! Besides a passing
     tourist or so, we have had nothing but Italian officers. You can
     climb mountains with my father--Nan says you are a climber--and we
     can supply mountains enough to keep you occupied for a month.

     "My father would write himself, only that he is climbing this
     moment.

                                             "Yours most cordially,
                                                 "CONSTANCE WILDER."

     "P. S. I forgot to mention that we are acquainted already, you and
     I. We met six years ago, and you insulted me--under your own roof.
     You called me a _kid_. I shall accept nothing but a personal
     apology."

Having read it critically, she sealed and addressed it with malicious
delight; it was calculated to arouse just about the emotions she would
like to have Tony entertain. She gave the note to Giuseppe with
instructions to place it in Gustavo's hands, and then settled herself
gaily to await results.

Giuseppe was barely out of sight when the two Alpine-climbers appeared at
the gate. Constance had been wondering how she could inform Tony that his
aunt and sister had arrived, without unbending from the dignified silence
of the past three days. The obvious method was to announce it to her
father in Tony's presence, but her father slipped into the house by the
back way without affording her an opportunity. It was Tony himself who
solved the difficulty. Of his own accord he crossed the terrace and
approached her side. He laid a bunch of edelweiss on the balustrade.

"It's a peace offering," he observed.

She looked at him a moment without speaking. There was a new expression
in her eyes that puzzled Tony, just as the expression in his eyes that
morning on the water had puzzled her. She was studying him in the light
of Jerry Junior. The likeness to the sophomore, who six years before sang
the funny songs without a smile, was so very striking, she wondered she
could ever have overlooked it.

"Thank you, Tony; it is very nice of you." She picked up the flowers and
smiled--with the knowledge of the letter that was waiting for him she
could afford to be forgiving.

"You discharged me, signorina; will you take me back into your service?"

"I am not going to climb any more mountains; it is too fatiguing. I think
it is better for you and my father to go alone."

"I will serve you in other ways."

Constance studied the mountains a moment. Should she tell him she knew,
or should she keep up the pretense a little longer? Her insatiable love
of intrigue won.

"Are you sure you wish to be taken back?"

"_Si_, signorina, I am very sure."

"Then perhaps you will do me a favor on your way home tonight?"

"You have but to ask."

"I wish to send a message to a young American man who is staying at the
Hotel du Lac--you may have seen him?"

Tony nodded.

"I have climb Monte Maggiore wif him. You recommend me; I sank you ver'
moch. Nice man, zat yong American; ver' good, ver' simpatico." He leaned
forward with a sudden air of anxiety. "Signorina, you--you like zat yong
man?"

"I have only met him twice, but--yes, I like him."

"You like him better zan me?" His anxiety deepened; he hung upon her
words.

She shook her head reassuringly.

"I like you both exactly the same."

"Signorina, which you like better, zat yong American or ze Signor
Lieutenant?"

"Your questions are getting too personal, Tony."

He folded his arms and sighed.

"Will you deliver my message?"

"_Si_, signorina, wif pleasure." There was not a trace of curiosity in
his expression, nothing beyond a deferential desire to serve.

"Tell him, Tony, that Miss Wilder will be at home tomorrow afternoon at
tea time; if he will come by the gate and present a card she will be most
pleased to see him. She wishes him to meet an American friend, a Miss
Hilliard, who has just arrived at the hotel this afternoon."

She watched him sharply; his expression did not alter by a shade. He
repeated the message and then added as if by the merest chance:

"Ze yong American man, signorina--you know his name?"

"Yes, I know his name." This time for the fraction of a second she
surprised a look. "His name--" she hesitated tantalizingly--"is Signor
Abraham Lincoln."

"Signor Ab-ra-ham Lin-coln." He repeated it after her as if committing it
to memory. They gazed at each other soberly a moment; then both laughed
and looked away.

Luigi had appeared in the doorway. Seeing no one more important than Tony
about, he found no reason for delaying the announcement of dinner.

"_Il pranzo e sulla tavola, signorina._"

"_Bene_!" said Constance over her shoulder. She turned back to Tony; her
manner was kind. "If you go to the kitchen, Tony, Elizabetta will give
you some dinner."

"Sank you, signorina." His manner was humble. "Elizabetta's dinners
consist of a plate of garlic and macaroni on the kitchen steps. I don't
like garlic and I'm tired of macaroni; if it's just the same to you, I
think I'll dine at home." He held out his hand.

She read his purpose in his eye and put her own hands behind her.

"You won't shake hands, signorina? We are not friends?"

"I learned a lesson the last time."

"You shake hands wif Lieutenant Count Carlo di Ferara."

"It is the custom in Italy."

"We are in Italy."

"Behave yourself, Tony, and run along home!"

She laughed and nodded and turned away. On the steps she paused to add:

"Be sure not to forget the message for Signor Abraham Lincoln. I shall be
disappointed if he doesn't come."




CHAPTER XV


Tony returned to the Hotel du Lac, modestly, by the back way. He assured
himself that his aunt and sister were well by means of an open window
in the rear of the dining-room. The window was shaded by a clump of
camellias, and he studied at his ease the back of Mrs. Eustace's
head and Nannie's vivacious profile as she talked in fluent and
execrable German to the two Alpinists who were, at the moment, the only
other guests. Brotherly affection--and a humorous desire to create a
sensation--prompted him to walk in and surprise them. But saner second
thoughts prevailed; he decided to postpone the reunion until he should
have changed from the picturesque costume of Tony, to the soberer garb of
Jerry Junior.

He skirted the dining-room by a wide detour, and entered the court-yard
at the side. Gustavo, who for the last hour and a half had been alertly
watchful of four entrances at once, pounced upon him and drew him to a
corner.

"Signore," in a conspiratorial whisper, "zay are come, ze aunt and ze
sister."

"I know--the Signorina Costantina told me so."

Gustavo blinked.

"But, signore, she does not know it."

"Yes, she does--she saw 'em herself."

"I mean, signore, she does not know zat you are ze brover?"

"Oh, no, she doesn't know that."

"But she tell me zat she is acquaint wif ze brover for six years." He
shook his head hopelessly.

"That's all right." Tony patted his shoulder reassuringly. "When she knew
me I used to have yellow hair, but I thought it made me look too girlish,
so I had it dyed black. She didn't recognize me."

Gustavo accepted the explanation with a side glance at the hair.

"Now, pay attention." Tony's tone was slow and distinct.

"I am going upstairs to change my clothes. Then I will slip out the back
way with a suit case, and go down the road and meet the omnibus as it
comes back from the boat landing. You keep my aunt and sister in the
court-yard talking to the parrot or something until the omnibus arrives.
Then when I get out, you come forward with your politest bow and ask me
if I want a room. I'll attend to the rest--do you understand?"

Gustavo nodded with glistening eyes. He had always felt stirring within
him powers for diplomacy, for finesse, and he rose to the occasion
magnificently.

Tony turned away and went bounding upstairs two steps at a time,
chuckling as he went. He, too, was developing an undreamed of appetite
for intrigue, and his capacity in that direction was expanding to meet
it. He had covered the first flight, when Gustavo suddenly remembered
the letter and bounded after.

"Signore! I beg of you to wait one moment. Here is a letter from ze
signorina; it is come while you are away."

Tony read the address with a start of surprise.

"Then she knows!" There was regret, disillusionment, in his tone.

It was Gustavo's turn to furnish enlightenment.

"But no, signore, she do not comprehend. She sink Meestair Jayreem Ailyar
is ze brover who is not arrive. She leave it for him when he come."

"Ah!" Tony ripped it open and read it through with a chuckle. He read it
a second time and his face grew grave. He thrust it into his pocket and
strode away without a word for Gustavo. Gustavo looked after him
reproachfully. As a head waiter, he naturally did not expect to read the
letters of guests; but as a fellow conspirator, he felt that he was
entitled to at least a general knowledge of all matters bearing on the
conspiracy. He turned back down stairs with a disappointed droop to his
shoulders.

Tony closed his door and walked to the window where he stood staring at
the roof of Villa Rosa. He drew the letter from his pocket and read it
for the third time slowly, thoughtfully, very, very soberly. The reason
was clear; she was tired of Tony and was looking ahead for fresh worlds
to conquer. Jerry Junior was to come next.

He understood why she had been so complaisant today. She wished the
curtain to go down on the comedy note. Tomorrow, the nameless young
American, the "Abraham Lincoln" of the register, would call--by the
gate--would be received graciously, introduced in his proper person to
the guests; the story of the donkey-man would be recounted and laughed
over, and he would be politely asked when he was planning to resume his
travels. This would be the end of the episode. To Constance, it had been
merely an amusing farce about which she could boast when she returned to
America. In her vivacious style it would make a story, just as her first
meeting with Jerry Junior had made a story. But as for the play itself,
for _him_, she cared nothing. Tony the man had made no impression. He
must pass on and give place to Jerry Junior.

A flush crept over Tony's face and his mouth took a straighter line as he
continued to gaze down on the roof of Villa Rosa. His reflections were
presently interrupted by a knock. He turned and threw the door open with
a fling.

"Well?" he inquired.

Gustavo took a step backward.

"_Scusi_, signore, but zay are eating ze dessart and in five--ten minutes
ze omnibus will arrive."

"The omnibus?" Tony stared. "Oh!" he laughed shortly. "I was just joking,
Gustavo."

Gustavo bowed and turned down the corridor; there was a look on Tony's
face that did not encourage confidences. He had not gone half a dozen
steps, however, when the door opened again and Tony called him back.

"I am going away tomorrow morning--by the first boat this time--and you
mustn't let my aunt and sister know. I will write two letters and you are
to take them down to the steward of the boat that leaves tonight. Ask him
to put on Austrian stamps and mail them at Riva, so they'll get back here
tomorrow. Do you understand?"

Gustavo nodded and backed away. His disappointment this time was too keen
for words. He saw stretching before him a future like the past,
monotonously bereft of plots and masquerades.

Tony, having hit on a plan, sat down and put it into instant execution.
Opening his Baedeker, he turned to Riva and picked out the first hotel
that was mentioned. Then he wrote two letters, both short and to the
point; he indulged in none of Constance's vacillations, and yet in their
way his letters also were masterpieces of illusion. The first was
addressed to Miss Constance Wilder at Villa Rosa. It ran:

                                             "HOTEL SOLE D'ORO,
                                                 "RIVA, AUSTRIA.

     "DEAR MISS WILDER: Nothing would give me greater pleasure than
     spending a few days in Valedolmo, but unfortunately I am pressed
     for time, and am engaged to start Thursday morning with some
     friends on a trip through the Dolomites.

     "Trusting that I may have the pleasure of making your acquaintance
     at some future date,

                                             "Yours truly,
                                                 "JERYMN HILLIARD, JR."

The second letter was addressed to his sister, but he trusted to luck
that Constance would see it. It ran:

                                             "HOTEL SOLE D'ORO,
                                                 "RIVA, AUSTRIA.

     "DEAR NAN: Who in thunder is Constance Wilder? She wants us to stop
     and make a visit in Valedolmo. I wouldn't step into that infernal
     town, not if the king himself invited me--it's the deadest hole on
     the face of the earth. You can stay if you like and I'll go on
     through the Dolomites alone. There's an American family stopping
     here who are also planning the trip--a stunning girl; I know you'd
     like her.

     "Of course the travelling will be pretty rough. Perhaps you and
     Aunt Kate would rather visit your friends and meet me later in
     Munich. If you decide to take the trip, you will have to come on
     down to Riva as soon as you get this letter, as we're planning to
     pull out Thursday morning.

     "Sorry to hurry you, but you know my vacation doesn't last forever.

     "Love to Aunt Kate and yourself,

                                             "Yours ever,
                                                 "JERRY."

He turned the letters over to Gustavo with a five-franc note, leaving
Gustavo to decide with his own conscience whether the money was intended
for himself or the steward of the Regina Margarita. This accomplished, he
slipped out unobtrusively and took the road toward Villa Rosa.

He strode along with his hands in his pockets and his eyes on the path
until he nearly bumped his nose against the villa gate-post. Then he
stopped and thought. He had no mind to be ushered to the terrace where he
would have to dissemble some excuse for his visit before Miss Hazel and
Mr. Wilder. His business tonight was with Constance, and Constance alone.
He turned and skirted the villa wall, determined on reconnoitering first.
There was a place in the wall--he knew well--where the stones were
missing, and a view was obtainable of the terrace and parapet.

He reached the place to find Lieutenant Carlo di Ferara already there.
Now the Lieutenant's purpose was exactly as innocent as Tony's own; he
merely wished to assure himself that Captain Coroloni was not before him.
It was considered a joke at the tenth cavalry mess to detail one or the
other of the officers to call on the Americans at the same time that
Lieutenant di Ferara called. He was not spying on the family, merely on
his meddling brother officers.

Tony of course could know nothing of this, and as his eyes fell upon the
lieutenant, there was apparent in their depths a large measure of
contempt. A lieutenant in the Royal Italian Cavalry can afford to be
generous in many things, but he cannot afford to swallow contempt from a
donkey-driver. The signorina was not present this time; there was no
reason why he should not punish the fellow. He dropped his hand on Tony's
shoulder--on his collar to be exact--and whirled him about. The action
was accompanied by some vigorous colloquial Italian--the gist of it being
that Tony was to mind his own business and mend his manners. The
lieutenant had a muscular arm, and Tony turned. But Tony had not played
quarterback four years for nothing; he tackled low, and the next moment
the lieutenant was rolling down the bank of a dried stream that stretched
at their feet. No one likes to roll down a dusty stony bank, much less
an officer in immaculate uniform on the eve of paying a formal call upon
ladies. He picked himself up and looked at Tony; he was quite beyond
speech.

Tony looked back and smiled. He swept off his hat with a deferential bow.
"_Scusi_," he murmured, and jumped over the wall into the grounds of
Villa Rosa.

The lieutenant gasped. If anything could have been more insultingly
inadequate to the situation than that one word _scusi_, it did not at the
moment occur to him. Jeering, blasphemy, vituperation, he might have
excused, but this! The shock jostled him back to a thinking state.

Here was no ordinary donkey-driver. The hand that had rested for a moment
on his arm was the hand of a gentleman. The man's face was vaguely,
elusively familiar; if the lieutenant had not seen him before, he had at
least seen his picture. The man had pretended he could not talk Italian,
but--_scusi_--it came out very pat when it was needed.

An idea suddenly assailed Lieutenant di Ferara. He scrambled up the bank
and skirted the wall, almost on a run, until he reached the place where
his horse was tied. Two minutes later he was off at a gallop, headed for
the house of the prefect of police of Valedolmo.




CHAPTER XVI


Tony jumped over the wall. He might have landed in the midst of a family
party; but in so much luck was with him. He found the _Farfalla_ bobbing
at the foot of the water steps with Mr. Wilder and Miss Hazel already
embarked. They were waiting for Constance, who had obligingly run back to
the house to fetch the rainbow shawl (finished that afternoon) as Miss
Hazel distrusted the Italian night breeze.

Constance stepped out from the door as Tony emerged from the bushes. She
regarded him in startled surprise; he was still in some slight disarray
from his encounter with the lieutenant.

"May I speak to you, Miss Wilder? I won't detain you but a moment."

She nodded and kept on, her heart thumping absurdly. He had received the
letter of course; and there would be consequences. She paused at the top
of the water steps.

"You go on," she called to the others, "and pick me up on your way back.
Tony wants to see me about something, and I don't like to keep Mrs.
Eustace and Nannie waiting."

Giuseppe pushed off and Constance was left standing alone on the water
steps. She turned as Tony approached; there was a touch of defiance in
her manner.

"Well?"

He came to her side and leaned carelessly against the parapet, his eyes
on the _Farfalla_ as she tossed and dipped in the wash of the _Regina
Margarita_ which was just puffing out from the village landing. Constance
watched him, slightly taken aback; she had expected him to be angry,
sulky, reproachful--certainly not nonchalant. When he finally brought his
eyes from the water, his expression was mildly melancholy.

"Signorina, I have come to say good bye. It is very sad, but tomorrow, I
too--" he waved his hand toward the steamer--"shall be a passenger."

"You are going away from Valedolmo?"

He nodded.

"Unfortunately, yes. I should like to stay, but--" he shrugged--"life
isn't all play, Miss Wilder. Though one would like to be a donkey-man
forever, one only may be for a summer's holiday. I am your debtor for a
unique and pleasant experience."

She studied his face without speaking. Did it mean that he had got the
letter and was hurt, or did it perhaps mean that he had got the letter
and did not care to appear as Jerry Junior? That he enjoyed the play so
long as he could remain incognito and stop it where he pleased, but that
he had no mind to let it drift into reality? Very possibly it meant--she
flushed at the thought--that he divined Nannie's plot, and refused also
to consider the fourth candidate.

She laughed and dropped into their usual jargon.

"And the young American man, Signor Abraham Lincoln, will he come
tomorrow for tea?"

"Ah, signorina, he is desolated, but it is not possible. He has received
a letter and he must go; he has stopped too long in Valedolmo. Tomorrow
morning early, he and I togever, we sail away to Austria." His eyes went
back to the trail of smoke left by the little steamer.

"And Costantina, Tony. You are leaving her behind?" It took some courage
to put this question, but she did not flinch; she put it with a laugh
which contained nothing but raillery.

Tony sighed--a deep melodramatic sigh--and laid his hand on his heart.

"Ah, signorina, zat Costantina, she has not any heart. She love one man
one day, anozzer ze next. I go away to forget."

His eyes dropped to hers; for an instant the mocking light died out; a
questioning, wounded look took its place.

She felt a quick impulse to hold out her hands, to say, "Jerry, don't
go!" If she only knew! Was he going because he thought that she wished to
dismiss him, or because he wished to dismiss himself? Was it pique that
bade him carry the play to the end, or was it merely the desire to get
out of an awkward situation gracefully?

She stood hesitating, scanning the terrace pavement with troubled eyes;
when she raised them to his face the chance was gone. He straightened his
shoulders with an air of finality and picked up his hat from the
balustrade.

"Some day, signorina, in New York, perhaps I play a little tune underneaf
your window."

She nodded and smiled.

"I will give the monkey a penny when he comes--good-bye."

He bowed over her hand and touched it lightly to his lips.

"Signorina, _addio_!"

As he strode away into the dusky lane of cypresses, she heard him
whistling softly "Santa Lucia." It was the last stroke, she reflected,
angrily; he might at least have omitted that! She turned away and dropped
down on the water steps to wait for the _Farfalla_. The terrace, the
lake, the beautiful Italian night, suddenly seemed deserted and empty.
Before she knew it was coming, she had leaned her head against the
balustrade with a deep sob. She caught herself sharply. She to sit there
crying, while Tony went whistling on his way!

       *       *       *       *       *

As the _Farfalla_ drifted idly over the water, Constance sat in the
stern, her chin in her hand, moodily gazing at the shimmering path of
moonlight. But no one appeared to notice her silence, since Nannie was
talking enough for both. And the only thing she talked about was Jerry
Junior, how funny and clever and charming he was, how phenomenally
good--for a man; when she showed signs of stopping, Mr. Wilder by a
question started her on. It seemed to Constance an interminable two
hours before they dropped their guests in the garden of the Hotel du Lac,
and headed again for Villa Rosa.

As they approached their own water steps it became apparent that
someone--a man--was standing at the top in an attitude of expectancy.
Constance's heart gave a sudden bound and the next instant sank deep. A
babble of frenzied greetings floated out to meet them; there was no
mistaking Gustavo. Moreover, there was no mistaking the fact that he was
excited; his excitement was contagious even before they had learned the
reason. He stuttered in his impatience to share the news.

"Signore! _Dio mio_! A calamity has happened. Zat Tony, zat donk'-man! he
has got hisself arrested. Zay say it is a lie, zat he is American
citizen; he is an officer who is dessert from ze Italian army. Zay say he
just pretend he cannot spik Italian--but it is not true. He know
ten--leven words."

They came hurrying up the steps and surrounded him, Mr. Wilder no less
shocked than Gustavo himself.

"Arrested--as a deserter? It's an outrage!" he thundered.

Constance laid her hand on Gustavo's sleeve and whirled him about.

"What do you mean? I don't understand. Where is Tony?"

Gustavo groaned.

"In jail, signorina. Four carabinieri are come to take him away. And he
fight--_Dio mio_! he fight like ze devil. But zay put--" he indicated
handcuffs--"and he go."

Constance dropped down on the upper step and leaning her head against the
balustrade, she laughed until she was weak.

Her father whirled upon her indignantly.

"Constance! Haven't you any sympathy for the man? This isn't a laughing
matter."

"I know, Dad, but it's so funny--Tony an Italian officer! He can't
pronounce the ten--leven words he does know right."

"Of course he can't; he doesn't know as much Italian as I do. Can't
these fools tell an American citizen when they see one? I'll teach 'em to
go about chucking American citizens in jail. I'll telegraph the consul in
Milan; I'll make an international matter of it!"

He fumed up and down the terrace, while Constance rose to her feet and
followed after with a pretense at pacification.

"Hush, Dad! Don't be so excitable. It was a very natural mistake for them
to make. But if Tony is really what he says he is it will be very easily
proved. You must be sure of your ground though, before you act. I don't
like to say anything against poor Tony now that he is in trouble, but I
have always felt that there was a mystery connected with him. For all we
know he may be a murderer or a brigand or an escaped convict in disguise.
We only have his word you know that he is an American citizen."

"His word!" Mr. Wilder fairly exploded. "Are you utterly blind? He's
exactly as much an American citizen as I am. He's--" He stopped and
fanned himself furiously. He had sworn never to betray Tony's secret, and
yet, the present situation was exceptionable.

Constance patted him on the arm.

"There, Dad. I haven't a doubt his story is true. He was born in
Budapest, and he's a naturalized American citizen. It's the duty of the
United States Government to protect him--but it won't be difficult; I
dare say he's got his naturalization papers with him. A word in the
morning will set everything straight."

"Leave him in jail all night?"

"But you can't do anything now; it's after ten o'clock; the authorities
have gone to bed."

She turned to Gustavo; her tone was reassuring.

"In the morning we'll get some American war-ships to bombard the jail."

"Signorina, you joke!" His tone was reproachful.

She suddenly looked anxious.

"Gustavo, is the jail strong?"

"Ver' strong, signorina."

"He can't escape and get over into Austria? We are very near the
frontier, you know."

"No, signorina, it is impossible." He shook his head hopelessly.

Constance laughed and slipped her hand through her father's arm.

"Come, Dad. The first thing in the morning we'll go down to the jail and
cheer him up. There's not the slightest use in worrying any more tonight.
It won't hurt Tony to be kept in--er--cold storage for a few hours--I
think on the whole it will do him good!"

She nodded dismissal to Gustavo, and drew her father, still muttering,
toward the house.




CHAPTER XVII


Jerry Junior's letter of regret arrived from Riva on the early mail. In
the light of Constance's effusively cordial invitation, the terse
formality of his reply was little short of rude; but Constance read
between the lines and was appeased. The writer, plainly, was angry, and
anger was a much more becoming emotion than nonchalance. As she set out
with her father toward the village jail, she was again buoyantly in
command of the situation. She carried a bunch of oleanders, and the pink
and white egg basket swung from her arm. Their way led past the gate of
the Hotel du Lac, and Mr. Wilder, being under the impression that he was
enjoying a very good joke all by himself, could not forego the temptation
of stopping to inquire if Mrs. Eustace and Nannie had heard any news of
the prodigal. They found the two at breakfast in the courtyard, an open
letter spread before them. Nannie received them with lamentations.

"We can't come to the villa! Here's a letter from Jerry wanting us to
start immediately for the Dolomites--did you ever know anything so
exasperating?"

She passed the letter to Constance, and then as she remembered the first
sentence, made a hasty attempt to draw it back. It was too late;
Constance's eyes had already pounced upon it. She read it aloud with
gleeful malice.

"'Who in thunder is Constance Wilder?'--If that's an example of the
famous Jerry Junior's politeness, I prefer not to meet him, thank
you.--It's worse than his last insult; I shall _never_ forgive this!" She
glanced down the page and handed it back with a laugh; from her point of
vantage it was naively transparent. From Mr. Wilder's point, however, the
contents were inscrutable; he looked from the letter to his daughter's
serene smile, and relapsed into a puzzled silence.

"I should say on the contrary, that he _doesn't_ want you to start
immediately for the Dolomites," Constance observed.

"It's a girl," Nannie groaned. "I suspected it from the moment we got the
telegram in Lucerne. Oh, why did I ever let that wretched boy get out of
my sight?"

"I dare say she's horrid," Constance put in. "One meets such frightful
Americans traveling."

"We will go up to Riva on the afternoon boat and investigate." It was
Mrs. Eustace who spoke. There was an undertone in her voice which
suggested that she was prepared to do her duty by her brother's son,
however unpleasant that duty might be.

"American girls are so grasping," said Nannie plaintively. "It's scarcely
safe for an unattached man to go out alone."

Mr. Wilder leaned forward and reexamined the letter.

"By the way, Miss Nannie, how did Jerry learn that you were here? His
letter, I see, was mailed in Riva at ten o'clock last night."

Nannie examined the post mark.

"I hadn't thought of that! How could he have found out--unless that beast
of a head waiter telegraphed? What does it mean?"

Mr. Wilder spread out his hands and raised his shoulders. "You've got
me!" A gleam of illumination suddenly flashed over his face; he turned to
his daughter with what was meant to be a carelessly off-hand manner.
"Er--Constance, while I think of it, you didn't discharge Tony again
yesterday, did you?"

Constance opened her eyes.

"Discharge Tony? Why should I do that? He isn't working for me."

"You weren't rude to him?"

"Father, am I ever rude to anyone?"

Mr. Wilder looked at the envelope again and shook his head. "There's
something mighty fishy about this whole business. When you get hold of
that brother of yours again, my dear young woman, you make him tell what
he's been up to this week--and make him tell the truth."

"Mr. Wilder!" Nannie was reproachful. "You don't know Jerry; he's
incapable of telling anything but the truth."

Constance tittered.

"What are you laughing at, Constance?"

"Nothing--only it's so funny. Why don't you advertise for him? Lost--a
young man, age twenty-eight, height, five feet eleven, weight one hundred
and seventy pounds, dark hair, gray eyes, slight scar over left eye brow;
dressed when last seen in double breasted blue serge suit and brown
russet shoes. Finder please return to Hotel du Lac and receive liberal
reward."

"He isn't lost," said Nannie. "We know where he is perfectly; he's at the
Hotel Sole d' Oro in Riva, and that's at the other end of the lake. We're
going up on the afternoon boat to join him."

"Oh!" said Constance, meekly.

"You take my advice," Mr. Wilder put in. "Go up to Riva if you
must--it's a pleasant trip--but leave your luggage here. See this young
man in person and bring him back with you; tell him we have just as good
mountains as he'll find in the Dolomites. If by any chance you shouldn't
find him--"

"Of course, we'll find him!" said Nannie.

Constance looked troubled.

"Don't go, it's quite a long trip. Write instead and give the letter to
Gustavo; he'll give it to the boat steward who will deliver it
personally. Then if Jerry shouldn't be there--"

Nannie was losing her patience.

"Shouldn't be there? But he _says_ he's there."

"Oh! yes, certainly, that ends it. Only, you know, Nannie, _I_ don't
believe there really is any such person as Jerry Junior! I think he's a
myth."

Gustavo had been hanging about the gate looking anxiously up the road as
if he expected something to happen. His brow cleared suddenly as a boy
on a bicycle appeared in the distance. The boy whirled into the court and
dismounted; glancing dubiously from one to the other of the group, he
finally presented his telegram to Gustavo, who passed it on to Nannie.
She ripped it open and ran her eyes over the contents.

"Can anyone tell me the meaning of this? It's Italian!" She spread it on
the table while the three bent over it in puzzled wonder.

"Ceingide mai maind dunat comtu Riva stei in Valedolmo geri."

Constance was the first to grasp the meaning; she read it twice and
laughed.

"That's not Italian; it's English, only the operator has spelt it
phonetically--I begin to believe there is a Jerry," she added, "no one
could cause such a bother who didn't exist." She picked up the slip and
translated:

    "'Changed my mind. Do not come to Riva; stay in Valedolmo. JERRY.'"

"I'm a clairvoyant you see. I told you he wouldn't be there!"

"But where is he?" Nannie wailed.

Constance and her father glanced tentatively at each other and were
silent. Gustavo who had been hanging officiously in the rear, approached
and begged their pardon.

"_Scusi_, signora, but I sink I can explain. _Ecco_! Ze telegram is dated
from Limone--zat is a village close by here on ze ozzer side of ze lake.
He is gone on a walking trip, ze yong man, of two--tree days wif an
Englishman who is been in zis hotel. If he expect you so soon he would
not go. But patience, he will come back. Oh, yes, in a little while,
after one--two day he come back."

"What is the man talking about?" Mrs. Eustace was both indignant and
bewildered. "Jerry was in Riva yesterday at the Hotel Sole d' Oro. How
can he be on a walking trip at the other end of the lake today?"

"You don't suppose--" Nannie's voice was tragic--"that he has eloped
with that American girl?"

"Good heavens, my dear!" Mrs. Eustace appealed to Mr. Wilder. "What are
the laws in this dreadful country? Don't banns or something have to be
published three weeks before the ceremony can take place?"

Mr. Wilder rose hastily.

"Yes, yes, dear lady. It's impossible; don't consider any such
catastrophe for a moment. Come, Constance, I really think we ought to be
going.--Er, you see, Mrs. Eustace, you can't believe--that is, don't let
anything Gustavo says trouble you. With all respect for his many fine
qualities, he has not Jerry's regard for truth. And don't bother any more
about the boy; he will turn up in a day or so. He may have written some
letters of explanation that you haven't got. These foreign mails--" He
edged toward the gate.

Constance followed him and then turned back.

"We're on our way to the jail," she said, "to visit our donkey-driver
who has managed to get himself arrested. While we're there we can make
inquiries if you like; it's barely possible that they might have got hold
of Jerry on some false charge or other. These foreign jails--"

"Constance!" said Nannie reproachfully.

"Oh, my dear, I was only joking; of course it's impossible. Good bye."
She nodded and laughed and ran after her father.




CHAPTER XVIII


If one must go to jail at all one could scarcely choose a more
entertaining jail than that of Valedolmo. It occupies a structure which
was once a palace; and its cells, planned for other purposes, are
spacious. But its most gratifying feature, to one forcibly removed from
social intercourse, is its outlook. The windows command the Piazza
Garibaldi, which is the social center of the town; it contains the
village post, the fountain, the tobacco shop, the washing-trough, and the
two rival cafes, the "Independenza" and the "Liberta." The piazza is
always dirty and noisy--that goes without saying--but on Wednesday
morning at nine o'clock, it is peculiarly dirty and noisy. Wednesday is
Valedolmo's market day, and the square is so cluttered with booths and
huxters and anxious buyers, that the peaceable pedestrian can scarcely
wedge his way through. The noise moreover is deafening; above the cries
of vendors and buyers, rises a shriller chorus of bleating kids and
squealing pigs and braying donkeys.

Mr. Wilder, red in the face and short of temper, pushed through the crowd
with little ceremony, prodding on the right with his umbrella, on the
left with his fan, and using his elbows vigorously. Constance, serenely
cool, followed in his wake, nodding here and there to a chance
acquaintance, smiling on everyone; the spectacle to her held always fresh
interest. An image vendor close at her elbow insisted that she should buy
a Madonna and Bambina for fifty centesimi, or at least a San Giuseppe for
twenty-five. To her father's disgust she bought them both, and presented
them to two wide-eyed children who in bashful fascination were dogging
their footsteps.

The appearance of the foreigners in the piazza caused such a ripple of
interest, that for a moment the bargaining was suspended. When the two
mounted the steps of the jail and jerked the bell, as many of the
bystanders as the steps would accommodate mounted with them. Nobody
answered the first ring, and Constance pulled again with a force which
sent a jangle of bells echoing through the interior. After a second's
wait--snortingly impatient on Mr. Wilder's part; he was being pressed
close by the none too clean citizens of Valedolmo--the door was opened a
very small crack by a frowsy jailoress. Her eye fell first upon the
crowd, and she was disposed to close it again; but in the act she caught
sight of the Signorina Americana dressed in white, smiling above a
bouquet of oleanders. Her eyes widened with astonishment. It was long
since such an apparition had presented itself at that door. She dropped a
courtesy and the crack widened.

"Your commands, signorina?"

"We wish to come in."

[Illustration: "The two mounted the steps of the jail and jerked the
bell"]

"But it is against the orders. Friday is visiting-day at thirteen
o'clock. If the signorina had a _permesso_ from the _sindaco_, why
then--"

The signorina shook her head and shrugged her shoulders. She had no
_permesso_ and it was too much trouble to get one. Besides, the
_sindaco's_ office didn't open till ten o'clock. She glanced down; there
was a shining two-franc piece in her hand. Perhaps the jailoress would
allow them to step inside away from the crowd and she would explain?

This sounded reasonable; the door opened farther and they squeezed
through. It banged in the faces of the disappointed spectators, who
lingered hopefully a few moments longer, and then returned to their
bargaining. Inside the big damp stone-walled corridor Constance drew a
deep breath and smiled upon the jailoress; the jailoress smiled back.
Then as a preliminary skirmish, Constance presented the two-franc piece;
and the jailoress dropped a courtesy.

"We have heard that Antonio, our donkey-driver, has been arrested for
deserting from the army and we have come to find out about it. My father,
the signore here--" she waved her hand toward Mr. Wilder--"likes Antonio
very much and is quite sure that it is a mistake."

The woman's mouth hardened; she nodded with emphasis.

"_Gia_. We have him, the man Antonio, if that is his name. He may not be
the deserter they search--I do not know--but if he is not the deserter he
is something else. You should have heard him last night, signorina, when
they brought him in. The things he said! They were in a foreign tongue; I
did not understand, but I _felt_. Also he kicked my husband--kicked him
quite hard so that he limps today. And the way he orders us about! You
would think he were a prince in his own palace and we were his servants.
Nothing is good enough for him. He objected to the room we gave him first
because it smelt of the cooking. He likes butter with his bread and hot
milk with his coffee. He cannot smoke the cigars which my husband bought
for him, and they cost three soldi apiece. And this morning--" her voice
rose shrilly as she approached the climax--"he called for a bath. It is
true, signorina, a _bath_. _Dio mio_, he wished me to carry the entire
village fountain to his room!"

"Not really?" Constance opened her eyes in shocked surprise. "But surely,
signora, you did not do it?"

The woman blinked.

"It would be impossible, signorina," she contented herself with saying.

Constance, with grave concern, translated the sum of Tony's enormities to
her father; and turned back to the jailoress apologetically.

"My father is very much grieved that the man should have caused you so
much trouble. But he says, that if we could see him, we could persuade
him to be more reasonable. We talk his language, and can make him
understand."

The woman winked meaningly.

"Eh--he pretends he cannot talk Italian, but he understands enough to
ask for what he wishes. I think--and the Signor-Lieutenant who ordered
his arrest thinks--that he is shamming."

"It was a lieutenant who ordered his arrest? Do you remember his
name--was it Carlo di Ferara?"

"It might have been." Her face was vague.

"Of the cavalry?"

"_Si_, signorina, of the cavalry--and very handsome."

Constance laughed. "Well, the plot thickens! Dad, you must come to Tony's
hearing this afternoon, and put it tactfully to our friend the lieutenant
that we don't like to have our donkey-man snatched away without our
permission." She turned back to the jailoress. "And now, where is the
man? We should like to speak with him."

"It is against the orders, but perhaps--I have already permitted the head
waiter from the Hotel du Lac to carry him newspapers and cigarettes. He
says that the man Antonio is in reality an American nobleman from New
York who merely plays at being a donkey-driver for diversion, and that
unless he is set at liberty immediately a ship will come with cannon,
but--we all know Gustavo, signorina."

Constance nodded and laughed.

"You have reason! We all know Gustavo--may we go right up?"

The jailoress called the jailor. They talked aside; the two-franc piece
was produced as evidence. The jailor with a great show of caution got out
a bunch of keys and motioned them to follow. Up two flights and down a
long corridor with peeling frescoes on the walls--nymphs and cupids and
garlands of roses; most incongruous decorations for a jail--at last they
paused before a heavy oak door. Their guide tried two wrong keys, swore
softly as each failed to turn, and finally with an exclamation of triumph
produced the right one. He swung the door wide and stepped back with a
bow.

A large room was revealed, brick-floored and somewhat scanty as to
furniture, but with a view--an admirable view, if one did not mind its
being checked off into iron squares. The most conspicuous object in the
room, however, was its occupant, as he sat, in an essentially American
attitude, with his chair tipped back and his feet on the table. A cloud
of tobacco smoke and a wide spread copy of a New York paper concealed him
from too impertinent gaze. He did not raise his head at the sound of the
opening door but contented himself with growling:

"Confound your impudence! You might at least knock before you come in."

Constance laughed and advanced a hesitating step across the threshold.
Tony dropped his paper and sprang to his feet, his face assuming a shade
of pink only less vivid than the oleanders. She shook her head
sorrowfully.

"I don't need to tell you, Tony, how shocked we are to find you in such a
place. Our trust has been rudely shaken; we had not supposed we were
harboring a deserter."

Mr. Wilder stepped forward and held out his hand; there was a twinkle in
his eye which he struggled manfully to suppress.

"Nonsense, Tony, we don't believe a word of it. You a deserter from the
Italian army? It's preposterous! Where are your naturalization papers?"

"Thank you, Mr. Wilder, but I don't happen to have my papers with me--I
trust it won't be necessary to produce them. You see--" his glance rested
entirely on Mr. Wilder; he studiously overlooked Constance's
presence--"this Angelo Fresi, the fellow they are after, got into a
quarrel over a gambling debt and struck a superior officer. To avoid
being court-martialed he lit out; it happened a month ago in Milan and
they've been looking for him ever since. Now last night I had the
misfortune to tip Lieutenant Carlo di Ferara over into a ditch. The
matter was entirely accidental and I regretted it very much. I, of
course, apologized. But what did the lieutenant do but take it into his
head that I, being an assaulter of superior officers, was, by _a priori_
reasoning, this Angelo Fresi in disguise. Accordingly--" he waved his
hand around the room--"you see me here."

"It's an imposition! Depriving an American citizen of his liberty on any
such trumped-up charge as that! I'll telegraph the consul in Milan.
I'll--"

"Oh, don't trouble. I'll get off this afternoon; they've sent for someone
to identify me, and if he doesn't succeed, I don't see how they can hold
me. In the meantime, I'm comfortable enough."

Mr. Wilder's eye wandered about the room. "H'm, it isn't bad for a jail!
Got everything you need--tobacco, papers? What's this, New York _Sun_
only ten days old?" He picked it up and plunged into the headlines.

Constance turned from the window and glanced casually at Tony.

"You didn't go to Austria after all?"

"I was detained; I hope to get off tomorrow."

"Oh, before I forget it." She removed the basket from her arm and set it
on the table. "Here is some lemon jelly, Tony. I couldn't remember
whether one takes lemon jelly to prisoners or invalids--I've never known
any prisoners before, you see. But anyway, I hope you'll like it;
Elizabetta made it."

He bowed stiffly. "I beg of you to convey my thanks to Elizabetta."

"Tony!" She lowered her voice to a conspiratorial whisper and glanced
apprehensively over her shoulder to see if the jailor were listening. "If
by any chance they _should_ identify you as that deserter, just get word
to me and I will have Elizabetta bake you a veal pasty with a rope ladder
and a file inside. I would have had her bake it this morning, only
Wednesday is ironing-day at the villa, and she was so awfully busy--"

"This is your innings," Tony rejoined somewhat sulkily. "I hope you'll
get all the entertainment you can out of the situation."

"Thank you, Tony, that's kind. Of course," she added with a plaintive
note in her voice, "this must be tiresome for you; but it is a pleasant
surprise for me. I was feeling very sad last night, Tony, at the thought
that you were going to Austria and that I should never, never see you any
more."

"I wish I knew whether there's any truth in that statement or not!"

"Any truth! I realize well, that I might search the whole world over and
never find another donkey-man who sings such beautiful tenor, who wears
such lovely sashes and such becoming earrings. Why, Tony--" she took a
step nearer and her face assumed a look of consternation. "You've lost
your earrings!"

He turned his back and walked to the window where he stood moodily
staring at the market. Constance watched his squared shoulders dubiously
out of the corner of her eye; then she glanced momentarily into the hall
where the jailor was visible, his face flattened against the bars of an
open window; and from him to her father, still deep in the columns of his
paper, oblivious to both time and place. She crossed to Tony and stood at
his side peering down at the scene below.

"I don't suppose it will interest you," she said in an off-hand tone, her
eyes still intent on the crowd, "but I got a letter this morning from a
young man who is stopping at the Sole d' Oro in Riva--a very rude letter
I thought."

He whirled about.

"You know!"

"It struck me that the person who wrote it was in a temper and might
afterwards be sorry for having hurt my feelings, and so"--she raised her
eyes momentarily to his--"the invitation is still open."

"Tell me," there was both entreaty and command in his tone, "did you know
the truth before you wrote that letter?"

"You mean, did I know whom I was inviting? Assuredly! Do you think it
would have been dignified to write such an informal invitation to a
person I did not know?"

She turned away quickly and laid her hand on her father's shoulder.

"Come, Dad, don't you think we ought to be going? Poor Tony wants to read
the paper himself."

Mr. Wilder came back to the jail and his companions with a start.

"Oh, eh, yes, I think perhaps we ought. If they don't let you out this
afternoon, Tony, I'll make matters lively for 'em, and if there's
anything you need send word by Gustavo--I'll be back later." He fished in
his pockets and brought up a handful of cigars. "Here's something better
than lemon jelly, and they're not from the tobacco shop in Valedolmo
either."

He dropped them on the table and turned toward the door; Constance
followed with a backward glance.

"Good-bye, Tony; don't despair. Remember that it's always darkest before
the dawn, and that whatever others think, Costantina and I believe in
you. _We_ know that you are incapable of telling anything but the truth!"
She had almost reached the door when she became aware of the flowers in
her hand; she hurried back. "Oh, I forgot! Costantina sent these with
her--with--" She faltered; her audacity did not go quite that far.

Tony reached for them. "With what?" he insisted.

She laughed; and a second later the door closed behind her. He stood
staring at the door till he heard the key turn in the lock, then he
looked down at the flowers in his hand. A note was tied to the stems; his
fingers trembled as he worked with the knot.

"_Caro Antonio mio_," it commenced; he could read that. "_La sua
Costantina_," it ended; he could read that. But between the two was an
elusive, tantalizing hiatus. He studied it and put it in his pocket and
took it out and studied it again. He was still puzzling over it half an
hour later when Gustavo came to inquire if the signore had need of
anything.

Had he need of anything! He sent Gustavo flying to the stationer's in
search of an Italian-English dictionary.

       *       *       *       *       *

It was four o'clock in the afternoon and all the world--except
Constance--was taking a siesta. The _Farfalla_, anchored at the foot of
the water steps in a blaze of sunshine, was dipping up and down in drowsy
harmony with the lapping waves; she was for the moment abandoned,
Giuseppe being engaged with a nap in the shade of the cypress trees at
the end of the drive. He was so very engaged that he did not hear the
sound of an approaching carriage, until the horse was pulled to a sudden
halt to avoid stepping on him. Giuseppe staggered sleepily to his feet
and rubbed his eyes. He saw a gentleman descend, a gentleman clothed as
for a wedding, in a frock coat and a white waistcoat, in shining hat and
pearl gray gloves and a boutonniere of oleander. Having paid the driver
and dismissed the carriage, the gentleman fumbled in his pocket for his
card-case. Giuseppe hurrying forward with a polite bow, stopped suddenly
and blinked. He fancied that he must still be dreaming; he rubbed his
eyes and stared again, but he found the second inspection more
confounding than the first. The gentleman looked back imperturbably, no
slightest shade of recognition in his glance, unless a gleam of amusement
far, far down in the depths of his eye might be termed recognition. He
extracted a card with grave deliberation and handed it to his companion.

"_Voglio vedere la Signorina Costantina_," he remarked.

The tone, the foreign accent, were both reminiscent of many a friendly
though halting conversation. Giuseppe stared again, appealingly, but the
gentleman did not help him out; on the contrary he repeated his request
in a slightly sharpened tone.

"_Si, signore_," Giuseppe stammered. "_Prego di verire. La signorina e
nel giardino._"

He started ahead toward the garden, looking behind at every third step to
make sure that the gentleman was still following, that he was not merely
a figment of his own sleepy senses. Their direction was straight toward
the parapet where, on a historic wash-day, the signorina had sat beside a
row of dangling stockings. She was sitting there now, dressed in white,
the oleander tree above her head enveloping her in a glowing and fragrant
shade. So occupied was she with a dreamy contemplation of the mountains
across the lake that she did not hear footsteps until Giuseppe paused
before her and presented the card. She glanced from this to the visitor
and extended a friendly hand.

"Mr. Hilliard! Good afternoon."

There was nothing of surprise in her greeting; evidently she did not find
the visit extraordinary. Giuseppe stared, his mouth and eyes at their
widest, until the signorina dismissed him; then he turned and walked
back--staggered back almost--never before, not even late at night on
Corpus Domini day, had he had such overwhelming reason to doubt his
senses.

Constance turned to the visitor and swept him with an appreciative
glance, her eye lingering a second on the oleander in his buttonhole.

"Perhaps you can tell me, is Tony out of jail? I am so anxious to know."

He shook his head.

"Found guilty and sentenced for life; you'll never see him again."

"Ah; poor Tony! I shall miss him."

"I shall miss him too; we've had very good times together."

Constance suddenly became aware that her guest was still standing; she
moved along and made place on the wall. "Won't you sit down? Oh, excuse
me," she added with an anxious glance at his clothes, "I'm afraid you'll
get dusty; it would be better to bring a chair." She nodded toward the
terrace.

He sat down beside her.

"I am only too honored; the last time I came you did not invite me to sit
on the wall."

"I am sorry if I appeared inhospitable, but you came so unexpectedly, Mr.
Hilliard."

"Why 'Mr. Hilliard'? When you wrote you called me 'dear Jerry'."

"That was a slip of the pen; I hope you will excuse it."

"When I wrote I called you 'Miss Wilder'; that was a slip of the pen too.
What I meant to say was 'dear Constance'."

She let this pass without comment.

"I have an apology to make."

"Yes?"

"Once, a long time ago, I insulted you; I called you a kid. I take it
back; I swallow the word. You were never a kid."

"Oh," she dimpled, and then, "I don't believe you remember a thing about
it!"

[Illustration: "Never before had he had such overwhelming reason to doubt
his senses"]

"Connie Wilder, a little girl in a blue sailor suit, and two nice fat
braids of yellow hair dangling down her back with red bows on the
ends--very convenient for pulling."

"You are making that up. You don't remember."

"Ah, but I do! And as for the racket you were making that afternoon, it
was, if you will permit the expression, _infernal_. I remember it
distinctly; I was trying to cram for a math. exam."

"It wasn't I. It was your bad little sisters and brothers and cousins."

"It was you, dear Constance. I saw you with my own eyes; I heard you with
my own ears."

"Bobbie Hilliard was pulling my hair."

"I apologize on his behalf, and with that we will close the incident.
There is something much more important which I wish to talk about."

"Have you seen Nannie?" She offered this hastily not to allow a pause.

"Yes, dear Constance, I have seen Nannie."

"Call me 'Miss Wilder' please."

"I'll be hanged if I will! You've been calling me Tony and Jerry and
anything else you chose ever since you knew me--and long before for the
matter of that."

Constance waived the point.

"Was she glad to see you?"

"She's always glad to see me."

"Oh, don't be so provoking! Give me the particulars. Was she surprised?
How did you explain the telegrams and letters and Gustavo's stories? I
should think the Hotel Sole d'Oro at Riva and the walking trip with the
Englishman must have been difficult."

"Not in the least; I told the truth."

"The truth! Not all of it?"

"Every word."

"How could you?" There was reproach in her accent.

"It did come hard; I'm a little out of practice."

"Did you tell her about--about me?"

"I had to, Constance. When it came to the necessity of squaring all of
Gustavo's yarns, my imagination gave out. Anyway, I had to tell her out
of self-defence; she was so superior. She said it was just like a man to
muddle everything up. Here I'd been ten days in the same town with the
most charming girl in the world, and hadn't so much as discovered her
name; whereas if _she_ had been managing it--You see how it was; I had to
let her know that I was quite capable of taking care of myself without
any interference from her. I even--anticipated a trifle."

"How?"

"She said she was engaged. I told her I was too."

"Indeed!" Constance's tone was remote. "To whom?"

"The most charming girl in the world."

"May I ask her name?"

He laid his hand on his heart in a gesture reminiscent of Tony.
"Costantina."

"Oh! I congratulate you."

"Thank you--I hoped you would."

She looked away, gravely, toward the Maggiore rising from the midst of
its clouds. His gaze followed hers, and for three minutes there was
silence. Then he leaned toward her.

"Constance, will you marry me?"

"No!"

A pause of four minutes during which Constance stared steadily at the
mountain. At the end of that time her curiosity overcame her dignity; she
glanced at him sidewise. He was watching her with a smile, partly of
amusement, partly of something else.

"Dear Constance, haven't you had enough of play, are you never going to
grow up? You are such a kid!"

She turned back to the mountain.

"I haven't known you long enough," she threw over her shoulder.

"Six years!"

"One week and two days."

"Through three incarnations."

She laughed a delicious rippling laugh of surrender, and slipped her hand
into his.

"You don't deserve it, Jerry, after the fib you told your sister, but I
think--on the whole--I will."

Neither noticed that Mr. Wilder had stepped out from the house and was
strolling down the cypress alley in their direction. He rounded the
corner in front of the parapet, and as his eye fell upon them, came to a
startled halt. The young man failed to let go of her hand, and Constance
glanced at her father with an apprehensive blush.

"Here's--Tony, Dad. He's out of jail."

"I see he is."

She slipped down from the wall and brought Jerry with her.

"We'd like your parental blessing, please. I'm going to marry him, but
don't look so worried. He isn't really a donkey-man nor a Magyar nor an
orphan nor an organ-grinder nor--any of the things he has said he was. He
is just a plain American man and an _awful liar_!"

The young man held out his hand and Mr. Wilder shook it.

"Jerry," he said, "I don't need to tell you how pleased--"

"'Jerry!'" echoed Constance. "Father, you knew?"

"Long before you did, my dear." There was a suggestion of triumph in Mr.
Wilder's tone.

"Jerry, you told." There was reproach, scorn, indignation in hers.

Jerry spread out his hands in a gesture of repudiation.

"What could I do? He asked my name the day we climbed Monte Maggiore;
naturally, I couldn't tell him a lie."

"Then we haven't fooled anybody. How unromantic!"

"Oh, yes," said Jerry, "we've fooled lots of people. Gustavo doesn't
understand, and Giuseppe, you noticed, looked rather dazed. Then there's
Lieutenant Carlo di Ferara--"

"Oh!" said Constance, her face suddenly blank.

"You can explain to him now," said her father, peering through the trees.

A commotion had suddenly arisen on the terrace--the rumble of wheels, the
confused mingling of voices. Constance and Jerry looked too. They found
the yellow omnibus of the Hotel du Lac, its roof laden with luggage,
drawn up at the end of the driveway, and Mrs. Eustace and Nannie on the
point of descending. The center of the terrace was already occupied by
Lieutenant di Ferara, who, with heels clicked together and white gloved
hands at salute, was in the act of achieving a military bow. Miss Hazel
fluttering from the door, in one breath welcomed the guests, presented
the lieutenant, and ordered Giuseppe to convey the luggage upstairs. Then
she glanced questioningly about the terrace.

"I thought Constance and her father were here--Giuseppe!"

Giuseppe dropped his end of a trunk and approached. Miss Hazel handed him
the lieutenant's card. "The signorina and the signore--in the garden, I
think."

Giuseppe advanced upon the garden. Jerry's face, at the sight, became as
blank as Constance's. The two cast upon each other a glance of guilty
terror, and from this looked wildly behind for a means of escape. Their
eyes simultaneously lighted on the break in the garden wall. Jerry sprang
up and pulled Constance after him. On the top, she gathered her skirts
together preparatory to jumping, then turned back for a moment toward her
father.

"Dad," she called in a stage whisper, "you go and meet him like a
gentleman. Tell him you are very sorry, but your daughter is not at home
today."

The two conspirators scrambled down on the other side; and Mr. Wilder
with a sigh, dutifully stepped forward to greet the guests.





End of the Project Gutenberg EBook of Jerry Junior, by Jean Webster

*** END OF THIS PROJECT GUTENBERG EBOOK JERRY JUNIOR ***

***** This file should be named 20358.txt or 20358.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/0/3/5/20358/

Produced by Bruce Albrecht, Louise Pryor and the Online
Distributed Proofreading Team at https://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.