The Project Gutenberg eBook, The Man Next Door, by Emerson Hough,
Illustrated by Will Grefe


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org





Title: The Man Next Door


Author: Emerson Hough



Release Date: November 24, 2007  [eBook #23606]

Language: English

Character set encoding: ISO-646-US (US-ASCII)


***START OF THE PROJECT GUTENBERG EBOOK THE MAN NEXT DOOR***


E-text prepared by Roger Frank, Nigel Blower, and the Project Gutenberg
Online Distributed Proofreading Team (https://www.pgdp.net)



Note: Project Gutenberg also has an HTML version of this
      file which includes the original illustrations.
      See 23606-h.htm or 23606-h.zip:
      (https://www.gutenberg.org/dirs/2/3/6/0/23606/23606-h/23606-h.htm)
      or
      (https://www.gutenberg.org/dirs/2/3/6/0/23606/23606-h.zip)





THE MAN NEXT DOOR

by

EMERSON HOUGH

Author of The Covered Wagon, North of 36, Etc.

Illustrated by Will Grefe







New York
Grosset & Dunlap
Publishers

Made in the United States of America

Copyright, 1917, by Emerson Hough
Copyright, 1916, by The Curtis Publishing Company



[Illustration: "'Well,' says she, 'we never played anything for pikers,
did we, dad?'" (Page 35)]




TO THE MEN WITH WHOM I RODE IN THE OLD DAYS




CONTENTS


Chapter                                        Page
     I. How Come Us to Move                       1
    II. Where We Threw In                        18
   III. Us Living in Town                        29
    IV. Us and Christmas Eve                     37
     V. Us and the Home Ranch                    49
    VI. Us and Them Better Things                60
   VII. What Their Hired Man Done                69
  VIII. How Old Man Wright Done Business         91
    IX. Us and Their Fence                       99
     X. Us Being Alderman                       114
    XI. Us and the Freeze-Out                   123
   XII. Us and a Accidental Friend              129
  XIII. Them and the Range Law                  144
   XIV. How Their Hired Man Come Back           150
    XV. The Commandment That Was Broke          162
   XVI. How I Was Foreman                       167
  XVII. Him and the Front Door                  174
 XVIII. How Tom Stacked Up                      185
   XIX. Them and Bonnie Bell                    194
    XX. What Our William Done                   201
   XXI. Her Pa's Way of Thinking                212
  XXII. Me and Their Line Fence                 216
 XXIII. Tom and Her                             220
  XXIV. How Bonnie Bell Left Us All             234
   XXV. Me and Them                             253
  XXVI. How I Went Back                         260
 XXVII. How I Quit Old Man Wright               267
XXVIII. The Hole in the Wall                    273
  XXIX. How the Game Broke                      277
   XXX. How It Come Out After All               289




LIST OF ILLUSTRATIONS


                                                              Facing Page
"'Well,' says she, 'we never played anything for pikers,
     did we, dad?'"                                        _Frontispiece_
"'Well,' says he, 'our dog is more of a trench fighter.'"              74
"'I know now what it means to be a woman and in love.'"               230
"She knowed where he carried his gun."                                290




THE MAN NEXT DOOR




I

HOW COME US TO MOVE


Bonnie Bell was her real name--Bonnie Bell Wright. It sounds like a race
horse or a yacht, but she was a girl. Like enough that name don't suit
you exactly for a girl, but it suited her pa, Old Man Wright. I don't
know as she ever was baptized by that name, or maybe baptized at all,
for water was scarce in Wyoming; but it never would of been healthy to
complain about that name before Old Man Wright or me, Curly. As far as
that goes, she had other names too. Her ma called her Mary Isabel
Wright; but her pa got to calling her Bonnie Bell some day when she was
little, and it stuck, especial after her ma died.

That was when Bonnie Bell was only four years old, that her ma died, and
her dying made a lot of difference on the ranch. I reckon Old Man Wright
probably stole Bonnie Bell's ma somewhere back in the States when he was
a young man. She must of loved him some or she wouldn't of came to
Wyoming with him. She was tallish, and prettier than any picture in
colors--and game! She tried all her life to let on she liked the range,
but she never was made for it.

Now to see her throw that bluff and get away with it with Old Man
Wright--and no one else, especial me--and to see Old Man Wright
worrying, trying to figure out what was wrong, and not being able
to--that was the hardest thing any of us ever tried. The way he worked
to make the ma of Bonnie Bell happy was plain for anybody to see. He'd
stand and look at the place where he seen her go by last, and forget he
had a rope in his hand and his horse a-waiting.

We had to set at the table, all three of us, after she died--him and the
kid and me--and nobody at the end of the table where she used to
set--her always in clothes that wasn't just like ours. I couldn't hardly
stand it. But that was how game Old Man Wright was.

He wasn't really old. Like when he was younger, he was tall and
straight, and had sandy hair and blue eyes, and weighed round a hundred
and eighty, lean. Everybody on the range always had knew Old Man Wright.
He was captain of the round-up when he was twenty and president of the
cattle association as soon as it was begun. I don't know as a better
cowman ever was in Wyoming. He grew up at it.

So did Bonnie Bell grow up at it, for that matter. She pleased her pa a
plenty, for she took to a saddle like a duck, so to speak. Time she was
fifteen she could ride any of the stock we had, and if a bronc' pitched
when she rid him she thought that was all right; she thought it was just
a way horses had and something to be put up with that didn't amount to
much. She didn't know no better. She never did think that anything or
anybody in the world had it in for her noways whatever. She natural
believed that everything and everybody liked her, for that was the way
she felt and that was the way it shaped there on the range. There wasn't
a hand on the place that would of allowed anything to cross Bonnie Bell
in any way, shape or manner.

She grew up tallish, like her pa, and slim and round, same as her ma.
She had brownish or yellowish hair, too, which was sunburned, for she
never wore no bonnet; but her eyes was like her ma's, which was dark and
not blue, though her skin was white like her pa's under his shirt
sleeves, only she never had no freckles the way her pa had--some was
large as nickels on him in places. She maybe had one freckle on her
nose, but little.

Bonnie Bell was a rider from the time she was a baby, like I said, and
she went into all the range work like she was built for it. Wild she
was, like a filly or yearling that kicks up its heels when the sun
shines and the wind blows. And pretty! Say, a new wagon with red wheels
and yellow trimmings ain't fit for to compare with her, not none at all!

When her ma died Old Man Wright wasn't good for much for a long time,
for he was always studying over something. Though he never talked a word
about her I allow that somehow or other after she died he kind of come
to the conclusion that maybe she hadn't been happy all the time, and he
got to thinking that maybe he'd been to blame for it somehow. After it
was too late, maybe, he seen that she couldn't never have grew to be no
range woman, no matter how long she lived.

But still we all got to take things, and he done so the best he could;
and after the kid begun to grow up he was happier. All the time he was
a-rolling up the range and the stock, till he was richer than anybody
you ever did see, though his clothes was just about the same. But, come
round the time when Bonnie Bell was fourteen or fifteen years old, about
proportionate like when a filly or heifer is a yearling or so, he begun
to study more.

There was a room up in the half-story where sometimes we kept things we
didn't need all the time--the fancy saddles and bridles and things. Some
old trunks was in it. I reckon maybe Old Man Wright went up there
sometimes when he didn't say nothing about it to nobody. Anyhow once I
went up there for something and I seen him setting on the floor,
something in his hand that he was looking at so steady he never heard
me. I don't know what it was--picture maybe, or letter; and his face was
different somehow--older like--so that he didn't seem like the same man.
You see, Old Man Wright was maybe soft like on the inside, like plenty
of us hard men are.

I crept out and felt right much to blame for seeing what I had, though I
didn't mean to. Seems like all my life I had been seeing or hearing
things I hadn't no business to--some folks never do things right. That's
me. I never told Old Man Wright about my seeing him there and he don't
know it yet. But it wasn't so long after that he come to me, and he
hadn't been shaved for four days, and he was looking kind of odd; and he
says to me:

"Curly, we're up against it for fair!" says he.

"Why, what's wrong, Colonel?" says I, for I seen something was wrong all
right.

He didn't answer at first, but sort of throwed his hand round to show I
was to come along.

At last he says:

"Curly, we're shore up against it!" He sighed then, like he'd lost a
whole trainload of cows.

"What's up, Colonel?" says I. "Range thieves?"

"Hell, no!" says he. "I wish 'twas that--I'd like it."

"Well," says I, "we got plenty of this water, and we branded more than
our average per cent of calves this spring." For such was so that
year--everything was going fine. We stood to sell eighty thousand
dollars' worth of beef cows that fall.

He didn't say a word, and I ast him if there was any nesters coming in;
and he shook his head.

"I seen about that when I taken out my patents years ago. No; the range
is safe. That's what's the matter with it; the title is good--too good."

"Well, Colonel," says I, some disgusted and getting up to walk away, "if
ever you want to talk to me any send somebody to where I'm at. I'm
busy."

"Set down, Curly," says he, not looking at me.

So I done so.

"Son," says he to me--he often called me that along of me being his
segundo for so many years--"don't go away! I need you. I need
something."

Now I ain't nothing but a freckled cowpuncher, with red hair, and some
says both my eyes don't track the same, and I maybe toe in. Besides, I
ain't got much education. But, you see, I've been with Old Man Wright so
long we've kind of got to know each other--not that I'm any good for
divine Providence neither.

"Curly," says he after a while when he got his nerve up, "Curly, it
looks like I got to sell out--I got to sell the Circle Arrow!"

Huh! That was worse than anything that ever hit me all my life, and
we've seen some trouble too. I couldn't say a word to that.

After about a hour he begun again.

"I reckon I got to sell her," says he. "I got to quit the game. Curly,
you and me has got to make a change--I'm afraid I've got to sell her
out--lock, stock and barrel."

"And not be a cowman no more?" says I.

He nods. I look round to see him close. He was plumb sober, and his face
was solemn, like it was the time I caught him looking in the trunk.

"That irrigation syndicate is after me again," says he.

"Well, what of it?" says I. "Let 'em go some place else. It ain't
needful for us to make no more money--we're plumb rich enough for
anybody on earth. Besides, when a man is a cowman he's got as far as he
can go--there ain't nothing in the world better than that. You know it
and so do I."

He nods, for what I said was true, and he knowed it.

"Colonel," I ast him, "have you been playing poker?"

"Some," says he. "Down to the Cheyenne Club."

"How much did you lose?"

"I didn't lose nothing--I won several thousand dollars and eight hundred
head of steers last week," says he.

"Well, then, what in hell is wrong?" says I.

"It goes back a long ways," says he after a while, and now his face
looked more than ever like it did when he was there a-going through them
trunks. I turns my own face away now, so as not to embarrass him, for I
seen he was sort of off his balance.

"It's her," says the old man at last.

I might have knew that--might have knew it was either Bonnie Bell or her
ma that he had in his mind all the time; but he couldn't say a damn
word. He went on after a while:

"When she was sick I begun to get sort of afraid about things. One day
she taken Bonnie Bell by one hand and me by the other, and says she to
me: 'John Willie'--she called me that, though nobody knew it
maybe--'John Willie,' says she, 'I want to ask something I never dared
ask before, because I never did know before how much you cared for me
real,' says she. Oh, damn it, Curly, it ain't nobody's business what she
said."

After a while he went on again.

"'Lizzie,' says I to her, 'what is it? I'll do anything for you.'

"'Promise me, then, John Willie,' says she, 'that you'll educate my
girl and give her the life she ought to have.'

"'Why, Lizzie,' says I, 'of course I will. I'll do anything in the world
you say, the way you ask it.'

"'Then give her the place that she ought to have in life,' she says to
me."

He stopped talking then for maybe a hour, and at last he says again:

"Well, Curly, let it go at that. I can't talk about things. I couldn't
ever talk about her."

I couldn't talk neither. After a while he kind of went on, slow:

"The kid's fifteen now," says he at last. "She's going to be a looker
like her ma. It's in her blood to grow up in the cow business
too--that's me. But she's got it in her, besides, like her ma, to do
something different.

"I don't like to do my duty no more than anybody else does, but it shore
is my duty to educate that kid and give her a chance for a bigger start
than she can get out here. It was that that was in her ma's mind all the
time. She didn't want her girl to grow up out here in Wyoming; she
wanted her to go back East and play the game--the big game--the limit
the roof. She ast it; and she's got to have it, though she's been dead
more than ten years now. As for you and me, it can't make much
difference. We've brought her up the best we knew this far."

"Well, you can't sell the Circle Arrow now," says I, "and I'll tell you
why."

"Tell me," says he.

"Well, let's figure on it," says I. "It'll take anyways four years to
develop Bonnie Bell ready to turn off the range, according to the way
such things run. She'll have to go to school for at least four years.
Why not let the thing run like it lays till then, while you send her
East?"

"You mean to some girls' college?" says he. "Well, I've been thinking
that all out. She'll have to go to the same kind of schools her ma did
and be made a lady of, like her ma." He looks a little more cheerful and
says to me: "That'll put it off four years anyways, won't it?"

"Shore it will," says I. "Maybe something will happen by that time. It
don't stand to reason that them syndicate people will be as foolish four
years from now as they are today; and like enough you can't sell the
range then nohow." That makes us both feel a lot cheerfuller.

Well, later on him and me begun looking up in books what was the best
college for girls, though none of 'em said anything about caring special
for girls that knew more of horses and cows than anything else. We seen
names of plenty of schools--Vassar and Ogontz and Bryn Mawr--but we
couldn't pronounce them names; so we voted against them all. At last I
found one that looked all right--it was named Smith.

"Here's the place!" says I to Old Man Wright; and I showed him on the
page. "This man Smith sounds like he had some horse sense. Let's send
Bonnie Bell to Old Man Smith and see what he'll do with her."

Well, we done that. Old Man Smith must of knew his business pretty well,
for what he done with Bonnie Bell was considerable. She was changed when
she got back to us the first time, come summer of the first year. I
didn't get East and I never did meet up with Old Man Smith at all; but I
say he must of knowed his business. His catalogue said his line was to
make girls appreciate the Better Things of life. He spelled Better
Things in big letters. Well, I don't know whether Bonnie Bell begun to
hanker after them Better Things or not, but she was changed after that
every year more and more when she come home. In four years she wasn't
the same girl.

She wasn't spoiled--you couldn't spoil her noways. She was as much
tickled as ever with the colts and the calves and the chickens and the
alfalfa and the mountains; and she could still ride anything they
brought along, and she hadn't forgot how to rope. Still, she was
different. Her clothes was different. Her hats was different. Her shoes
was different. Her hair was done up different. Somehow she had grew up
less like her pa and more like her ma. So then I seen that 'bout the
worst had happened to him and me that could happen. Them Better Things
was not such as growed in Wyoming.

Now, Old Man Wright and me, us two, had brought up the kid. Me being
foreman, that was part of my business too. We been busy. I could see we
was going to be a lot busier. Before long something was due to pop. At
last the old man comes to me once more.

"Curly," says he, "I was in hopes something would happen, so that this
range of ours wouldn't be no temptation to them irrigation colonizers; I
was hoping something would happen to them, so they would lose their
money. But they lost their minds instead. These last four years they
raised their bid on the Circle Arrow a half million dollars every year.
They've offered me more money than there is in the whole wide world.
They say now that for the brand and the range stock and the home ranch,
and all the hay lands and ditches that we put in so long ago, they'll
give me three million eight hundred thousand dollars, a third of it in
real money and the rest secured on the place. What do you think of
that?"

"I think somebody has been drunk," says I. "There ain't that much money
at all. I remember seeing Miss Anderson, Bonnie Bell's teacher down at
Meeteetse, make a million dollars on the blackboard, and it reached
clear acrost it--six ciphers, with a figure in front of it. And that was
only one million dollars. When you come to talking nearly four million
dollars--why, there ain't that much money. They're fooling you,
Colonel."

"I wisht they was," says he, sighing; "but the agent keeps pestering me.
He says they'll make it four million flat or maybe more if I'll just let
go. You see, Curly, we picked the ground mighty well years ago, and them
ditches we let in from the mountains for the stock years ago is what
they got their eyes on now. They say that folks can dry-farm the benches
up toward the mountains--they can't, and I don't like to see nobody try
it. I'm a cowman and I don't like to see the range used for nothing
else. But what am I going to do?"

"Well, what are you going to do, Colonel?" says I. "I know what you'll
do, but I'll just ast you."

"Of course," says he, "it ain't in my heart to sell the Circle
Arrow--you know that--but I got to. Here's Bonnie Bell. She's
finished--that is to say, she ain't finished, but just beginning. She's
at the limit of what the range will produce for her right now. We got to
move on."

I nodded to him. We both felt the same about it. It wasn't so much what
happened to us.

"Well," says he, "we got to pick out a place for her to live at after we
sell the range. I thought of St. Louis; but it's too hot, and I never
liked the market there. Kansas City is a good cowtown; but it ain't as
good as Chicago. I reckon Chicago maybe is as good a cowtown as there
is."

"Well, Colonel," says I, "I reckon here's where I go West."

"You go where?" says he to me, sharp.

"West," says I.

"There ain't no West," says he. "Besides, what do you mean? What are you
talking about, going anywheres?"

"You said you was going to sell the range," says I. "That ends my work,
don't it? I filed on eight or ten homesteads, and so did the other boys.
It's all surveyed and patented, and it's yours to sell."

He didn't say nothing for a while, his Adam's apple walking up and down
his neck.

"You been square to me all your life, Colonel," says I, "and I can't
kick. All cowpunchers has to be turned out to grass sometime and it's
been a long time coming for me. I'm as old as you are, Colonel, and I
can't complain."

"Curly," says he, "what you're saying cuts me a little more than
anything ever did happen to me. Ain't I always done right by you?"

"Of course you have, Colonel. Who said you hadn't?"

"Ain't you always been square with me?"

"Best I knew how," says I. "I never let my right hand know what my left
was doing with a running iron--and I was left-handed."

"That's right; you helped me get my start in the early days. I owe a lot
to you--a lot more than I've ever paid; but the least I could do for you
would be to give you a home and a place at my table as long as ever you
live, and more wages than you're worth--ain't that the truth?"

"I don't know how you figure that," says I.

"Yes; you do, too, know how I figure that--you know there ain't but one
way I could figure it. You stay with me till hell freezes under both of
us; and I don't want to hear no more talk about you going West or
nowheres else."

Folkses' Adam's apples bothers sometimes.

"We built this brand together," says he, "and what right you got to
shake it now?" says he; me not being able now to talk much. "We rode
this range, every foot of it, together, and more than once slept under
the same saddle blanket. I've trusted you to tally a thousand head of
steers for me a half dozen times a year. You've had the spring rodeo in
your hands ever since I can remember. You've been one-half pa of that
kid. Has times changed so much that you got a right to talk the way
you're talking?"

"You're going back into the States, though, Colonel," says I. "They turn
men out there when they're forty--and I'll never see forty again. I read
in the papers that forty is the dead line back there."

"It ain't in Wyoming," says he.

"We won't be in Wyoming no more, there," says I.

He set and looked off across the range toward the Gunsight Gap, at the
head of the river, and I could see him get white under his freckles. He
was game, but he was scared.

"We can't help it, Curly," says he. "We've raised the girl between us
and we've got to stick all the way through. You've been my foreman here
and you got to be my foreman there in the city. We'll land there with a
few million dollars or so and I reckon we'll learn the game after a
while."

"I'd make a hell of a vallay, wouldn't I, Colonel?" says I.

"I didn't ast you to be no vallay for me," says he. "I ast you to be my
foreman--you know damn well what I mean."

I did know, too, far as that's concerned, and I thought more of Old Man
Wright then than I ever did. Of course it's hard for men to talk much
out on the range, and we didn't talk. We only set for quite a while,
with our knees up, breaking sticks and looking off at the Gunsight Gap,
on top of the range--just as if we hadn't saw it there any day these
past forty years.

I was plenty scared about this new move and so was he. It's just like
riding into a ford where the water is stained with snow or mud and
running high, and where there ain't no low bank on the other side. You
don't know how it is, but you have to chance it. It looked bad to me and
it did to him; but we had rid into such places before together and we
both knew we had to do it now.

"Colonel," says I at last to him, "I don't like it none, but I got to go
through with you if you want me to."

He sort of hit the side of my knee with the back of his hand, like he
said: "It's a trade." And it was a trade.

That's how come us to move from Wyoming to Chicago, looking for some of
them Better Things.




II

WHERE WE THREW IN


"Well, Curly," says Old Man Wright to me one day a couple of months
after we had our first talk, "I done it!"

"You sold her?" says I.

"Yes," says he.

"How much did you set 'em back, Colonel?" says I; and he says they give
him a million and a half down, or something like that, and the balance
of four million and a quarter deferred, one, two, three.

That's more money than all Wyoming is worth, let alone the Yellow Bull
Valley, which we own.

"That's a good deal of money deferred, ain't it, Colonel?" says I.

"Well, I don't blame 'em," he says. "If I had to pay anybody three or
four million dollars I'd defer it as long as I could. Besides, I'm
thinking they'll defer it more than one, two and three years if they
wait for them grangers to pay 'em back their money with what they can
raise.

"But ain't it funny how you and me made all that money? It's a proof of
what industry and economy can do when they can't help theirselfs. When
Tug Patterson wished this range on me forty years ago I hated him
sinful. Yet we run the ditches in from year to year, gradual, and here
we are!

"Well, now," he goes on, "they want possession right away. We got to
pull our freight. You and me, Curly, we ain't got no home no more."

That was the truth. In three weeks we was on our way, turned out in the
world like orphans. Still, Old Man Wright he just couldn't bear to leave
without one more whirl with the boys down at the Cheyenne Club. He was
gone down there several days; and when he come back he was hungry, but
not thirsty.

"It's no use, Curly," says he. "It's my weakness and I shore deplore it;
but I can't seem to get the better of my ways."

"How much did you lose, Colonel?" I ast him.

"Lose?" says he. "I didn't lose nothing. I win four sections of land and
five hundred cows. I didn't go to do it and I'm sorry; because, what am
I going to do with them cows?"

"Deed 'em to Bonnie Bell," says I. "Trust 'em out to some square fellow
you know on shares. We may need 'em for a stake sometime."

"That's a good idea," says he. "Not that I'm scared none of going broke.
Money comes to me--I can't seem to shoo it away."

"I never had so much trouble," says I, "but if you're feeling liberal
give me a chaw of tobacco and let's talk things over."

We done that, and we both admitted we was scared to leave Wyoming and go
to Chicago. We had to make our break though.

Bonnie Bell was plumb happy. She kept on telling her pa about the things
she was going to do when she got to the city. She told him that, so far
as she was concerned, she'd never of left the range; but since he wanted
to go East and insisted so, why, she was game to go along. And he nods
all the time while she talks that way to him--him aching inside.

We didn't know any more than a rabbit where to go when we got to
Chicago; but Bonnie Bell took charge of us. We put up in the best hotel
there was, one that looks out over the lake and where it costs you a
dollar every time you turn round. The bell-hops used to give us the
laugh quiet at first, and when the manager come and sized us up he
couldn't make us out till we told him a few things. Gradual, though,
folks round that hotel began to take notice of us, especial Bonnie Bell.
They found out, too, like enough, that Old Man Wright had more money
than anybody in Chicago ever did have before--at least he acted like he
had.

"Curly," says he to me one day, "I got to go and take out a new bank
account. I can't write checks fast enough on one bank to keep up with
Bonnie Bell," says he.

"What's she doing, Colonel?" I ast him.

"Everything," says he. "Buying new clothes and pictures, and lots of
things. Besides, she's going to be building her house right soon."

"What's that?" I says.

"Her house. She's bought some land up there on the Lake Front, north of
one of them parks; it lays right on the water and you can see out across
the lake. She's picked a good range. If we had all that water out in
Wyoming we could do some business with it, though here it's a
waste--only just to look at.

"She's got a man drawing plans for her new house, Curly--she says we've
got to get it done this year. That girl shore is a hustler! Account of
them things, you can easy see it's time for me to go and fix things up
with a new bank."

So we go to the bank he has his eye on, about the biggest and coldest
one in town--good place to keep butter and aigs; and we got in line with
some of these Chicago people that are always in a hurry, they don't know
why. We come up to where there is a row of people behind bars, like a
jail. The jail keepers they set outside at glass-top tables, looking
suspicious as any case keeper in a faro game. They all looked like
Sunday-school folks. I felt uneasy.

Old Man Wright he steps up to one of the tables where a fellow is
setting with eyeglasses and chin whiskers--oldish sort of man; and you
knowed he looked older than he was. He didn't please me. He sizes us up.
We was still wearing the clothes we bought in Cheyenne at the Golden
Eagle, which we thought was good enough; but this man, all he says to us
was:

"What can I do for you, my good people?"

"I don't know just what," says Old Man Wright, "but I want to open a
account."

"Third desk to the right," says he.

So we went down three desks and braced another man to see if we please
could put some money in his bank. This one had whiskers parted in the
middle on his chin. I shore hated him.

"What can I do for you, my good man?" says he.

"I was thinking of opening a account," says Old Man Wright.

"What business?" says he.

"Poker and cows," says Old Man Wright.

The fellow with whiskers turned away.

"I'm very busy," says he.

"So am I," says Old Man Wright. "But what about the account?"

"You'd better see Mr. Watts, three windows down," says the man with the
whiskers. So we went on a little farther down.

"How much of a deposit did you want to make, my good friend?" ast this
new man, who had little whiskers in front of his ears. I didn't like him
none at all.

Old Man Wright he puts his hand in his pocket and pulls out a lot of
fine cut, and some keys and a knife and some paper money, and says he:

"I don't know--it might run as high as three hundred dollars."

The man with the little whiskers he pushes back his roll.

"We couldn't think of opening so small a account," says he. "I recommend
you to our Savings Department, two floors below."

Old Man Wright he turns to me and says he:

"Haven't they got the fine system? They always have a place for your
money, even if it's a little bit."

"Hold on a minute," says he after a while and pulls a card out of his
pocket. "Take this in to your president and tell him I want to see him."

That made the man with the little whiskers get right pale. His mouth got
round like that of a sucker fish.

"What do you mean?" says he.

"Nothing much," says Old Man Wright. "I may have overlooked a few
things. I was wrong about that three hundred dollars."

He flattens out on the table a mussed-up piece of paper he found in his
side pocket.

"It wasn't three hundred dollars at all, but three hundred thousand
dollars," says he. "I forgot. Go ask your president if he'll please let
me open a account, especial since I bought four thousand shares in this
bank the other day when I was absent-minded--my banker out in Cheyenne
told me to do it. You can see why I come in, then--I wanted to see how
the hands in this business was carrying it on, me being a stockholder.
Now run along, son," says he, "and bring the president out here, because
I'm busy and I ain't got long to wait."

And blame me if the president didn't come out, too, after a while! He
was a little man, yet looked like he'd just got his suit of clothes from
the tailor that morning, and his necktie too--white and rather
soft-looking; not very tall, but wide, with no whiskers. I didn't have
no use for him at all.

The president he came smiling, with both his hands out. He certainly was
a glad-hand artist, which is what a bank president has to be today--he's
got to be a speaker and a handshaker. The rest don't count so much.

He taken us into his own room. I never had knowed that chairs growed so
large before or any table so long; but we set down. That president
certainly knew good cigars.

"My dear Mr. Wright," says he, "I'm profoundly glad that you have at
last came in to see us. I knew of your purchase in our institution and
we value your association beyond words. With the extent of your
holdings--which perhaps you will increase--you clearly will be entitled
to a place on our board of directors. I'm a Western man myself--I came
from Moline, Illinoy; and perhaps it will not be too much if I ask you
to let me have your proxy, just as a matter of form." He talks like a
book.

We had some more conversation, and when we went out all the case keepers
stood up and bowed, one after the other. We didn't seem to have no
trouble opening a account after that.

"The stock in this bank's too low," says Old Man Wright to me on the
side. "That's why I bought it. They're going to put it up after a while;
and when they start to put things up they put 'em farther when you begin
on the ground floor. Do you see?"

I begun to think maybe Old Man Wright was something more than a cowman,
but I didn't say nothing. We went back to the hotel and he calls in
Bonnie Bell to our room.

"Look at me, sis," says he. "Is they anything wrong with me?"

She sits down on his knee and pushes back his hair.

"Why, you old dear," says she, "of course they ain't."

"Is they anything wrong with my clothes or Curly's?" he says.

"Well now----" she begins.

"That settles it!" says he; and that afternoon him and me went down to a
tailor.

What he done to each of us was several suits of clothes. Old Man Wright
said he wanted one suit each of every kind of clothes that anybody ever
had been knew to wear in the history of the world. I was more moderate.
I never was in a spiketail in my whole life and I told him I'd die
first. Still, I could see I was going to be made over considerable.

As for Bonnie Bell, when she went down the avenue, where the wind blows
mostly all the time, she looked like she'd lived there in the city all
her life. She always had a good color in her cheeks from living
out-of-doors and riding so much, and she was right limber and sort of
thin. Her hat was sort of little and put some on one side. Her shoes was
part white and part black, the way they wore 'em then, and her stockings
was the color of her dress; and her dress was right in line, like the
things you saw along in the store windows.

It was winter when we hit Chicago and she wore furs--dark ones--and her
muff was shore stylish. When she put it up to the side of her face to
keep off the wind she was so easy to look at that a good many people
would turn round and look at her. I don't know what folks thought of her
pa and me, but Bonnie Bell didn't look like she'd come from Wyoming.
Once two young fellows followed her clear to the door of the hotel,
where they met me. They went away right soon after that.

Bonnie Bell just moved into Chicago like it was easy for her. As for Old
Man Wright, about all him and me could do was to go down to the
stockyards and see where the beef was coming from. We looked for some of
our brand, and when he seen some of the Circle Arrow cows come in he
wouldn't hardly talk to anybody for two or three days.

I never did see where Bonnie Bell's new house was, because she said it
was a secret from me. Her pa told me that he paid round two hundred and
twenty-five thousand dollars for the land, without no house on it.

"Why, at that," says I, "you'll be putting up a house there that'll cost
over six thousand dollars, like enough!"

Bonnie Bell hears me and says she:

"I shouldn't wonder a bit if it would cost even more than that. Anybody
that is somebody has to have a good house, here in Chicago."

"Are we somebody, sis?" says Old Man Wright, sudden.

"Dear old dad!" says she, and she kisses him some more. "We'll be
somebody before we quit this game--believe me!"

"Curly," says the old man to me soon after, "that girl's got
looks--Lord! I didn't know it till I seen her all dressed up the way she
is here. She's got class--I don't know where she got it, but she has.
She's got brains--Lord knows where she got them; certain not from me.
She's got sand too--you can't stop her noways on earth. If she starts
she's going through. And she says she only come here because she knew I
wanted to!" says he.

"What's the difference?" I ast him. "We fooled her, didn't we?"

"Maybe," says he. "I ain't shore."

Well, anyway, this is what we'd swapped the old days out on the Yellow
Bull for. We'd done traded the mountains and the valley and the things
we knew for this three or four rooms at several hundred dollars a month
in a hotel that looked out over the water, and over a lot of people on
the keen lope, not one of them caring a damn for us--leastways not for
her pa or me.




III

US LIVING IN TOWN


I never had lived in town this long, not in all my life before, and, far
as I know, the boss hadn't, neither. We wasn't used to this way of
living. We'd been used to riding some every day. Out in the parks, even
in the winter, once in a while you could see somebody riding--or
thinking they was riding, which they wasn't.

One day Old Man Wright, come spring, he goes down to the stockyards and
buys a good saddle horse for Bonnie Bell to ride. It cost him
twenty-five dollars a month to keep that horse, so he would eat his head
off in about three months at the outside. Old Man Wright tells me that
I'll have to ride out with the kid whenever she wanted to go. That
suited me. Of course that meant we had to buy another horse for me. That
made the stable bill fifty dollars a month. I never did know what we
paid for our rooms at the hotel, but it was more every month than would
keep a family a year in Wyoming.

Bonnie Bell she could ride a man's saddle all right, and she had a
outfit for it. When it got a little warmer in the spring we used to go
in the parks every once in a while. One day we rid on out into a narrow
sort of place along the lake. There was houses there--a row of them, all
big, all of stone or brick; houses as big as the penitentiary in Wyoming
and about as cheerful.

We stopped right in front of a big brick-and-stone house, which had
trees and flower beds and hedges all along; and says she:

"Curly, how would you like to live in a house like that?"

"I wouldn't live in the damn place if you give it to me, Bonnie Bell,"
says I, cheerful.

She looked at me kind of funny.

"That's the kind of a house the best people have in this town," says
she. "For instance, that house we're looking at looks as though the best
architects in town had designed it. That place, Curly, cost anywhere
from a half to three-quarters of a million, I'll betcha."

"Well, that's a heap more money than anybody ought to pay for a place to
live in," says I. "They ought to spend it for cows."

"But it fronts the lake," says she, "and it's right in with the best
people."

"Is that so?" says I. "Then here is where we ought to of come--some
place like that; for what we're here for is to break in with the best
people. Ain't that the truth, Bonnie Bell?"

"Maybe," says she after a while--"bankers, I suppose, merchants,
wholesale people--hides, leather, packing----"

"And not cowmen?" says I.

"Certainly not!" says she. "To be the best people you must deal in
something that somebody else has worked on--you must handle a
manufactured product of some kind. You mustn't be a producer of actual
wealth."

"Sho! Bonnie Bell," says I, "if you're in earnest you're talking
something you learned at Old Man Smith's college. I don't know nothing
about them things. Folks is folks, ain't they? A square man is a square
man, no matter what's his business."

"It's different here," says she.

"Well, now, while we're speaking about houses," says I, us setting there
on our horses all the time and plenty of people going by and looking at
us--or leastways looking at her--"why don't you tell me where your house
is going to be at? You never did show it to me once."

"I'm not going to, Curly," says she. "That's going to be a secret. Of
course dad knows where it is; but as for you--well, maybe we will get
into it by Christmas."

"Now, for instance," says I--and I waves my hand toward a place that was
just starting alongside this big house we'd been looking at--"it like
enough taken a year or so to get this here place as far along as it is."

"Uh-huh!" says she.

So then we turned away and rid back home. When we got back to the hotel
we found Old Man Wright setting in a chair, with his legs stuck out and
his hands in his pockets, looking plumb unhappy.

"What's the matter, dad?" ast Bonnie Bell. "Have you lost any money or
heard any bad news?"

"No, I ain't," says he. "It all depends on what people need to make them
happy."

"Well," says Bonnie Bell--her face was right red from the ride we had
and she was feeling fine--"I'm perfectly happy, except there ain't any
place you can ride a horse in this town and have any fun at it, the
roads are so hard. Everybody seems to go in motor cars nowadays,
anyways."

"Huh!" says her pa. "That's what I should think." He holds up a
newspaper in front of him. "When I first come here," says he, "I seen
that everybody was riding in cars, and I figured that more of them was
going to; so I taken a flyer, sixty thousand dollars or so, in some
stock in a company that was making one of them cars that sells right
cheap. Now them people have gave me eighty per cent stock for a bonus
and raised the dividend to twenty-five per cent a year. She's going to
make money all right. Shouldn't wonder if that stock would more than
double in a year or so."

"For heaven's sake, Colonel," says I, "ain't there nothing a-tall that
you can get into without making money?" says I.

"No, there ain't," says he, sad. "It happens that way with some folks--I
just can't help making it; yet here I am with more money than any of us
ought to have. But I had to do it," says he to Bonnie Bell. "I get sort
of lonesome, not having much to do; so that I have to mix up with
something. Cars, sis?" says he. "Why, let me give you two or three of
the kind our company makes."

"No you don't!" says Bonnie Bell. "I want one that----"

"Huh! that costs about eight or ten thousand dollars, maybe?"

"Well," says she, "you have to sort of play things proportionate, dad;
and I think that kind of a car is just about proportionate to what you
and me is going to do in this little town when we get started."

She turns and looks out the window some more. That was a way she had.
You see, all these months we'd been there already we didn't know a soul
in that town. Womenfolks always hate each other, but they hate
theirselves when other womenfolks don't pay no attention to them. Bonnie
Bell was used to neighbors and she didn't have none here; so, though she
was busy buying everything a girl couldn't possibly want, she didn't
seem none too happy now.

"What's wrong, sis?" says her pa after a while, pulling her over on his
knee. "Ain't me and Curly treating you all right?"

She pushed back his face from her and looks at him; and says she, right
sober:

"Dad," she says, "you mustn't ever really ask me that. You're the best
man in all the world--and so is Curly."

"No, we ain't," says he. "The best man hasn't really showed yet for you,
sis."

"Why, dad," says she, "I'm only a young girl!"

"You're the finest-looking young girl in this town," says he, "and the
town knows it."

"Huh!" says she, and sniffs up her nose. "It don't act much like it."

"If I can believe my eyes," says her pa, "when I walk out with you a
good many people seem to know it."

"That don't count, dad," says she. "Men, and even women, look at a girl
on the street--men at her ankles and women at her clothes; but that
doesn't mean anything. That doesn't get you anywhere. That isn't being
anybody. That doesn't mean that you are one of the best people."

"And you want to be one of the best people--is that it, sis?"

She set her teeth together and her eyes got bright.

"Well," says she, "we never played anything for pikers, did we, dad?"

Then them two looked each other in the eyes. I looked at them both. To
me it seemed there certainly was going to be some doings.

"Go to it, sis!" says her pa. "You've got your own bank account and it's
bigger than mine. The limit's the roof.

"Speaking of limits," says he, "reminds me that the president of our
bank he got me elected to the National League Club here in town; him
having such a pull he done it right soon--proxies, maybe. I've been over
there this afternoon trying to enjoy myself. Didn't know anybody on
earth. One or two folks finally did allow me to set in a poker game with
them when I ast. It wasn't poker, but only a imitation. I won two
hundred and fifty dollars and it broke up the game. If a fellow pushes
in half a stack of blues over there they all tremble and get pale. This
may be a good town for women, but, believe me, sis, it's no town for a
real man."

"Well, never mind, dad," says she. "If you get lonesome I'll have you
help me on the house. We'll have to get our servants together. For
instance, we've got to have a butler--and a good one."

"What's a butler?" says I.

"He stands back of your chair and makes you feel creepy," says Old Man
Wright. "We've got to have one of them things, shore. Then there's the
chauffore for the car when you get it, and the cook. That's about all,
ain't it?"

"That's about the beginning," says Bonnie Bell. "You have to have a cook
and a kitchen girl and two first-floor maids and two upper-floor maids
and a footman."

"Well, that will help some," says her pa. "I've been bored a good deal
and lonesome, but maybe, living with all them folks, somebody will start
something sometime. When did you say we could get in?"

"They tell me we'll be lucky if we have everything ready by Christmas,"
says Bonnie Bell.

"It looks like a merry summer, don't it?" says he sighing.

"And like a hell of a Merry Christmas!" says I.




IV

US AND CHRISTMAS EVE


How we spent all that spring and summer I don't hardly see now. We was
the lonesomest people you ever seen. Old Man Wright he'd go over to his
new club once in a while and sometimes out to the stockyards, and
sometimes he'd fuss round at this or that. Bonnie Bell and me we'd go
riding once in a while when she wasn't busy, which was most of the time
now. She had a lot of talking to do with the folks that was building her
house and furnishing it--she never would tell me where it was.

Well, it got cold right early in the winter. It was awful cold, colder
than it gets in Wyoming. When it gets cold in Chicago the folks say:
"This certainly is most unusual weather!"--just like we do when there is
a blizzard out in Wyoming. Old Man Wright and me we thought we'd freeze,
because, you see, we had to wear overcoats like they had in the city,
and couldn't wear no sheep-lined coats like we would have wore on the
range.

"Well, you see," said Bonnie Bell when we complained to her, "when we
get our motor car running we won't have to walk. Nobody that amounts to
anything walks in the city. Our best people all have cars; so they don't
need sheepskin coats. Our car will be here any time now; so we can see
more of the city and be more comfortable than you can on horseback.
Nobody rides horseback except a few young people in the parks in the
summertime--I found that out."

"Don't our best people do that now?" ast her pa.

"Some, but not many," says she. "There's a good many people that wants
you to think they're the best people; but they ain't. You can always
tell them by the way they play their hands. Most of the people I've seen
riding in the parks is that sort--they want you to look at them when
they ride because they're perfectly sure they're doing what our best
people are doing. You can tell 'em by their clothes, whether they are
riding or walking. It's easy to spot them out."

"I wonder," says I, "if they can spot out your pa and me?"

She comes over and rumples up my hair like she sometimes did.

"You're a dear, Curly!" says she.

"I know that," says I; "but don't muss up my new necktie, for I worked
about a hour on that this morning, and at that it's a little on one side
and some low. But I'm coming on," says I.

Now, Old Man Wright, when he wore his spiketail coat, he had the same
trouble with his tie that I had with mine. He told his tailor about that
one time, but his tailor told him that the best people wore them that
way--mussed up and careless. Natural like it was a hard game to play,
because how could you tell when to be careless and when not to be? But,
as I said, we was coming on.

Mr. Henderson--he was the hotel manager and a pretty good sport too--he
sort of struck up a friendship with Old Man Wright, and you couldn't
hardly say we didn't have no visitors, for he come in every once in a
while and was right nice to us. You see, what with Old Man Wright
wearing his necktie careless and Bonnie Bell dressing exactly like she
come out of a fashion paper, if it hadn't been for me our outfit might
of got by for being best people, all right. Like enough I queered the
game some; but Henderson he didn't seem to mind even me.

The day before Christmas Bonnie Bell said her new house was all done and
all furnished, everything in, servants and all, ready for us to move in
that very night and spend Christmas Eve there. But she says Mr.
Henderson, the manager of the hotel, wanted us to eat our last dinner
that night in the hotel before we went home. To oblige him we done so.

He taken us in hisself that night. The man at the door snatched our
hats away, but he taken Bonnie Bell's coat--fur-lined it was and cost a
couple of thousand dollars--over his arm, and he held back the chair for
her. There was flowers on the table a plenty. I reckon he fixed it up.
There wasn't no ham shank and greens, but there was everything else.

I shouldn't wonder if some of the best people was there. Everybody had
on the kind of clothes they wear in the evening in a town like
this--spiketails for the men, and silk things, low, for the womenfolks.
Old Man Wright, with his red moustache, a little gray, him tall, but not
fat, and his necktie a little mussed up, was just as good-looking a man
as was in the place.

As for Bonnie Bell--well, I looked at our girl as I set there in my own
best clothes and my necktie tied the best I knew how, and, honest, she
was so pretty I was scared. The fact is, pretty ain't just the word. She
was more than that--she was beautiful.

Her dress was some sort of soft green silk, I reckon, cut low, and her
neck was high and white, and her hair was done up high behind and tied
up somehow, and her chin was held up high. She had some color in her
face--honest color--and her eyes was big and bright. Her arms was bare
up above where her gloves come to. She didn't have on very many
rings--though, Lord! if she wanted them she could of had a bushel. She
didn't have on much jewelry nowhere; but I want to tell you everybody
in that room looked at her all they dared.

I looked at her and so did her pa. I don't know as you could say we both
was proud--that ain't the right word for it. We was both scared. It
didn't seem possible she could be ours. It didn't seem possible that us
two old cowmen had raised her that way out on the range and that she had
changed so soon. She must of had it in her--her ma, I reckon.

There was a table not very far from ours, just across the first window,
where there was a old man and a old woman and a young man. They seen us
all right. I seen the young man looking at Bonnie Bell two or three
times, always looking down when he seen I noticed. He was a good-looking
young man and dressed well, I suppose, for all the men was dressed
alike. His necktie was tied kind of mussy and careless, like Old Man
Wright's, and he didn't have to keep pushing at his shirt. Did Bonnie
Bell notice him? Maybe she did--you can't tell about womenfolks; their
eyes is set on like a antelope's and they can see behind theirself.

"That's Old Man Wisner," says Henderson, the hotel manager, quiet, to
us, leaning over and pretending like he was fixing our flowers some
more. "Mrs. Wisner and young Mr. James Wisner are with him. You know, he
is one of the richest men here in Chicago--packing and banking, and all
that sort of thing. They are among our best people. They live up in
Millionaire Row."

"Yes, I know," says Bonnie Bell.

From where I set I could see them Wisners over at the other table. The
old man was big, with gray whiskers and gray hair, rather coarse. He had
big eyebrows and his eyes was kind of cross-looking, like his stomach
wasn't right. He was a portly sort of man--you've seen that kind. Some
is bankers and some packers and some brewers; they all look alike, no
matter what they are. They can't ride or walk.

This old party he didn't seem to be paying much attention to his wife,
and I don't know as I blame him. She may have had some looks once, but
not recent. They wasn't happy.

After a while the folks at that table got up and went on out before we
was done with our dinner, which was going strong at the end of a couple
of hours--there wasn't anything in the whole wide world we didn't have
to eat except ham shank and greens. At that, we had a right good time.

By and by it got to be maybe eleven o'clock, and Bonnie Bell turns down
her long white gloves, which she had tucked the hands of them back into
the wrists.

"Shall I call your car, Mr. Wright?" ast the manager, Mr. Henderson.

"I don't know," says Old Man Wright. "Have we got a car, sis?"

"Yes, papa," says she--she mostly said "papa" when folks was round;
don't overlook it that Old Man Smith turned out girls with real class.
She didn't talk like her pa and me neither.

"Yes, papa," says she now. "I was going to surprise you about our car;
it's been on hand for a week. I employed a driver and told him to be
ready for us about now." You see all our things had gone out to the new
house.

We all three of us helped Bonnie Bell on with her coat. She picked up
her muff and we all went out. I don't think any man in the place that
had brass buttons forgot that Christmas Eve.

The tall man in front at the door, like a drum major in a band, he knew
us well enough by now; he opens the door for us and we stand there,
looking out.

I said it was cold in Chicago and it was shore cold that night. It was
snowing--snow coming in off the lake slantwise, like a blizzard on the
plains. You couldn't hardly see across the walk. Out beyond the awning,
which covered the sidewalk, we could see our new car--a long, shiny one
with lights inside and lamps all over it, red, white and blue, or maybe
green. There was a couple of men on the front seat outside--I don't know
when the kid had hired them. They was both wrapped up in big fur
overcoats, which they certainly did need that night, since they couldn't
ride in the e-limousine, like us.

Bonnie Bell walks across the sidewalk now, under the awning, with her
muff up against her face, bending over against the storm. She looks up,
after she has said good-by to Mr. Henderson, who run out with us,
laughing and saying "Merry Christmas!"--she just looks up at the man on
the seat, and says she: "Home, James!"

I reckon the man must of been new that she had hired. He looks round at
first, as if he was trying to read our brand. Then all at once, sudden,
he jumps down offen the seat, touches his cap and opens the door.

We all got in and said good-by to the hotel where we'd been living so
long. The chauffore touches his hat again, shuts the door and climbs
back in his seat. He turned that long car round in one motion in the
street. The next minute we was out on the avenue, away from the hotel,
and right in the middle of that row of lights several miles long, where
the bullyvard is at, along the lake there. He turns her north on the
bullyvard, without a skip or a bobble, and she runs smooth as grease. I
seen Bonnie Bell was certainly a good judge of a car, like she was of a
horse or anything else.

"Daughter," says Old Man Wright to her after a time--and he didn't usual
call her that--"you're a wonder to your dad tonight! Where did you get
it? Where did you learn it?"

She looks up at him quick from her muff, plumb serious, and just put out
her hand on his, in its white glove.

We moved right along up the avenue, along a little crooked street or so,
round a corner and over the bridge; and then we come out where the
lights was in a long row again, and we could hear the roar of the lake
right close to the road.

"Where are you taking us, kid?" says I after a while, seeing that her pa
wasn't going to say nothing, nohow.

She only smiled.

"Wait, Curly; you'll see the new ranch house before so very long."

By and by we was right at the lower end of that long row of big houses
that cost so much money, where the best people live--Millionaire Row,
they called it then.

I knew where we was. After a while we come right to the place where
Bonnie Bell and me once had set on our horses and looked out at a new
house that wasn't finished, but was just beginning. It was done now--all
complete, from top to bottom, right where the foundations had been last
spring! I could see where the walks was laid out and some trees had been
planted that fall--big ones, as though they had always growed there.
Here and there was statues, women mostly and looking cold that night.

On behind you could see the line of the low buildings, like the outlying
barns of the home ranch on the Yellow Bull; but this house stood there
just inside, where the lake come in rolling and roaring, and fronted
right on this avenue, where our best people lived. It was stone, three
stories or more, maybe, with a place for buckboards to drive under and a
stone porch over the front door, and a walk and steps. And it was all
lit up from top to bottom; all the windows was bright.

We wasn't cold or wet or tired, us three, but we wasn't feeling
good--not one of us. Now when we stopped there for some reason and
looked at all them red lights shining, I sort of felt a wish that I
could see a light shining in some home ranch once more, like I had so
often out on the Yellow Bull. I set there looking at that place, all lit
up for somebody, all waiting for somebody; and for a time I forgot where
I was--forgot even that the car had stopped.

I turns round; and there was Bonnie Bell pulling her coat up round her
neck and fixing her hands in her muff, and her pa was buttoning up his
coat. Just then, too, I seen the chauffore jump down offen the front
seat. He comes round to the door, right where the walk was that led up
to this new big house, and he opens the door and touches his hat, and
stands there, waiting.

What with their laughing and pulling at me, and me sort of hanging back,
we kind of forgot it was Christmas Eve. Old Man Wright thought of it,
sudden; and he turns back to the man, who still stood at the door
looking after Bonnie Bell and us as though we'd forgot something. He
puts his hand in his waistcoat pocket and hauls out a ten-dollar gold
piece, and puts it into the hand of this new chauffore of ours.

"Here you go, son," says he. "Merry Christmas! And I hope you'll take
good care of my daughter."

The new chauffore, standing there in the snow--he was tall and a right
good-looking chap too--he touches his cap.

"Thank you, sir," says he.

I seen the car move on away. It didn't turn in at our alley, but went on
to the next gate, because our road wasn't quite finished yet. A minute
afterward Bonnie Bell had me inside the door in the hall and was kissing
us both, right in front of a sad-looking man in clothes like ours.

We stood for just a minute near the big door, and before we got it shut
she looked out once more into the night, with the lights shining all
through the snow, and the trees looking white and thin in the drift.

"Call the chauffore in and have him get a drink," says Old Man Wright.
"That was a cold ride."

But by this time he was gone; so we all turns back to wrastle with this
sad man, who evident was intending to mix it with us.




V

US AND THE HOME RANCH


When all three of us--Old Man Wright and Bonnie Bell and me--went inside
the door of that big new house we stood there for a minute or so; and at
first I thought we had got into the wrong place--especial since that sad
man looked like he thought so too.

It was all lit up inside and you could see 'way back into the
hall--little carpets of all sorts of colors laying round, and pictures
on the wall, and a fire 'way on beyond somewhere in a grate. I never
seen a hotel furnished better.

Old Man Wright was like a man that's won a elephant on a lottery ticket.
Bonnie Bell looks at him and looks at me like she missed something. On
the whole, I reckon we was the three lonesomest, scaredest, unhappiest
people in all that big town--it was Christmas Eve too!

There was a lot of other people in a row standing down the hall, back of
this sad man. He located us at last and began to help Old Man Wright
take off his overcoat--and me too; but I wouldn't let him. I wasn't
sick or nothing. So we stood there a little while, dressed up and just
come to our new home ranch.

"That will do, William," says Bonnie Bell to the sad man.

"Father," says she, and she leads him to the row of folks in the hall,
"these are all our people that I have engaged. This is Mary, our cook;
and Sarah, the first maid. Annette is going to be my maid."

Well, she went down the line and introduced us to a dozen of 'em, I
reckon. I just barely did know enough not to shake hands. Some of 'em
touched their foreheads and the girls bobbed. They didn't talk none and
they didn't shake hands.

By now Bonnie Bell's maid had her coat over her arm and them two was
starting upstairs.

"I'll be back in a minute, dad," says she. "William will take you and
Curly into your room."

The sad man he walks off down the hall, us following, and we come to a
place right in the center of the house--and he left us there. We stopped
when we went through the door.

What do you know? Bonnie Bell had fitted up that room precisely like the
big room in the old home ranch! All our old things was there--how she
got them I never knew. There was the old table, with the pipes and
papers on it, and tobacco scattered round, and bottles over on the
shelf, and a bridle or so--just the same place all the way through. She
even had the stones of the old fireplace brought on, one nicked, where
Hank Henderson shot the cook once.

"Look-a-here, Curly," says Old Man Wright after a while.

He leads me over to the corner of the room, aside of the fireplace. Dang
me, if there wasn't our two old saddles, wore slick and shiny! Old Man
Wright stands there in his spiketail coat, and he runs his hand down
that old stirrup leather a time or two; and for a little while he can't
say nothing at all--me neither.

"Ain't she some girl, Curly?" says he after a while.

"She's the ace, Colonel," says I.

"Ain't a thing overlooked," says he, thoughtful, walking round the
place, his hands in his pockets.

By and by he come up to half a bottle of corn whisky--the same one that
had stood on the table out on the Circle Arrow. He picks it up and pours
hisself out a drink, thoughtful, and shoves it over to me.

"Every little thing!" says he. "Not a thing left out! It's the same
place. Gawd bless the girl, anyways! I don't think I could of stood it
at all if she hadn't fixed up this room for you and me. I was just going
to stampede."

"Well, Colonel," says I, "here's looking at you! I see we've got a place
where we can come in and unbuckle. It makes it a heap easier. I wasn't
happy none at all before now."

"She done it all herself," says her pa, setting his glass down and
looking round the room once more. "I give her free hand. The architect
had marked this place 'Den,' I reckon. Huh! I don't call it a den--I
call it home, sweet home. If it wasn't for this room," says he, "this
would be one hell of a Christmas, wouldn't it, Curly? But never mind;
we're going to break into this town, or get awful good reasons why."

"You reckon we can, Colonel?" says I.

"Shore, we can!" says he. "We got to! Don't she want it?"

"For instance," says I, "what's the name of our neighbors over next door
to us, you reckon?"

"That's where Old Man Wisner lives," says he, grinning. "Them was the
folks that set over at the table that Henderson pointed out to us
tonight. He's the biggest packer in Chicago, president or something in
about all the banks and everything else--there ain't no better people
than what the Wisners are. And don't we live right next door to 'em? Can
you beat it? That's why the land cost so much.

"Wisner didn't want us to buy this place; he wanted to buy it hisself,
but buy it cheap. It was him or me, and I got it. Still, when I want to
be neighbor to a man I'm going to be a neighbor whether he likes it or
not."

"You reckon they'll like us?" says I.

"They got to," says he.

We was standing up, our glasses in hand, looking out through the door
down the hall to where things was all bright and shiny; and just then we
heard Bonnie Bell come down the stairs and call out:

"Oo-hoo, dad!"

We raises our glasses to her when she come in the door. She had took off
the clothes she wore down at the hotel and had on something light and
loose, silk, better for wearing in the house. The house was all warm,
too, and in our fireplace, the old smoky one, some logs was burning
right cheerful.

It was a new sort of Christmas to us, but we lived it down. The next
morning we all acted as much like kids as we could, which is all there
is to any Christmas. My socks was full of candy, and Old Man Wright he
had a Teddy bear in his--part ways anyhow. Then Bonnie Bell she give him
a new gold watch with bells in it, and me a couple of pins for my
necktie. I never could get 'em in right.

After a while we come down to breakfast. We was in a big room that faced
toward the Wisners' and likewise toward the lake. I reckon you could see
forty miles up and down from where we set eating. It was warm in the
room, though there wasn't much fire, and we all felt comfortable.

You could see out our windows right over the lot of the Wisners'; we
could see into their house same as they could see into ours. There was a
garridge set back toward the lake, same as ours, about on the same line,
and beyond that you could see a boathouse. They had trees in their yard
like ours, but ours was almost as big, though just planted. You could
see where our flower beds was laid out, and the lines of little green
trees all set in close together. On beyond the Wisners' you could see a
whole row of other houses, all big and fine like theirs and ours.

All the whole country was covered with snow that morning. The wind was
still blowing and the lake coming in mighty rough; you could hear the
noise of it through the windows. It looked mighty cold outside and it
was cold. You can freeze to death respectable in Wyoming, but in Chicago
you keep on freezing and don't freeze to death, but wish you would, you
are that cold.

Well, like I said, it was warm in the big room where we et. Bonnie Bell
had a couple of yellow canary birds which was able to set up and sing,
which Old Man Wright said was almost more than he could do hisself.
Breakfast come on a little at a time--you couldn't tell how much of it
there was going to be; but it made good, though it didn't start out
very strong. By and by it got round to ham and aigs, which made us feel
better. I never tasted better coffee; it was better than anything we had
on the Yellow Bull. Ours out there was mostly extract, in pound
packages--beans, I think, maybe.

"How do you like our new house, dad?" says she.

"They can't beat it, Bonnie Bell," says he.

"Dad; dear old dad!" says she. "I'm so glad you like it. I done it all
for you."

"How do you mean?" says he.

"Why, of course, you know what a sacrifice it was for me to come here
and leave the old place! But I seen you wanted it. If I thought it
wasn't all right I believe it would break my heart."

"I know it," says he. "I know what a sacrifice you made when you come
here on my account. If anything comes out wrong for you because of that
sacrifice it shore would break my heart. 'Button, button,' says he,
'who's got the sacrifice?' If you leave it to me I'd say it was Curly,
and not neither of us. Forget it, sis, and have another warfle."

"How do you like the place, Curly?" says she to me.

"I never seen anything like it," says I. "Like enough you paid too much
though. I bet you paid two or three thousand dollars for this land--you
was fooling when you said over two hundred thousand; and there ain't
enough of it to rope a cow on at that. You could have bought several
sections of real land for the same money; and how many cows this here
house cost there can't nobody figure."

About then I heard a noise out in the street. Four or five
people--Dutch, maybe--was playing in a band out there in front of the
Wisners'. A man come out and shooed 'em away. They stood out in front of
our place then and kept on playing. It seems like you can't eat in
Chicago without some one plays music around.

"Here; take 'em out some money, William," says Old Man Wright. "It's
Christmas."

They played some more then, and every morning since. I always hated 'em
and I reckon everybody else did along in there, but there didn't seem to
be no way to run 'em off.

"Well," says Old Man Wright when we finished our breakfast, "what are we
going to do today, sis?" says he. "It's good tracking snow, but there
ain't nothing to track. There ain't no need to see how the hay's holding
out or to wonder if the cows can break through the ice to get at water.
There ain't no horses in the barns. We ain't got a single thing to
do--not even feed the dogs."

Bonnie Bell was reading in the paper which William, the sad man, had put
by our plates. Her eyes got kind of soft and wetlike.

"I'll tell you what we can do, dad," says she. "Look at this list of
poor people here in town that ain't got no Christmas."

"I've got you, sis," says he. "William, go tell the driver to bring the
big car round; and tell the cook to get several baskets, full of
grub--we're going to have a little party."

Well, by and by the chauffore brought the car round in front and we went
out; and William and the others loaded her up with baskets. The
chauffore was looking kind of pale and shaky. He seemed to have
something on his mind.

"I hope you'll excuse me, sir," says he, touching his hat to Old Man
Wright. "I didn't mean to be late; but, you see, it was Christmas
Eve----"

"Why, that's all right," says Old Man Wright to him. "Don't mention
it--Christmas is due to come once a year anyhow."

"I'll not let it occur again," says the chauffore, touching his hat
again.

"What? Christmas?" says he. "You can't help it."

The man looked at him kind of funny. I knew then he'd been celebrating
the night before, and I was right glad he hadn't begun to celebrate
until he'd drove us home, for he was jerky yet.

Christmas is a time when folks ought to be happy. We wasn't happy none
that day. I never seen before what it was to be real poor. Here in this
town, where there is so much money, it seemed like there was hundreds
and thousands of people hadn't saw a square meal in their whole lives.
You couldn't hardly stand it to see 'em--at least I couldn't. We spent
our day that way--our first Christmas in town--trying to feed all the
hungry people there was; and we couldn't. It was the saddest Christmas I
ever had in all my life.

That night Old Man Wright and me didn't stop to put on our regular
eating clothes, as Bonnie Bell said we ought to, and we all set down in
her dining-room for dinner, feeling kind of thoughtful and thinking of
how many people wasn't going to get no such a dinner that night. As for
us, we had plenty; and, believe me, there was something which filled a
long-felt want for Old Man Wright and me. What do you think? Why, ham
shank and greens!

"Sis," says her pa, "you certainly are thoughtful."

We could see out our windows over into the Wisners' windows--it seemed
like they had forgot to pull down their blinds, same as we had. They
didn't seem to be nobody at home, only one young man. He come in all by
hisself, all dressed up, and there was three men waiting on him at the
table. At length I calls attention to this, and Bonnie Bell turns her
head and looks across.

"William," says she, "draw the blinds; and be more careful after this."




VI

US AND THEM BETTER THINGS


Well, things rocked along this way and we got through the winter
someways, though every once in a while I taken a cold along of being
shut up so much. There wasn't nowhere to go and nothing to do except to
read the papers and wish you was dead.

Old Man Wright couldn't stand it no more; so he goes downtown and rents
him a fine large office in a big building, with long tables with glass
on top, and big chairs, something like in a bank. He didn't put no
business sign on the door--just his name: J. W. Wright.

I'm lazy enough for anybody, like any cowpuncher--I don't believe in
working only in spots; but sometimes I'd get so tired of doing nothing
at the house that I'd get the chauffore to take me down to Old Man
Wright's office, where I felt more at home. Nobody never come in to see
us once--not in three months. We didn't have no neighbors, and we begun
to see that that was the truth. I couldn't understand it, for we'd never
got caught at nothing.

"Colonel," says I one morning, "do you reckon they're holding our past
up against us anyways?" says I. "We spend a awful lot of money, but what
do we get for it? Not a soul has came in our new house. As for me, I
know I ain't earning no salary."

"Don't worry about that, Curly," says he. "You're getting plenty of grub
and a place to sleep, ain't you? I'm the one that ought to worry,
because I can't hardly find nothing to do here except make a little
money."

"Won't there nobody play cards or nothing? Ain't there no sports in this
town?" says I.

"Poker here is a mere name." He shakes his head. "If you push in a
hundred before the draw you're guilty of manslaughter. But there is
other ways of making money."

"How is the deferred payments on the Circle Arrow coming on?" says I.

"One come in, so far, interest and all," says he. "I wisht it hadn't.
First thing I know, I'll be as rich as Old Man Wisner here. I see he
wants to run for alderman up in that ward. Now I wonder what his game is
there--it don't stand to reason he'd want to be a alderman now, unless
there's something under it. You'd think he was trying to run the town
and the whole world, too, wouldn't you?"

"I don't like that outfit," says I. "They ain't friendly. If a man don't
neighbor with you, like enough he's stealing somewhere and don't want
to be watched."

"That certainly is so," says he. "Still, I been busy enough for a
while."

"The first thing you know," I says to him, "you'll lose your roll, and
then where will we be?" But he only laughs at that.

"For instance," says he, "you see all them electric lights all over this
town. I begun to study about them things when I first come here. There's
a sort of little thing inside that they burn--carbon, they call it. I
seen that everybody would keep their eyes on the light and not notice
the carbon. But still they had to have carbon. I put a little into a
company that made them things--not much; only a hundred thousand or so.
Since then, what have they done? Why, they've turned in and gave me
eighty per cent stock for nothing, and raised the cash dividend until
I'm making twenty per cent on all I invested and what I didn't invest
too. Such things bores me.

"Then again, there's my rubber business," says he, "rubber tires. The
second day we owned the big car she busts a couple of tires--fifty
dollars or so per each. I begun to figure out how many cars they was
running in this town, up and down the avenue and all over all the other
streets, each one of 'em with four tires on and any one of 'em liable to
bust any minute. I figure the tires runs from fifteen to sixty dollars
apiece and that somebody spends a lot of money for them. Then I went and
bought into a good company that makes them things, a few months ago--not
much; only a couple of hundred thousand or so. But what's the use?" He
sets back and yawns, looking tired.

"I can't help it. I can't find no game in this country that's hard
enough to play for to be interesting. What them rubber-tire people done
was to make me a present of a whole lot of other stock the other day and
raise the dividends. I can't buy into no company at all, it seems like,
'less'n every twenty minutes or so they up and declare another dividend.
I don't like it. I wisht I could find some real man's-size game to play,
because I'm like you--I get lonesome."

Still, he was looking thoughtful.

"Some games we can play," says he. "Then again, seems like there's
others we can't. Now about the kid----"

"She's busy all the time," says I to him. "She reads and paints. Sundays
she goes to church, while you and me only put on a collar that hurts.
Week days she goes down to the picture galleries and into the liberry.
She buys books. She's got her own cars--the big car and the electric
brougham you give her on her birthday last week--ain't a thing in the
world she ain't got. She's plumb happy."

"Except that she ain't!"

"You mean that we don't know nobody--nobody comes in to visit?" He nods.
"Well, why don't we go in and call on them Wisner people that lives next
to us?" says I.

"We can't do that; the rules of the game is that the folks living in a
place first has to make the first call."

"That's a fool rule," says I.

"Shore it is; but Bonnie Bell knows all them rules and she ain't going
to make any break--Old Man Smith taught her a few things--or maybe she
learned it instinctive from her ma. Her ma was a Maryland Janney. They
pretty near knew. And yet she told me---- Oh, shucks, Curly!"

"Well, what did she say?"

"She says she met Old Lady Wisner fair out on the sidewalk one morning
and she was going to speak to her; they was both of them going down to
their cars, which was standing side by side on the street. The old lady,
she turns up her nose, such as there was of it, and she looks the other
way. That hurt my girl a good deal. You know she ain't got a unkind
thought in her heart for nobody or nothing on earth. She never was broke
to be afraid of nothing or expect nothing but good of nobody--you and me
taught her that, didn't we, Curly? And that old cat wouldn't look at my
girl! Well, Curly, that's what I mean when I say there is some games
that seems hard to play. Don't a woman get the worst of it every way of
the deck, anyhow?"

"Well now," says I, "ain't there no way we can break in there
comfortable like?"

"I don't see how," says he, shaking his head.

"Why can't we kill their dog?" says I. "Something friendly, just to
start things going."

"That ain't no good," says he. "We tried it. Bonnie Bell already killed
two of their dogs with her new electric brougham. You see, she had to go
out and try it for herself, for she says she can ride anything that has
hair on it, even if it's only curled hair in the cushions. First thing
you know, the Wisner dog--pug nose it was, with its tail curled
tight--it goes out on the road, acting like it owned the whole street,
same as its folks does. Well, right then him and Bonnie Bell's new
electric mixes it. The dog got the worst of it.

"Look-a-here, Curly," says he after a while, and pulls a square piece of
paper outen his pocket. "Here's what we got in return for that--before
Bonnie Bell had time to say she was sorry. The old lady wrote, for once:

     Mrs. David Abraham Wisner requests that the people living next door
     to her exercise greater care in the operation of their vehicles, as
     the animal lost through the criminal carelessness of one of these
     people was of great value.

"Ain't that hell?" says he. "Cheerful, ain't it? No name signed to
it--nothing! But you can see from that just how they felt. That was
three days ago. They got a new dog. Well, this morning Bonnie Bell
killed that one!

"The trouble with them dogs is, they been used to thinking they own this
whole end of the street. They don't seem to recognize that we're anybody
at all. It's a awful thing and it put Bonnie Bell in wrong. She didn't
know what to do. She was so mad she wouldn't write. So she sends for
Jimmie--I mean James, our chauffore--he's got almost sober lately, it
being three months or so since Christmas, and him knowing a lot about
dogs. So she buys a new dog for them--a large one that you can see easy,
a collie dog; and Jimmie says he paid one-fifty for it."

"A dollar and a half is more than any dog is worth," says I, "especial a
dog that has anything to do with someone like that Wisner woman."

"A dollar and a half!" says he. "A hundred and fifty is what it cost;
this was a swell dog--a young collie about a year old. Well, Bonnie
Bell, she sends it round by James, our chauffore, with her compliments.
Their butler takes it in. I don't know whether it's going to stick or
not. It's a sort of olive branch. You see, Bonnie Bell can't write to no
such people, but she is sorry for killing their dogs and she wants to
make good somehow. I think it was a right good way. It looks like she
could hold her own, and yet like she was willing to meet 'em halfway.

"Well, that's all we can do," says he. "Let it go the way it lays on the
board. I don't like Old Man Wisner a little bit anyhow."

"Well," says I, "if he's running for alderman, why don't you run for
sher'f or something, just to keep occupied?"

"I'm studying my ward," says he. "I don't know very many of the saloon
people yet. You have to be pretty far along to get to be sher'f in a
place like this. But now, a alderman might be easier, if you went at it
right. Anyways, the way they have acted, I feel like I'd copper any game
Old Man Wisner was playing. I kind of feel in my bones that him and me
is going to lock horns, Curly. I don't like the way he acts; and, I tell
you, when I want a neighbor to be friendly with me he's got to be
friendly sometime."

Old Man Wright gets up now and walks around some, kind of grinning.

"But, on the whole, I may find something to keep me busy here in town.
For instance, Old Man Wisner is back of some sort of steal, shore as
you're born, in the Lake Shore Electric Extension that's going on up in
there--the paper says he's been selling it, or the interests has. Why?
He never done a direct thing in his life--that ain't the way he does
business; for that matter, it ain't the way business is done in the city
nohow. It's always done at a side door, not at a front door, the way we
done it on the Yellow Bull--straight out, even-Stephen.

"I figure he starts that story to make that stock cheap. Well, the other
day I buy up a little of it, right cheap at that--not much; only a few
hundred thousand dollars. Now I figure that if it ever goes up for Old
Man Wisner it will go up some for me. I may buy some more of it. I don't
know as it is worth anything--maybe not; but it certainly would please
me if I could find some kind of a side game here where I couldn't make
no money. I'm bored, Curly," says he; "that's what's the matter with
me."

But still he came round again and again to the real center of our coming
to town--Bonnie Bell. Him and me could have had a good time, but we knew
perfectly well that she wasn't having no good time.

"Curly," says he, kind of frowning and his jaw working some, "she ain't
got a friend in this whole damn town."

"Listen at you!" says I to him. "What are you talking about? She has got
us, ain't she? We are her friends. We've raised her. We are going to
take care of her. Ain't that enough?"

"No, Curly," says he to me; "we ain't enough."




VII

WHAT THEIR HIRED MAN DONE


"Well," says Old Man Wright to Bonnie Bell one day about four o'clock
when we was having a cup of tea, which William insisted we ought to
drink then, "what have them folks over there said about the dog you sent
'em?"

"They haven't said a word," says Bonnie Bell. "They kept the dog though.
I don't think much of that outfit, if you ask me, dad," says she.

"Nor me neither," says he. "It was too bad you run over their dog, or so
many of their dogs; but then you done what you could, sending 'em
another dog as big as all you killed. A collie is right smart. I hope
this one will keep on the sidewalk and not get under the wheels. That
Boston dog of yours always has me guessing."

Well, we talked on a while, both of us sort of joshing her on her dog
deal, until she gets up and goes away from the little table where she is
setting and stands in front of the window, looking out, her teacup in
her hand. All at once she says:

"Good Lord!"

"What's wrong?" says her pa, and we all holler at her. But she is out of
the room and down at the door before we can stop her, all in her gingham
apern and cap, like she is then; for she had been looking after the
housecleaning--though William looks at her sad for not being dressed up
more.

We went to the window and looked out. All at once we heard a awful
barking going on down there, and we seen what had happened. That new dog
of theirs had come into our yard to look around, and Bonnie Bell's
Boston dog, Peanut--which mostly rode in her car with her--had jumped
this here visiting dog, and they was having it out sincere, right in our
front yard.

Well, sir, it was one of the prettiest fights you ever seen. A collie
ain't no slouch in a scrap, and if this dog wouldn't of been so young he
like enough could of licked Peanut, all right. But, you see, Peanut he
was taking care of his own folks, according to the way he figured it,
and this was a intrusion on the part of the Wisner dog.

Anything that's got bull pup in him, like Peanut had, ain't got no sense
about fighting; so Peanut he mixed it with the collie copious, and they
tumbled all over the yard until you couldn't hardly tell which was
which. At last Peanut got himself a good leg holt, and the collie
hollers bloody murder and starts for home and mother through the fence,
Peanut hanging on.

[Illustration: "'Well,' says he, 'our dog is more of a trench
fighter.'"]

It seems like their front door was open; and the collie he made for it,
hollering every jump, and Peanut after him. He chases him plumb up the
steps and clear into the house, and that was all we could see for a
while, except Bonnie Bell standing in her cap and apern, looking across.
Then through the window we could see folks running round here and there,
like the dogs had got into the middle of the house and was still mixing
it.

By and by--three or four minutes--their butler comes out, holding Peanut
by the collar, and drops him on the front steps. But Peanut he is game,
and he ain't had no satisfaction out of this scrap; so he goes back and
scratches most of the paint offen their front door, and barks and howls,
trying to get back in to finish his job.

Bonnie Bell she stands there just crying because she is so much ashamed,
and she calls and whistles to Peanut. When he comes, at last, he does it
looking over his shoulder and growling, and daring that other dog to
come out and knock a chip off'n his shoulder.

When Bonnie Bell come back in, carrying Peanut, happy, by the loose skin
of his neck, she was more worried than I ever seen her about anything.

"Now we've done it!" says she. "Our dog run right in their house and
chased their dog. There was guests there, too--look at the cars standing
out there. They was holding some kind of a party--bridge, like enough.
Oh, whatever shall we do!"

"Come here, Peanut," says Old Man Wright; which Peanut jumps up on his
lap then. "Have something on the house," says he; "and if that dog comes
over in here eat him up!"

Peanut understands this perfect, and he goes to the window and tries to
get out, and barks until you could hear him a block.

"That is some dog, sis," says her pa. "It looks like, anyhow, some of
our family has broke into polite society for once. Come here, pup!" And
he pats Peanut on the head and laughs like he is going to die over it.
But not Bonnie Bell!

There was a awful silence come in between them two big houses after
that. There wasn't anything that we seen fit to say and they didn't pay
no attention to us. Their hired man--that worked round the back yard
sometimes in overalls and a sweater--he sometimes walks out in the yard
with their collie, but he takes mighty good care to keep on his own side
of the fence.

It was getting spring by now--sort of raw weather once in a while; but
the grass was getting green, and some of Bonnie Bell's flowers she had
planted was beginning to show up through the ground, and once in a while
she would go out, in old clothes mostly, with maybe a cap and a apern
and fuss round with her flowers. She wouldn't never look across at the
Wisner house.

Their hired man that taken care of their dog was the one that taken care
of their flowers, same as she did of ours. One morning it seems like,
not noticing each other, they was working along kind of close to the
fence, not far apart from each other, and all at once he stands up and
sees her.

"Good morning!" says he, which Bonnie Bell couldn't help.

She looks up and sees him standing there, with his hat in his hand,
respectful enough; and, since he was only one of their hired people, her
not feeling any way but friendly to anybody on earth that is halfway
decent to her, she says:

"Good morning! I see you're fixing your flowers too."

"Yes," says he; "these crocuses will soon be out. What color is yours?"

"All sorts," says she; "and I do hope they'll all do well."

"I'd be glad to be of any help I could," says he.

"Well, that's kind of you," says she; "you, being a gardener, know more
about these things than I do." About then this here collie dog comes up
to where he is standing.

"Oh, goodness!" says Bonnie Bell. "Don't let that dog come over in our
yard, whatever you do."

All at once he broke out a-laughing.

"I'll take care of him," says he. "I wouldn't take a thousand for that
dog. They didn't want to keep him, but I said they'd have to. That was a
good fight they had in the house," says he, and laughed again.

Bonnie Bell she got red, and says she:

"I'm awfully sorry. That dog of ours is a terror to fight. We can't
break him of it any way. I hope you'll apologize to your people," says
she--"that is, if they wouldn't take it wrong of us to have it
mentioned. I don't know."

"Oh, no; I guess that'll be all right," says he. "I've been with 'em so
long, you see, I can kind of make free about it. If you feel bad about
it I'll tell 'em; but it wasn't your fault."

"It would be just like that bunch of yours," says she, "not to let on
that they had heard from us that I was sorry. I oughtn't to say it
maybe, but----"

"Well now," says the hired man, frank-like enough, "that's just the way
I feel. I often tell the old man, myself, that he ain't so much--he come
from Iowa once when he didn't have a cent to his name, and yet he puts
on more side now than anybody else on the street."

"Did you ever dare to say that to him?" says Bonnie Bell.

"I certainly did, and more than once. I ain't afraid to say anything to
either one of 'em," says he. "They don't dare say much to me. I know too
much about 'em. But, say now--about that fight," says he. "I want to
tell you that new dog we've got is some peach. Give him a year or so and
he'll eat up that pup of yours."

"He never seen the day he could and he never will!" says Bonnie Bell.
"If you feel that way about it----"

"Well," says he, "our dog is more of a trench fighter. He got under the
tables where them old hens was playing bridge and he held out until your
pup flanked in on him."

"Did you see the fight?" says Bonnie Bell.

"Sure I did! I was right there."

"Yes?" says she. "In such clothes?"

"Just like I am. I happened to be going past the room where they was
holding their party and just then the dogs came in. Believe me, it was
more fun than there has been in our house for a good many years. Of
course it was some informal."

"Well," says Bonnie Bell, "I can see you must of been in the family a
long time or you wouldn't feel the way you do."

"Twenty-odd years," says he, drawing hisself up. "I was taken captive in
my early youth, and I have been in servitude ever since, with no hope of
getting away," says he. "But a fellow has to make a living somehow and I
had only my labor to sell. You see, I know something about flowers, and
I can drive a car now some or run a boat."

"We've bought one of those little boats," says Bonnie Bell. "Sometime
I'm going to take her out and learn how to run her myself."

"You ought to be careful about this lake," says he. "It gets awful rough
sometimes. Still, it's good fun."

You can see they was visiting right and left--just her and the hired
man! But, her being so lonesome that way all the time, it seemed like
she'd have to talk to somebody, and this man seemed right friendly,
though he was only a workingman. Bonnie Bell never was stuck up at all.
Maybe he thought she was one of our maids.

"Gardening is all right," says he finally, drawing close to the fence;
"but, for me, I'd rather be a cowman than anything I know. I'd rather
ride a cowhorse than drive any car on earth. This life here gets on my
nerves."

"Don't it?" says she to him. "Sometimes I feel that way myself."

"What anybody finds to like in a city is more than I can see. If I had
money I'd buy a ranch," says he, "and then I'd live happy ever after."

Now wasn't that funny, him wanting to do just the very thing we had quit
doing and us going to live right alongside of him that way? Still, of
course, he was only a hired man--ain't none of 'em contented. I ain't
always, myself.

Bonnie Bell thought this was getting too sort of personal and she starts
in toward the house--she tells me a good deal of this afterward--but he
come up closer to the fence and seemed kind of sorry to have her go; and
says he:

"Wait a minute. I was telling you about my ranch. I'm going to have one
some day. Do you think I'd live here all my life with the old gentleman
and the old lady, and nothing to do but tinkering round flowers and
cars? I ain't that trifling."

"I must be going in," says she then.

So she left him. He nearly climbed over the fence to keep her from
going, and the last thing she heard him say was:

"I hope I can help you about the flowers." She began to think he was
kind of fresh like. She told me what he said.

Her pa seen some of this out of the window and he called her down when
she come in.

"I don't think I'd talk much with any of them folks if I was in your
place," says he.

"Why, dad," says she, "you don't want me to be stuck up like them, do
you?"

Then she told him how Peanut had chased their dog in there and broke up
their bridge party. They both had to laugh at that.

"Their gardener, James, told me that Old Man Wisner ain't much, nor the
old lady neither," says Bonnie Bell after a while. "It's just what I
thought."

"I don't know as he ought to talk that way about the people he works
for," says her pa. "I'd be kind of careful about any man that was
knocking his boss--wouldn't you, Curly?"

"Well, it was all my fault, dad," says she. "He said good morning; then
I ast him about the flowers and he offered to help me with the
crocuses."

"Don't take no help from none of that Wisner outfit," says her pa. "You
hear me?"

As spring come along and the weather got pleasanter, Bonnie Bell was
happier, because she could get out of doors more. Now she took to
running this new power boat we had. It was a whizzer. It didn't take her
long to learn how to run it. About everybody in Millionaire Row had
boathouses on the lake and most of them had these gasoline boats--you
could hear them sput-sputting round out there evenings almost any bright
day.

Her pa didn't like her to go out on the lake very much; being from
Wyoming he was scared of water--especial so much of it. He tells Bonnie
Bell to be careful and, if she must go out on the lake, to only go when
it was smooth.

In one way there wasn't no need to be scared about the girl, for she
could swim like a duck--Old Man Smith taught all of 'em that. Nearly
every morning she would go out in her bathing suit down our walk and
through our garridge, and across the dock, and dive into that water
where it was more than forty feet deep and as cold as ice. She wasn't
afraid. She would come back wet and laughing, and say she liked it. I
wouldn't have done that for a farm. I don't believe in going into water
unless you have to ford.

I hate anything that runs by gasoline, because it's a shore thing that
sooner or later it'll ball up on you somewheres. A good cowhorse is the
only safe thing to go anywhere with, and anybody knows that. Bonnie Bell
coaxed me out in her boat once--but not more than once. The lake wasn't
so rough neither; but the boat riz up and down until I didn't feel
right, and I wouldn't go no more. But Bonnie Bell got so some afternoons
she'd be out hours at a time, ripping and charging up and down, water
flying out from the front of the boat. Mostly she'd ride in her bathing
clothes, and her hair done up under her cap. There was kind of a wild
streak in her anyway and she was always taking chances.

One evening round four or five o'clock, after a warm day in the summer
time, she was out there about a quarter of a mile from the shore and all
by herself. There was quite a wind up, and the waves was rolling pretty
high, breaking white on top, too, and making such a noise I was plumb
uneasy. Her pa was away from home; so I went down on the dock and stood
out there trying to holler at her so she would hear me, but I couldn't
make her hear. I waved things, too, but she didn't seem to see them.

She was a sort of dare-devil at riding or driving anything, and I reckon
maybe she was enjoying that sloshing through the water, though I
expected every minute to see the boat go upside down. I could hear the
engine of the boat going fast--sput-sput-sput-t-t! I could only hope it
would keep all right. All gas engines is sinful.

She had been the only one out on the lake right then, it being so rough;
but along about now, down toward town, a half mile or so off, I seen
another boat coming, lifting up high on top of the waves, then going out
of sight in the hollow for quite a while. It was heading straight in
for our place. The fellow in it was running kind of sideways to the
waves and I would a heap rather it would of been him in the boat than
me.

Bonnie Bell was a little farther out, heading into the waves and
enjoying the rocking, it seemed like. By and by I seen her looking off
to the south; and then her engine begin to sput-sput a heap faster, and
I seen her boat swing out and head that way.

I looked out at the other boat then. I didn't see it for a while, but at
last it swung up on top of a big wave. It wasn't the way it had been,
but blacker. I seen the water shine on the boards. Then I knowed what
had happened--the boat had turned over.

It was just like Bonnie Bell to head in to see if she could help. I
hollered at her, but she couldn't hear and I don't reckon she'd of
stopped anyways.

Them little boats goes awful fast and it seemed like _Bonnie Bell_--for
that was the name of her boat, her pa had gave it that name--didn't seem
to hit the waves none, only in the high places. In just a little while
she was where the upset had done happened. I seen her slow down and
swing in, and then stand up and whirl a rope. Then she reached over and
then hauled back.

"Well, anyhow," says I to myself, "she's saved a corpse," says I.

I learned afterward that he wasn't dead and that when Bonnie Bell
reaches in and grabs him by the collar she tells him to keep still or
she'll soak him over the head with the boat hook.

"We'll be in in a minute," says she to him. Of course I didn't know that
then.

It seems like she didn't try to haul him plumb in, the waves running so
high; and she run the engine with one hand and held on to him with the
other, him dragging along at one side of the boat and getting a mouthful
of water every once in a while. It wasn't very far off from our dock and
pretty soon they come alongside.

"Grab him, Curly!" says she; so I grabbed him when she swung in and
hauled him up.

He was wet all over and at first he seemed half mad. I seen who he was
then--he was the Wisner's hired man.

"Why didn't you let me alone?" says he. "I'd 'a' got her all right
pretty soon. You might have gone over too."

"What?" says she, scornful. "You're all right anyways, and you got no
kick coming."

She stood up in her bathing clothes, wet as she could be, and part of
her hair hanging down underneath her cap, and he looked at her kind of
humble. And says he: "I thank you very much. Pardon me for what I
said." Then he looks down at his clothes and seen they was wet, and he
broke out laughing. "All to the candy!" says he. "My life saved for my
country!" says he.

"There wasn't no sense in your going over," says Bonnie Bell, scolding
him. "You was getting your mixture too rich and you clogged up your
engine. You can't overfeed them two-cycles that way and get away with
it."

"That wasn't the trouble at all," says he. "I caught my foot in the
ignition wire and broke it off. Of course she couldn't run then; but I
could of swum in from where I was and the boat would have drifted in."

"You would have got good and wet swimming in," says she, still scornful,
"and you would have got pounded to pieces against the sea wall; that's
what would have happened to you. Some folks," says she, "ain't fit to go
out alone anyways."

And, so saying, she leaves us both, wet as she was in her bathing
clothes, and runs on through the boathouse and up the steps. He stood
looking after her, sober.

"Don't I know that!" says he, turning to me. "If it hadn't been for her
it would have been all day with me. But I certainly thought she'd be
over."

"It's a good thing Bonnie Bell could run that boat," says I.

"Bonnie Bell?" says he. "Is that her name? By Jove! Well now, by Jove!
And what's your name?" says he.

"Wilson," says I. "They call me Curly for short."

"Curly?" says he. "That sounds sort of like a cowboy's name, don't it?"

"I never seen a cow camp yet where there wasn't some cowpuncher name
Curly," says I.

"Cowpuncher! You wasn't ever one yourself, was you?" says he.

"I never was nothing else," says I.

Then he held out his hand.

"Shake!" says he. "Some folks gets what other folks wishes. Ain't it the
truth?"

"What do you mean?" I ast him.

"Well," says he, "I always wanted to be a cowboy, yet I never did have a
chance to go on a ranch."

"You're the gardener, ain't you?" says I, and he nods.

"That's all I get to do. Still, I may have a chance to do better
sometime."

He was a right nice-looking fellow, clean shaved and his hair cut good,
and his mustache cut right short. He looks down at his clothes now, but
he didn't seem to care--acted like he had plenty more; and he laughed.
He was wet, but he wasn't shivering. He come pretty near drowning but he
wasn't scared. I rather liked him even if he was only a hired man like
myself. He seemed sort of hardy.

"You know how she got me?" he ast me now. "She threw the loop of a rope
over me, and if I hadn't got it in my hand I reckon she'd of choked me
to death."

"She's a good roper," says I, "and she can ride as well as she can
rope."

"Could you ever show me how to rope?" says he. "Would you?"

"Shore I'll show you sometime if we ever get a chance," says I. "I'll
look round in our ranch room there in the house, and see if I can find a
rope."

"Have you got a room in there like a ranch?" says he.

"Exacty like our old ranch," says I. "It's the main room out of the old
Circle Arrow Ranch."

"Could she, now--would she help teach a fellow how to rope a drowning
person?" says he. "That's what she done. She's a corker, ain't she?"

"She shore is," says I. "Her own folks mostly reserves the right to say
that, though."

"I beg pardon," says he, and he got red again. "I know where I belong."

"Just kind of keep on knowing where you belong and where she belongs,
son," says I--"it's two different propositions. I trust, my good man,"
says I to him, "that you understand I'm the foreman of the ranch."

"Don't it beat the world," says he to me after a while--us standing
there still talking though he was wet as a rat--"how things is run?
Sometimes it seems like we can't help ourselfs, and we all get into the
wrong places trying to get into the right ones. Now I'd like to thank
that lady; but I can't. She's wonderfully beautiful, isn't she--your
mistress? I say now, Curly, you thank her for me, won't you?"

I felt rather savage towards anybody coming from the Wisner side of the
fence, but someway this fellow was so decent, and he evident meant to be
so square, that I couldn't hardly feel no way but friendly to him.

"You've been with your folks quite a while, ain't you?" says I after a
while.

"Oh, yes; I suppose I'm kind of useful in the scheme some ways or they'd
tie a can to me."

"In Millionaire Row, the way I figure it," says I to him, "the Wisners
is the king bees?"

He nods.

"I'm afraid that's about the truth. At least that's the way they think
it is--the old man and the old lady. Folks that don't swing in line with
their ways they get froze out."

"Is that so?" says I, getting hot under the collar right away. "Well,
let me tell you something: When it comes to playing any kind of
freeze-out, where Old Man Wright is concerned, believe me, there's two
sides to that game. Do you see?"

I looked straight at him, and I went on:

"Nobody ever seen Old Man Wright weaken in nothing he once begun. As for
money, he can't be making less than a million a month or so right here
in this town where he is now. He's one of them kind that does."

"I believe you," says he. "Was you saying that your folks used to own
the Circle Arrow Ranch out in Wyoming?"

"Uh-huh; and I wisht we did right now."

"That's funny," says he. "And you sold it to a syndicate?"

"Uh-huh--damn 'em!"

"And Old Man Wisner was one of the silent partners and one of the
biggest owners in that syndicate--colonization and irrigation. There
ain't anything that he won't go against that there's money in, and he
mostly wins," says he.

"Well, what do you know about that!" says I. "Us moving in here and
living right next door to him--that's the funniest thing I ever did
hear. They shore was on opposite sides of that game, wasn't they, them
two folks? Well, Old Man Wisner got the worst of it--that's all. You
can't raise nothing on that land except cows and he'll find it out. We
got some of our deferred payments coming in, like enough; but it
wouldn't surprise me if we got all that land back sometime, and I shore
hope we do."

He kind of puckers up his mouth and puts his fingers on it.

"By Jove!" says he. "By Jove! Would you give me a job cowpunching,
Curly?" says he.

"Not unless you could rope better then than you can now," says I. "And
if you can't ride a horse any better than you can a boat I don't think
you could earn your board."

He took it all right, and only laughed.

I went up through the boathouse and the garridge and up the back steps
into the little portico--sort of storm door that's over the back door of
our house where it looks out over the lake. If you'll believe me, there
was Bonnie Bell standing there, all in her bathing clothes! She hadn't
gone in yet.

"Has he gone, Curly?" says she.

"He has just went," says I. "What are you doing here, all wet? Why
didn't you go in right away?"

"Is he all right, Curly?" says she, sort of rolling her hair up off her
neck and into her rubber cap.

"Yes," says I; "he ain't hurt none."

"What were you talking about so long?" says she.

"A good many things--you, for instance," I says to her.

"What did he say?" she ast of me.

"Why, nothing much; only how sorry he was you saved his life."

"Sorry--why?"

"Well, it makes a man feel mighty mean to have a woman save his life."

"Did he say that?" she says to me. Now when Bonnie Bell smiles she sort
of has a dimple here and there. She sort of smiled now. "What kept you
out there so long? You two people was talking like two old women."

"Well," I says, "I was just promising to show him how to rope; he says
he wants to learn."

"When are you going to show him, Curly?"

"Oh, sometime some morning, like enough, down there on the dock. He says
he'll sneak over from his place, so no one will see him. I don't reckon
your pa will mind my showing a young fellow how to rope--I'd like to
feel a rope in my hand again anyhow. I expect before long he'll be
wearing a wide hat and singing 'O, bury me not on the lone prairee!'"

"Curly," says she.

"What?"

"Did you find my rope in along with those in the big room? I forget
whether I brought it along."

"Kid," says I, "if there's going to be any instruction to hired men on
the rope or mouth organ or jew's-harp, or anything of that sort, it's me
that gives it. I'm segundo on this ranch. Now you go on upstairs."

She had her hair all pushed back now under her cap, wet as it was,
standing there fixing it. She was in her bathing clothes still and awful
wet, but she didn't seem cold. She looked kind of pink and sort of
happy; I don't know why. Lord, she was a fine-looking girl! There never
was one handsomer than Bonnie Bell Wright.

"Kid, you heard me!" says I. "Go on upstairs now and get your clothes
on. And you don't go out in that boat no more!"




VIII

HOW OLD MAN WRIGHT DONE BUSINESS


As the weather begun to get warmer and we got out-of-doors more, it was
cheerfuller around our place. Bonnie Bell chirked up quite a bit. She
used to sing some. It seemed like she was going to get used to living in
town--not me; never!

But Old Man Wright didn't seem to worry none somehow. He was one of the
sort that, put him down anywheres and he'd be busy at something. If he
was set down on a sand bar beside a creek he'd reach around to find some
sticks; and, first thing you know, he'd be building a house out of
'em--he just always was making things somehow. I never seen a man could
size up a piece of country for what it would perduce better than him.

"Curly," says he to me one day when I was down in his new office and he
was talking about making money, "there's different ways of getting
rich," says he, "but only one system. Either get what a mighty few
thinks they got to have--that's things for rich folks; or else get
something that everybody has got to have whether they want it or
not--that's things for poor folks. And when you're in the game you buy
when things is low and sell when they is high. Nigh about every man you
know plays the game just the other way around. That's why there's so
many poor folks," says he. "Yet the game is plumb easy to beat when you
know how, if making money is all you care about.

"For instance," says he, "when I bought that bunch of stock in the Lake
Electric a while ago it was when nobody wanted it or let on they wanted
it. Since then it has riz round fifteen or twenty points and it'll go
higher. When I sold the Circle Arrow it was when them folks wanted it
right bad. Between you and me, them people paid more for it than it was
worth. I may buy it in some day when they don't want it no more."

"You reckon you ever will, Colonel?" says I, plumb happy to think of
that.

"If I was alone in the world, with just you, I shorely would right off,"
says he, "no matter what it cost. With Bonnie Bell in the game, too, I
don't know what I'll do nor when I'll do it.

"I don't have such a hard time here," he went on after a while. "For
instance, just a few weeks ago I was reading in the papers about this
war in Europe--which is a shame and a awful thing; and I hope it won't
come here, though if it does you and me are in," says he. "Well, I seen
how they make so much powder and sell it--smokeless powder. For that
they have to use a awful lot of picric acid."

"What kind of acid?" says I. "Pickles?"

"I don't know," says he. "I wouldn't know it if it was on a plate--only
I know they have to make smokeless powder out of it. So I bought all I
could find laying round here or there--not very much; only two or three
hundred thousand dollars' worth.

"Well," says he, stretching out his legs and yawning, "it's the same old
story, Curly. I couldn't help it and I didn't mean to do it the least
way in the world; but now this here picric acid--whatever it is--it's
worth two or three times what it was just a little while ago. I cleaned
up--oh, maybe two or three hundred thousand dollars on that. There ain't
enough in these things to keep me very busy. I don't care for making
money nohow, because it's so easy. If there was a real man's game now, I
wouldn't mind mixing with it."

"Cows is something that folks has to have whether they are rich or
poor," says I to him.

"Shore; and it's a good game too. If you look around you'll find that
there is some things that everybody has got to use somehow,
somewhere--wood, copper, oil, iron; things like that. You can't build
houses and live in 'em unless you have some of them things. Everybody
has to buy 'em in wholesale or in retail. I like to buy 'em a little
farther back even than wholesale--when they are what you call raw
resources.

"If you take things that's made up in packages you can sell them too, a
little at a time, but slow. Some folks likes to trade that way; they got
to have pictures--objects--right before 'em to believe their money's
safe. That's a little slow for me and you, Curly. I like to take the
goods before they are put up in packages and buy a lot of
them--something that folks has got to have."

"That's where your game is weak, Colonel," says I. "For instance, you
deal in cows on the hoof. That ain't respectable. When you cut up cows
and hogs into sides, hams and sausage, then's when you get respectable.
Ain't you got plenty proof of that? Look at them Wisners, for instance."

He snorts at that and ain't happy.

"Well, it's the truth," says I. "Look at us! We ain't nobody here. Old
Man Wisner's the king bee of this here row of houses. We ain't
one-two-ten in this race."

"Huh! Is that so? I'm running free, under a pull; and you can't kick.
But then, we're having all the fun--not Bonnie Bell."

"I ain't having no fun worth speaking of myself," says I. "But she's
doing well enough--she's disgusting healthy--sounder in wind and limb
than anybody else in this town. And she's busy too; she's found a new
kind of car that she says she's got to have. She says the Wisners bought
one a little shinier than hers."

"Well, she can have whatever she wants. We are doing pretty well, seems
like. I just went into a little speculation last week that will maybe
pay for that new car."

"What's it about this time, Colonel?" I ast him.

"Well, it has something more to do with this here war. Whenever there is
a war somebody makes money and everybody loses it. Now you see they're
using a awful lot of sharpnel over there--bullets packed up in packages
ready to be busted open. It takes a certain kind of lathe to turn them
sharpnel, and there is only one kind of lathe in this country that does
it faster than any other; and the people that makes sharpnel can't get
enough of them. Well, I bought the control of that there lathe. Looking
around not long ago, I found a little stove factory down in the sand
hills; and I bought it and put a few of them lathes in there and started
a little company.

"Besides, I control them lathes that goes into all the other factories
where they make sharpnel. Shouldn't wonder if we'd run into a little
money before long--enough to buy a car--five hundred thousand dollars
or so. If they got to have sharpnel I suppose we might as well make 'em
and make 'em good."

"Well, Colonel," says I, "I hope you'll find enough to do, so that one
of these days you can be right comfortable."

"So do I," says he, and he sticks out his legs again, with his hands in
his pockets. "But sometimes I almost lose heart about it. Things looks
mighty sad to me, because I can't find no game that's interesting for to
play."

"How about that running-for-alderman business?" says I.

"I'm looking that over," says he. "I know a good many of the fellows
over on the west side of our ward. My freckles helps me some in that
part of the ward. They can't look at freckles like mine and call me
anything but a honest man. Our ward is in two parts, and a little wears
silk socks and a good deal of it don't. Wisner, he's strong with them
that does. He maybe ain't so strong with them that makes eight dollars a
week. Maybe none of them works for Wisner, but plenty of other people
that works for eight dollars a week does work for him."

"He shore makes plenty of money," says I. "I expect he's got more money
than anybody in town."

"I'm willing to stack up a little money in this alderman game against
him if I thought I'd get any fun out of it. I'm just marking time here,
the way it is."

"Doing what?" I ast him.

"Making money and waiting."

"What for?" says I, not understanding.

"For some man," says he.

"What man?" I ast him, still not understanding.

"That's what I don't know. For some man that will make Bonnie Bell
happy. But all the young men in a city talk alike and look alike and
dress alike. I ain't seen more than one or two that was worth a
cuss--not a one I thought was good enough for my girl. And yet it stands
to reason that something will happen; and it might be any time. It makes
me uneasy."

I couldn't see why more folks didn't come into our house, like they used
to out on the Circle Arrow; and I said that.

"It's easy to see why they don't," says Old Man Wright, and he busts the
glass top of his table with his fist. "It's plumb plain to see why. It's
them Wisners has blocked our game. They coppered us from the
start--that's what! We got in wrong at the start with them; we didn't
kotow to them and they've always been expecting it."

"That puts us in pretty hard," says I.

"It wouldn't be hard for you or me, Curly," says he. "There ain't a game
on earth that that pie-faced old hypocrite can play that I can't beat
him at; I don't fear him no more than I like him. But when I see how
easy it was for him and his folks to make my girl miserable---- It ain't
on account of myself, Curly," says he, and he sweeps his hand over the
desk and knocks every paper and everything else on the floor. "She's all
I got," says he. "I loved her ma and I love her. Whatever goes against
her happiness goes against me all the way through. And," says he, "I'll
buck this here city game until some day I bust the bank!"

I left him setting there, sort of looking down at his feet, with his
hands in his pockets and his legs stretched out. He wasn't happy none at
all, though all the time he'd been hollering for some game that he
couldn't beat.




IX

US AND THEIR FENCE


We went on thataway a good while into the summer and nothing much
happened between us and our neighbors. Maybe once in a while our dog
Peanut would get over in their back yard and scratch up their pansies.
Peanut always liked to lay in fresh dirt, and he seemed to know
instinctive which was our pansy beds and which was theirn. Their hired
man only laughed when I seen him and apologized.

He used to come over once in a while, their hired man did, and meet me
on the dock back of the boathouse, where I give him lessons in roping. I
showed him a few things--how to let go when he got his rope straight,
and to give hisself plenty of double back of the hondoo. We used to rope
the snubbing posts where we tied the boats. Sometimes we'd practice for
a hour or so and he begun to get on right well. We visited that way
several days, usual of mornings.

"Don't the lady ever come down to the boats no more?" says he one time.

"No," says I. "Her pa's afraid she'll get drownded."

"Does she ever talk about saving the life of anybody?" he ast.

"No," I says; "she's used to such things. She don't take no account
anyways of saving the life of a laboring man," says I. "It's nothing to
her."

"Ain't it funny," says he, "how things work out sometimes? At first, you
know, I thought she was one of your housemaids."

"You done what?" says I.

"Well, I don't deny it. When I first seen her in the yard, the time she
chased that dog over, I thought she was one of the maids--you see, she
had on a cap and a apern. I didn't know at all. The old lady thinks it
yet."

"She's mighty kind-hearted, even with the lower classes," says I. "She
even gives money to them people that play music in front of our house
every morning. I wish they wouldn't."

"I wish she wouldn't do that," says he. "We have a awful time with that
band. The old man said if he ever got to be alderman he'd get a
ordinance through abolishing them off the streets. They play something
fierce!" says he.

"Is he going to run for alderman?" says I. "I seen something in the
papers about it."

"Well, yes; I believe he will--I heard him say he would."

"If he does," says I, "I reckon hell will pop in this ward."

"Why?" says he.

"Well, my boss is figuring he may run for alderman hisself--he's
naturalized here now. He used to be sher'f out in Cody whenever he
wanted to be. When he wants anything, seems like he can't hardly help
getting it. It's a way he has."

He looks kind of thoughtful at that.

"Well, now," says he, "well now, what do you know about that! As you
say, Curly, ain't that hell?"

He swore so easy and natural that I kind of liked him, and the way he
taken up roping was to my thinking about the best of any tenderfoot I
ever seen.

"What are they piling up them rocks along the side of the yard for,
Jimmie?" I ast him after a while.

You see, there was several wagonloads of brick and stuff had been put in
there that morning.

"I don't know," says he. "Something the old man ordered, I reckon. He's
away right now. They don't always tell me about things as much as I
think they might."

"I've often wondered they didn't fire you," says I.

"They can't," says he. "I told you I've got too much on 'em. They don't
dast to fire me none at all. I defy 'em!" says he.

"Well, you better be a little careful," says I. "I've seen people felt
that way about their boss before now, and right often they got the can.
You better not get fired till you know a little bit more about roping
and riding."

"Hush!" says he. "I think I heard someone over in our boathouse.
Good-by! I'll come round again tomorrow morning."

He went on down the dock into their boathouse. I set down not far from
the door, smoking and looking out over the lake. I heard someone in
there begin to talk. It was him and Old Lady Wisner--I'd heard her
before once in a while. I couldn't help hearing them if I'd wanted to,
and I did want to.

"James," says she, "where have you been? I've been looking everywhere
for you."

"Why, nowhere especial," says he carelesslike. "I was just over on the
dock doing some roping stunts with Curly."

"I suppose you mean that red-headed, pigeon-toed brute that hangs around
the Wrights' place," says she.

Say, when she said that I half riz up, for I shore was mad. I may be the
way she said, but I don't allow no one else to say so. But she wasn't a
man anyway; so I had to stand it. I read somewhere in a book it ain't
correct to listen when folks don't know you're hearing them; but that
didn't go with me no more, especial when people was talking about me and
my hair and legs thataway. So I set down and listened some more.

"Well," says Jimmie, "I haven't ever noticed that at all. But he's a
good scout and I like him," says he.

That made me feel just a little easier anyways.

"Well, it's no matter what you were doing over there," says she vicious.
"You're not to have nothing more to do with such can-nye no more. Why
can't you attend to your own business?"

"I'm just going to," says he. "You ain't ast my consent about mussing up
my flower beds. What's all that rock and brick doing up in the yard?"
Say, he was a sassy one!

"Since you ast me, I'll tell you. It's a fence we're going to build."

"A fence?" says he. "We got a perfectly good fence now."

"Oh, have we? Well, it ain't high enough to keep out our people from
mixing with them can-nye." I wondered again what can-nye was. "I'll not
have you talking with their maids."

"Is that so?" says he. "I hadn't noticed much of that going on lately,"
says he. "I wish it was."

"James!" says she, so mad she couldn't hardly speak. "James!" And about
all she could do was to guggle in her throat and say: "James!"

"Well," says I to myself, "here's where he gets the can tied to him, all
right. It don't stand to reason she'll allow that kind of talk."

Well now, they was talking about that fence. In two or three days it was
easy enough to see what the Wisners was going to do: They was going to
cut out the herd law and fence in their own range.

It wasn't a fence at all. It was a wall they built, day after day--a
regular wall! Pretty soon it was up as high as our second-story window,
and it keep on a-going. It took them weeks to finish it. When it was
done it run clean from the sidewalk back to their boathouse. From our
side, on the ground, you couldn't only see the top of their house, and
from their side you couldn't only see the top of ours.

Well, anyway, the wall went up and we didn't stop it, because we
couldn't. It was like we was living in two different worlds, with that
wall between us, and that was the way they meant it. Nothing could cross
from one side to the other. It was the coldest deal I ever seen one set
of folks give another. And why? I couldn't figure why.

Bonnie Bell was right still and quiet. Old Man Wright he went around
thoughtful for quite a while. He seen this was a insult put on him, but
he didn't know what to do. At last he goes to Bonnie Bell one day, and
says he:

"Sis, it's coming along kind of hot in the summer. How'd you like to go
to White Sulphur or somewheres for a few months?" says he. "You're
looking kind of pale now for the last few weeks," says he, "and I don't
like to see it."

She turns and looks at him square in the eyes for a minute, and pointed
out the window.

"With that thing going on?" says she. "I'll see them damned first!" says
she.

That was the first time I ever heard Bonnie Bell cuss. I liked her for
saying it, and so did her pa.

"It's a hard game we got to play, sis," says he; "but we'll play it."

She nods, and we let it go at that.

That fence ruined the street, as far as our end of it was concerned.
Them that lived north of it could look on up the lake for quite a ways,
but for more than a quarter of a mile down toward the park there
couldn't nobody see down that part of the street at all. The papers got
to talking about it, and some complaints was printed too. Old Man Wright
he only sort of laughed. The papers made fun of the Wisners for building
that fence--sort of treating the whole thing like a joke.

About now the campaign for alderman got busier. Old Man Wright printed
a full page in all the papers, with a picture of hisself, and saying
that J. W. Wright was running for alderman in that ward. Right opposite
his full-page ad was about six or eight inches, with a smaller picture
of Old Man Wisner with it; and he said that Mr. David Abraham Wisner
begged to submit his name as a candidate for the sufferedges for
alderman in that ward. I didn't know what sufferedges was at first, but
I knew what my boss was out after--it was votes, and he was liable to
get 'em.

From that time on the boss was busier than he had been before. He got
better acquainted over on the west side of our ward. Sometimes he
wouldn't get back till midnight, but he always come home under his own
steam. In his office I saw all sorts of people. He seemed to take to
this alderman business natural.

Anyways he was a hard man to buck in any kind of a game. He had his own
idea all the time maybe about that fence in Millionaire Row. One day he
taken a little pasear down the lake front toward the head of the park,
where there was some vacant land below us. He was sizing things up. Two
or three weeks after he told me he'd bought that tract--the whole works,
clear down to the end of the park. I don't know what he paid for it, but
it must have been a lot of money.

"You see," says he, "all them people up there north of us on the row
they ain't got only a little bit of land for their houses. Me, I'm going
to have a place with half a mile or so of ground to it. Bonnie Bell has
got to have a place to herself for to raise crocuses and other flowers,"
says he, "and to cultivate her Boston dog."

It was kind of hard times right then and a good many men was out of
work. Old Man Wright put a lot of 'em to work on his new Bonnie Bell
Addition, as he called it. He dug it up and smoothed it down and laid it
out, and planted it with trees and sodded it. And then, down at the far
end of it, he just puts up a high wall like the Wisners', but 'way off
from it. Then we dug down along the Wisner wall.

Folks used to go along and wonder what it was done for and who done it.
And later on some folks farther up the drive allowed it was some kind of
a new Italian garden and some of them begun to put up them walls too. It
got right fashionable. The whole looks of that part of town was changed.
But, while they had little bits of yards you couldn't swing a cat in, we
had land enough to start a hay ranch if we had of wanted to.

"I can afford it," says Old Man Wright.

And by the time he had the improvements started the real-estate men come
and pestered him to take at least three times as much money as he give
for it.

"I may sell it sometime," says he, "but not now," says he. "I like it.
My girl likes to raise crocuses, and what she likes she gets. We're
going to raise plenty of crocuses and tulips and hollyhocks," says he.

It wouldn't be right to say Bonnie Bell didn't have no friends. Once
there come quite a bunch of girls from out of town--girls she had knew
in Smith's; and they had quite a visit. They tore up the house and for a
week or so Bonnie Bell was right happy; but by and by they went away
again. Then nobody come into our place, the sort we wanted to come.

There was one man come to call on us--it was Henderson, of our old
hotel. We used to go down there and eat sometimes, and every time we
done so he'd come to stand around. He couldn't keep his eyes off Bonnie
Bell. I reckon he was about forty years old.

Now one day he come up to our house in the afternoon all dressed up,
with a white flower in his coat and a high hat on, and shiny shoes, and
he ast for Old Man Wright; and William showed him into the back parlor.
I was setting in our ranch room, so I could hear what went on--I
couldn't very well help it. I heard what Mr. Henderson said; so I knowed
what brought him there all dressed up.

"Mr. Wright," says he, "I won't waste time. I'm used to doing business
in a direct way. So today I come down--I come down--that is to say, I
come today----" says he.

"Well, for a direct man, you're taking some time to say what you want to
say," says Old Man Wright; "but maybe I can guess it if you can't say
it. It's my girl you come to talk about?"

I didn't hear him say anything, but I guess he must have nodded.

"You want to ast me?" says Old Man Wright. "Why didn't you ast her?"

"I thought it better to see if you would consider me as a suitor, sir,"
says he. "It seemed a fairer thing."

"I don't know as a parent ought to consider any man that would ast him
first," says Old Man Wright thoughtful; "but in some ways you're a good
man, and square and successful."

"My profession--my business--being an innkeeper isn't exactly the
highest form of business----"

"Hell! That's got nothing to do with it," says Old Man Wright. "I
imagine my girl might marry most any kind of man if he was the right
sort. But now let's figure on this, Mr. Henderson," says he, "because I
like you. You're some older than she is."

"Yes," says he; "old enough to know a splendid woman like Miss Wright
when I see her. In my business I've seen plenty that ain't."

"That's good," says Old Man Wright. "I like to hear you say that. I
don't blame you for feeling the way you do. And I feel kind to you too,
sir. You're the first man that ever said a kind word to me and my girl
in this town. You're almost the last, as far as that goes. You're as
good as us and we're as good as you, if it comes to that. But now let's
figure a little further. The man that marries my girl, marries
her--there ain't a-going to be no divorce. There may be a funeral if
there's trouble, but there ain't going to be no divorce for Bonnie Bell.
It's death that's going to part her and her husband. You see I got to be
careful about her, don't you?"

"Yes, and you ought to be. I never felt my years as a handicap."

"They ain't, in business," says Old Man Wright. "But now look-a-here: As
you live along together she'll be still young when you're pretty old.
Take ten or fifteen years off of you and ten or fifteen thousand
cocktails, and I'd say 'God bless you!' But the years and the cocktails
is there permanent. You're kind of soft around the stomach, Mr.
Henderson, I'm sorry to say. Ain't you making a mistake in wanting to
marry my girl at all, sir?"

I don't reckon he was happy; yet he certainly was game.

"Mr. Wright," says he at last, "that's why I come to you first! I was
conscious of them ten million cocktails--it's nearer ten million than
ten thousand, I reckon, in my business. It seemed to me fairer to talk
to you first. I'm not apt to forget her very soon--I'm not apt to look
at any woman at all. I reckon I don't want to get married if I can't
marry her. Maybe it ain't fair for a man at my time of life and way of
life to think of marrying a girl like her. I reckon I been selfish. I
reckon maybe you set me right."

"Where did you come from?" says Old Man Wright.

"The South," says he.

"I know that; but what state?"

"Kentucky," says he. "I been living here a great many years."

"You're a gentleman, Mr. Henderson," says Old Man Wright. "I wisht
things wasn't just the way they are. But now, on the level, do you think
we'd better say anything to Bonnie Bell at all about this here?"

Henderson must have thought it over quite a while. Then I heard him take
a step or so. Maybe he picked up his hat. Maybe his cane knocked against
a chair. Maybe they shook hands.

"I don't want to do anything that isn't best for her," says he at last.
"I reckon maybe I ain't a good-enough man to marry her. I reckon maybe
you're right, sir," says he.

Old Man Wright he don't talk no more for a little while. I heard them
walk toward the door.

"No," says he at length. "Mr. Henderson, I don't reckon we'll say
anything about this to Bonnie Bell after all. Good-by, sir. I wish I
could ast you to come here often."

"Good-by," says he.

I seen him go down the walk after a while. He forgot all about his car
waiting by the sidewalk and walked half a block before he come to. Of
course, he couldn't come to see us no more after that.

As for me, I didn't have no friends either. Jimmie the hired man was
about the only friend around there I cared much for, and now he was
gone--fired, I supposed. Times got even lonesomer than ever.

Bonnie Bell come in the room where I was setting one day, and she set
down on the lounge and put her chin in her hand and taken a look out the
window. I ast her what was up.

"Well," says she, "I was just wondering about the seeds for them big
flower beds we've been making," says she. "I'll be wanting to plant them
next spring, at least. If I had some experienced man that knew about
flowers now--"

"Why don't you go down to the park," says I, "and talk to some of them
Dutch gardeners that raises the flower beds down there? They'll know all
about them things," says I.

"Curly," says she, "you're only a cowpuncher, ain't you?"

"That's all," says I.

"Well, that accounts for you not having no sense at all," says she.




X

US BEING ALDERMAN


Really, that fence must of hurt the Wisners as bad as it done anybody
else. Us having plenty of ground, our house wasn't built so close to the
line as theirs was. The fence must of cut off more light for them than
it did for us. Besides, when you looked at it from the street, unless
you lived around there and knowed about it, you'd of thought it was us
built that fence to spite them and not them to spite us.

Old Man Wright was running on what they called the Independent ticket
that fall; there was three parties and the town was all tore up. Of
course everybody knows there oughtn't to be but just two
parties--Republicans and Democrats. Me being from Texas, original, I
don't see why anybody should be anything but a Democrat; but Old Man
Wright he had a way of picking out things.

Well, they held the election along in November. I might of knowed how it
would come out. They ain't done counting all the Wright votes yet over
in that ward of ours. At about half past six they'd had time enough to
count all the sufferedges that Old Man Wisner taken down in the
silk-stocking part of that ward.

At about half past three in the afternoon the papers come out with
bulletins and says the ward was "conceded to Wright." I should say it
was conceded! I conceded it, anyways, as soon as I knowed he wanted to
run.

Well, sir, it was more like old times then than we'd seen since we moved
in there--like the times when we was sher'f in the Yellow Bull country.
The old man he come in a-laughing along about suppertime and under his
own steam, and says he:

"Bonnie Bell, your pa is going to be high in the nation's councils right
soon, because he is going to be alderman in one of the most important
wards in this here town. I may be mayor some day; and when you're mayor
you're due to chirk up and think of being president--if you are a
humorist. Also, your pa is hungry. Please get Curly and me all the ham
shanks and greens they is in the house.

"And, besides," says he when Bonnie Bell was going out, "pull the front
door wide open tonight. Take the lock out and hide William where they
can't any of my horny-handed friends find him. They'll be in here
tonight, a bunch of them, to sort of celebrate our glorious victory.
There may be several bands along in here--I hope and trust so. I
shorely am fond of music and I like bands. Whenever I get elected sher'f
or anything I want the band to play--all the bands they is."

Well, that was some night! I was glad for once we had come to Chicago,
for there is more bands in a town that size than there is in Cody.

Old Man Wright he was more natural than I'd ever saw him for a long
while. I don't know if it was quite fair the way he done, because it
ain't held Christian to set on a man when he's down. But what he done
was to get that Dutch band with five pieces that played in front of our
house every morning--they come in first. He stations them at the side of
the road right square in front of Old Man Wisner's house, and he tells
them to play everything they knew and then play it all over again, and
keep on playing. We was setting eating dinner, enjoying their music as
much as we could, when the leader of the band comes in; and says he:

"_Mein Herr, wir sind schon ausgeblasen._"

"Is that so?" says Old Man Wright. "Well, have a drink, and go out and
begin over again."

About now come the rest of the bands, six or eight or so, and back of
them was the merry villagers. They filled up the whole street in front
of our steps and in front of the Wisners, and up and down the row; and
some of 'em stepped on Bonnie Bell's new tulip beds in the yard south of
us.

"Unto them that hath is gave," says Old Man Wright, looking peaceful.
"Like enough, most all the bands in this part of town'll be here before
long. Pore old Dave Wisner, he don't seem to have no band; so I'll fix
him up--he don't seem cheerful, with his blinds down thataway. Round up
our bands, Curly," says he, "and line some of 'em up in front of his
house on the other side of the street. Get some of 'em and stand 'em up
on our side of his fence. Make a line of 'em back to the boathouse. Tell
'em to play--I ain't particular what they play. They don't even need to
play the same piece unless they want to; but keep 'em busy--play
everything they have and then repeat softly, and if they get tired feed
'em and give 'em something to drink. And tell Johnson, the precinct
captain, when he comes about eight o'clock, to come on in with his
friends, the whole gang--the door is open and there's no strings on it,
and no strings on the new alderman."

Old Man Wisner must have been enjoying his life that evening while we
was celebrating our being alderman. Bonnie Bell she didn't approve of
this none, but she knowed that when her pa was in one sort of mood she'd
better leave him alone and let him have his way--there wasn't no
stopping him.

After a while Johnson, the precinct captain that had had this election
in charge, he come in to have a talk with the new alderman, him and a
lot more. There was a good many Swedes up in his ward, and plenty of
these folks was blue-eyed and had yellow hair, and some of 'em had long
whiskers. On the whole they carried their liquor pretty well, and they
had plenty. Old Man Wright was in his shirt sleeves--rolled up so that
his freckles would show--and he had two or three cases of red liquor,
and not a cork in the room!

"So far as Sunday closing is concerned," says he, "it ain't Sunday yet."

They taken something with the new alderman and hollered for a speech.

"Men," says he, "we licked 'em like I said we would--only more. I don't
ast any of you to show me how to make any more money, for I've got
enough. We made this fight on the Lake Electric Ordinance. The intention
of the other gang was to hold up all you people that has homes of your
own. Every one of you has to use electric light. It's only right you
ought to pay a fair price, but nothing more. Let me tell you that's all
you're going to pay. I've bought into that company, and me and my bank
crowd can run it. Let me tell you the prices will be right: don't you
worry about that none at all. For once you'll get a square deal here;
or if you don't, then elect some other man the next time."

"Hooray for our new alderman!" says Johnson, jumping up then.

They all jumps up too. They had their glasses in their hands--plenty of
men standing there in our ranch room, rather big men with yellow
whiskers, a good many.

About then Bonnie Bell she comes down the front stairs. She was all
dressed up in silk, in a low-necked dress and a good many jewels on. You
wouldn't hardly of thought it was her pa standing in his shirt sleeves
in the room.

"Gentlemen," says Old Man Wright, "this is my daughter."

What them men did was not to compare them two at all. They just stood in
line and every one of 'em raised his glass like she was a real queen;
and they give her three cheers. Bonnie Bell she drops them a curtsy.

You see, them folks saw that, while we had the price and had the class,
and could play some games, we was just folks. They felt all the time
that they was just folks too. When you can play that game square and on
the level, like Old Man Wright done, they can't beat you in politics.

Them people went away at last--even our little Dutch band, though they
give up hard. The Wisner house was dark, while ours was all lit
up--everything in it, including me, Curly. The papers said that the new
alderman kept open house until a late hour. There was some truth in
that--the door was open all night long.

At breakfast Old Man Wright was hungry, though he hadn't been to bed. He
set, with his hands in his pockets, and looked out at Wisner's brick
wall; and says he to me:

"This here is going to be a changed ward. I ain't in no man's vest
pocket. I ain't done yet. This is just the beginning. But where's the
kid, Curly?"

I went and found her. William was still hid somewhere--the night's
doings had grieved him plenty. She come in and set down by her pa.

"Well, sis," says he, "you see your dad is getting some of them Better
Things we come to Chicago after."

"Dad," says she, pushing back a little way from him and looking into his
face, "tell me something."

"What is it, Honey?"

"The truth now--the truth."

"Yes, Honey."

"Did you sell out the Circle Arrow and come to town on account of me?"

He didn't speak at first.

"Yes, I did, Honey," says he at last. "I said I'd tell you the truth.
That was why we sold the old ranch--so as you could come here. I wanted
you to go as high as any American woman could go. We educated you for
that--we brought you up for it, Curly and me."

"We didn't win, did we, dad?" says she, slow like. "How is it done,
dad?"

"Gawd knows," he says. "Tell me, sis, if we pulled out of here and went
to some other town, would you be better? How about Kansas City?"

"No," says she. "Our feet ain't headed that way. I won't quit, dad."

"You'll break your heart first, and your dad's?"

"Yes, if necessary."

"All to break into them sepulchers?"

"No," says she; "there's a lot of things worth while more than that.
These brick-and-stone houses are the trenches. They may be hard to take.
But back of them lies the country, and it's the country that's worth
while. You found it--over on the other side of the ward. For me--don't
mind if I haven't found it just yet."

"Ain't you happy, sis?" says he.

"No," says she, quiet like; "I'm not."

He pats her on the back.

"Get out of doors," says he. "Do something--work at something! Look
upwards and outside, and don't get to looking inwards," says he. "That
ain't the way. Think what's in the fields beyond."

"Life, dad," says she, slow; and it seemed to me like she was sad.
"Life!"

"Life?" says he. "Sis, what do you mean? Tell your old dad, can't you?"

She told him, then. She put her haid down on his neck.

"Oh," says she, "it's all right for you two--you've got something to
do--you can work and fight; but what can I do? What is there for me to
do in all the world? And you tried so hard to make me happy!"

"And you ain't happy?" says her pa.

"Dad!" says she. "Dad!" And she went on crying down his neck.

Ain't women hell? I went on away.




XI

US AND THE FREEZE-OUT


More and more folks begun to talk about us and our place since we got to
be alderman. Of course more and more people begun to come in and visit
with us now; but not one from Millionaire Row, though, if I do say it,
we had the best-looking place now in the whole row of houses.

It was one of Bonnie Bell's ideas to make one of them sunken gardens,
which she said was always done in Italy.

"I'll tell you," says she; "we'll build our sunken garden right up
against Old Man Wisner's wall. How would it do to plant a few ivy vines
to run up the side of the wall, dad?" she ast her pa.

"Why, all right," says he; "but you be mighty careful not to plant any
olive branches."

So Bonnie Bell and me we was busy quite a while making plans for this
here sunken garden. We read all the books we could find; still, she
wasn't happy.

"I need some skilled gardener in this," says she; "them Dutch down at
the park are no good at all. I wonder where the Wisners' gardener
went."

"That fellow wasn't so much," says I to Bonnie Bell.

"What makes you say that, Curly?" says she.

"Well, I heard him talking one morning and I didn't like it. For that
matter, I didn't like the way he talked about you neither. I told him we
couldn't have nothing to do with the lower classes--let alone now, when
we're alderman, we couldn't do that. He was fired and he ought to of
been."

"How did you come to know all this, Curly?" says she.

"I heard him down at the boathouse talking to Old Lady Wisner. I think
we're mighty well shut of the whole bunch of them--though I will say he
was learning to rope all right, and I could of made a cowhand out of him
if I'd had time."

"What did she say, Curly?" she asked me then, "Did she really talk about
us?"

"Yes, she did. She thought you was a hired girl. And she says we was
can-nye, and he wasn't to mix with us. Can-nye--what is can-nye,
Bonnie?" says I.

She got red in the face and was shore mad at something.

"Can-nye, eh!" says she. "Can-nye! So that's what she thinks we are."

"Well, that was before we was alderman," says I. "Maybe they think
different now, whatever can-nye is. What is it, anyway?"

"It means something common, vulgar and low down, Curly," says she.

"That wasn't no bouquet, then, was it?" says I. "Well, I didn't think so
then, though I never heard it called to nobody in my life. I made it
plain, though, to that hired man that he didn't have no chance to break
into our house."

"Did he want to come over, Curly?" she ast.

"Crazy to! He wanted to get a look in our ranch room. I told you he was
hankering to be a cowpuncher."

"Well, why didn't you bring him over if he was trying to learn things
you could teach him?"

"What! Me bring him in our place? I reckon not! Now look here, kid,"
says I, "you don't half know how good-looking you are."

"I'm not," says she. "I got a freckle right on my nose. It don't come
off neither."

"Well, maybe one freckle or so," says I; "but that don't kill off your
looks altogether. Let me tell you, when it comes to common people like
him talking your name out in public, why, it don't go!" says I.
"Besides, another thing"--I went on talking to her right plain. "Look at
the money you'll come into sometime! He has got to show me a-plenty what
right he had to say you was wonderfully beautiful. You are, kid--but
what business was it of his?"

"He has been gone four months and eight days," says she, thoughtful.

"How do you know he has? Do you keep a calendar on folks like him?"

"No; I was just thinking," says she, "that if he was here I might ask
him about my sunken garden."

"That would be fine, wouldn't it?" says I. "But then, come to think of
it, he wasn't in favor of that fence hisself. He was right free-spoken;
I'll say that for him."

"He didn't like that fence idea?"

"Of course he didn't. He knew it wasn't right."

"Well," says she, "I'm going to plant ivy on it. If it runs over the top
of the wall and hangs down on their side I'm not going to try to stop
it."

Now, why she said that I never could figure out at all. I suppose women
is peacefuller than men.

The folks in the ward where we live at they allowed their new alderman
was on the square. I reckon it must of been them freckles. There ain't
no way of beating a man in politics that has freckles and that can carry
his liquor. So by and by all the papers come out and begun to say maybe
Mr. John William Wright would be a candidate for treasurer next
election. That is about as high as you can get in city politics.
Treasurers make a heap more than their salaries usual in any large
town. The people don't seem to mind it neither.

Times out on the range wasn't so good now as they might of been. Them
high benches along the mountains never was made for farming. The new
settlers that had come in under our old patents, through this here
Yellow Bull Colonization and Improvement Company, they was shore having
hard sledding along of their having believed everything they seen in the
papers. They'd allowed they was going into the Promised Land. It
was--but it wasn't nothing else but a promise.

It was Old Man Wisner's fault really. Though, after his usual way in
side lines, he never showed his hand, he was deep in that company
hisself. It was him now that had to hold the thing together. The
settlers got sore and some of them quit, and most of them didn't pay
their second or third payments. Of course that didn't make no
difference, so far as we was concerned, for the Yellow Bull Colonization
and Improvement Company had to make their deferred payments just the
same to us. But when the company's money run out, and they maybe had to
assess the stockholders, some of the stockholders got almighty cold
feet.

"Well, Colonel," says I, "I reckon we'll get back our ranch some of
these days, won't we? I shore wish we would."

"So do I, Curly; but I'm afraid not," says he.

"Why not?" I ast him.

"Well, it's Old Man Wisner--that's the reason," says he. "You see, it's
his money that they are working with now," says he. "Their new ditch has
cost them more than four times what the engineer said it would--a ditch
always does. They've been wasting the water, like grangers always do,
and they're fighting among themselves. These States people has to learn
how to farm all over again when they go out into that sort of country.
As to them pore stockholders, I reckon you could buy them out right
cheap; but, cheap or not, Old Man Wisner's in more than he ever thought
he'd be," says he.

"Ain't you going to let the old man off on none of them deferred
payments?" says I, grinning.

"I am, of course, Curly," says he, solemn. "Seeing what he has done for
us, I'm just hankering for some chance of doing him a kindness!" says
he.

I begun to believe that before this here game was all played there'd be
some fur flying between them two old hes, neither of which was easy to
make quit.




XII

US AND A ACCIDENTAL FRIEND


Bonnie Bell she was busy, after her little ways, fixing her
garden or laying out her flower beds, or reading, or studying about
pictures. She drove her electric brougham a good deal, riding around.

She was riding along one day in the park below our house when she seen a
girl go riding by, with some others and a young man or two, on
horseback, bouncing along bumpety-bump, rising up every jump as though
the saddle hurt 'em. One of the girls was on a mean horse, but she was
going pretty well and didn't seem to mind it. But this horse he taken a
scare at a automobile that was letting off steam, and, first thing you
know, up went the horse in front and the girl got a fall.

There wasn't any of them very good riders, and this horse, being a bad
actor, scared the others. They all bolted off, not seeming to know that
this girl had fell off. She lit on her head.

Bonnie Bell seen all this happen, and she gets out of her car on the
keen lope and runs over to where the girl is and picks her up. Her and
a policeman took her in Bonnie Bell's brougham. She didn't know nothing
yet, being jolted some on the head.

Now that girl was pretty as a picture herself, with light hair and blue
eyes, and kind of a big mouth. She was smiling even when she didn't know
a thing. She was always smiling. She was dressed like she had lots of
money; and she was fixed for riding--boots and some sort of pants.

Bonnie Bell couldn't bring her to and she concludes to take her home to
our house. First thing I know, there she was outside, hollering for me.

"Come here quick, Curly!" says she. "Come help me carry her into the
house."

So I helped her. The girl still had her quirt in her hand and she was
kind of white.

"Who is she, Bonnie Bell?" says I; and she says she didn't know, and
tells me to go and get a doctor.

But while I was getting William to telephone--I couldn't use them things
much myself--the girl comes to, all right; and she sets up and rubs her
head.

"Oh, what do you know about that!" says she. "He got me off. I thank you
so much. Which way did he go?" she ast.

"He was headed to the riding-school barn," says Bonnie Bell, "the last I
saw of him. Your friends were all going the same way. So I thought the
best thing I could do was to bring you here till you felt better."

I don't reckon the girl was hurt bad, she being young; and such girls is
tough.

"Well," says she, "it certainly was nice of you. And how am I to thank
you?" She kissed Bonnie Bell then for luck. "You're nice," says she,
"and I like you."

Bonnie Bell, if you'll believe me, was kind of timid and scared, with it
being so long since any woman had said a kind word to her. She didn't
hardly know what to say, at first, till the girl kissed her again.

"I am Katherine Kimberly," says she. "We live just above the park. Where
is this?"

"This is just above the park too," says Bonnie Bell--"on the boulevard.
This is Mr. John William Wright's place," says she, "and I'm Miss
Wright. Can I serve some tea to you?" So she calls William.

When William brings in the tea them two set up and begun to talk right
sociable. This here Kimberly girl she rubbed her head once in a while,
but she wasn't hurt much along of having so much hair to fall on her
head with. The tea fixed her all right.

"I hit my coco a jolt!" says she. "Gee! I was going some. I'll never
ride that long-legged old giraffe again; he's nothing but a dog after
all--not that I'm afraid, but I don't like him," says she. "Do you
ride?"

"Would you like to come and see my horses?" says Bonnie Bell. "If you
like horses----"

"Do I like them? I'm crazy over them! Can you ride?"

"Oh, some," says Bonnie Bell. "Curly says I can."

"Curly?" And she looks at me.

"He's our foreman," says Bonnie Bell. "Talk to him if you want to know
about riding--he's a rider."

"I was once, ma'am," says I, "but not no more. I wouldn't get on a mean
horse now for a thousand dollars. I'm scared of horses, ma'am; but she
ain't"--meaning Bonnie Bell. "She still thinks she can ride any of 'em."

"Yes," says Bonnie Bell; "and, as far as that goes, if I could get you
to come with me I would always ride a horse and not go in a car or
boat."

"Boat?" says Miss Kimberly. "Oh, of course you have 'em too."

"Come down," says Bonnie Bell, "and you and I can look at my horses and
boat and things. After that I'll take you home."

"Oh, may I go?" says this Katherine girl. "You see, I suppose I must get
home before they tell mommah."

Well, she hadn't more than got out on our porch than she knew in a
minute where she was. This was where she showed she was a lady born and
a good girl too. She never let on beyond that first look--she seen she
had been brought into the house of us can-nyes. This was the house with
the wall, where nobody of the Row ever went.

"How lovely it is!" says she. "Do you know you have the nicest place on
this whole street? It's tasteful. I like this little sunken garden--it's
a dear! And see how the ivy grows on the wall! And over there's the
boathouse. May I see your things?"

Now what she said last wasn't any bluff. It was just the girl in her
talking to another girl. I seen Bonnie Bell give her another look, kind
of asting like--she herself was free and friendly every way; but she
hadn't been used to this right along lately. So she looks at this
Katherine Kimberly right close for about half a second, till she seen
she was on the square.

Then this Kimberly girl puts her arm round Bonnie Bell. That was the way
them two went down to the boathouse--their arms around one another. When
they come back, in about ten minutes or so, they was talking so fast
neither one of them could of heard what the other was saying.

"Oh, my goodness!" says Katherine after a little. "I must be going home.
It isn't far, you know."

"Yes; I know," says Bonnie Bell, quiet.

"And you said you'd take me home in your car?"

"And you want me to?" says Bonnie Bell, kind of funny.

"I wish you would--if you will. Of course I could walk."

"Does your head hurt now?" ast Bonnie Bell.

The girl looked at her straight. Then I knew she was on the square.

"No, it don't," says she; "but I'd like it if you would take me home in
your car," says she. "I want you to come in and meet my mommah. We want
to come down here if you'll let us, all of us. Will you let us? Will you
let us, Bonnie?" says she.

Now, ain't it funny how much can happen quiet and easy? I expect more had
happened for Bonnie Bell this last hour or so than had in a whole year
before--and all by accident, like most good things comes to us. Not a
woman in that block had ever called on Bonnie Bell and it didn't look
like they ever would. We wasn't on the map--even me, that ain't got any
brains at all, knowed that.

And yet I could tell that if Bonnie Bell Wright drove along the front of
that block with Katherine Kimberly in her car, and they got off at the
Kimberlys' and went in--and if the Kimberlys come up to our house,
too--why, then I knowed we was on the map. I don't think Bonnie Bell
cared. What was in her heart was mostly gladness at meeting some girl
friend she could talk to right free.

Of course, living there so long, I couldn't help knowing some of the
things along the Row. I knowed there was a sort of a fight there as to
which was the queen of Millionaire Row, which was the same as being the
queen of the society of this here city of Chicago. Either it was this
Mrs. Henry D. Kimberly or else it was Mrs. David Abraham Wisner. The
Kimberlys was in wholesale leather, while the Wisners was in wholesale
beef and pork, and them things. Most everybody in the Row, it seemed to
me, had something to do with a cow, one shape or another, except
us--which, dealing with cows on the hoof, might of been said to be at
the bottom of the whole game. But that ain't respectable, like I told
you. Sausage or hides or leather is better--especial if wholesale.

Bonnie Bell was quiet. She taken up the collar of this Katherine girl
and looks at the little pin she wore on it.

"What year was yours?" says she.

"Last June," says Katherine.

Then I seen they was both scholars of that same Old Man Smith, where
Bonnie Bell had went to school. They had on some sort of pins so they
knew each other, like Masons. Not having nothing better to do, they
kissed each other again.

By the time Bonnie Bell had drove over to the Kimberlys' house folks had
found Katherine's horse, but not her; so her ma was scared silly,
natural enough. When she seen her long-lost daughter coming with Bonnie
Bell, both of them able to walk and talk, she was right glad, and fell
on the necks of both of them, weeping some.

"And who is this young lady," says she, meaning Bonnie Bell, "who has
been so kind as to bring you home to your mother?"

And she smiled at Bonnie Bell, her being the second woman to do that in
Chicago in two years. You see, if a girl is handsome women mostly hate
her; the men don't--which is why.

"This is our neighbor, Miss Wright, mommah," says Katherine. "They live
just below us a little way."

She got red in the face then, for everybody on the street there knew
about us and the high fence; yet nobody knew us personal. But
Katherine's ma was different from most of these other people. Besides,
you only needed one good look at Bonnie Bell to see that she wasn't any
common folks.

"She left Smith the year before I went in, mommah," says Katherine, "and
she's in my sororyety; and she's been here ever since they built their
fine house; and she's a dear and I love her." Katherine had a way of
talking all in one breath, like a sprinter running a hundred yards flat.
"I want you to love her, too," says she to her ma.

And then Old Lady Kimberly she taken Bonnie Bell in her arms and kissed
her some more; and the kid, like enough, come near to spilling over
then.

"Come right in and have a cup of tea," says she.

So they went into the house, and the Kimberlys' sad man, which was named
William, too, brought them some tea. They didn't need it none, because
they was full of it already; but women can hold plenty of tea. When they
was drinking that and, like enough, all three of them talking at once,
Katherine tells her ma all about how she got threw from her horse, and
how Bonnie Bell saved her life and carried her home and took care of
her, and now brought her back.

"Mommah, their place is lovely," says she. "They've all sorts of nice
things and we're going to call as soon as Bonnie Bell will let us."

"Yes, indeed," says her ma, who was going to back any play her girl
made.

"Bonnie Bell," says she--"that is a odd name and a very pretty one."

Bonnie Bell laughed at that.

"It's one my dad gave me," says she. "My real name is Mary Isabel. My
dad always called me Bonnie Bell; and so did Curly."

"Curly?" says the old lady, not knowing who that was--me.

"Oh, Curly's a dear," says Katherine then. "He's a cowboy, or was when
he was younger; but he isn't young now. And he can ride any sort of
horse living, and rope things--I think he must be the stableman."

"Indeed he isn't," says Bonnie Bell. "He's our foreman."

They didn't know what that was, being city people; so she told them.
Them Kimberlys couldn't see why they took me to the city when they
didn't have no cows. I reckon they must of talked of me and Old Man
Wright plenty--you see, Bonnie Bell told me of it like it happened. She
told me what Katherine's ma wore and what their William looked like, and
what sort of pictures was on the walls. Womanfolks can see more than a
man and remember it better.

Well, sir, it wasn't any more than a week before Old Lady Kimberly drove
up to our house in her car; and she come right up the walk herself and
didn't send in any of them little cards that says: "Tag; you're It."

She come into our parlor, and our William went out and got Bonnie Bell
for her, and them two must of had a regular visit, because Katherine's
ma insisted on seeing our ranch room, which pleased her mighty much.
She said she certainly was going to bring her husband over, because he
would be crazy over it.

"Tell me," says she--"when can we come?"

"Why," says Bonnie Bell, "in a real ranch there isn't a time of the day
or night when you can't come and be welcome. Everybody's welcome at a
ranch, you know."

Old Lady Kimberly, she seemed kind of thoughtful over that; but she
didn't say nothing about being slow starting. Says she:

"If you'd let us come we'd all be so glad to come and sit in your ranch
room--it's new to us and we like it. I know my husband would like it
very much. As for Katherine, I don't think I'll be able to keep her away
after this."

Well, that afternoon, late, Katherine calls up on the telephone
again--about the eighth time she had already that day--and she ast might
her pa and ma and her come over that evening to see our ranch room. Of
course Bonnie Bell told them to come.

"Well, what do you know, Curly?" says she to me. "This ain't according
to Hoyle. Mrs. Kimberly ought to of waited till I returned her call, and
till maybe one or the other of us had invited the other to a reception,
or to a dinner or something."

"What's a reception?" says I.

"Something we never had yet, Curly," says she. "It's a place where
people ain't happy; but there's plenty of 'em. Maybe tonight is the
closest we've come to it."

Well, they all came that night, all three of 'em--twicet in one day,
which was going pretty strong; and, like enough, something they hadn't
never done before in all their lives.

"No you don't!" says Mrs. Kimberly when Bonnie Bell was going to take
'em into the parlor. "We're going right into the ranch room and sit
there, all of us--mayn't we, please?"

So they come in and Old Man Kimberly he walked around and looked through
the place; and he was like a kid.

"By golly, Wright!" says he. "I didn't know a alderman could have as
much sense as this," says he. "This is the real goods," says he--"you
can set down in one of those chairs and not break its legs off. And
here's tobacco handy, and matches all over the place. Now over in the
club all you get is a place to smoke and a big chair, and a fireplace to
look into. Ain't a city a cold old place, John Wright?" says he.

"Well, you see," says Old Man Wright by and by--"you see, folks get to
be pretty busy with one thing and another. I know they all mean right
well," says he, "but they get so busy in a town like this they don't
have time for anything."

That was about all that ever was said about our being neighbors on our
street. Nobody apologized for not having done this or that. We just
dropped in like we'd always been doing that way.

"Well, Alderman," says Old Man Kimberly after a time, "you certainly
know how to live. I'm going to drop in here every day or so, evenings,
because I can't get a match at the club without calling a boy, and here
you can just reach out and get plenty."

"Come in as often as you like, neighbor," says my boss; and he fills his
own pipe and passes the fine-cut.

Sometimes I think, after all, folks is a good deal alike inside, and
what makes good in one place will in another. We used these people like
we was all out on the Yellow Bull; and here was Old Man Kimberly feeling
better than he had in two years and all of 'em glad to come back to our
place. Which all happened right soon--and because of them two girls.

"Well," says Katherine's pa after a while, "if I had to choose I believe
I'd rather be a ranchman out West than anything in the world. Tell
me--what made you sell out and come East to live? Why couldn't you be
content where you was at?"

"Well," says my boss, kind of smiling crooked out of the end of his
mouth, "we come East to get some of the Better Things."

They looked then, both of 'em, over at the two young girls on the sofa.
They was so busy talking they didn't know anybody was looking at 'em.
When we was all quiet they both spoke out right at the same time. "I got
mine at Madeleine's," Katherine was saying; and Bonnie Bell says: "We
fry ours in butter." The Lord only knows what they'd been talking about;
but it didn't make no difference.

Well, anyways, we all had quite a fine time, setting there in our ranch
room, with the smoky mantelpiece and the old tables and chairs, and the
sofa covered with a hide, where the two girls was setting.

By and by they all got up and said they had to go home. Old Man Kimberly
he held out his hand to my boss, and they shook hands quite a while
together, not saying very much.

"Will you come over some evening?" he ast Old Man Wright.

And he says:

"Shore!"

About then Katherine's ma was kissing Bonnie Bell some more--she seemed
never to get tired of kissing Bonnie Bell. Then them two girls they
walks off to the front door, their arms around each other. I seen 'em
standing there under the light. By and by Katherine picks up Bonnie
Bell's hand and looks it over, and there wasn't no rings on it.

"Are you engaged yet, Bonnie?" she ast.

Bonnie Bell kind of blushed at that.

"No," says she. "Are you?"

"No. Mommah says I'm too young," says she; "but then----"

"Yes," says Bonnie Bell; "but then----"

Old Man Wright he turns to me after they'd all went away.

"Well, Curly," says he, thoughtful, "I reckon we're coming on."

"Yes," says I; "but then----"




XIII

THEM AND THE RANGE LAW


When they all went home us three set quite a while in our ranch room,
looking at the fire. It wasn't winter yet, but sometimes we lit the fire
in the fireplace. Old Man Wright he seemed to be thinking of something,
or trying to. At last he says:

"Sis, go get the fine-toothed comb and comb your pa's head--won't you,
sis?" says he.

"Can't your barber do that for you?" ast she.

"He does; but no barber can really comb a alderman's head soothing,"
says he, "not like his own kid can. Now a alderman that's soothed proper
might be induced to do almost anything, and combing him on his head is
like scratching a pig along its back with a cob. You try it, kid; it
might be perductive of a new car or something for you," says he.

So then she gets the comb and begins for to comb his head some, and he
goes on talking with me. Evident he had something on his mind; that was
the way he'd got used to think when something hard come up.

"Curly," says he to me after a while, "what would you say if we had a
chance to buy in the Circle Arrow Ranch again?"

"I'd say it was the finest thing in the world," says I. "Them grangers
ain't got a chance on earth. It takes a long course for to learn how to
understand a cow's mind," says I.

"That's what they call sikeology in Smith," says Bonnie Bell.

"Well," says I, "you can't get no course in cow sikeology in no four
years; it takes more than that on the range, like your pa and me done.
They can't raise nothing out there in the Yellow Bull but cows, and they
don't know how to raise them. Colonel," says I, "ain't them deferred
payments deferring all right?"

"Some," says he. "They didn't pay nothing this year yet and it's way
past due. Looks like there might be some trouble in there, don't it?"

"Well then," says Bonnie Bell, "where does that leave us? Look at this
place; look at all our expense." She stopped combing then.

"Don't worry about that," says her pa. "We've made plenty of money other
ways than that. For instance, I got a offer right now to sell out all
our land below here toward the park for about three times what we paid
for it. The Second Calvary Regiment wants to put up a barracks, or a
armory or something, in there. Also, a French milliner wants in, just
below here."

"What!" says Bonnie Bell. "That would ruin the whole Row. What do you
mean by that?"

"Huh!" says her pa. "That's what they all say. Old Man Wisner was crazy
when he heard something about it--he was going to get out a injunction.
I hope he'll try it; for he can't. Seems like most of the things he's
been trying on us he couldn't make go."

"Well, dad, I don't believe I'd like that barracks on our land either.
Suppose we all think it over a little bit."

"All right," says he. "There may be other ways of having fun with Dave.
I just thought of that one. Oh, well, I bought the lot north of them,
and I'm thinking of putting a Old People's Home in there," says he.
"Across the street from there I'm thinking of putting up a statue of
Kaiser Wilhelm; some of my constituents they would come there Sunday and
hold services," says he.

"Anything else you got on your mind, Colonel?" I ast him.

"Well, I just seen a chance to make a little speculation in a
moving-picture company," says he. "I didn't put in much--only two, three
hundred thousand dollars; but I didn't know but what it might make some
money after a while. How would you like to be a actor man in our
company, Curly?" says he. "The worst it could do would be to spoil a
puncher that never was much good anyhow."

"No," says I; "it's too much like work."

"Well, we could make other pictures," says he, smiling contented. "For
instance, we could set up two or three cameras right acrost the street
from Old Man Wisner's 'most any morning. Then, when Old Man Wisner come
out we could take his picture and show him how he looks when he has got
a grouch. Or we could take a picture of the old lady getting in her car
or getting out. Neither one of 'em has got much girlish figure now.

"Why, there's loads of pictures that we could take. If you didn't like
to work much riding or anything in the movies," says he, "you could be
taken leaning kind of careless on our gate and looking over the Wisners'
fence--for instance, talking to their hired man.... Don't you dig my
head no more, kid," says he. "I ain't no bomb-proof, like you think."

"Dad," says Bonnie Bell, "I ain't going to comb your head no more."

"Why?" says he.

"You're a mean and revengeful old man," says she. "It ain't right for us
to treat our neighbors thataway," says she, "and I won't have it."

"I'm living up to my laws," says he, calm. "I've got to hand Wisner
what he's trying to hand to me. You know the law that's been good enough
for us. That's the range law."

"This ain't the range," says she.

"Ain't it?" says he. "This looks like a ranch house some. If you'll run
your comb along over my dome, too, you'll find, unless I'm awful
mistaken, something like the head of a cowman. Feel with your thumb
good, Bonnie Bell," says he. "See if you can find any soft spot in
there, like in a melon. See if you can find any place where it feels
like I was going to lay down and let any yellow-livered son-of-a-gun try
to ride me, and me not resent it," says he. "They started this and it's
got to be finished--that's the law. Believe me, one way or the other,
that old white-face over there is going to be a good oxen sometime, and
he'll come up and feed outen my hand."

Bonnie Bell she quits combing and goes over and sets down on the lounge,
and don't say nothing; nor me neither. We both knew about the old man
when he started after anybody. He was that kind of a sher'f. It didn't
look peaceful none to me what might happen now.

"Lock, stock and barrel?" says he to himself. "Lock, stock and
barrel--that's the way we done. I dislike the color of their hair and
eyes. Lock, stock and barrel," says he, "they got to settle! I don't
want no truck with Dave Wisner, nor his old lady, nor their ox, nor
their ass, nor their manservant, nor their maidservant, nor the stranger
inside their gates--everything north of that fence is hostile to us and
everything south of it is hostile to them. There's no crossing."

"Their maidservant and their manservant, dad?" says Bonnie Bell.

"You heard me!"

"What's their maidservant or their manservant got to do with it, dad?"
ast she. She was setting on the lounge now, with the fine-tooth comb in
her hand.

"He'd better not have nothing to do with it," said Old Man Wright.
"Curly, you're foreman--see to it that not one of them crosses the
line."

"All right, Colonel," says I; "orders is orders."




XIV

HOW THEIR HIRED MAN COME BACK


There was only one thing kept that armory from going up right on our
flower beds. The weak side of Old Man Wright was, he couldn't help doing
anything a woman ast him to do. This Katherine girl, one day she comes
down to our place, with the paper in her hand, and she says to him:

"Look here, Colonel Wright," says she, "what's in the paper! Is that
true?"

"If it ain't true," says he, "it may be before long."

"Why, Colonel Wright," says she, looking at him with her eyes wide
open--and when she looked at you thataway couldn't no man help liking
her--"I wisht you wouldn't do that, sir--please!" says she.

"Why not?" says he.

"Well," says she, "because."

He turns around and throws up both hands. He never said another word
about it after that. But after a while the calvary regiment went
somewheres else--on some more land he had bought, so it turned out.
Nobody knew what changed his mind. It was Katherine, the first girl
friend that Bonnie Bell had had in the city.

You see, Katherine used to come to our house regular now; her and Bonnie
Bell was right thick together. One time Katherine come in quite excited.

"My brother Tom's coming back next week," says she. "Ain't that fine?"

"Is that so?" says Bonnie Bell. "I'd like to see him."

"Tom's going to live with us," says Katherine, "and be in the office
downtown--unless he gets married, or something of that kind. I wisht he
would. Now I wisht he would get engaged. I'd like to see how he'd act.
You can't guess what I'd like!"

"No," says Bonnie Bell; "I can't."

"Well, he's awfully good-looking," says Katherine. "He hasn't got much
sense though. He dances and can play a mandolin, and has been around the
world a good bit. He's sweet-tempered, but he smokes too much. Sometimes
of mornings he's cross. But you can't guess what I'd like!"

"No; I can't," says Bonnie Bell.

Then Katherine kissed her and taken her hands.

"Why," says she, "I'd like it awfully if you and Tom could hit it off
together," says she. "I think it would be lovely--perfectly lovely!
Then we'd be sisters, wouldn't we?" Bonnie Bell she blushed a-plenty.

"Why, how you talk!" says she. "I've never seen your brother yet and
he's never seen me."

"I've told him you're lovely," says Katherine. "I'll bring him over
sometime."

"I don't know how I could allow it after what you said," says Bonnie
Bell; "but if he's as nice as you I'll jump right square down his
throat. Could you ask me to do anything more than that?"

They giggled, then, and held hands, and ate candy and drank tea, and
talked, both with their mouths full.

"Oh, look at the Wisners' new car!" says Katherine after a while, and
she run to the window.

Their car was just coming in to the sidewalk at their curb now. From
where I set I could see it. Their driver opened the door and Old Lady
Wisner got out; then a young man. They both went out of sight right away
around the fence--you couldn't see into their yard from where we set.

The girls by this time had got so sometimes they'd talk about the
Wisners. Bonnie Bell says now:

"Why don't you call on the Wisners any more?"

"Oh, because," says Katherine. "We're friendly, of course, for the
families have lived in here so long; but Mrs. Wisner and mommah haven't
been very warm since the last Charity Ball business."

"I don't know about that," says Bonnie Bell.

"Oh, Lord! Yes," says Katherine. "They didn't speak for a while. You
know, Honey, the Wisners are among our best people. But then, mommah's a
Daughter of the Revolution and a Colonial Dame, and a Patriot Son, or
something of the sort besides. Mrs. Wisner, she's only a Daughter and
not a Dame; so she doesn't rank quite as high as mommah. Some said that
she faked her ancestors when she come in too. Anyway, when she tried for
the Dames they threw her down. Mommah was Regent or something of the
Dames then too--not that I think mommah would do anything that isn't
fair. But Old Lady Wisner got her back up then, and she's been hard to
curry ever since. We don't try."

"Well," says Bonnie Bell, "isn't that strange? I thought everybody in
the Row was friendly except--except----"

"Except the Wisners?" laughed Katherine. "But don't you worry. There's
plenty of differences in the Row. They have their fallings out. You see,
they all want to be leaders."

"I know," says Bonnie Bell. "In any pack train there always had to be
one old gray critter, with the bell."

"That's it!" says Katherine. "Well now, all these leaders of our best
people they want to carry the bell and go on ahead. That's what Mrs.
Wisner wants--and maybe mommah, though she has a different way of doing
things. Mommah's a dear! So are you, Honey; and I do wish Tom and
you----"

"I was just wondering who it was got out of their car just now," says
Bonnie Bell. "But the fence----"

"Ain't the ivy pretty on your side of your fence?" says Katherine.

Bonnie Bell stood in front of her and looked at her square.

"Look here, Kitty Kimberly, you're as sweet as can be and I love you,
but don't try to keep up the bluff about that fence. They built it to
keep us--to keep us----"

"Well, maybe," says Katherine. "But they can't."

"They built it to show us our place," says Bonnie Bell, brave as you
like. "They didn't think that--they didn't know----"

"It was cruel," says Katherine, red in her face now, she was so mad
about it. "I'm glad you mentioned that fence--I couldn't; but all my
people said it was the meanest thing ever done. It was vulgar! It was
low! That's what my mommah says. We were always sorry for you, but we
didn't know how---- But, Honey, I'm glad you planted the ivy on it. It
shows you're forgiving."

"We're not," says Bonnie Bell. "We're far from it--at least my dad. He's
awful when you cross him. He won't quit--he'll never quit!"

"We all know that," says Katherine. "Everybody in the Row does."

"I don't know how much you know," says Bonnie Bell. "I don't know how
much people have talked about us."

"Well, I can tell you one thing," says Katherine. "We heard some of the
talk; and I want to say that it isn't favorable to the Wisners. There
are others in town besides them. Tell me, Honey, aren't you all the way
American?"

"Yes," says Bonnie Bell. "I can be a Daughter of the Revolution and a
Colonial Dame, and a Patriot Son, and all the rest, so far as having
ancestors is concerned."

"Could you?" says Katherine. "Then I rather guess you will!"

"We go back to the Carrolls a good deal, in Maryland," says Bonnie Bell.
"You see, my mother married my father and went West, and out there we
didn't pay much attention to such things. I didn't know they cared so
much here. But my people were first settlers and builders, and always
in the army and navy."

"How perfectly dear!" says Katherine. "We'll start you in as a Daughter;
that'll make Old Lady Wisner mad, but she can't help it--mommah will
take care of that. Then we'll make you a Dame next--that'll help things
along. And when you're in two or three more of these Colonial
businesses, where the Wisners can't get--well, then I'll be more
comfortable, for one.

"I don't blame your poppah for feeling savage towards the Wisners," says
she after a while. "Who're the Wisners anyways? Carrolls--huh! I guess
that's about as good as coming from Iowa and carrying your dinner in a
pail while you're getting your start selling sausage casings in a
basket. I don't think a packer's much nohow. We're in leather.

"But, good-by," says she now. "I've got to go home. I've got to tell
mommah to get those papers started. Pretty soon I'll bring Tom over."

Nothing much happened around our place for a little while. I didn't see
nobody from the Wisners' and I didn't care to. Kind of from force of
habit I used to walk up and down the line fence once in a while, just to
have a eye on it. I done that one evening and walked back towards our
garridge, for it seemed to me I heard some sort of noise down that way.
It wasn't far from the end of the wall that was close to the lake. I
set down and waited. It seemed to me like someone was trying to break a
hole through the wall. I could hear it plunk, plunk, like someone was
using a chisel or crowbar, soft and easy, like he didn't want to be
heard. I waited to see what would happen.

By and by I seen a brick fall out on our side of the wall. I just picked
it up and set there waiting to bust in the head of anybody that come
through after the brick if he couldn't explain what he was about.

The fellow on the other side kept on working. He pulled bricks out on
his side now. By and by I could see light through--it wasn't right dark
in the yard yet. He pulled out the bricks and made quite a little hole
close to the ground.

"Hello there!" says he, soft like. "Is that you, Curly?" says he.

"Who're you and what do you want?" says I.

"I am the hired man, Jimmie," says he. "I've come back."

"The hell you have!" says I. "Well, I can't talk to you. What made you
come back? Where you been?"

"Out West," says he, "on the Circle Arrow Ranch."

"What's that!" says I. "What do you mean?"

"Just what I said. I've been working out there. I found I could rope a
little and I didn't always fall off a horse. You see, the old man owns
a lot in that company."

"Why didn't you tell me you was going out there?" says I. "And how come
these folks to take you back?"

"They couldn't help it," he says. "I told you I had too much on them.
You'd ought to see how things is going out there! They had to take me
back."

"Well, what are you breaking a hole in our fence for?" says I. "Quit it!
Do you want to get buried in a sunk garden, instead of on the lone
prairee? Leave our fence alone."

"Your fence? It's our fence. Don't I know all about it? It was a damn
shame, Curly."

"What business is it of yours?" says I to him.

"Well, I hate to see the family I work for make such fools of
theirselfs." He was setting up close to the wall now, looking through.
He went on talking: "If I put the bricks in again on my side, and you on
yours, who'll know the hole's there?"

"We've got ivy on our side," says I. "It's green and 'most to the top of
the wall. But I don't know now why you broke that hole through."

"Curly," says he, "I want to let Peanut through, so's he can have a good
friendly fight with my dog once in a while. Sometimes I'll pull some of
the bricks out. I reckon Peanut'll do the rest."

"Peanut'll not do no more visiting," says I; "and I've got orders not to
have any sort of truck with anyone on your side of the fence."

He set quite a while quiet, and then says he:

"Is that so, Curly?" says he.

"It certainly is," I answered him. "When a thing starts, till it's
settled you can't stop Old Man Wright. Sometimes he pays funeral
expenses," says I, "but when anybody gets on the prod with him I never
saw him show no sign of beginning to quit. He can't," says I; "none of
them Wrights can."

"Do you mean they're all that way, Curly?"

"The whole kit of 'em, me included," says I, "and the servants within
our gate, and our ox, and our hired girl, and all our hired men."

"Even the maidservant within your gates?" ast he of me.

"Shore!" says I. "Her especial and worst of any."

"But you don't take no hand in this war?" says he.

"That's just what I do," says I to him. "That's what a foreman's for.
You'd better plug up that hole and stay on your own side of the fence."

He set quiet for a time and then he says:

"I'm darned if I do!"

"Good-by, Jimmie," says I.

"Oh, shucks!" says he. "I'll see you from time to time."

I didn't make no answer but to put the bricks back in the hole on our
side.

Now for reasons of my own, not wanting to rile Old Man Wright, I didn't
say nothing to him about this hole in the fence. Neither did I say
anything to Bonnie Bell about the hired man having came back; because
she was doing right well the last day or so, brighter and more cheerful
than she had been. That, of course, was because of what Katherine'd told
her about her brother Tom. Any girl likes to hear about a young man
coming around, of course. Far as any of us could tell, Tom Kimberly
might be all right.

Bonnie Bell now, all at once, she taken to wanting to go on the lake
with her boat, and she insists our chauffore and her and me must go down
and fix up the boat. We didn't none of us like it especial, but she said
she hadn't been on the lake for so long she wanted to go once more
before it got too cold.

I didn't know nothing about boats, but sometimes I'd go down to the
boathouse and watch Bonnie Bell while she was tinkering with the engine
or something. One day I went down to the boathouse about the middle of
the afternoon, expecting to meet her out on the dock. All at once I hear
voices out there, one of them hers. I stopped then, wondering who could
of got on our dock.

There wasn't no way from the Wisners' yard to get on our dock now,
because the door into their boathouse had been nailed up. The wall run
clear down to their garridge, and their garridge faced onto the
boathouse, which was lower down. The only way anybody could get on our
dock from their place was to get in a boat and come round from the lake.
Then it would of been easy.

I said I heard Bonnie Bell's voice. She was talking; who she was talking
to, I didn't know.

"It's all wrong!" says she. "You are presuming too much. Of course I
pulled you out of the lake--I would anybody; but your employers are not
friends of ours. Even if they were you've no right in the world to speak
to me."

Then I heard another voice. I knew it was Jimmie, their hired man. He
spoke out and I heard him plain.

"I know I haven't," says he, "none in the world; but I've got to."

"You must not!" says she. "Go away!"

"I'll not," says he. "I can't help it! I tell you I can't help it."

Me being foreman, I reached around now to get hold of a brick or
something. I couldn't help hearing what they said.

He'd been ordered off; yet here he was talking to Bonnie!




XV

THE COMMANDMENT THAT WAS BROKE


I stood close up to the boathouse door and was going to step out, but
what the hired man was saying to Bonnie Bell was so nervy I had to stop.
Besides, I wanted to hear what she'd say to show him his place.

"From the first minute I saw you," says he, "I couldn't help it. I swore
then I'd meet you some day, and sometime----"

"Is this the way?" I heard her say, low.

"It's the only way I have," says he. "If there was a better, don't you
think I'd take it? But what chance did I have? I had to make some way; I
wouldn't of been any sort of man if I hadn't."

She must just of stood looking at him. I couldn't see.

"I had to find some way to tell you," says he. "What part have I had in
this foolish squabble? Was that my fault? I'm only a servant now; but
give me a chance to break out of that. Why, when I was out West----"

"Were you out West?" says she, sudden.

"Yes; in the Yellow Bull Valley, among the cowmen--among the real
people. You came from that valley yourself."

"Yes, we did," says she; "and we'd far better of stayed there."

"You couldn't of stayed there," says he. "And besides, if you'd stayed
there I'd never of met you, or you me."

"Indeed! Was that all my fortune--to meet the servant of my father's
enemy?"

"It's all of mine! I'm not your enemy. But suppose now I went to your
father and told him--what would he do?"

"He'd maybe kill you," says Bonnie Bell simply; "or else Curly would."

"I wouldn't blame either of them," says he. "I don't want to sneak
around. I'm going away again----"

"What made you come back?" she says.

"Because I was sick in my heart. Because I thought I could look over
once in a while and see you. But when I came back, here was this cursed
fence and I couldn't see you any more. I thought I'd go mad. Maybe I
have; I don't know."

"With or without the fence," says Bonnie Bell, "how could our circles
cross, yours and mine?"

"Circles!" says he. "Circles! What are circles? I've heard this talk of
circles all my life," says he. "I've seen it going on all around me.
It's rot--rot! It's my misfortune to find one so far above me."

"My money?" says she, scornful. "I've a lot of it."

He didn't say a word to that for a long time.

"Did you really think that of me for a minute?" says he at last.

"You take it for granted that I've thought of you at all?" says she.

"I wouldn't of dared," says he--and it sounded like the truth, through
the door. "Don't class me that way!"

"How can a girl tell?" says she. "Men talk like this to girls----"

"Have they talked to you? Who was it?"

"My social opportunities," says she slow and bitter-like, "seem to be
confined to our neighbors' gardener."

"Don't!" says he. "Oh, don't! I don't want to see you hurt, even by your
own tongue."

I never'd heard any man hand out any talk of this sort to any girl
before. It was right interesting and I was glad I listened.

"How can a girl tell?" says she, like she was talking to herself.

"Shorely she can't tell all at once," he answers. "I'd never ask you to
do more than wait. I'd want to go away and stay away till I could come
in at your front door and be welcome," says he. "I wouldn't ask you to
decide one thing now. But, as for me, I decided everything long ago."

She didn't say nothing.

"As to your money," says he after a while, "listen to me. Look at
me--look close. Look into my eyes. Am I not honest? Tell me--if truth
like mine can be mistaken for deceit, then what chance has any man on
earth?"

She didn't answer, and he goes on like he had stepped up closer--I don't
know but what he did.

"Look into my eyes," says he. "Look at me close. Maybe that'll help me
some, for shorely you can see how much I----"

"Don't!" says she. "Don't!"

I don't believe she looked into his eyes at all.

"I wouldn't touch you," says he. "I wouldn't touch your hand--I wouldn't
touch the hem of your garment. It wouldn't be right. It maybe ain't
right for me to think of meeting you again; but it's right this once."

She didn't answer at all. He come to what seemed to trouble him.

"Is it the money?" he says again. "What's money if you've got nothing
else?"

"Not much," says she; "not very much."

"I've not coveted it," says he. "It's another commandment I've broke.
I've coveted that which was my neighbor's. I've coveted you--no more, so
much! If you and I had a shack on the Yellow Bull out there, and forty
acres to start with," says he, "out where the sun shines all the time,
and the wind is sweet, and the mountains rise up around you----"

"Don't!" says she again. "Don't! Please go away--I can't stand that."

I couldn't stand it neither; so I opened the door.




XVI

HOW I WAS FOREMAN


They jumped apart--or farther apart--when I walked out. They wasn't
holding hands, but she must of been looking at him and him at her.

"Miss Wright," says I, quiet--the first time I ever called her Miss
Wright in all my life--"Miss Wright," says I, "come up to the house."

"Curly," says she, "oh, don't--don't!"

But she seen I didn't have no gun.

"Get across there quick!" says I to him.

"You overheard!" says he. "You overheard what I've been saying?"

"All of it," says I. "It was my business to. Of all the low-down things
any man ever done in all his life, that's what you done now. I heard it
all."

"Stop!" says he. "I won't stand that for a minute."

"You'll stand it for a lot longer than that," says I. "If you show this
side the fence again I'll kill you!"

"Curly!" says he. "Why, Curly!"--like he was surprised. "Is it like
that?"

"That's what it's like," says I. "Don't never doubt we can take care of
our womenfolks. It's my own fault this has happened. I ought to of
watched her closter. I ought never to of allowed you on our dock, let
alone mixing with you. I thought you was more of a man than this," says
I.

When I said that Bonnie Bell jumped and throwed her arms around my neck,
and held on with both hands.

"Curly," says she, "stop! I'll not have this. Stop, I say!"

"You'll have this, and a lot more," says I to her, "till this thing is
settled. Let me alone with him. Haven't your pa and me give up our lives
for you? It's a fine trade you're trying to make; to trade us for a
low-down coward like this. They built that fence, not us. Hell could
freeze before your pa or me would ever cross it; but here you're talking
the way you done with their hired man--that has sneaked around here to
meet you."

He didn't give back none, though he couldn't talk at once.

"Go slow!" says he. "Curly, be careful! I didn't have any other chance."

"Any other chance?" says I. "For what? To make love to a girl that ain't
had much experience--to make love to her because she's got a load of
money? I've seen some sort of dirt done in my life," says I, "but this
is the lowest down I ever seen," says I.

"And Bonnie Bell," says I--she still had me around the neck, holding my
arms down, and I didn't want to hurt her--"how'll I tell the old man?
You know I've got to come through with him. You, the girl we loved so
much, Bonnie Bell," says I, "we never thought you'd class yourself below
your own level."

"She hasn't!" says he, right sudden then. "It wasn't her fault. She
hasn't promised a thing to me, and you know that. She's not to blame for
a thing, and you know that too. She hasn't said a word she couldn't say
before all the world. What more do you want? She's too good a girl to
get the worst of it. Her father's too good a man to get the worst of it
too. She'd never let him."

"She won't have to do that," says I. "I'll take care of that. That's my
business."

"Curly," says she, "what are you going to do? Don't you love my father
at all--or me? You're like another father to me. And I've loved you; and
I always will, whatever you do to me."

I couldn't put her arms down--I wasn't very strong, because I was
thinking.

"If you tell my father," says she, "you'd break his heart. Cover it up
for me, Curly--I've not promised anything. But, oh, Curly, I didn't
mean harm to anyone; and I'll never be happy any more."

"You see what you've done!" says I to him after a while.

He got white now, instead of red.

"How can I make it up? I can't stand to hear her talk that way," he
says.

"Whose business is it how she talks?" says I to him. "Damn you! What
right have you to come here and make her unhappy for a minute? Didn't
you know how we loved her?"

"Everyone does," says he. "Till I die I'll do that. How can I help it
any more than you can? And if I've hurt her now," says he, "God do so to
me and more also. But I've declared myself--I'll not take back a word. I
didn't lie then and I won't now."

He seemed game. Still, so long as it's just talking, you can't always
tell how much of a bluff a man is throwing.

"If it'll make her happy for me to go away and never come back," says
he, "I'll do that. I don't want to play any game except on the square.
Don't start anything that can't be ever mended," says he.

"It's started now," says I. "Maybe you can talk a girl down, but you
can't us."

"What're you going to do, Bonnie Bell?" says I to her, and I taken her
hands now in mine. "You've heard me and you've heard him. Which do you
want, him or us--us that's loved you and give you everything we had, or
him, this here coward, that come in the back way--our worst enemy's
hired man? You got to choose."

I felt her slip loose from my neck then. She'd kept tight hold of me all
the time, so I couldn't do anything. I looked down at her, and she was
all loose and white. I reckon she fainted, though I never seen anyone do
that before.

I laid her down on the boards, and I was so cold mad clean through now I
couldn't of said a word. I've felt that way before. There ain't no law
then. But he was white as she was.

"Curly," says he, "what have we done to the poor child?"

"She ain't your pore child," says I; and, with her in my arms and me
helpless, I felt hot in my eyes. "She's our pore child. Shut up and go
home!"

He didn't go home, but went and got some water in his hat.

"It's cruel, cruel--it's all been cruel for her, who deserves the best
that life could give. Can't you believe me, man?" says he.

She couldn't hear us now, and even the water I poured on her face didn't
wake her up. I wouldn't let him touch her.

"Lord help us all!" says I. "For now it's a hard thing to say what's
best. Tell me," says I, "was there anything I didn't hear? Did she make
any sort of promise to you?"

"Not a word," says he--"not a word."

"That's lucky," says I. "The Circle Arrow never went back on its word.
I'm glad she didn't promise you nothing," says I.

"There's nothing matters now," he says.

He set back on his heels, looking at me in a way I couldn't stand--with
us both bending over her, trying to bring her to.

"I'm better than you think," says he, after a little while. "All this
happened because things got criss-crossed."

"You queered the game the way you played it," says I to him. "The Circle
Arrow plays wide open, with all the cards on the table. It beats hell
how the luck runs in a square game sometimes! The front door is the
place for a man that talks to a girl--like Katherine Kimberly comes in,
or her brother, Tom."

"Does she know him?" says he, sudden.

"That's our business," says I. I still was pouring water on Bonnie Bell.

"Yes," says he, "that's true. He's not your enemy's servant."

About then Bonnie Bell begun to move her hands and I raised her up
against my knees. She set there looking him in the face.

"Kid," says I, "you needn't rub your eyes and ast, 'Where am I?' I'll
tell you. You're right in the middle of one hell of a muss!"




XVII

HIM AND THE FRONT DOOR


I sent the kid up stairs to her room to think things over. Then I set
down in our ranch room to think things over myself, because I didn't
hardly know what to do.

While I was setting there in come Old Man Wright hisself from down town,
and he was so happy I was shore he'd thought out some new devilment for
his neighbor Wisner.

"Well, Curly," says he, "what do you know?"

"I don't know nothing that's pleasant," says I.

"Huh!" says he. "Don't you like the grub here no more, or what is it?"

"I don't like nothing about the place no more," says I. "I wish you'd
foreclose on the Circle Arrow right away and us all go back there," says
I. "Of course you wouldn't, but that's where you overlook a big bet,
Colonel."

He looks at me serious.

"Is it as bad as that, Curly?" says he. "Sometimes I feel thataway
myself, although along of me being so busy I can stand it better'n you
maybe. But what kick have you got? You ain't got nothing to do--take it
all around, I never seen a foreman that had less," says he.

"Huh!" says I. "That's all you know."

"Don't I know all there is to know?" he ast me.

"No, you don't," says I. "Don't I have to ride that line fence of ours
and ain't it the worst one I ever traveled in all my life?"

"Don't let that bother you, son," says he. "I'll do the worrying about
that."

Now when he said this I begun to think of all he'd done for me all my
life; of how he'd paid all the bills, and taken the responsibility, and
give me my wages. I didn't want to rake him up the shoulder now by
telling him what I was just about going to tell him. I knowed if I told
him that his girl had anyways gone against his will it'd nigh kill
him--and as for this! But I argued I had to tell him. Then I thought
that what a cowpuncher concludes deliberate is mighty apt to be the
wrong thing. So where does that leave me? For the first time in my life
I didn't know whether to back or copper my own bet.

The old man staved it off a little while, anyway. He goes over to the
table and begins to fill his pipe.

"Well, Curly," says he, "I couldn't foreclose on the Circle Arrow if I
wanted to now--they paid their deferred payment for this year. Old
Wisner, he got backing from three banks and he come through. That
leaves only one payment more. Somebody's going to be out in the cold
before long; but it won't be us."

"No," says I; "it'll be them grangers."

"It ain't them that's going to get the worst of it--it's Old Man
Wisner," says he. "As for us, we can't go back there no more--we're city
folks now. I've got to stay here to watch Old Man Wisner a while and
you've got to ride that fence.

"Where's Bonnie Bell?" says he then.

"Huh!" says I. "Where is she? That's what I'd like to know too."

"Come to that, after all," says he, smoking and looking into the
fireplace, "the girl's got me guessing lately. She don't look well. Now
she's up and now she's down--her actions don't track none. If I didn't
know better I'd say she was in love. That couldn't be, for there ain't
been no chance."

"Well," says I, "there's other kinds of deferred payments, ain't there,
Colonel?"

"Maybe so," says he, sort of sighing. "We'll let it run as it lays; we
can't help it much. Mostly a handsome girl finds somebody somewhere or
somehow; or sometime----"

"Ain't that the God's truth, Colonel!" says I.

I was just on the point of telling him all I knew.

"If only she was safe from the sharks!" says he. "If I found any young
man that I thought was after her money, not after her--why, I don't know
what I'd do to him!"

"I know what you'd do, Colonel," says I; and I was glad I hadn't told
him.

"Well, maybe. The trouble is to find any young man that's halfway as
good as her, with some sort of folks back of him and some sort of way of
making a living. You see, Curly, you can't tell much about things ten or
twenty years ahead. A pore man may get money or a rich man may lose
money. Now her ma married me when I didn't have no chance on earth ever
to be anybody or to have any money; but we got on and was right
happy--anyways I was--and I wasn't rich then.

"I'm awful rich now, Curly," says he, "though I don't know as I'm any
happier. It bores me. For instance, I was looking around today for a
chance to invest a little more money; not much, only about half of this
here last deferred payment that come in--all Old Man Wisner's money--and
I seen in the papers that we haven't got no potash works in America to
amount to much, and that potash is shore worth plenty of money--whatever
potash is. So I went out to look over things and I concluded to invest a
few hundred thousand dollars in making potash. I've got a good man, with
specs, that knows how to make it out of seaweed, or something that
grows raw and is plenty, I reckon. I suppose pretty soon we'll be making
forty to fifty per cent; maybe more. That's what bothers me--I can't
find no hard game to play. I can't hardly take no interest in life.

"I was looking around some more and I seen where this country ain't got
no dye works--the kind of dyes they make outen coal tar, which is made
outen coal. Yet we've got plenty of coal and I own several coal mines
out in Wyoming. I got another man, with specs, and I shouldn't wonder if
we'd be making plenty of dyes before long, same as they used to import.

"Well," says he, filling up his pipe again, "I'd be happy enough fooling
around this way, pushing in a few white checks once in a while--a few
hundred thousand dollars. Anyways, I'd like it if I could lose once in a
while--but then there's the kid."

"It comes around to her after all, Colonel, don't it?" says I.

"That's right," he says. "I play the game; she uses the winnings. She's
going to be one of the richest girls in this whole town."

Seems like I couldn't get to tell him what I ought to. Every time he
came around to the same place, talking about the kid. He didn't know as
much as I did. I knew what'd make Old Man Wisner the happiest man
alive--he'd feel that way if he knowed his hired man had got thick with
our girl! He'd of encouraged that any way he could if he'd knowed
anything about it. That would of pleased him. I had in my mind, too, how
Bonnie Bell had looked at that hired man. So I set there, not having
said a word yet and not daring to. It just seemed like I couldn't tell
the old man.

It was getting towards night now before long and I hadn't made no break
at all. I set and set, and didn't have no nerve. By and by it was too
late to say anything that night.

We heard Bonnie Bell coming down the staircase, and we went to the door
to meet her, like we did usual, because we liked to do that; she was so
pretty when she was ready for dinner. The servants didn't look up to her
pa and me very much, but they'd jump through hoops all the time for her.

She was dressed all up now in a pale blue dress, some sort of soft silk,
and she had on all her diamonds, for she was shining all over. Her hair
was high up and it had a little band on it, and a little pile of it
stuck up behind on her head. Her neck was cut low, like they wore 'em at
the hotel where we lived once, and her dress didn't have no sleeves in
it. She had rings on her fingers, though not no bells on her toes--only
little blue slippers; and her socks was pale blue, like we could see
when she come down the stairs.

I don't expect there was any handsomer woman in the world than she was
then--they don't make 'em any handsomer. We stood looking at her, us two
cowmen, both in clothes that was always getting mussed up, and with
tobacco in the pockets. We couldn't say a word. We got scared of her, I
said; you would, often, when you looked at Bonnie Bell, she was so
pretty. Yet she didn't know she had such looks.

"Daughter," says Old Man Wright, and he went up to her slow, like he was
afraid of her, "you're very beautiful tonight," says he. "What makes you
pale? You're a mighty fine girl. Dast you kiss your old pa before he
goes in and gets into togs fit to eat with you?"

She looks at me and then at him, and she knows I haven't said nothing
about that talk with the hired man. She was pale and didn't smile. She
went up to her pa like she was tired--she didn't have much color that
night in her face--and she just puts up her arms around her pa's neck
and laid her head down on his shoulder, and didn't say a word. She
didn't cry; she just let her head lay there.

I seen his arm go around on her bare shoulders easylike--he didn't
hardly touch her for fear she'd break; and he didn't say a word. He was
that sort of man that almost any sort of woman would like to put her
arms around his neck and lay her head on him if she was in trouble.

"What is it, Honey?" says he at last.

"Why, nothing, dad," says she. "I love you--that's all. You believe it,
don't you?"

"Will you always, sis?" says he, sort of funny.

"Always," says she, quiet. "Now," says she, "run off and get dressed up.
Have you forgotten that the Kimberlys are coming for dinner tonight with
us? Curly, you must go get on some dark clothes, you know."

You see, I was one of the family. I maybe gave them plenty of trouble,
but they never'd let me eat anywheres but with them all the time. By
this time I'd learned quite a few things from Bonnie Bell--about how not
to put a napkin up too high, or to break my bread up into little pieces
and pile them up, or to pour out my coffee, or to use the same spoon for
coffee and other vittles, or to sidle up my plate for the last drop of
soup there was in it--oh, several tricks like that; though I knew the
game was a heap complicated and I hadn't learned it all yet.

She looks at me when I went out the door and I shook my head to show I
hadn't said nothing. She set down, all in her silk and her shining rings
and things, right on our old hide lounge; and she was looking at our
painting of the Yellow Bull Valley and the old ranch house. I left her
there, all in her diamonds, her hair tied up high--about the richest
girl in Chicago and, like enough, the miserablest right then. But she
didn't have nothing on me at that.

When we come back, all fixed up the best we could, she was still setting
there. She was pretty--Lord, how pretty!--but sad.

She gets up now and begins to laugh and talk right fast to the old man,
and by and by, before anything broke, Old Man Kimberly and Old Lady
Kimberly drifted in.

"The young folks'll be over before long," says he; "we didn't wait for
'em, because I just wanted a taste of the old bourbon that I find here
and can't find anywheres else. Where did you get it, Colonel?" says he.

Most everybody called him Colonel now, from me doing it first, and then
Katherine.

"We had a few barrels out on the old ranch," says the boss. "A little of
it escaped in the massacree. I'm glad you like it."

It come now about time for dinner, which was always pulled off on the
tick of the clock. On the ranch in camp the cook always calls "Grub
pile!" for the hands. In the home ranch he's more particular, and he
says, "Come and git it!" when dinner's ready. But here, in our new
house, our butler, William, always'd gumshoe in and say it so low you
couldn't hardly hear him: "Dinner is served, Miss Wright." But, as them
kids was a little late in coming, Old Man Kimberly finds time to take
another nip.

"Why, Wilfred!" says his wife to him, "I'm surprised!"

"It's funny how you're surprised," says he, chuckling in his shirt
front; "but I'm glad to have you keep up my reputation by saying you're
surprised."

Somehow it was with them like it is with plenty of folks in the
States--the women always seem finer, more delercate than the men; yet
they seem to like men that ain't fussy. Old Man Kimberly was a good
sort; but to look at her you'd wonder why she married him. She always
set up straight, away from a chair or a sofa back, and she had a face
that was clean-cut, like one of them cameo faces on cuff buttons.
Katherine was some like her pa, and a good sort too.

"How sweet you look tonight!" says Old Lady Kimberly to Bonnie Bell
after a time.

She always seemed to want to reach out and touch Bonnie Bell, or kiss
her once in a while--they natural liked each other--Bonnie Bell
especial, from never having no ma of her own, very much.

But after a time our William come to the door and stood there like he
was a pointer dog and had found some birds; and says he, with a stop
between, like he always did:

"Miss Kimberly--ahum! Mr. Thomas Kimberly--ahum!"




XVIII

HOW TOM STACKED UP


I reckon if Katherine's brother, Tom Kimberly, had of knowed how much we
was waiting for a look at him he might of been some fussed up about it;
but when our William brought him and Katherine in he didn't seem
rattled.

He was a right tallish young fellow, maybe twenty-four years or
thereabouts, slim, and with a wide mouth. He had a good deal of brown
hair, which he combed back from his forehead, without no part in it. He
was dressed up like city folks do for dinner, and his necktie wasn't
tied careless, but right careful. He looked a good deal like a picture
in a tailor shop. His hands didn't even seem to bother him like mine do
me sometimes--I often wisht a man could have forty pockets to put all
his hands into.

When he seen Bonnie Bell he lit up. Katherine hurried him over and put
her hand on Bonnie Bell's arm.

"Honey," says she to Bonnie Bell, "I've brought over my brother Tom; and
I want you to like him and I want him to like you."

"That's going to be the easiest thing you know," says he smiling.

He had right good teeth. Bonnie Bell she give him her hand, her arm
straight out in front of her, and I didn't think she shook hands very
hard; but he did. He kept on looking at her like he was fascernated. It
was plain to see that the kid had him on the ropes in the first round.

We went on to the big dining-room right soon. This was the first time
the Kimberlys had ever et at our house, except cookies and tea and
things in the parlor or in the ranch room. When Mrs. Kimberly come into
our big dining-room she taken one look up and down. Maybe she'd been
thinking it was like the ranch room all the way through. That showed how
little she knew about Bonnie Bell.

They was arranged in pairs as long as the women lasted--this Tom and
Bonnie Bell, of course, together; and Mrs. Kimberly and Old Man Wright;
and then Katherine and me and Old Man Kimberly. William helped Old Lady
Kimberly and Bonnie Bell set down, like they had rheumatism, and I done
what I could for Katherine, her and me being pretty good pals. Old Man
Kimberly found his cocktail without no help. Right soon he set down to
have a pleasant time, him.

We had a good dining-room--large, with white trimmings--and some
carpets that cost as much as two thousand dollars each, and chairs that
matched the table, and plenty of pictures.

I been around now a lot among our best people and I notice that unless
you've got some pictures of sheep in your house you're no good. Any
artist just natural has to paint sheep; yet that's the meanest anermal
there is, and I don't see why a cowman especial should have sheep in his
house. But we done so because it was correct--though I've never et sheep
meat. Also, a couple of gondolas, by some Italian, near the sheep.

Besides them, if you've got a good house you've got to have one picture
about twilight on a lake, with a broken tree on it and some weeds, and a
crane standing there like it didn't have no friends. We had one of them
crane pictures too.

When Old Lady Kimberly seen we had sheep and gondolas and weeds and
cranes in our house, same as anybody else, she seemed to feel more
comfortable. I told Katherine some of those things I'd found out about
art and she come near choking in her soup, and said I was awful funny,
though I was serious.

"Everything you've got," says she, "is perfectly lovely."

"She done it," says I, which was true. The old man and me, if we was
left alone, would never of had even a picture of sheep in the whole
house.

Like enough you've been at dinners in cities where they don't have
everything on the table in big dishes, like at a ranch, but a little at
a time; so you've got to guess frequent whether you're going to get
enough to eat out of things that's coming on later. We was pretty well
trained, Old Man Wright and me, since we come to our new house, for
Bonnie Bell and William and all the rest run a regular city system on
us.

Bonnie Bell was easy as Mrs. Kimberly would of been at her house. She
didn't have to say a word to William; he shore was some butler--I reckon
he buttled as good as anyone in the Row. I reckon he was born a orphan,
he looked so sad.

We had some soup made out of turtle, which is better'n you'd think, to
look at a turtle. Afterward was fish I couldn't name. Then there was
ducks and potatoes, cooked together so you couldn't tell 'em apart, and
considerable other birds with things put on; and alfalfa, with kerosene
on it, maybe. After a while comes soft cheese, with strawberries, and
yet softer cheese, with little onions cut in it, if you liked that
better--I can't remember all them things now or how they come, but we
was a couple of hours there and got considerable to eat before we quit.
Also, Old Man Kimberly got plenty to drink. He says to the boss:

"You'll excuse me, Colonel," says he, "but I can't help saying a word
in favor of your choice in wines."

And then--"Wilfred!" says his wife, as though it wasn't polite to say
you liked things.

Since Katherine was talking to me all the time, and since Tom couldn't
see nothing but Bonnie Bell, I reckon the whole party was pretty well
suited.

After dinner, while we was setting in the ranch room--which they all
liked so well--and could have sherry or coffee, or both, or maybe
Scotch, Mrs. Kimberly kept on saying to the old man:

"Wilfred, I'm surprised!"

"So'm I, my dear," says he--"surprised that we've never been here all
the time before. You may mark us down as steadies now," says he.

We had in the middle of the house, offen the ranch room, a long room,
with a piano in it, and a smooth floor, and rugs that could be easy
pushed away. Nothing'd do for them folks but they must go to dancing
now. Sometimes Katherine played the piano and sometimes Bonnie Bell; she
shore could slug a piano plenty when she wanted. She didn't get to play
much, because Tom he wanted to dance with her all the time--turkeys'
trots, I think they called it, or fox hops, or something of the kind.

Seems like she could do that, too, for she had lessons downtown. When
Katherine got Old Man Wright to dance with her there wasn't no one left
to play; so we set a music box going, and Katherine made me play on a
Jew's-harp too.

Tom Kimberly certainly was up in all the late steps of dancing; that was
one thing he could do. While him and Bonnie Bell was dancing I could see
all the old folks looking at them quietlike. It was plain that he was
mighty hard hit with Bonnie Bell. Old Man Wright he'd look at him once
in a while--right close too. As for Bonnie Bell, she was pleasant, like
she always was; but it didn't seem to me she laughed as much as usual.
We was all of us showing off our goods.

When they come to go away, Katherine she hugged Bonnie Bell tighter than
ever, and Old Man Kimberly held her hand for quite a while.

"You'll take pity on a old man, won't you," says he, "and come to see us
often? You really must."

"Yes, my dear," says Mrs. Kimberly; "come and liven us up sometimes.
It's been very delightful to see you young people enjoy yourselves so
much--and you old people too," says she, and laughed at her husband, who
maybe was some illuminated.

It was plain enough to me when they went away that our place had turned
out better'n they thought it would. Bonnie Bell, too, if she'd been on
inspection for them, same as Tom Kimberly was with us, certainly'd more
than made good. Likewise, I suppose our sheep and gondola pictures must
of made good too. We couldn't exactly of been classed as heathen--not
unless me and Old Man Wright was.

We didn't say nothing to Bonnie Bell about these things, and pretty soon
she kissed her pa good night and went upstairs to her room. The old man
and me set for a while thinking things over.

"What do you think of him, Curly?" says he to me after a while.

"Well," says I, "it ain't just as though the cat had brought him in.
He's good-looking," says I, "and he can dance; and he's a pleasant
fellow enough. I only sort of got it in for people that drink cocktails
instead of straight liquor and push their hair back thataway."

"Well now," he went on, "you've got to allow for differences in
different places. Riding and roping ain't so important in Chicago as
dining and dancing--not among our best people," says he. "You've got to
take account of that. A girl might do a lot worse."

"There ain't nobody good enough for Bonnie Bell," says I, "when it comes
to that; but I was just sort of thinking I like a man to know something
about riding and shooting, and that sort of thing, as well as dancing."

"Curly," says he, "you said your pa was a hard-shell?"

"Yes," says I.

"A hard-shell Presbyterian?" says he. "Anyhow, your folks must of been
right exacting. Now don't be too hard on young folks."

"Listen to me, Colonel," says I. "Suppose you had two of 'em right
here--one that didn't have no family nor no money, but took to ranch
work sort of natural; and one that could dance and dine like you say.
One of these men parts his hair on one side and one combs it back,
without no part. Which one of 'em would you like most?"

"I'd have to see both men and size 'em up," says he. "But what makes you
ask? The other kind of young man you're talking about ain't showed up
yet. Besides, one thing that favors Tom is he don't have to marry for
money. Bless you; he ain't thinking of her money--not one dollar; just
thinking of her, right the way she is. He's gone--that's what he is."

"That's so," says I; "that's certainly so. But how about her?"

"They all take their chances," says Old Man Wright, solemn, after a
while. "Anyway you can fix it a woman takes a chance. She's in a gamble
all her whole born life. She's a gamble herself and she has to play in
a gamble from the time she begins to toddle till the time they fold her
hands. She can't tell if her husband's going to stick; she can't tell if
her husband's going to make good; she can't tell how her kids is going
to turn out--that's all a gamble too.

"Do your best, Curly, and try your damnedest, there ain't no way you can
protect no woman against them gambles. If I wait for exactly the right
man to come along, that don't comb his hair back, how do I know he'll
ever come? If he does come maybe he'll have a eye on her bank roll, or
maybe he'll measure forty inches around his pants. Either one--ary
one--it's all a gamble for a girl.

"No," he went on; "about the only thing she can do, after all, is to use
her own head and her own heart. It ain't in the nature of things that
you can look ahead and see how the game's coming out for any girl--she
has to take her chances. We've got to stand by and see her do it. I
wisht it wasn't so. I loved her ma so much, and she looks so much like
her ma--why, I wisht--why, I wisht---- Damn it, don't I wisht it wasn't
such a dash-blamed, all-fired, hell-for-certain gamble for the kid!"

It wasn't no time for me to say anything about any hired man now! By and
by the old man quit looking into the fire and got up and went off to
bed.




XIX

THEM AND BONNIE BELL


It was a right fine place for me--probably not. Here I was, foreman
under full pay, and bound to play on the level with the boss, to say
nothing of the long time I'd worked for him. Of course I ought to tell
him all about that Wisners' hired man; but how could I?

It come to a question whether I liked the boss best or Bonnie Bell,
which is no fair place to put a man. Any man is apt to want to favor the
woman in a case like that. Come to get down to cases, I found I liked
Bonnie Bell a lot more than I ever'd realized I did. I was part her dad,
you know, and I couldn't stand to see her unhappy.

The trouble with a cowpuncher, like I said, is that he hasn't got no
real brains. I never used to notice that before, because it don't need
no brains to be a puncher, as long as you stick to the ranch. But here I
needed 'em right keen now.

Every day I walked the line fence; but there wasn't no work about that,
for the bricks was mostly stuck back in the hole, and the hired man that
had made all the trouble he kept on his own side--I didn't never see
him no more at all.

Bonnie Bell didn't say a word to me, nor me to her. I thought she ought
to come to me and talk things over; but she didn't. I knowed she hadn't
said a word to her pa, and I knowed I hadn't neither.

Tom he called three times the first week. I didn't care much for him
someways, though I knowed I ought. Bonnie Bell knowed she ought too. Her
pa knowed he ought too. If ever a fellow played in a game like that,
with all the ways greased for him, Tom was him.

Old Man Wright he turns to me one evening when we was setting by the
fire in our room, and he says to me:

"Well, Curly, how are you enjoying yourself now in this hard and
downtrod position that life has gave to you?"

"I don't like it none, Colonel," says I; "not none at all, nohow."

"Why don't you join a cowpunchers' union, then?" he ast. "Pshaw! This is
a good town and I rather like it. The game here is easy to beat--easier
than it was in Wyoming. For instance, just the other day I bought a
bunch of timber land out in Arizony--a place where I've never been nor
want to go, because they've got the tick fever down there scandalous,
and irrigation, which is a crime. Well, I only bought in on this timber
because a friend of mine wanted me to come in with him; and, figuring I
didn't know nothing about it, I allowed I certainly would lose for
once--I couldn't tell a pine tree from a spruce to save my life."

"Huh!" says I. "I suppose then somebody comes along and offers you twice
your money for it, maybe?"

"No; they didn't," says he. "I was hoping they would; but they didn't.
No, it was old Uncle Sam come along through that part of the state, and
he sees where we've got about all the best timber left on top of a range
of mountains in there, and he allows he ought to keep that timber from
ever being cut; so he buys it off us for four times what we give for
it--not twice. Uncle Sam pays in real money."

"Huh!" says I. "I never did have no trouble like you have, Colonel, to
find a game where I could lose money. I suppose maybe you made seegar
money out of that too?"

"A little, maybe. I only put in a little in the first place--two, three
hundred thousand dollars; not much. I was so in hopes I could lose some
money so as to sort of encourage me like, you know. But it's no use,
Curly!" And he sighs right heavy.

"You have my symperthy, Colonel," says I. "If ever you want any help,
so as to make the game more interesting, just let me set in and take
your hand for you--I'll guarantee on my record that I'll open your eyes
in ways how to lose money."

"All right, Curly," says he. "I'll ast you sometime and maybe copper
your bets. I always do that when my lawyer or my stockbroker gives me
any tips. It's the surest way in the world to make a killing in this
here, now, stock market.

"For instance, just the other day they told me down there to be shore
and buy a lot of Blue Mountain Steel, which certainly was backed by the
J. P. Morgan interests and was going to get a lot of war orders. So I
didn't--I bought Steel Boat Electric Common instead of that. I didn't
know anything about it, but somebody must of give them some war orders,
submarines of something. I notice our stock has rose around two hundred
per cent the last few weeks. I don't know why it is that things of been
going on this way," says he. "It bothers me a lot, Curly. Yet I only put
a few hundred thousand in that too.

"I'm setting aside two-thirds of all I make in this here city in the
kid's name, Curly," says he. "It's a five per cent trust for keeps. It's
getting to be something awful how much that fund of hers is! And, the
best I can do, I can't help its increasing right along. There don't
seem to be no way in which we can get broke and go back to honest work
again, such as raising cows--though making four calves grow where there
wasn't none in the sage brush before, that's really being useful in the
world, war or no war."

He set there for some time looking in the fire, serious, and he come
around again to the same old place.

"Curly," says he, "if there is any created critter on this human
footstool that I hate and despise, and that every he-man in the world
hates and despises, it's the man that'll marry a girl for her money.
Look at them dukes and things that come over here and marry our American
girls. I never shot a duke, but I will if one of 'em blows in here and
starts anything like that with our girl."

"Maybe he won't come," says I. "You never can tell."

"Curly," says he, "you can always tell! Listen to me. There's just one
thing certain in the whole world--or two. If a girl's handsome men'll
come around. If she's rich men'll come around. They fall out of the sky.
They come up out of the ground. They break in through the fence----"

"What's that?" says I. "Colonel, what do you mean about fences?"

"I mean to say that there ain't no fence on earth you could build
that'd keep out young men from a handsome girl that's got money."

"Ain't that the God's truth, Colonel!" says I. "How come you to figure
that out?"

"How? How come me to break through the fence that was built around
Bonnie Bell's ma, back in Maryland, and carry her away from there? But
when I think that, like enough, some low-down cuss like me'll come
around and break through my fence and carry off my girl, to take such
chances as her ma done--I tell you it makes the sweat come right out on
me."

"Well, Colonel," says I, "I reckon if any young man comes along here, no
matter if he gets in at the front door or crawls in under the fence,
he's got to show some revenue as well as be all right other ways?"

He set some time thinking before he answered.

"That's a right hard question, Curly," says he. "I wouldn't bar a poor
man if I was shore he was on the square. It wouldn't be so hard to
decide if she didn't have any money; but she has, and it can't be
concealed much longer."

He gets up and walks up and down a while talking.

"I declare, if I was a young man I'd never ast no rich young woman to
marry me at all. I'd be afraid to ast her, for fear she'd spot me or
accuse me, whichever way it was. I can't agree to no pore young man for
her, for I couldn't trust him. And I can't agree to no rich young man
for her, because none of 'em ain't worth a damm, as far as I've seen."

"It looks like a awful thing, Colonel, to have a cheeild that's rich and
lovely."

"Yes," says he; "and it ain't no joke neither."

"Well now, Colonel," says I, "take the houses in this Row where we live.
How many young men is there that we can tally out?"

He shook his head.

"There ain't none at all worth mentioning--believe me!" says he.

I did believe him. That left just Tom for the entry in the Bonnie Bell
Stakes. Looked like he couldn't lose.




XX

WHAT OUR WILLIAM DONE


Nobody said a word to Bonnie Bell about Tom Kimberly--neither her pa nor
me; for she was so quiet and shut up like we couldn't seem to break in
noways. We had to let it go like it laid on the board. One thing shore,
being in love or not being--whichever it was--had changed Bonnie Bell a
heap. She wasn't the same girl no more.

It used to be that Bonnie Bell didn't care so much for her piano as for
things out of doors, but now she taken to soaking that pore helpless
thing--sometimes sad and lonesome, and then again so hard she'd near
bust the keys. Then, maybe after she'd pasted the stuffing out of it a
few times, she'd set looking out of the window with her hands in her
lap--and so forgetful of her hands that they lay there, little as they
was, on their backs, with the fingers turned up on the ends, and even
her thumbs. It made me sorry.

Then again she'd cut off the music for days and go to reading books,
mostly in the window seat, her head puckered, like it was hard work.

"What're you reading, Hon?" says I one day. "Seems to me it must be a
bad-luck story. Also, why have you took to reading books upside down?"

"Nonsense!" says she. "I been brushing up in my sikeology," says she.
"That was one of our senior studies--the last year I had in Smith's, you
know."

"What's it for?" says I. "Does it say anything about whether it's going
to rain next Tuesday?" I ast her.

"Well, it's something needed to train us to meet the problems of life as
they arrive, Curly," says she.

"Does it show you how to look any young fellow in the face," says
I--"one that's got his hair combed back and no part in it, and playing
La Paloma on a banjo or a guitar, and guess what he's thinking about,
Bonnie?" says I.

She got a little red and tapped her foot on the carpet.

"What do you mean, Curly?" says she.

"Nothing," says I. "Only I was wondering if they'd put me in a long coat
at the wedding. I never was backed into one of 'em in my whole life."

"Well, Curly," says she, "if you wait for my wedding you may need the
long coat for your funeral first."

"Huh!" says I. "Huh! Is that so? You don't know your pa none," says I.

"What do you mean, Curly?" says she, sharp.

"He ain't going to be boarding you all your life, kid," says I. "He
can't noways afford it."

"I reckon dad isn't worried much," says she.

"Are you so shore, kid?" says I to her. "Now look here: I'm, say, half
your pa. I haven't said a word to you about certain things. What's more,
I haven't said a word to your pa about them neither."

"I know it, Curly," says she, looking at me sudden. "I love you for it.
You're one grand man, Curly!"

"I'm one worried man," says I. "I've gone back on my job with your pa."

"Do you feel that way, Curly?" says she, and she looked scared. "And is
that my fault?"

"I shore do and it shore is," says I.

"But you haven't said a word."

"No--not yet."

"Don't, Curly!" says she, right quick. "Don't--oh, please don't!"

She puts her hand on my arm then and looks into my eyes.

She had me buffaloed right there. I couldn't get her hand off'n my arm.
I couldn't help patting it when it laid there.

"Aw, shucks!" says I to her. "Come now!"

Right then our William he come in at the door, and stood there and
coughed like he done when he had anything on his mind.

"Ahum!" says he, sad like.

"What is it, William?" says Bonnie Bell, looking round at him.

"Beg pardon, ma'am, but might Hi speak with Mr. Wilson for a moment?"

You see, he called me Mr. Wilson, that being my last name. It was in the
Bible, or else I probably would of forgot it.

"Oh, all right," says I; and I got up and went out with him.

He was standing in his little hall when I come out, and he has our
Boston dog, Peanut, tied to a chair leg there with a piece of rope.
Peanut barked joyful at me, thinking I was going to take him outdoors
maybe.

"Hexcuse me, sir," says William, right sad, "but this little dog is a
hobject of my suspicion, sir."

"What's that?" says I. "What do you suspect him of--embeazlement,
maybe?"

William he stoops down then and unties something that Peanut has
fastened in his collar. It was a envelope. It didn't have no name on it.

"This is the third one Hi found on 'im," says William. "Hi 'ave the
other two in my desk. Hi don't know, sir, for whom they may be
hintended, sir."

"Well, who sent 'em? Is anybody going to blow up our place unlessen we
put twelve thousand dollars under a stone on the front sidewalk?"

"That's what Hi wish to hinquire, sir. Hi became alarmed," says William.
"Hi thought Hi'd awsk you about it, sir, Mr. Wright not being at 'ome."

"Why didn't you awsk Miss Wright?" says I.

"Hi didn't wish to alarm her, possibly."

We stood there, with this letter in our hands, looking it over.

"You say you don't know where this dog's been?" says I.

"Oh, no, sir; quite the contrary. I don't doubt he's often been through
the--ahum!--ahum!----"

"Well, how often has he been through the ahum, William?" says I. "What
made you let him go? You know it's against orders."

"Hi am quite hinnocent of hany hinfraction of my duties," says he. "On
the contrary, Hi've watched this Peanut dog most closely, sir. Yet at
times 'e is habsent. Hi'm of the belief that the notes come from the
hother side of the fence, sir. But has to their haddress, and has to
their contents, sir, Hi assure you Hi'm hutterly hignorant; and hit was
for that reason that Hi awsked you to come and see this one. Hit's just
at 'and, sir."

I taken all three of them letters away from him and opened them, me
being foreman; but when I begun to read I didn't tell William what they
was. I only laughed out loud, hard as I could.

"This is just a joke, William," says I. "Don't pay no attention to it.
You see, Peanut's been over there again, digging up some petunies," says
I.

I went back into the room where Bonnie Bell was. I looked at her for a
while.

"Miss Wright," says I--the second time I ever called her that--"I've
played the game with you on the square, haven't I? You thanked me for
that."

"Yes, Curly; yes," says she, "Why?"

"Have you played in on the square with me?"

"Yes, Curly, I have."

"I told you not to have nothing more to do across the fence, didn't I?"

"Yes. I haven't."

"Is that so, Bonnie Bell Wright?" says I. "Then what's this?"

I put in her hand the note--the one I'd read. It was my business to do
that, the way it come to me.

"Read it," says I to her.

Near as I can remember, it run about like this:

     Why don't you come again? When shall I see you? I'm in the same
     place every day and I wait and wait. Please! Please! Please!

It wasn't signed with no name--only just "The Man Next Door."

Bonnie Bell went pale as a sheet when she read that.

"Curly," says she, "I never saw it before."

I believed her. She'd of died rather 'n lie straight out to me. Maybe
she'd lie some--almost any woman would--but not straight out from the
shoulder between the eyes. So I believed her now.

"Read the next one," says I.

"Have you read my letters, Curly?" says she. She looked at me savage
now.

"I read one of 'em," says I, "and part of the next one. I didn't only
read the first page on that one. I didn't read the other one at all. But
I read enough."

On the first page of this second letter was something more:

     I've waited and waited [it said]. I ought never to have met you as
     I did--I ought never to have said what I did. I am in the deepest
     distress over all this, for I would not be guilty of an act to
     cause you pain. How could I when I----

Right there's where the first page ended and the second page begun.

"Did you read it all, Curly?" says she to me once more.

"No; only the first page," I says. "This last one we just took off'n
Peanut's collar. He brought 'em over."

She was reading the last letter now--the one I never did see. Her face
got soft somehow. Her eyes got bigger and brighter, and softer, somehow,
too.

She folded the letters all up and put 'em in her lap and looked up at
me.

"You didn't read all my letters, Curly?" says she.

"No," says I; "and I won't never read no more. There mustn't be no more,
Bonnie Bell. You know that."

"Yes," says she; "I know that."

But somehow she didn't seem unhappy like she ought to of been. I could
see that.

"How did Peanut get through the fence, Curly?" says she at last.

"There's a hole in the lower corner near the garridge. I thought it was
kept shut. Their hired man dug it through. He said it was to let Peanut
through to enjoy hisself digging up their petunies," says I, "or to have
a sociable fight with their dog. I reckon that's how Peanut got through.
It was easy enough to fasten things on his neck. Whether it was a
square thing to do, him knowing what he does--well, that's something you
ought to know."

She didn't say anything at that.

"A honorable man," says I, "would of come around to the front door,
Bonnie Bell."

"He had no part in this quarrel," says Bonnie Bell; at last, quiet like.
"Why blame him?"

That made me hot.

"Why blame him?" I broke out "Didn't I see him? Ain't I heard him? Can't
I see now? He ain't no part of a man at all or he wouldn't of done this
way. Now," says I, "I've shore got to tell the old man. I hoped I
wouldn't ever have to. But now I got to. The safest bet you ever made is
that hell will pop!"

She turned around right quick then and jumped up on her feet, and her
face was so white it scared me. She come up again and put her arms right
around my neck and looked at me.

"Honey," says I, "you got us in wrong--awful wrong! Now us men has got
to square it the best we can."

"Stop, Curly!" says she, and she shook me by the shoulder. "Stop!
He's--he's a good man. He's--he's honest. He's meant all right. Give him
a chance."

"He don't deserve no chance," says I, "and he won't get none."

"It was the best he could do! He had no chance to come here openly--not
a chance in the world. Maybe he only wanted to say good-by--oh, how do
you know?"

"Did he say good-by or good morning in that last letter, Bonnie Bell?" I
ast her. "Not that it makes much difference either way."

"I won't tell you what he said, Curly," she flared up at me now. "I only
say he did the best he could. He asked for his chance--that's all."

"His chance! The hired man of the worst enemy we got! His chance! His
chance! What chance has he give you? How fair is he playing the game
where all your happiness is up? Oh, Bonnie, shore you don't care for
him?" says I. "Now do you?"

She didn't say a word and I turned toward the door.

"Where you going, Curly?" says she, coming after me.

"I'm going downtown," I says to her.

"Why?"

"To see your pa," says I. "I got to tell him all about this, and do it
now."

She made a quick run at me then, and her arms come around my neck again.

"Oh, Curly! Curly!" she says; and she was crying now. "Oh, what have I
done? It'll kill dad if anything of this gets out--I couldn't stand it.
I can't stand to think of it, Curly. I can't! I can't!"

"Why can't you, Bonnie?" says I.

"Because, Curly"--she got me by the arms again and she was crying
hard--"because---- I'll have to tell you--I'll have to, Curly. I can't
help it! I didn't want it to happen--I fought it to keep it from
happening as long as I could--I didn't want it to be this way. It was
hard--so awfully hard. I tried every way I could; but I can't--I can't
_help_ it, Curly! I can't! I can't! It's no use!" She just run on, over
and over.

"What is it, Bonnie?" says I. "Do you love him?"

"Yes, yes; it's true! I do, Curly--I love him!"




XXI

HER PA'S WAY OF THINKING


"Near as I can figure, Curly," says Old Man Wright to me soon after what
had happened between me and Bonnie Bell--"near as I can figure, Old Man
Wisner's been advertising that the old Circle Arrow Range is a great
little place for the honest granger to raise bananas, pineapples and
other tropical fruits."

"It ain't," says I, "except tomatoes--and them in tin cans."

"The honest yeoman," says he, "according to Old Man Wisner's
description, he don't never have to eat anything as common as bread and
butter, not after he's bought some of that land at four hundred and
fifty dollars a acre. He lives after that time on bird tongues and
omelet souflay, and all he has to do is to set on his wide veranda and
watch his lowing herds increase and multiply at eighty-five dollars a
head--and prices going up all the time. Ain't that fine, Curly? Things
never used to happen just thataway when you and me owned that range, did
they?"

"Not hardly," says I.

"No," says the old man, falling into one of them thinking spells. "No;
they didn't."

Then after about half a hour he says:

"Nor they can't, neither. It'll cost that old miser, Dave Wisner, about
three or four million dollars," says he. "He's put up his life, his
fortune and his sacred honor on that irrigation scheme, and he's going
to be lucky if he gets through with any of them before I call it off."

"Colonel," says I, "you and him remind me of two old Galloways out on
the range, standing head to head, and pushing for a couple of hours or
so at a time--only, you two been pushing for a couple of years."

"Uh-huh!" says he. "But I'm right cheerful; and I don't feel my neck
giving none yet," says he; and he rubs his hand up and down it.

"Has Tom Kimberly been here lately?" the old man ast me, real
suddenlike, right soon after that, though I hadn't said nothing to him.

"He was here this afternoon," says I. "He ast after Miss Bonnie. She
says she was sick, had a cold, and couldn't see no one."

"I'll give Tom sixty days for to propose to Bonnie Bell," says he. "If
he don't, then I'll have to. It don't stand to reason that girl's going
to have a bad cold that's going to last for sixty days; so she'll be
home sometimes when he comes over. I know how his ma and pa feel about
it, and I know how I feel too. Maybe we can get Tom to part his hair
after a while, or take up some manly habit like chawing tobacco instead
of touching the light guitar. Just to take a look at him, I'd say he
shaved with one of them little razors like a hoe. For all I know, he may
wear garters. Still, time alters many things.

"He's marrying into crowned heads when he comes into our family," says
he, going on, "because I'm alderman here, and if my freckles lasts I'm
liable to keep on being alderman. Sometimes I wisht I'd put in the
papers that I was clean broke and depended on the savings which a
faithful old servitor--that's you, Curly--had brung me in my time of
need. But I'm afraid it's too late for that now, though the time to test
them things is before the wedding obsequies and not after."

"Colonel," says I, "suppose a young man would of come along that didn't
have no family back of him, nor no money, but parted his hair, and
shaved with a real razor, and wore no garters, and et tobacco, and was
right husky looking--what would you think?"

"I'd think the millennium had came, here in Chicago," says Old Man
Wright. "I won't deny, Curly, if I had found a young man that could ride
setting down, and chawed tobacco, I wouldn't needed to of thought about
him twice--always provided he played a wide-open game and acted like he
knew what he wanted."

"We don't seem to get together none," says I, despondent.

"Get together!" says he. "What do you mean?"

"Oh, nothing," says I.




XXII

ME AND THEIR LINE FENCE


I had to own it up to myself--I'd lost my nerve. I tried more'n fifteen
times to come out and tell Old Man Wright about them Peanut letters from
their hired man to Bonnie Bell, and I couldn't--I would see her face
every time come in between him and me.

I kept my eyes on that hole in the fence. I was setting there fixing up
the bricks, ready to put them in, when I heard some one talking on the
other side of the fence. You couldn't see nobody through the fence, no
more'n if they was a thousand miles away; but you could hear 'em talk,
all right, there, through the hole. I could tell who one of 'em was--it
was the voice of Old Lady Wisner. She had the sort of a voice a woman
has who has got a nose like a eagle. But I couldn't tell who she was
talking to, for nobody seemed to answer much at first.

"James," says she--"James, what are you doing there?"

No one answered, but I felt sure now she was talking to their gardener.
So he was home!

"Who made that hole? Who has done this, James?" says she again. "Who
made that hole in the wall?"

Still, he didn't answer none; and she went on:

"I see! It must of been some of them awful Wrights that live acrost
there. How dare they break through our fence? I'll have them sued!"

"Oh, no, you won't. It was done from this side--I can tell you that."

I knew his voice. It was him.

"Whoever did it," he went on, "I'm going to close it up. I saw their dog
in our yard the other day. Did you see him in here today?"

"No--that same awful little cur?" says she. "They are the worst people,
James! I certainly am glad you want nothing to do with them, even their
dog. But, of course, you couldn't."

"No; it seemed not," says he.

"What do you mean?" says she, harshlike. "As for that maid of theirs, I
was inexpressibly shocked, James, when I found that you so far forgot
yourself--"

"I wouldn't say any more," says he.

"I shall say all I like, and you'll please remember who you are! The
David Wisners can't afford to have it understood that they associate any
way whatsoever with the Wright family. Not even our servants can visit
acrost. I've been suspecting for some time."

"Well, that's plain enough," says he. "I don't see any use trying to
make it any plainer. There's no use rubbing it in."

"If I had a servant," says she, right pointed, "who'd look at the best
of them I'd discharge him as soon as I knew it. I've got my eye on Emmy,
my second-floor maid, too. All I can say is, you'd all better be more
careful, or, the first thing some of you know----"

"Naturally," says he, "I can imagine that," says he. "It's hell to
belong to the lower classes!"

"What do you mean, James?" says she, solemn, "I'll not have profanity
from you! Besides, you talk like a socialist person, and I'll not have
that."

"Socialist, eh? Well, I'll admit, if I had all the money in the world,"
says he, "no wall nor bars would make any difference to me. Nor they
wouldn't when I didn't have."

"James, continually you shock me beyond words!" says she, gasping. "What
words from one in your position in life!"

He didn't say much then, but only sort of growled, like he was mad.

"James," says she, "what on earth are you doing--what's that you're
eating?"

"It's good old tobacco I'm eating," says he. "I found the brand out West
and I've used no other since."

"James! James!" says she. "You to chew the filthy weed! It's
impossible!"

"No, it ain't," says he. "You watch me and I'll show you how far it is
from impossible. I chaw it and I like it, same as any other socialist;
and I want you to understand, ma'am, that I'm my own man, tobacco and
all, while I stay here. If you don't like it, fire me again!"

She begun to gasp again, like I heard her before.

"You don't care!" says she. "Nothing is sacred to you!"

Them two had me guessing. I'd heard of middle-age women getting
infaturated with chauffores. Why not gardeners, then? Something was
going on between them two, else why should she be so damned jealous? And
why should he be so damned sassy to her? I wondered what Old Man Wisner
would think if he knew what I knew now about his wife. Didn't this even
things up some? I wouldn't tell him, of course; but didn't it beat all
how many secrets I was getting into?

Them folks didn't have so much on us, after all; for that hired man was
shore a gay bird, and playing both sides the fence. I seen he was a
socialist, all right--but, Lord, her, with that face!




XXIII

TOM AND HER


Tom Kimberly he come to our house steady now. Every day he sent flowers
in bundles, like he owned a flower ranch somewhere. Bonnie Bell put them
in the dining-room, and the music room, and the reception parlors, and
the staircase, and the bedrooms--and even in our ranch room.

"Whatever the papers says about bad crops, sis," says I one morning when
a bunch of red roses come in about as big as a sheaf from a self-binder,
"the flower crop is shore copious this year, ain't it? Likewise it seems
to be getting better right along."

"He's a good boy," says she after a while--"a fine boy. And he comes of
such a good family, and I like all his people so much. And
Katherine--what could I do without Katherine?"

"Uh-huh!" says I. "Of course if you like a young man's sister, you ought
to marry him. That stands to reason, don't it?" says I.

"And dad likes 'em all--Mr. Kimberly and Tom's mother."

"Shore he does! For all them reasons you ought to marry the boy. Never
mind about love."

"They're the best people we've met in this town," says she, "and there
aren't any better in any town. They're not only charming people but good
people. They've everything you could ask, Curly."

"Yes," says I; "so it stands to reason you ought to marry that family,"
says I. "Here's them Better Things we come for. Love ain't in it."

You see, I was half her pa. Us two had raised her from a baby together.
I couldn't tell the old man what I knew, but I had to talk to her like
her pa would of talked. I allowed, if she'd get married to Tom Kimberly
right quick, that'd sort of keep things from breaking loose the way they
might, and keep me from having to tell Old Man Wright about the man next
door. I knew plenty more about him now that I wouldn't tell her. I
thought she'd forget him.

Well, she set around all that day sort of moping, with a green poetry
book in her lap; and she had a letter in her hands. It didn't come by
the Peanut route, neither, but by the postman. It was square.

"Tell me, is that from Tom Kimberly, Bonnie?" says I.

"It's absolutely none of your business, Mr. Curly Wilson," says she;
"and I wouldn't tell you in any circumstances. But it is."

"Let me see it," says I.

"Indeed!" She looks me square in the face.

"Don't tell me a word, sis," says I. "I'm not so hard as you think."

"He's coming over tonight," says Bonnie Bell to me after a time.

"That's to get his answer?" asts I; and she nodded then.

"Well, Colonel," says I to the old man that evening when he come in and
we was having a nip before dinner, "I reckon I got this thing all fixed
up at last. It's been a hard pull for me, being half a pa to a girl like
ours; but I done it."

"Is that so, Curly?" says he. "Well, it's been some chore, ain't it, for
both of us? Well, how!"

When Old Man Wright taken a drink he never did say "Here's how!" He just
said "How!" which is Western. When a man says "Here's how!" he comes
from the East and is trying his best to hide it.

"How!" says I. "And a good health to the young and happy couple."

"What's that?" says he, sudden. "Has anything happened? She hasn't said
anything to me. Why is she so tight-mouthed with me, Curly, and so free
with you?"

"Oh, it's a way I have with women," says I.

"They all come and tell me their troubles. It's because I got red hair
and a open countenance."

"Tell me, what's my girl confided to your red hair and open face?" says
he. "I'd like to know."

"You notice a good many flowers around the last few weeks?" says I.

"I haven't noticed nothing else," says he.

"And that didn't make nothing occur to your mind?"

"Oh, yes, it did; only I didn't want to say anything to the kid--I
didn't want to try to influence her in any way, shape or manner, in a
time like this. Only I told her quite a while ago that Tom Kimberly was
the only young man I seen in town that I'd allow to come around at all.
I only said to her that the old man was my best friend and I liked Tom's
ma as much as I could any woman with gray hair.

"Still, I said gray hair was all right for a grandma. Why, Curly," says
he, "I been plumb thoughtful and tactful. I ain't said a word to let
Bonnie Bell know what I thought about Tom Kimberly. I believe in leaving
a young girl plumb free to follow her own mind and heart."

"Uh-huh! Yes, you do!" says I. "The truth is, Colonel, you believe in
running the whole ranch here like you done out West. Now if you'd only
keep out of this game and leave me alone in it you'd find things would
come out a heap better," says I.

"But I just said I ain't said a word," says he. "She can do whatever she
likes about getting married----"

"Just so she married Tom Kimberly," says I. "Ain't that about it?"

"Well," says he at length, "maybe that's about it; yes."

I got up and went out of the room. I wouldn't talk to him no more. He
wasn't noways consistent with hisself and every time I talked with him
it got harder for me to hold down my job.

But, anyhow, Tom come over that night. He wouldn't go in the ranch room;
but he made some sort of a talk about music, one thing or another, and
he toled Bonnie Bell out into the music room. But she didn't play and he
didn't. From there they must of went out into our flower house, which is
called the conswervatory. I didn't hear anything then for a long time.
Old Man Wright he goes off to bed at last, pleasant as if he'd ate all
the canaries in the shop. Me, I wasn't so shore.

It wasn't right for me to think of them young people, I reckon; but I
set there restless, knowing what was going on and how much it meant, and
all the time wondering just what them two young folks was talking
about. It made me feel sort of dreamy, too, and I begun to figure on
this whole damn question of girls and young men. I begun to see that
what Old Man Wright and me had worked for all our lives was just this
one hour or so in our conswervatory. It was for her--that was all. If
she chose right now she'd be happy, and so would we. But if she didn't,
what was the use of all her pa's money and all her pa's work?

What chance for happiness would there be in this world for him if she
wasn't happy? He loved the girl from the top of her head to her feet,
like he'd loved her ma. He was wrapped up in her. If things didn't come
right it was going to be mighty hard for him. He'd never get over
anything that meant the unhappiness of Bonnie Bell.

So what Tom was doing in our conswervatory around ten or eleven o'clock
was settling the happiness of Bonnie Bell and her pa--and me, if you can
say I counted.

"Well," says I to myself at last, "this is the way the game is played in
the cities. The girl's got to figure on heaps of things that don't
bother so much in Wyoming. It ain't the same as if Bonnie Bell was pore
and he was pore too. It's a good match--if any match can be good enough
for her. She'll forget."

I could just almost see her standing there all in her pale-blue silk
and little pale-blue slippers, with her hair done up in a band, like she
was when she come down the stair that night, smiling but still ca'm,
when she knew Tom was coming. I could see her---- Aw, shucks! What's a
cowpuncher got to do with things like that? I wisht I was out on the
range, where I belonged.

I set there I don't know how long--maybe I went to sleep once or
twice--when I heard the front door close easylike and knew somebody had
went out--I didn't know who it was. I waited for a long time after that,
but no one come in and no one spoke.

By and by I heard her dress rustle, and she come into our room, where I
was setting.

She was white as a ghost--I never seen anyone as white as she was. She
didn't know I was there, and she threw her hands up to her face and
almost screamed when I moved. Then she went over to our rawhide lounge
and set down, and held her hands together so tight I could see her
knuckles was white. She knew I was there, but she didn't seem to see me.

I didn't say a word. When a woman's fighting out things in that way it
ain't no time to meddle. I wisht I was out of there, but I didn't dare
go. She set and looked at the fire and wrung her hands. Whenever you see
a horse wring his tail, he's done for. Whenever you see a woman wring
her hands that way, she's all in; and she's shore suffering. But I had
to stay there and see her suffer.

"Bonnie," says I, "what is it?"

She turns her eyes on me, and they was wide open and awful.

"Curly," says she, "I'm in trouble. It's awful! I don't know----"

"What's awful?" says I. "What's happened, Bonnie, girl? Tell old Curly,
and he won't say a word to a living soul. I'm in with you, any sort of
play--only don't look that way no more."

"Curly," says she, "it's come! I--I didn't know----"

"What's come?" says I. "Tell old Curly, can't you? I'll help all I can."

She set for a while, and when she spoke it was only in a whisper.

"I--I'm a woman!" says she. "I didn't know! I'm--I'm a woman. I'm not a
girl any more. I'm a woman...."

She got up now and stood there as straight as though she was cut out of
marble, and her silk dress hung round her legs, and she was still
wringing her hands, and her eyes was wide open. But she wasn't crying.

"I didn't know," says she. "I never knew it would be this way. I didn't
know."

"You didn't know what, Honey?" says I. "There's heaps of things we all
don't know. But is there anything your old friend Curly can do for you
now? Listen, sis, I've got you mighty much to heart," says I. "Tell old
Curly, can't you, what's gone wrong? Your pa he's just gone to bed.
Shall I go and get him?"

"No, no, no! For Gawd's sake, no! I can't see him--I could never tell
him."

"It's got to be told," says I.

Then she nodded up and down, fastlike, and didn't say anything.

"It ain't really any of my business," says I, "but have you and him----
Well now----"

"You men----" She broke down. "You men--what do you know about a girl?
What have you men done to me?"

"We done all in God Almighty's world we knew how to do for you," says I.
"We'd of done more for you if we'd knowed how."

"Ah, is it so! You've made me the most unhappy girl in all the world."

I couldn't say a word to that. It went through me like a knife-cut. I
was glad that Old Man Wright wasn't there to hear it. I seen then that
him and me had failed. We could never play no other game, for this was
the only girl we had.

"You've brought me here," says she, "and I've been like a prisoner. But
I've done all I could."

"Didn't you like it here?" says I. "We done considerable on your
account. Don't you like us none?"

"Like you, Curly?" says she. "I love you! I love you!"

She come now and taken me by the shoulders and shook me. I didn't know
she was so strong before.

"I love you--love both of you," says she. "I'd die for you any minute,"
says she. "I'd try to cut my heart out for either of you now--if it come
to that. I tried it now, tonight. I tried it for an hour--two hours. I
didn't know what it meant before."

"He ast you, Bonnie?" says I.

"Yes, yes," says she. "The poor boy! I like him so much--I pity him."

"My Gawd! Bonnie, you haven't refused him?" say I. "You haven't done
that? You haven't broke the pore fellow's heart?" says I. "Why did
you----"

"Why did you!" says she after me. "I told you he made it plain to me."

"What was it he made plain, Bonnie?" says I. "I suppose he, now, made
some sort of love? It ain't for me to talk of that."

"Yes, yes!" She says it out sharp and high. "He did. I know now what it
means to be a woman and in love. I never knew that before. But it
wasn't--it wasn't for him! He held me--I was a woman--and it wasn't for
him. How can I love---- What can I do? Why, I love you all, Curly--I
love you all! I love Tom in one way; and I'm sorry, because he's good.
But that isn't being a woman. It wasn't for him--it wasn't for him!"

She was sort of whispering by now.

"So he went right away?" says I.

She nodded.

"Maybe I've broken his heart. I've broken yours and my father's and my
own--all because I couldn't help being a woman. And I'm the unhappiest
woman in all the world. I want to die! I don't know what to do. I want
to be square and I don't know how."

"Bonnie," says I after a while, slow, "I know all about it now. You've
been plumb crazy and you're crazy now. You've kept on remembering that
low-down sneak next door. You've turned down a high-toned gentleman like
Tom--and you done it for what? You ain't acted on the square, Bonnie
Bell Wright," says I. "It ain't needful for me to tell all I know about
him now. I could tell you plenty more."

"No," says she, and she was crying now; "it was an evil thing of me ever
to listen to him. I've done wrong," says she. "But what must I do?" says
she, "Must I lie all my life? I can't do that."

[Illustration: "'I know now what it means to be a woman and in
love.'"]

"Well, some women are able to--just a little," says I. "Maybe you'd get
over that business of that man next door if you was married and had a
few kids of your own running around. You'd be happy with Tom. We'd all
be happy. You'd forget--of course you'd forget. Women are built that
way," says I. "I reckon I know!"

"Curly----" And, though she looked just like she always had, young and
white and beautiful, and fit only to be loved by anybody, her face had
something in it that made her look old, real old, like one of them
statutes in our front yard.

She was twenty-three, and pretty as anything ever made in marble--and
white as anything in marble; but she looked a thousand years old as she
stood there then. There was something in her face that seemed to come
down from 'way back in the past. She was--well, I reckon she was what
she said--a woman!

"Curly," says she, "some women may be able to forget. It's the easiest
way--maybe most of them do it. The average woman lives that way. But I
can't, Curly; I can't--it isn't in my blood. Women like me have got to
follow their own hearts, Curly--no matter what it means.

"I tried with all my heart to lie to Tom tonight. I even told him I
wouldn't answer now--even told him to come back again after while; but I
knew all the time I couldn't lie forever. I knew I could love some
man--a man--but it wasn't for him. I'm like my father and like my
mother, Curly. Do you want to crush the life out of me? Do you want to
make me do something we'd all regret as long as ever we lived?"

She stopped talking then; but, sort of swinging around, she went on:

"It's been but a little while, Curly," says she. "It's been but such a
little time! I don't know whether I can get over it--I don't know
whether I can forget. But, oh, Curly, for one hour let me open my
heart--for just this time let me be a woman!... But it wasn't for him!"

And now she was whispering again.

"I'm a thief, Curly!" says she after a while. "I've stolen your life and
dad's. I've taken all you gave me. I don't deserve it."

"Oh, yes, you do," says I; "you deserved all we done for you. We loved
you, Honey, and we do now."

"But you can't any more, Curly," says she. "I've been a thief. I've
stolen your lives--from you two big, splendid men. But, oh! give me my
hour--the one hour out of all my life.

"I stole from him too--from Tom," says she. "I've taken from him what I
didn't pay for and can't. I never can. At least I can't until I've
had--my hour.

"A woman has to face things all her life, Curly," says she; "and always
she says: 'Well, let it be!' She takes her losses, Curly, and sometimes
she forgets. But if she ever forgets what is in my heart tonight--if she
forgets that--then life is never worth while to her again. There's
nothing to do then--it's all a sham and a fraud. If that's what life
means I don't want to live any more."

"Bonnie," says I, "you mustn't talk that way." I sort of drew her down
on my knee now, and pushed her hair back and looked at her. "Listen at
you--you that used to be up in the morning so early and hoorahing all
through the ranch--your cheeks red with the sun, and your hair blowing,
and your eyes like a deer's! Why, nothing but life was in the world for
you then--nothing but just being alive."

"I wasn't a woman then, Curly," says she. "I didn't know."

"I didn't neither," says I; "and I don't know now."

"You can't," says she. "It's terrible! I'm--I think I'll go now."

She taken herself off my knee then; and, the first thing I know, she was
gone.

I stayed there looking at the place where she'd been. I knew that now
there shore was hell to pay!




XXIV

HOW BONNIE BELL LEFT US ALL


I never went to bed none at all that night. I couldn't of slept, nohow.
I set there in the ranch room thinking and trying to figure out what I
had ought to do. I concluded that might depend some on what Bonnie Bell
was going to do; and I couldn't tell what that was, for she didn't seem
clear about it herself.

Along about daybreak, maybe sooner, when I set there--maybe I'd been
asleep once or twice a little--I heard the noise of a car going out not
far from us. I suppose, like enough, it was over at the Wisners'; maybe
some of their folks was going or coming. In the city, folks don't use
the way they do on a ranch and night goes on about the same as daytime.

I'd been studying so hard over all these things, trying to see how I'd
have to play the game, that I didn't notice Old Man Wright when he come
in that morning, about the time he usual got up for breakfast. He wasn't
worried none, but seemed right happy, like something was clear in his
mind.

"Well, Curly," says he, "you're up right early, ain't you? What makes
you so keen to hear the little birds sing this morning?"

He fills up his pipe. I didn't say nothing.

"Well," says he after a time, smoking and looking out the window, "I
suppose I'm a fond parent again right now. Maybe I'll be a grandpa
before long--who can tell? I never did figure on being a grandpa in my
born days," says he; "but such is life."

"What do you mean, Colonel?" I ast him.

"Well," says he, "I ain't a real grandpa yet, maybe, but I reckon it's
like enough. All them flowers and that sort of thing--and that late
executive session last night. When's the day?"

He still looks right contented. What could I say to him then?

"Too bad," says he, "you couldn't of stayed up to get the happy news,
Curly!" says he. "I expect Tom Kimberly would of been right glad to tell
you or me; but I knew how the thing was going. I been a young man once
myself. He don't want old people setting round--he wants the whole field
clear for hisself. It takes young folks several hours sometimes to set
and tell things to each other that could be told in just a minute.
Proposing is a industrial waste, the way it's done customary.

"Well, well!" he goes on. "I'm glad my little girl's going to be so
happy. She's a good girl and she loves her pa. Sometimes I even think
she's right fond of you, Curly," says he. "I can't see why. You're a
mighty trifling man, Curly," says he. "I don't see why I keep you."

Then I knowed he was feeling good. He wouldn't turn me off noways in the
world, but he liked to joke thataway sometimes.

"Well," says he after a while, "what do you say about it your own self,
Curly?"

"I say she loves you as much as any girl ever did her pa. She loves me,
too, though I don't know why, neither."

"Shore she does!" he nods. "And she'll do the square thing by us
two--that's shore."

"Is it?" says I. "Well, who knows what's the square thing in the world?
Sometimes it's hard to tell what is."

"That's so," says he, thoughtful. "Sometimes it is. I might of liked
some other man better'n Tom, maybe, if there'd been any other man; but
there isn't. I'm glad she's taken him. He'll turn out all right. He's a
good boy and his folks is good. He'll come out all right--don't you
worry."

"No," says I; "I reckon it'll do no good to worry, Colonel."

"What do you mean?" says he. "Ain't it all right?" says he.

"That remains to be saw," says I.

"She accepts him, don't she?"

"If I knew I'd tell you," says I; "but I don't know for shore."

"Of course," he says to me, "the girl wouldn't be apt to talk very free
to you about it, especial since you was in bed."

"Was I?" says I. "Oh, all right, if I was in bed! If I didn't talk to
Bonnie Bell a while here last night, then everything is done, and I'm
glad to know it."

"Well, where's she now?" says he. "I'm hungry as all get out; and you
know I can't eat till she comes down to breakfast--I've got to have her
setting right across the table from me, like her ma used to set. Oh,
hum! I suppose some day she won't be setting there no more. Just you and
me'll be setting there, looking at each other like two damn old fools.
That's what fathers is for, Curly," says he. "That's the best they can
get out of the draw.

"Well, that's what I've been living for ever since she was
knee-high--just to make her happy; just to give her, like her ma told me
I must, the place in life that she had coming to her. No little calico
dress and a wide hat for Miss Mary Isabel Wright now, I reckon, Curly.
Her game is different now. Them Better Things is coming her way, I
reckon now, Curly. She's left the ranch and is playing a bigger
game--and she's won it. Well, I'll tell 'em both how glad I am; but I
wisht she'd come down to breakfast, for I'm getting right hungry."

She didn't come. I couldn't say anything to him yet, for I didn't
exactly know what the truth was; Bonnie Bell hadn't told me whether or
not she accepted Tom, but only said he was going to come back again. I
wisht she'd come down and take this thing off my hands, for I was
getting cold feet as shore as you're born.

He walks up and down, getting hungrier all the time, and singing "Tom
Bass He Was a Ranger!" But she didn't come. At last he calls our
William; and says he to William:

"Go send Annette up to ask Miss Bonnie if she's ready for breakfast."

"Yes, sir; very well, sir. Hit's all growing quite cold, sir," says
William; and he went away.

He come back in a few minutes and stood in the door and said his Ahum!
like he always did, and the old man turned to him.

"Beg pardon, sir, but Miss Wright's mide says Miss Wright 'as not come
in."

"Not come in! What do you mean?"

"She's not in her room, sir. The mide thinks she's not been in her room
during the night."

"What's that? What's that?" says he. "Curly, didn't you just now say
she was here? Wasn't you up after I was?"

"I seen her around midnight," says I--"maybe later; I don't know. I
thought she went to bed. I never did hear her go out. She couldn't of
gone out--I'd of heard her."

"You'd of heard her! With you in bed yourself? What do you mean?"

The old man turned to me now and seen my face. He come close up to me.

"Where was you?" says he. "What do you mean?"

"Colonel," says I, "she was here after midnight. I ain't been to bed at
all tonight."

"What did she say to you? Why didn't you go to bed? Where is she? What
have you done?"

"I ain't done nothing," says I. "I've been trying to talk to you for
days, and I couldn't. I didn't know what to do. I didn't want to
interfere in any girl's business and this shore is hers."

"It's hers?" says he, cold and hard. "I'm in this too. There's something
in here that's got to come out. Come!" says he.

He motioned to me and I followed him up the staircase to the part of the
house that was Bonnie Bell's--the second story and on the corner toward
the lake. She had a fine, big bedroom, with wide windows, all the wood
in white, and all the silks a sort of pale green.

We walked into the room; and he didn't knock. The room was empty! Her
bed hadn't been slept in. On a chair, smoothed out, was her pale blue
dress, which I remembered.

"That's the one she wore last," says I, pointing to it. "She's changed
it."

"She's--she's gone!" says her pa. "Gone--without asking me--without
telling me! Where's she gone? Tell me, Curly. Has--has anybody---- My
girl--where is she? Tell me!"

He had hold of my shoulders then and shook me; and I ain't no chicken
neither.

I got a look at the bed then, and there was something on the pillow. I
showed it to him. It was a letter.

If you've ever seen a man shot, you know how it gets him. He'll stand
for a time like he ain't hurt so bad. Then his face'll pucker,
surprised, and he'll begin to crumble down slow. That was the way Old
Man Wright done when he read the letter. It was like he was shot and
trying to stand and couldn't, only a little while.

"She's--she's gone!" says he, like he was talking, to someone else.
"She's run away--from me! She's gone, Curly!" He says it over again, and
this time so loud you could of heard it for a block. "Our girl's left
here--left her father after all! Curly, tell me, what was this? Could
she--did she---- How could she?"

I taken the piece of paper from his hand when he didn't see me. It said:

     Father [I never knew her to call him that before] Father, I'm going
     away. I'm a thief. I've broken your heart and Curly's and Tom's.
     I'm the wickedest girl in the world; and I'll never ask your
     forgiveness, for I don't deserve it. You must not look for me any
     more. I'm going away. Good-by!

Well, that was all. The letter had been all over wet--and a man can't
cry.

"Curly," says her pa to me--"why, Curly, it can't be! She's
hiding--she's just joking; she wouldn't do this with her old pa. She's
scared me awful. Come on, let's find her, and tell her she mustn't do
this way no more. There's some things a man can't stand."

"Colonel," says I, "we got to stand it. She's gone and it ain't no
joke."

"How do you know?" He turned on me savage now. "Damn you! What do you
know? There's nothing wrong about my girl--you don't dare to tell me
that there is! She couldn't do no wrong; it wasn't in her."

"No," says I; "she wouldn't do anything but what she thought was right,
I reckon. But, you see, you and me, we never knew her at all. I didn't
till last night about half past twelve or one o'clock."

"What do you mean? What did she say?"

"She told me she'd got to be a woman."

He stood and looked at me; and now I seen I had to come through, for the
girl couldn't be saved no more.

"Oh, hell, Colonel," says I, "I might of known all along the thing would
have to come out--it was due to break some day. I ought to of told you,
of course."

"What do you mean?" says he; and he caught me once more in his
hands--he's strong too.

"Turn me loose, Colonel!" says I. "There can't no man put hands on me--I
won't have it. I worked for you all my life pretty near, and I done
right, near as I knew. Turn loose of me!"

He let go easy like, but kept his eyes on me.

"I want to be fair," says he, and he half whispered--"I want to be fair;
but, the man that's done this'll have to settle with me! Tell me, did
you and her plot against me?"

"I didn't plot none," says I. "I was only hoping she'd forget all about
it and get married and settle down."

"Forget about what? Did she have any affairs that you knew about?"

I nods then. I was glad to get it off'n my mind.

"Yes," says I; "she did."

"Who was it, Curly?" says he, quiet.

"It was the man next door--the Wisners' hired man," says I.

I'd rather of shot Old Man Wright and killed him decent than say what I
did then.

"You're a damn liar!" says he to me at length, quiet like.

"Colonel," says I, "you can't call that to me, nor no other man, and you
know it."

"I do call it to you!" says he. "My girl couldn't of done that."

"I wish I was a liar, Colonel," says I; "but I ain't. I'll give you one
day to take that back, and you ain't going to study about no proofs
neither. I've worked for you a long time. I've loved the girl like you
did. It ain't no way for you to do to talk thataway to me. I'll say I've
knew this some time and tried to stop it--it was my business to stop it.
I tried a hundred times to tell you about it, but I couldn't without
pretty near killing her and you too. She ast me not to tell you
and--why, hell! I loved her, same as you did."

"How far has it gone, Curly?" says he. He come over now and patted his
hand up and down my shoulder, looking away, which was his way of saying
he was sorry. "Don't mind me, Curly," says he. "I'm crazy! You mustn't
mind me, but tell me all you know now. I know you couldn't lie to either
of us if you tried."

"Yes, I could too," says I; "but I haven't tried. But I just couldn't go
to you and tell you all this thing, for I knew what it would mean to
you.

"It's been going on quietlike for quite a while and I've been doing all
I could to stop it. It begun maybe when she hauled him out of the
lake--I don't know. They didn't meet often. I heard 'em talking once on
the dock, and I told him I'd run him off if he come across the fence or
said another word to her. She begged for him then; but I never promised
her nothing. I knew it was my job as your foreman to take care of that,
so I didn't go to you."

"Go on," says he. "Tell me!"

"She didn't say nothing to him for a long time--she didn't meet him, not
after she said she wouldn't. Then he sent letters over--tied to the
collar of our little dog--two or three letters; maybe four or five, for
all I know. He was crazy over her. All the time he owned up to her and
me that he oughtn't to do what he done. He said in his letters he
oughtn't to raise his eyes to her--he knowed he ought to of come around
to the front door and not to the back door; and he said that very
thing. But he said, like a man will, that he couldn't help it.

"She didn't never answer his letters, so far as I know. I don't know as
she ever got any word to him at all. So far as I know, they never did
talk much, only that one time when I heard 'em. But, as to something
going on--why, yes, it's been going on for quite a little while. And
I've knew it; I've knew I ought to go and tell you. And all the time I
couldn't, because I loved her and she ast me not to tell."

"Did she ever tell you anything? Do you think she cared anyway for him?
You see," he goes on, "I never seen him to know him. I don't know who he
is. I didn't hardly know he was alive on earth. Gawd forgive me! I ought
to of known. I told her once not to talk to that hired man; but if I'd
thought anything of this I'd maybe of killed him then."

"Yes; and I ought to of told you, Colonel," says I. "It was only the way
things happened and because she ast me not to."

"She had that secret from her father!" says he, slow. "Who can tell
what's in a woman's heart?"

"That's it," says I; "now you got it. She was a woman--she told me so."

"What more did she say, Curly?"

"Once she come to me crying, and she says, 'Curly, I love him!'--she
meant that man next door. And I know for shore now he wasn't fit to wipe
her feet on."

Old Man Wright he set down then, quiet like. I couldn't help him none, I
had to set and see him take it. It was awful.

"She said that--she loved him? How long ago?"

"A few weeks, maybe," says I. "I never could get the nerve to tell you
then. I hoped she'd get to see how foolish it was for her to care for a
cheap gardener--I thought she'd be too proud for that. And then I
allowed she'd, like enough, marry Tom Kimberly, and that'd change her
and it'd all come out all right. All the time I was hoping and trying to
save both her and you. I been nigh about crazy, Colonel. And all the
time, of course, I was only a damn fool cowpuncher, without any brains."

"She's gone!" says he, after a time.

"Yes," says I; "near as I can figure, she's thought about it all night
and concluded it'd be best for her not to marry Tom, feeling like she
did about this other man. She's shook us, Colonel. But, believe me, she
wasn't never happy doing that. It must of been like death to her."

"Why did she do it, Curly?" he whispered. "How could she? Why?"

"I done told you, Colonel," says I. "It was because she found she was a
woman. She hadn't knew that before--nor us neither."

At length he got up, but he couldn't stand up straight.

"How can we keep this quiet?" says he.

We couldn't keep it quiet at all. It was all over the house right now.
That Annette girl had read all them Peanut letters before William ever
got 'em. Like enough he'd read 'em too. They was scared when we walked
into their part of the house.

"Where's that dog?" says Old Man Wright.

William, he got pale.

"Very good, sir," says he, and pretends to go after Peanut, which he
knows wasn't there.

"Hi suppose she took 'im along with 'er, sir," says William after a
while.

Annette she chips in:

"_Oui, oui_--yes, yes; she took him with her."

"Took him with her? What do you mean? What do you know about it? Keep
quiet, you people!" says Old Man Wright. "Get into that room!" He locked
them in.

"Now, Curly----" says he.

I knew he was clear in his own mind by now that the girl had run away
with that gardener. He'd maybe go over there.

"No, Colonel," says I; "you keep out of this."

"What do you mean?" says he. "Ain't you my friend at all? Ain't I got a
friend in all the world?"

"You're alderman here," I says, "and that's the same as being sher'f.
When you was sher'f you couldn't do what the law said you couldn't--now
could you? You have to keep up the law when you're a alderman or sher'f.
With me, it's different. Besides, this is my job, not yours."

"Curly," says he, and I could see his jaw get hard all along the aidge,
"Curly, ain't there no place on earth for a pore old broken-hearted
man?"

"Never mind just yet, Colonel," says I. "It ain't your turn," says
I--"that's all. Sometimes," I says to him, "it's best to go a little
slow at first and not make no foolish breaks. Let's just take it easy
till we see which way the cat has jumped--we don't know much yet."

"She--she wouldn't kill herself?" says he sudden; and he got even
whiter.

"I don't think so," I says; "and I'll tell you why. I don't think she
was thinking so much of dying when she said 'I am a woman.' It was
life!"

He looked at me quiet.

"She said that?"

"Uh-huh!--sever'l times. And it was like you said, Colonel, after all.
There ain't no fence high enough to keep a young man and a young woman
apart. It was bound to come, and we didn't know it--that's all."

"We give her every chance. There was Tom."

"Yes," says I; "and there was the man next door. These things goes by
guess and by Gawd. For instance," says I, "what in the world could
Bonnie Bell's ma ever see in you, Colonel?"

That hit him hard, though I didn't mean it that way. He turned his face
away, like he seen something awful before him.

"My Gawd!" says he. "I done that my own self! I stole her ma away. She
loved me and I loved her. Ain't there no one to show a pore old helpless
man what he ought to do?"

"It's life, and she showed us the way," says I. "When you stole Bonnie
Bell's ma you was ready to meet her folks, I reckon, if they come to
take her away. You taken your chance when you married her. So's the man
that's run off with Bonnie Bell. Let him have a even break, Colonel. He
loves her, maybe--and he seems to have a way with women."

"He's ruined her!" says Old Man Wright. "It's marriage he was after, of
course; but look at the difference. I never touched a cent of her ma's
money. We made our own way. But here's a low-down sneak that's come in
at our back door and run away with my girl for her money! Don't you see
the difference? What's this skunk like?" he says to me after a time.

"He ain't such a bad-looking fellow," says I, "if he was dressed up.
He's a sort of upstanding fellow. His clothes was always so dirty he
didn't look like much. He was a good-talking fellow enough."

"They all are--the damn fortune-hunting curs! I can believe that."

"I was too much a coward to tell you, Colonel," says I. "I love that
girl a awful lot. I'd do anything I could to help the kid, even now when
she's in so bad."

"Yes," says he.

"She had it in her natural," says I. "Her pa and ma run away. She was
plumb gentle till she bolted--and then all hell couldn't hold her. Ain't
that like her pa?"

"Yes," says he, humble; "it's like her pa."

"And she's handsome, and soft, and kind, and gentle--so any man couldn't
help loving her. Ain't she like her ma thataway? Wasn't she thataway
too?"

"Yes," says he, choking up like; "she's like her ma."

"Well, then?" says I. "Well then?"

So I pushed him outen the room and went on out down the walk.

I looked around at our house as I was going out. It was big and fine,
but somehow the curtains looked dull and dirty to me. Everything was
shabby-looking someways. This place was where we'd failed. And then I
seemed to see my own self like I was--Curly, a bow-legged cowpuncher
offen the range, with no use for him in the world but just to get things
mixed up, like I had. And Old Man Wright--that used to be our sher'f and
the captain of the round-up, and the best cowman in Wyoming--what had
come to him here at this place?

I turned around to look back. Just then he come out the room where I'd
pushed him in.

He was a tall man, but now he stood stooped down like. His red mustache
was ragged where he'd gnawed the ends for the last half hour. His face
seemed different colors and wasn't red like usual. He seemed to have got
leaner all at once. His knees didn't seem to keep under him good and his
back was bowed. He'd changed a lot in less than a hour. He seemed to be
thinking of what I was thinking of, and he sort of taken a look around
at the house too.

"I made it, Curly," says he, and his voice was sort of loose and
trembling, like he was old. "I made it for her. I made a lot of money
for her. I tried to make her believe I was happy here, but I never was.
I ain't been happy here, not a hour since we come. It's all been a
mistake."

He hammers his fist on the wall by the door where he stood.

"Brick on brick," says he, "I built it for her. I pretended I liked all
these things, but I didn't care a damn for 'em. It's all been a bluff;
we've bluffed to each other and we've all been wrong. It's been a
failure; all we tried to do for her has been no good. She's throwed us
down. Curly, I don't count for nothing no more."

It was true, all he'd said. We'd played our little game and lost it. I
never felt so bow-legged in my life, or so red-headed, as I did when I
turned to walk down from our house to Wisner's. I looked back just once.
There was Old Man Wright standing in the door, tall and bent over, a
hand against each side of the door frame.

I left him there, holding onto the frame of the front door of what he
called our home, that he'd worked so hard for--that we'd both tried so
hard to make her happy in. He'd found one game at last where he couldn't
win.

And she'd shook us now--our girl--shook us for a man that never had
knocked at our front door!




XXV

ME AND THEM


I was almost down to our front gate, with half a notion to go over and
have a talk with them Wisner people, when I heard our William calling to
me; he'd got out of the room where we locked him up and run around the
back of the house.

"Oh, Mr. Wilson! Mr. Wilson!" says he. "Hi beg of you, don't!" says he;
and he come running after me.

"What's the matter with you?" I ast him.

"Hi beg your pardon, sir," says he; "but Hi'm most deeply concerned in
hall of this," he says.

"What do you mean, you shrimp?" says I. "Have you been mixed up in
anything here?"

"Hit was the mide across the way, sir--across the wall, that is to say.
Well, perhaps Hi've been too attentive to their Hemmy, sir, from the
hupper-story window; but she was that pretty and so fond of me! Hi 'ope
Hi did no wrong, sir; but you see, sometimes when all was quite still,
sir, Hi did flash a light across from my window on 'ers, and we did 'ave
a 'appy time, sir, come midnight--quite silent, sir, and quite far
apart; quite respectable, Hi assure you, sir--nothing more--all above
the wall; for otherwise Hi couldn't 'ave seen 'er at all."

"Was you busy with that sort of thing about one or two o'clock this
morning?" I ast him. "I want to know what you done--what happened?"

"A great deal 'appened, sir. Quite without plan, I saw a man appear at
the window of this 'ouse across the wall; 'e was right by the window and
looking across. At first Hi thought 'e was looking at my window and Hi
stepped back, not wishing to compromise a lady like Hemmy--that being
the 'ousemide's name across the wall, sir."

"What was this man doing?"

"Hi cawn't 'ardly tell, sir. 'E looked and 'e made some motions. There
seemed a light on 'is window too; in fact, all between the two 'ouses
seemed quite bright at the time, what with 'im and what with me. A short
time afterwards a car went out."

I turned on down toward the gate.

"Oh, Hi beg of you," says he, "to say nothing over there. Knowing as Hi
do that both you and Mr. Wright are very violent men, and caring as Hi
do for Hemmy, the 'ousemide, sir, Hi feel most uneasy--Hi do, indeed."

"Well, if that's the way you feel, William," says I, "you go on back in
the house."

"You don't mean any violence, Hi 'ope, sir?"

"I don't know yet what I mean; but go on back in."

He turns around just about in time, for now I seen two or three people
coming in at our front gate. I didn't know any of them. They was young
fellows. One of them ast me if I knew anything about the alleged
elopement. Then I seen word had got out somehow--like enough from our
Annette or their Emmy, and these was maybe newspaper reporters come up
to see about it.

"I haven't heard of any elopement," says I. "I was just calling our
butler down for flirting some with one of their hired girls over there."

"May we talk to your butler?" ast one of them.

"No; you can't," says I, "because he's gone in to see about breakfast."

One of the young fellows looked up and sort of scratched his head with a
lead pencil.

"I say," says he, "are we on a high love story or one of the servants'
quarters? Tell us, friend"--he says to me--"can't you help us out on
this?"

"It ain't in my line of business," says I; "but it seems plain, if their
hired man has run away with our maid, or our butler run away with
theirs, it ain't story enough to bother a alderman or his foreman about
before breakfast."

"Well, lemme get a picture of the wall, anyways," says he; and he done
that before I could help it.

"Have you got one of your butler?" he ast.

"No, we ain't; and you can't get none. We don't bother about the lower
classes," says I.

So they laughed and bimeby went on away. I give them some
cigarettes--all I had; and they said I was a good scout, like enough.

Well, of all the papers that tried to get a story that morning, not one
printed a word except one. It come out with about a colyum in the paper
all about a mysterious disappearance in Millionaire Row. It allowed that
nobody could tell who had disappeared, but some said that Old Man Wisner
had run off with one of Alderman Wright's hired girls, and others said
that Old Man Wright had eloped with Mrs. Wisner, while others declared
that the Wrights' butler had eloped with the second-floor maid of the
Wisner household; though still others insisted the Wisner gardener had
disappeared with the heiress of Alderman Wright, the well-known citizen
whose re-election at the coming term was practically assured.

That paper printed some pictures too--one of Old Man Wisner and one of
Bonnie Bell, allowing that he was our butler and the one of Bonnie Bell
was the picture of the second-floor maid of the Wisner household. I
reckon they had them pictures already in their newspaper office. But
they printed a new picture of the Wisner wall and said some more funny
things about that, like they had before.

This wasn't no funny time for us. The next day there was a big fire or
something, and all those people got to writing about something else; and
they let us alone.

After they'd gone away that morning Old Man Wright ast me if I'd learned
anything. Then I told him about how William had made signs that morning
across the wall to people in that house.

"Now it seems to me like this, Colonel," says I: "I never went to sleep
that night, and neither did Bonnie Bell. When she seen them lights on
the windows, maybe she went to her own window. He was maybe standing
there and seen her. Maybe she seen him. Maybe all at once it come over
her that she'd have to--she'd have to---- Well, you know what I mean."

He nodded then.

"You see, it must of come over the pore girl all at once," says I; for,
to save my life, I couldn't help trying to excuse her every way I could.
"She hadn't sent no word over to him and he hadn't got no word to her
for weeks so far as I knew. It must of all come to them both just in
that one minute. It was like cap and powder--you can't help the
explosion then. I reckon maybe she's somewhere--with him."

"Yes; with him!" breaks out Old Man Wright. "It was neck against
neck--me and Wisner. I had him beat; I'd of had him on his knees. And
now he's put the greatest disgrace on us any man could of figured out,
no matter how hard he tried--his hired man has run away with my
daughter! I could of laughed at Wisner once. Can I laugh at him now?"

"That ain't the worst," says I.

"No," says he; "it ain't the worst. The worst is, she's married a
low-down cur that's been after her money all this time. All this time,
Curly--and I didn't know it. And you let him go thataway--right here;
you heard the wheels that took 'em away!"

"Yes, Colonel," says I; "that's true. Now it's a little late, but I'm
going to get on this job the best I know how from this time down. That
means I've got to go away from town for a little while, Colonel. I want
you to set here and leave this thing to me. Please don't say 'No' to
that. I may need you after a while--in case I locate them. Since the
newspapers has got fooled by this thing we pulled off this morning,
maybe the best thing I can do is to go away while things is quiet.

"Stay here, then, Colonel," says I. "Don't drink no more and no less
than you been doing. If anybody comes tell them Bonnie Bell is sick.
Wait till you hear from me."




XXVI

HOW I WENT BACK


I argued that when you look for a man who has done a crime you got to
figure on what he said and done last, so as to get a line on what he's
going to do next; and when I come to study over that hired man had
mostly said to me I remembered it was about Wyoming and ropes and
cows--things like that. I knowed he was batty, like so many people is,
about Western things--not that Western men is any different from anybody
else, though a lot of people think they are.

Now I figured that the place he'd make a break to was, like enough, the
range. He'd told me he knowed the Circle Arrow, too, his boss being a
whole lot interested in the Circle Arrow.

I put one thing together with another; and, without saying anything to
Old Man Wright about it, I bought a ticket for the Yellow Bull country
and pulled out for there as fast as I could go.

It was a good bet. When I got to the station for our old ranch, below
Cody, forty miles from where our ranch was when we lived there, there
wasn't very many people around the station that I knew. A good many new
men was there, with wide hats, and leggings on their legs, and breeches
that buttons on the side--folks that had come out West to be right
Western. Most of 'em come out to raise bananas on the Yellow Bull and be
gentlemen farmers, I reckon.

I looks around among these people for a good while. None of them paid
much attention to me. At last I seen him. Yes; it was that hired man. He
was getting ready to drive out of town with a pair of mules hitched to a
buckboard. He was fixing in some boxes and things. I knowed him in a
minute.

But where was she? I waited to see if Bonnie Bell would come out
anywhere; but she didn't.

I walked over to him; and he seen me standing there looking at him just
as he was going to pull out. I went on over and got onto the seat with
him.

"Drive right on straight out of town," says I, quiet. "Don't say
anything. Just act like nothing had happened," says I.

Under my coat I pushed the muzzle of my gun into his ribs. He looked
straight ahead and done what I told him to. If he was scared bad he
didn't let on.

"I haven't got any gun," says he after a while. "I don't pack one."

"I haven't packed one for years myself," says I. "Sometimes a man has
to pack one for coyotes and such things," says I.

He got kind of red in his face, but he didn't say anything.

"I'm just that kind of a man--when it comes to a show-down I don't care
what happens," says I. "And I reckon you see it's a show-down now. Tell
me where she is."

"She's out at our place," says he; "forty miles or so--you know where it
is. I've got the Arrow Head Spring homestead; I bought it a while ago.
I've got a few cows--not many. You see," says he, "I've saved a little
money--not a whole lot. Our property isn't paid for yet. We've got a
quarter section, but you know the range is in back of it. We think we
can make some sort of a start."

"With her? Her that was used to so much?" says I. "Are you married? But,
of course, that was what you was after--her money, not her."

He flushed plumb red then, and sort of swallowed several times.

"You think high of me and her, don't you, Curly?" says he.

I seen that, after all, I was too late; and my gun dropped down into the
bottom of the buckboard, and neither of us noticed it.

"You married her--our girl," says I, "that we'd tried so hard to get a
place for? She could of owned the whole ranch--and you give her forty
acres, part paid for! That's fine--for the girl we loved so much!"

"You don't love her no more than I do," says he. "You never tried harder
for her than I'll try for her. Love--why, what do you know about it? If
she hadn't loved me do you think she'd of done what she done and run
away with me? Do you think she'd of broke her father's heart and forgot
all that had been done for her if it hadn't been for love? If it hadn't
been for thinking of those things we'd be the happiest two young fools
in all the world. We are now! She's some happy anyway. But it breaks my
own heart to think she isn't any happier."

After a while he goes on:

"What could I do, Curly? It's a awful thing to love a woman this way;
it's a terrible thing. There's no sense nor reason about it at all,"
says he. "But now if I only could have had any decent chance----"

"Pick up your gun," says he after a while; "it might fall out."

We rode on for quite a while. He made like he was going to reach into
his pocket for something and I covered him quick, but he only hauled out
a piece of Arrow Head plug. He offered me a chaw, absent-minded.

"No," says I; "I can't take no chaw of tobacco with such as you."

He put it back in his pocket, then, and didn't take none his own self.
His face was right red and troubled now.

"Curly," says he, "what am I going to do? What's right to do? I hadn't
much to give up, but such as it was I give it up gladly for her; I'd
give up everything in the world--if I had everything--for her. That's
what she means to me," says he. "We are so much to one another that I
haven't any time to be scared of you. We haven't got around to that
yet--not that I'm so cheap as to believe you're bluffing; I know you're
not."

"No, I ain't," says I. "This thing has got to be squared and I come out
here to square it. I know your record--I've heard you talk to more'n one
woman. You've got a cast iron nerve," says I; "but it won't do you no
good. Drive right on now till I tell you to stop."

"If you want to kill her too," says he, "all right--then shoot me down.
Ride on out then and explain to her what you've done. Look at her face
the way it will be then. Maybe you can tell then whether she cares
anything for me or not. Do you want to see a woman's face looking
thataway--see it all your life? And do you think you can square things
or end things by killing me or her, or both of us? Maybe you'd murder
more--who knows? We're man and wife. Would that square things, Curly? I
don't know much myself, but I don't seem to think it would."

It was curious, but it seemed like it was true--he didn't seem to have
got around to thinking of whether he was in danger or not. And I knowed
he wasn't running any cheap bluff, neither, any more than me. He looked
right on ahead and didn't pay no attention to my gun.

"Curly," says he, "you didn't make this and you can't end it. This is a
case of man and woman, the way God made them. 'Male and female made He
them.' If I died today--if she did too--I'd thank God that we had gone
this far anyways together.

"Why," says he, going on like he was half talking to hisself, "I didn't
believe in anything much--I was a atheist and a socialist--till I saw
her. I couldn't see anything much worth while in the world--till I saw
her. I didn't want to do or be anything much--till I saw her. And now, I
see it all--everything! I see how much worth while the world is, and how
much worth while she is and I am, and how much worth while other people
are too. I just didn't know it before--till I saw her. Then I knew what
life was all about. Do you think you can settle this now, or help it,
Curly? No; it's too late."

We drove on quite a little way yet.

"Curly," says he at last, "I've made my talk. If any man says I married
Bonnie Bell for anything but love--the best and cleanest of love--he's
making the cruelest mistake in the world; and he's a damned liar too.
You ask her, Curly."

"What's that?" says I. "Me ask her? I didn't come for that. I couldn't
look at her. That girl can get my goat any station. I don't want to talk
to her."

"But you wouldn't of lynched a cow thief on the range in the old days on
such a showing as this."

"Thief?" says I to him. "She said she was a thief--she'd stole the life
and happiness of her pa and others----"

"That's true," says he quiet like. "When you think of it, all life is
only a theft every way. Each human being steals from all others. That's
the way the world goes on. The coming generation steals always from the
one that has gone by. Tell me, is that wrong? And tell me, can you and I
judge if it is?"

I set and thought for quite a while, trying to figure out things. I
couldn't. At last I reached up and threw my gun away into the sage.




XXVII

HOW I QUIT OLD MAN WRIGHT


I went back to the railroad station as soon as a wagon come along that
would give me a ride, about half a hour after I left the hired man in
the buckboard. Then I went on up to Cody. When I got there I done what
anybody who knows cowpunchers knows I'd do in them circumstances. I
certainly did run true to form.

First, I went to the telegraph office and sent a telegram to Old Man
Wright: "Don't do nothing till you hear from me." Next, I showed I was a
good business man by going and buying a railroad ticket back to Chicago;
and I left it and ten dollars with the clerk at the hotel.

It might of been seven or eight days I was busy celebrating my losing my
job like a cowpuncher almost always does. Having so much money it took
me quite a while to finish decorating Cody the way I liked it best.
Still, after a while, being down to ten dollars and the railroad ticket,
I concluded to go back home.

When I got back to Chicago I found Old Man Wright setting right where
I'd left him and he looked like he really hadn't done nothing since. His
hair was right long and his face was full of whiskers.

"Well, I found 'em," says I.

"What did you do, Curly?" says he.

"I didn't shoot him none," says I. "So to speak, he taken my gun away
from me."

"Huh! Where is she? How is she?"

I had to tell him I didn't bring no word from Bonnie Bell at all, and
hadn't seen her even.

"I couldn't stand it, Colonel," says I. "He made a awful strong talk to
me, Colonel," says I.

He didn't say nothing for a long time. He begin to talk right slow then.

"I thought I had one friend in the world," says he, "one man I could
rest on. But even you've gone back on me--even you failed me, Curly."

"Yes, Colonel," says I. "I've done a heap worse than that. I know how
you feel and I feel the same way. I ain't fitten to be your foreman. You
only brought me on here because you was so damn softhearted you couldn't
fire me. You didn't use no judgment or you'd of fired me then, and a
hundred times since then. All this whole mix-up was because I didn't
have no brains--I couldn't see a load of hay; yet it was me that was
doing all the seeing--you never took no hand in it at all. Shore, I fell
down! You ain't firing me right now; I fire myself. I've come back to
say that to you, Colonel. I taken about a week in Cody to think it all
over--with help."

He only set and looked at me, and I had a hard time trying to talk. I
told him where them two was living.

Then all at once the whole picture of the old days, when him and me was
young, seemed to come up before him. He flared up like only part of him
had been afire inside. He got up and walked up and down, with his hands
clinched tight.

"Damn you all!" says he, and his eyes was like coals now. "What have I
done to any of you? What have I done wrong to anybody that I should
deserve this? Can't you remember when you was a man, Curly? Can't you
remember when you and me set on the gate of the big pasture, with our
rifles acrost our knees, and waited for them sheepmen to come up and try
to get them sheep through us? Did they get through? No; no one had us
buffaloed. That was when you and me was men, Curly.

"What have we done now? We let this damn hypocrite, Dave Wisner, get the
best of us all the way down the line. He's married his hired man to my
girl; and he's set up that hired man out on the old home ranch, where
her ma and me made our first start. Could anything be harder for me to
bear than that? You was on the gate, Curly; and you let 'em through."

"He said they was plumb happy--them two, Colonel," says I. "What in hell
could I do, Colonel? It all come over me. I could see the sun shining; I
could feel the wind blowing again, like it was in the old days."

"Happy!" says he. He was half whispering now and his voice was like that
of a right old man. "Happy! So was I--so was her ma--out there in the
old log house, with the mountains, and the sun shining, and the wind
blowing. Curly," says he, "what made her throw her life away? What made
us come here at all?"

"I wish you'd stake me to some ham and aigs, Colonel," says I, "before I
go. I met a fellow a while back that was broke; so I haven't et much."

"Go eat, man," says he, "And don't talk to me about going away."

"What's that?" says I.

"You're a damn, worthless, trifling cowhand and you'll never be anything
different. I ought to fire you--ought to of done it long ago; but I fire
my own men--they don't fire theirselfs. Go eat."

"Can't you eat none now, too, Colonel?" I ast him.

"Not yet," says he. "Maybe after a while."

I went out and got the first square meal I'd had for two days. When I
couldn't eat no more right then, I sort of taken a pasear around the
house, which was looking like hell by now. When I come back I seen a
electric brougham out at our front yard. Tom Kimberly was just coming
in. Out in the brougham I seen two girls. One was Katherine and the
other seemed like it was Sally Henderson.

"I shan't try to say anything, Mr. Wright," says Tom Kimberly after a
while to the old man--"only, whatever Bonnie Bell's done, she's done
because she's thought it was best. She's tried to do what was honest and
fair. If she didn't love me it wouldn't have been fair to marry me. She
never said she'd marry me; she said she'd tell me sometime. It was her
right to decide for herself. I wish her well, hard as that is for me to
say."

"Yes; I know," says the old man. "She was a fine girl, Tom. But she
ain't the only one in the world at that; and she had freckles,
some--they get worse when they get old. There's plenty girls in the
world handsomer'n her--always is plenty. If I hadn't happened to marry
her ma, Tom, I'd of married any other of half a dozen more girls, like,
just as they come along. They're all alike, anyways, you see; so don't
take it hard."

He was a damn old liar! He never would of married no other woman in the
world but the one he did marry, and he knew it; but he was trying to
make Tom feel more comfortable. So Tom he set there and lit a cigarette.
His trousers was right short, and when he hitched 'em up I seen he wore
garters--blue ones. I was reconciled then.

After a time he got up and said good-by to us. Then he went out to where
the brougham was standing in the street. One of the girls inside opened
the door for him to get in--maybe Sally Henderson.




XXVIII

THE HOLE IN THE WALL


A paper come out, with a picture of the Wisner fence, showing the place
where the hole had been broke through. It was marked with a star to show
where it was at. The man that wrote the story said here was a modern
case of Pyramus and Thisbe. Who they was I don't know; but like enough
they lived on the South Side. There was pictures this time of our
William and their Emmy. I didn't read any more about the thing, for I
was sore on the whole business, and considerable worried about Old Man
Wright, what he was going to do. But at part of the piece it said
something I happened to see.

     Evidently [it says] though it may be difficult for a young man to
     kiss a girl through a four-foot wall, this aperture, opening or
     orifice, without doubt or question originally was intended as an
     avenue for Mr. Pyramus to achieve access occasionally, if not to
     the lips, at least to the ears of little Miss Thisbe. Which leaves
     it only a question of who was Mr. Pyramus and who Miss Thisbe. As
     to this, Alderman Wright has steadily denied himself to the press,
     while Mrs. Wisner, the only member of the family at home on the
     north side of the wall, also refuses to talk. It is well known
     that Mr. Wisner has been absent in Europe on important business
     connected with the war loan--

I read that far to Old Man Wright and then he broke out.

"War loan!" says he. "It's a loan for his own self that he's looking
for. He's lost four million dollars on that irrigation scheme of his
when he bought our ranch. Now I'm going to foreclose and he knows it.
He's got his funds tied up in cargoes of meat and grain that ain't
cashed in. He's short, and damn short! And I know it; and these are
times when banks ain't loosening much. War--yes; I'll show him war!
There can't nobody get title to a foot of that land till Old Man Wisner
gets his title from me--and he ain't never going to get it. If it's my
last act I'll ruin him. I trusted you, and you turned me down. I trusted
her, and she threw me down. I won't trust nobody no more, except myself.

"What's it come to?" says he to hisself after a while, looking around at
the big rooms. "What did it all come to, what I done for her? And I give
up the ranch for her and give up the life I loved!"

"The sun was on the hills when I was out there, Colonel," says I to him,
sudden, happening to think of something, "and the sky was blue as it
ever was; and the wind was just carrying the smell of the sage, like it
used to; and the river was running white on the riffles, same as it did
before. And the cows----"

"Don't, Curly!" says he. "Don't!"

"I won't no more, Colonel," says I. "I won't be on your pay roll much
longer; but them old days----"

"Don't!" says he. "I can't think about the old days no more. I'm closing
the books now, Curly."

"So'm I," says I.

"What do you mean?" says he. "I ain't right clear about some things."

"No; you ain't," says I. "So long as it's fair war I'm in with you; but
when it comes to making war on women and children--I ain't in."

"Children! Curly, what do you mean?"

"Children," says I, "is all there is to things. Buck the game the way
you want to, Colonel," says I; "but when you buck the child game you're
bucking God Almighty His own self. He's got it framed up so He can't
lose. Them two couldn't help theirselfs. I've got to finish some day,
same as you. All right; I'll finish with them."

Then I shooked hands with him and he done so with me. He looks me keen
in the eyes and I looks him keen back. We didn't neither of us weaken.
This was a heap the hardest thing we'd ever faced together, but we
didn't neither of us flicker. We'd both decided what we thought was
right.

"Son," says he after a while, "you're some man after all." And he puts
his hand on my shoulder; like he used to.

"She ain't got no ma," says I to him the last thing. "I'm half her pa,
the only half she's got left; and I'll stick if her father don't. But
she ain't got no ma. That's what makes me so sorry for the kid," says I.

He looks at me, with his eyes wide open, but he don't talk none.

"I seen her setting right there, Colonel," says I, "in this room, on our
old hide lounge--her wringing her hands like she'd tear 'em apart. She
was bucking a hard game then, and doing her best to play it fair--her
just a kid, with no special chance to be so very wise, and not having no
ma. She didn't have a soul to go to, and all that was worrying her was
which side of the game she really was on. For she knowed, even if we
didn't, like I told you just now--she must of knowed it somehow--there's
one particular game that God Almighty plays so He can't lose."

He groaned like I hated to hear. But he didn't weaken. I knowed he
couldn't quit.




XXIX

HOW THE GAME BROKE


Today was the day Old Man Wisner was to get home; and that evening me
and Old Man Wright laid out to go over there and have a talk with him.
So a lot of things had to be done that day.

Old Man Wright he got up at sunup, and almost all day he was busy in the
room he used for a office at the house; he hadn't hardly went downtown
at all since Bonnie Bell run away. He had a desk full of papers here,
and now he sent for his lawyer and his barber to come over early in the
day.

"Why, Alderman," says the lawyer man, "you act like you was making your
last will and testament, and getting ready to close up business."

He laughs then; but Old Man Wright don't laugh.

"I am," says he. "It's time; I've been dead more'n a week now."

They made out some papers about houses and lots and stocks and things,
how they was to be distributed in case of the deemise of the said John
William Wright. Then after a while they come around to the papers in
the big case we had against Old Man Wisner for the last deferred payment
on the Circle Arrow trade that hadn't been paid yet and wouldn't be. Old
Man Wright sets back and looks at them papers right ca'm.

"I know what Old Man Wisner's been East for," says he. "He couldn't
raise that much money--nigh on a million dollars--on anything as wildcat
as strawberries and cream in Wyoming; not these times. Even the banks is
wise onto that now. Stenographers and clerks and ministers and doctors
don't bite like they used to no more; it's harder to find people that's
willing to pay in so much a month for a bungalow in Florida or Wyoming
while they set home engaged in light and genteel employment. Every oncet
in a while the American people gets took with a spasum of a little horse
sense. There's places for peaches and cream, and there's places for
cows, but you don't want to get your wires crossed.

"So," says he, "I know I've got Old Man Wisner broke right now. He's
been over to Holland to see if he couldn't form a Dutch syndicate for to
unload on. The Dutch is the last resort of the American landboomer. When
you can't sell out a bunch of greasewood land for a pineapple colony to
no one else, go over and sell it to them Dutch; they're easy. I seen a
man one time sell almost all the north end of New Mexico to a Dutch
syndicate for a coffee plantation. It was good for cows; but he had
pictures of steamboats and canals and things out there in the
sagebrush--you've got to have a canal on your blueprint if you sell
anything to them Holland people. Like enough Old Man Wisner had pictures
of canals. But he couldn't sell this property none, following on the war
over there; they're busy with other things.

"The result is he's come back here broke. He knows the banks has got
wise and they ain't going to back him no further than they have. They're
too busy lending a billion dollars or so to the folks over in Europe to
help blow up some steamboats for us.

"Therefore," says he, jarring the paper weight on the table when he
brings down his fist, "if times gets any harder, as like enough they
will, Dave Wisner's got to let that property go on the market for what
it'll bring inside his one year of grace after foreclosure. I know what
that means; it'll mean I got a few thousand acres of land more to
distribute among my heirs and assigns, my executors, friends, faithful
servitors, villagers and others--however you got that figured out in
them papers.

"Let me see them papers," says he after a while. "Are you shore you got
my girl's name spelled Katherine? And that she gets this city residence
here?"

Then they went over it again. But after a while the lawyer got done, and
so did the barber, and they both went away; and the old man turns to me.

"Curly," says he, "I'm rich. I'm awful rich. I didn't know how rich I
was till I begun to figure it up with Fanstead, Maclay & Horn, my
lawyers here. I reckon, taking fair values, I'm worth ten or twelve
million dollars--maybe twenty or forty--most of it made in this here
town in a couple of years or so, and all out of the Wisner money we got
for the ranch, which we're going to get back pretty nigh clean of cost,
you might say. I didn't mean to; but I'm rich--awful rich!

"And so, seeing I ain't got no heirs of my own blood and kin, I been
looking around for a few others. There's that Katherine; she's a good
girl. She kissed me right here once." And the old man put his hand on
the top of his head. "I'm going to give her a little something after I'm
dead; for instance, this house and the things here--half a million
dollars maybe. Likewise, I've fixed up a few things for my faithful
servitor aforesaid, Henry Absalom Wilson--which is you, Curly. I give
you only enough for cigarette money," says he; "never mind how much. And
as for them two," says he--"her and the Wisners' hired man--not a cent!
Not a damned cent! I'll show him!

"The old ranch," says he, "is going to be fixed up sometime--some of my
heirs and executors'll get a hold of that. It's easy to get plenty of
heirs if you have twelve or fifty million dollars. I've left
instructions to make improvements out there. It'll sort of be the best
apology I can make to the woman that's buried out there--Gawd bless
her!--as good a woman as ever lived on earth. I can't see how she could
have such a girl like she done. Well," he finishes, sort of sighing. "I
done my best. I may not live more'n thirty or forty years more.

"So, now then, Curly," says he after a while, "since we've finished all
our day's work and have a little time left, we can now engage in some
simple pastime, such as mumblety-peg, or maybe marbles, till later in
the evening. I'm through cutting her off, Curly, and I'm happy. I've
left it as clean as I know how. Now I'll bet you a thousand dollars I
can beat you three games out of five at mumblety-peg. My executor,
without bond," says he, going right on, "is Old Man Kimberly."

"You're on, Colonel," says I; "though I don't know where I'll get a
thousand till after your will is probated."

So we went outdoors and set down on the grass and played
mumblety-peg--me losing that thousand, natural. Then we sort of fussed
around outdoors one way or another till it come towards dark. He left
me after a while and went into the house alone.

When I went in I seen him standing by hisself in our ranch room, looking
at some things he'd picked up. They was a white silk scarf and a pair of
long white gloves--he'd like enough found 'em back of the sofa, where
Bonnie Bell probably dropped 'em the night when I seen her setting there
wringing her hands because she didn't know what to do. We never let no
one clean up the ranch room. He put 'em down soft on the sofa and
smoothed out the scarf and folded the gloves; it was like he was laying
'em away in a drawer.

We didn't enjoy nothing much to eat, not even ham and aigs. It begun to
get dark right soon after that and I sort of wandered out on the front
walk to look around. Old Man Wright was in the house by hisself.

Right then I seen a car come in right fast and pull up at the sidewalk
about halfway between our house and the Wisners'. Someone got out of the
car and come running up our walk. I could see it was a woman. Not
wishing no one to be bothered then, I went down to meet her.

It was Bonnie Bell! She'd come home then.

I run down the walk to meet her and pushed her away. I knew it wouldn't
do for them two to meet now. But she run up and put her arms around my
neck. She was alone, though there was someone in the car that hadn't got
out.

"Curly!" says she, "Curly! I saw you standing there and I came in. Where
is he, Curly?"

I nods behind me.

"In there," says I. "Don't go in--you mustn't."

"I must, sometime. Let me go now."

"No you don't," says I. "You can't. It's too late."

"Too late? Too late? Why, what do you mean, Curly? I've--I've come back!
I want to see my dad! I've got to see my dad. There's lots I must tell
him. He don't know--I didn't know."

"You can't see your dad no more, kid," says I. "That time has went by.
I'm foreman here till midnight of today; and while I am there ain't
nobody going to bother him. He's had trouble enough already."

She stood sort of shaking. I had her wrists in my hands now.

"When it's all over," says I--"meaning a few things we're going to
settle tonight--I'll come out to you in Wyoming. I won't be foreman here
no more. I'm going to go and throw in with you, even against the old
man."

She begun to cry now.

"What are you talking about? I want him!" says she. "I want to see my
dad. I need him--and he needs me!"

"Yes; he does need you," says I. "He's needed you for a long time. But
you wouldn't like to see him now; he's changed a heap. He ain't got a
friend left on earth except me, and that ends at midnight. He's had it
pretty rough, when you come to think it all over," says I.

"I must go in, Curly," says she.

"No; you can't," says I. "I'm foreman and I won't let you. He wouldn't
want it; he's marked you off his books--we just been doing that today,
with a lawyer and a barber."

"But, Curly, he doesn't know----"

"Huh!" says I. "Well, he thinks he does. He figures you're the same as
if you was dead."

"Curly!" she cries now hard. "Curly, it mustn't be! It's all a mistake;
it's all been a mistake. I've come back----"

"Yes," says I; "it was a mistake. It ain't been nothing but a mistake
all down the line. But, as far as it can be squared, the old man and me
we've set out to square it tonight. Him and me is going to call on Old
Man Wisner this evening," says I. "We're going over as soon as Old Man
Wisner gets home. I'm going with your pa, Bonnie. You know me and I
reckon you know him too. I reckon there may be some plain conversation."

"I've got to see him!" says she over and over again.

"Well, if you want to see him," says I, "you go on over there and, like
enough, you will see him before long. You belong that side the wall now.
Tonight is when Old Man Wright and me settles with Old Man Wisner, and
settles permanent. We live on this side."

She turns now and runs away so fast I couldn't catch her.

I seen someone get out of the car now--a man; and she taken his arm and
they both went out of sight around the end of the wall. I allowed they'd
went up to the door. Right soon I seen a light in their higher windows
above the wall--you could just see that much from where I was standing.
If I'd wanted to go upstairs I might of seen more from our windows; but
I wouldn't do that now.

I went back in the house and stood near our door, watching the street.
In about half or three-quarters of a hour I seen Old Man Wisner's car
coming in; there was lights in the car and I could see him plain. He was
setting with his head kind of bent down. I suppose, like enough, he'd
already been served with them papers of ours down town. He'd got into
town early that morning and been busy all day at his office. He was
just getting home now. He must of knowed he was busted.

I waited for half a hour more, so things could get right settled down
over there, and then I went in and found Old Man Wright. He was setting
still as a dead man, looking into the fireplace in our ranch room,
though there wasn't no fire. He was all dressed up in his evening
clothes; and now I seen why he'd had the barber come. There wasn't a
finer-looking gentleman in all the town than Old Man Wright was right
then--though him pale and sad. Lord, how sad he was! But not
can-nye--none whatever, him, even if Old Lady Wisner had called us all
that.

"He's come, Colonel," says I, quiet, turning from one sad old man to
another sad old man.

I didn't say nothing to him about who else I'd seen in our front yard; I
didn't want to stir him all up, for I knowed he'd marked Bonnie Bell
off'n his books and closed the books for keeps. When I spoke to him he
turns around and stands up, quiet.

"Very well," says he; "we'll go on over now."

So us two walk together out of our front door. He shuts the door then
behind him and we go on down the walk together. He only turns once and
looks back at the house.

The whole street laid there in front of us when we walked out from our
yard to go over into theirs. The lights was all lit now, miles and miles
of 'em; and below us was the hundreds of thousands more of the lights of
the big city--the city that hadn't made us as happy as we thought it was
going to. I heard a boat whistle deep somewheres out on the lake--it
sort of made my stomach tremble.

Over west, beyond our part of the city, you could hear a low sort of
sound like maybe of street cars; but on our side there wasn't anything
but automobiles--thousands of 'em--going along as swift and smooth as
birds. Most of them was going north still; but on the other side of the
street some was going down, maybe with people going to the theaters. It
was about the time when people in the city eat what they call dinner.
The moon was coming up back of our house, which lay there all black--not
a light in it now. I could see the flower beds in our yard, and the
white naked statutes standing there. It looked right pretty, but cold
like a graveyard.

The front door was shut and, the moon being up over east, the part of
the house toward us was black-like. I remembered what the lawyer man had
said about things being signed, sealed and delivered. Well, we'd closed
the books. It was to hell with them Better Things!

I didn't tell Old Man Wright that Bonnie Bell had been there, because
he had things hard enough the way it was and I was working for him yet a
little while. He was ca'm as a summer day now.

I'd been his deputy once or twice when we had to go and arrest a bad
man. He was now just like he was then. He walks, his thumbs, on both
sides, just resting on the waistband of his pants. I don't know what he
had in his mind; but you couldn't of saw the sign of a gun on him and
I'd throwed my gun away. His coat tails hung straight down. Outside he
was plumb civilized. His face was white and he looked right gentle--just
gentle. He wasn't. As for changing him, it would of been as easy to
change one of them marble statutes over in our garden.

Them Wisners wasn't watching their own gate like they'd ought to of. We
walked on up their stairs and the old man rung the bell and stood there,
his face without no expression now.

We heard some noises inside there--their dog begun to bark and it seemed
like people was talking. Their William opened the door and we all stood
there.

Old Man Wright reaches out his arm and pushes him to one side, and him
and me go on in, walking fast toward the middle of the house.




XXX

HOW IT COME OUT AFTER ALL


There was a curtain acrost the door between the hall and the room
beyond. Old Man Wright made one sweep and throwed open the whole room
before us. We stood there in the door, neither of us making any move.
Everything stopped then. There wasn't nobody talking no more. What we
seen before us was something you couldn't hardly of figured on seeing at
all.

They was all setting at the dinner table and they was all dressed up.
There was Old Man Wisner and the old lady, and Bonnie Bell--she was
setting next to the old lady. Just beyond, and square acrost the table
from us, facing us, was the hired man--the man on whose account we'd
come to square things now and leave them signed, sealed and delivered.

I thought it was right funny for their hired man to be eating with them,
and him all dressed up just like them. Then I remembered how fresh he'd
always been and how he'd bragged about the pull he had with them people.
And I remembered the talk I'd heard between him and Old Lady Wisner too.
Anyways, there he was setting, big as life; and if they was having any
trouble over anything you couldn't see it. No one was shedding no tears
and there didn't seem to be no war going on.

I felt like I was up in the air. I felt like I'd been dreaming about
something and hadn't woke up. I couldn't figure out what it was I seen.
No one spoke a word.

You must remember that Old Man Wright didn't know yet Bonnie Bell was
anywhere within three thousand miles of him. And when he pulled aside
the curtain there she was, setting right at their table! And right
acrost was a young man setting, too--a young man who he don't know none.

You see, he never had saw that hired man at all, so as to know him. I
hadn't told the old man about Bonnie Bell being there, because I allowed
he'd find it out anyways. Now he had.

It was Bonnie Bell that moved first--for she knew what might happen. She
made one jump for her pa and threw her arms round him--not around his
neck, but down around his arms. She didn't try to kiss him--she didn't
say a word; she was scared. She knowed where he carried his gun--up
under his shoulder. I never knowed whether she found it or not.

"No!" says she, quick; and she locked her hands behind his back so he
couldn't get his arms loose. "No! No; you can't--you shan't! No, no!"
she says. "Dad! Dad!"

Ordinary she would of been no more than a straw to him, he was that
strong. But, you see, he wasn't expecting to see her--and a lot of
things come over him all at once. Here she was, with her arms around him
anyways, no matter what for.

For once Old Man Wright forgot. His hand only kind of went out to hers
where they was, and he says, trembly:

"Bonnie, girl! I didn't know you was here!"

By that time everybody was on their feet. The hired man starts for us,
but I stopped him.

"Not yet," says I. "I'm working for the old boss till midnight tonight.
You stay where you are."

When I said that Old Man Wisner and Old Lady Wisner they just froze
right where they was. But Bonnie Bell didn't. She turns to me now and I
felt her hand on my arm.

"What do you mean, you men? Are you crazy?" says she. "I'll not have
this! Set down! You, Curly--you make any break here and I'll slap you in
the face," says she. "You hear me? Don't you start anything here!"

Well, now, you wouldn't think we'd all been broke up thataways just by a
girl, would you? But she had us on the run before we got started. It was
mostly because of all this being so unexpected. I didn't expect to see
the hired man at their table and Old Man Wright didn't expect to see
Bonnie Bell at all; so the whole herd begun to mill round.

She pushed her pa down into a seat, and me too.

"So that's the way you act when I'm not here!" says she. "You ought to
be ashamed of yourselves," says she. "I won't have any more of this."

Their hired man set down now, right serious. He didn't laugh none nor
try to pass it off. We all knew that it was a show-down, that it was a
settlement, and that it had to go through.

Old Man Wright he didn't seem to look at anyone but Bonnie Bell. If you
can say a man can look hungry with his eyes, that's the way he looked
then. By this time she was crying, and she puts her arms around his neck
now.

"Dad!" says she. "Pore old dad! Pore old foolish, unhappy dad!" Now she
begins to kiss him some; but he can't talk none--only pats her
shoulders.

"I'm the wretchedest, wickedest girl on earth," says she to him, pushing
back his hair, "and I'm the happiest too! Dad, listen to me. You mustn't
sit in judgment. Don't take things so hard. Wait--try to see. Try to see
if maybe there isn't some other will in the world besides your own,
dad--maybe some will bigger than all of ours. I couldn't help it,
dad--I couldn't! I'm so happy," says she, "so foolish happy now!"

"Happy?" says he at last; and he pushes her away from him. "With him,
there?" He nods now at the hired man, having got him placed. "What's he
doing here?" says he.

"Why shouldn't he be here?" says Old Man Wisner right then, speaking for
the first time. "He's my son!"

"_What's that?_" says Old Man Wright. "Your _son_!"

"Shore!" says he. "Who'd you think he was? He can eat at my table. He's
done well; he's married the best girl I ever seen!" says he. Then he
gets so he can't talk worth a cent too.

Shucks! I wisht I was most any place else. His son! How could his son be
his hired man, and where was the hired man if this wasn't him? I felt
myself begin to get sweaty on my face and all over. I'd been one awful
fool, me.

"Dave Wisner," says Old Man Wright, "I come acrost to settle things with
you. Our account is some long. You've made it hard for me--awful
hard!--when you made your hired man run off with my girl. Your son! What
kind of talk is this? What do you mean?"

"But he _is_ our son!" says Old Lady Wisner right then, her speaking for
the first time. "In heaven's name, who did you _think_ he was? Hired
man! What do you mean?"

"It's what I been trying to tell you and Curly," says Bonnie Bell now,
holding to her pa's coat with one hand and patting him hard on the
shoulder with the other. "I told you it was all a mistake--everything
was all mixed up. Except for Gawd's mercy sending me here right now,
somebody might of been killed, for all I know," says she. "You men ain't
got no more brains than a rabbit. It's time I come!"

"Your _son_!" says Old Man Wright. "_Son!_ And Curly said he was your
hired man!"

Old Man Wisner laughs right out loud at that.

"Hired man! Oh, I see how you thought that! You maybe seen him pottering
around in the flowers like--he was always dotty about them things--but
no hired man; he wasn't hardly worth a salary."

"And what do you think?" laughs Bonnie Bell at Old Lady Wisner then.
"His mother thought once I was a hired girl!"

Old Lady Wisner for quite a while she'd been playing a sort of
accompaniment, talking to herself. First, she starts in and says: "Oh,
my laws! Oh, my laws sakes! Oh my laws sakes alive!"--over and over
again, she was that scared. And now she begun to say: "Bless my soul!
Gawd bless my soul! Oh, Gawd bless my soul!" And she says that right
over and over again too.

"I told you, Curly," says Bonnie Bell now, "that there'd been a mistake
all around. Why didn't you tell my dad I was here?"

"Well," says I, "I allowed he'd find it out after a while. Ain't he?"

I was sweating awful now and I felt how red my hair was. I toed in so
bad my legs was crossed.

"I've found out a lot of things," says Old Man Wright now, right sudden
and swift. "I been making some mistakes my own self; but you"--and he
faces their hired man now--"you passed yourself off for a servant."

"That's true, sir," says he. "I was under false colors for a long while
and I hated it as much as anyone could. But what could I do? I couldn't
find any way to meet her. I didn't want her money and I didn't want her
to want mine. Well, that's how it happened. I deceived you all, that's
true. I deceived her too--she didn't really know who I was until less
than a week ago. Then she came home."

"Why didn't you come and tell me at first?" says Old Man Wright.

"How could I?" says he. "I knew what that would mean, from all Curly
said. Besides, I wanted to win her just for what I was--just for what
she was. I wanted to be sure she'd love me the way I wanted, for just
what I was. I'm sure now.

"But I was going to come and tell you; we came on now for that very
thing--the two of us, as you see. It wasn't any pleasure for me to
deceive either you or her--I never liked that any more than you did."

Old Man Wright he just set looking at him, and he couldn't talk. The
young fellow went on.

"I loved her the first time I saw her, sir," says he. "I resolved, the
first time I ever saw her, that sometime I'd marry her. I did. And we're
happy--we're happier than I ever thought anybody could be. How can you
bear a grudge against a girl like that--your own girl? She's only done
what she thought was right. And it was right too! And it goes!"

"So you're the son of this family!" says Old Man Wright, slow. "That
can't be helped, neither. I--well, I didn't know. I--I thought you
wanted her for her money. I'll go so far as to say that."

"It wouldn't of made any difference," says Bonnie Bell then. "I'd of
married him anyway. It's just like he says--he never told me about it
until just a little while ago. I thought he was some sort of a distant
relative of the Wisner family. If you stop to think you can see how all
these things happened easy enough. Especially you can when you stop to
think that, on foot and off a horse, Curly is apt to do more fool things
than a cageful of white rats--God bless him! Because nobody else but him
could of done just what he's done!"

"Well, it does seem to me," says I then, "that most of this happened
account of me. I reckon I made about as many fool breaks as any fellow
could," says I. "Like I told your pa, I couldn't see a load of hay. But
here's where I quit. It don't look like you need me no more, for things
is mixed up now as bad as they can get," says I.

"Keep still, Curly," says Bonnie Bell to me. "Set down!"

About then I seen them two old men looking at each other. Without saying
nothing, they both got up and went out into the parlor together. We
couldn't hear what they said. For that matter, we couldn't hear what we
said ourselfs, because of something that happened around in there.

Their collie dog, Caesar, was barking at us when we come in. He'd sort of
got under the table. But now we heard another dog barking plumb crazy.
And now in comes from somewhere, out in the garridge or the car maybe,
that Boston dog, Peanut, of Bonnie Bell's!

He was looking for a settlement too. He don't hesitate, but he goes
straight for this collie under the table, and they mix it plenty right
then and there, till most of us was glad enough to get up on the chairs.
I tried to stop them and the old lady and Bonnie Bell was both hollering
at them; but the hired man he raised his hand.

"Let them alone!" says he. "They got almost human intelligence
someways," says he. "Let 'em alone, so they can have it out."

So they had it out for quite a while there in the dining-room, under the
table and among the chairs, and under the sofa, and pretty much
everywhere, both of 'em enjoying of theirselfs plenty. Their dog, Caesar,
had got older now and Peanut he had his hands full; but he was shore
industrious and sincere.

By and by, after quite a while, they hauled apart and set looking at
each other, their tongues hanging out, happy and smiling. Peanut he goes
over to his mistress, and he was shaking a ear that was loose. Caesar he
goes over to the old lady, limping and holding up his foot, him looking
plumb contented.

"They'll get along all right now," says the hired man--James, or Jimmie,
or Jim, whatever you ought to call him.

I couldn't believe he was young Mr. James Wisner. Sometimes I don't
hardly even yet.

"You ought to be ashamed of yourselves," says Bonnie Bell. "I declare,
men are brutes anyhow!"

"I know it, Bonnie Bell," says I. "I've made plenty of trouble, but not
no more. I'm taking the morning train West," says I.

"Where to?" she ast me; and I can't answer--for me the whole world was
upside down, same as this room here.

About then the two old men come back into the room, both of them
serious; but you could see easy that they hadn't had no war--only some
kind of a squaring and settling up; I reckon because of Bonnie Bell and
this James, or Jimmie, or Jim, not being no hired man none after all,
which maybe he had a strawberry mark on his arm--I don't know how they
proved it.

Old Man Wright he stood up, with his hand on top of a chair; and he made
a little after-dinner talk that cost him, maybe, several million
dollars--not that he cared!

"I come here tonight," says he, "to maybe take the law into my own
hands--anyways I reckon I come here to set in judgment; but I wasn't no
good judge, because I was trying the case without having all of the
facts. But I'm this kind of man," says he, "that when I've made a
mistake, and know it, I'm game to stand up and say so. That's what I'm
doing now. I reckon I been wrong. Some things you can't help. I ain't
going to try to help this no more.

"The fact is, I reckon, maybe it's the best thing that could of
happened. It didn't happen through me. I done my best to keep it from
happening. That's where I was wrong. I'm glad of all this now and I take
back what I said. I've been a twenty-two carat, pink-eyed, black-striped
wild ass of the desert, though not halfway as big a fool as Curly. It
was him that got us all in wrong."

Old Man Wisner he stands up too; and he makes his confession that's good
for his soul. His Adam's apple kind of walked up and down his neck, but
he come through.

"Don't say no more, Colonel," says he. "I'm to blame for all this
myself. I was the biggest fool that ever was. That fence--why, that
fence now----"

James, or Jimmie, or Jim, and Bonnie Bell they looks at each other then
and laughs right out.

"You didn't build it high enough," says he; "you couldn't!"

"I'm glad I couldn't," says Old Man Wisner. "Things are going to come
out all right, the way they ought to come. I've learned a lot tonight--a
lot about being neighbors. Son, we had a neighbor and we didn't know it.
Maybe it's that way plenty times. We had one neighbor that has saved
your father from being broke and disgraced before all the
world--before tomorrow night. That's what kind of neighbors we had all
along," says he; "and we tried to build a fence and keep them away from
us! Yes; thank Gawd, I couldn't build the fence high enough," says he.

[Illustration: "She knowed where he carried his gun."]

"I knew something about this, dad," says James, or Jimmie, or Jim, then.
"I could of told you long ago that ranch deal couldn't win. Scale it
down, get at the real business and human values, and it ought to
win--and win big!"

Old Man Wisner he's always rather strong for organization. He looks over
at Old Man Wright and they both look at this young man; and they both
nod.

"That's a good idea," says Old Man Wright--"a damn good idea! Now then,
we're beginning to talk. Why can't we throw the two businesses in
together and make one hand wash the other, and let this young gentleman
take care of the reorganization on the spot?"

"That's the idea!" breaks in Bonnie Bell right then. "There ain't any
better cow country out-of-doors than the Yellow Bull Valley. I know
that. Give us a chance and we'll pull this whole business out of the
hole," says she.

"James," says Old Man Wright, and he walks around and holds out his
hand, playing the game wide open, like he always done--"James," says he,
"will you shake hands with the worst old fool there is in the whole
world--except Curly?"

Now James he's been doing pretty well up to now, but this about knocks
him out. He gets up, kind of red and startled, and he shakes hands with
the Old Man; but he couldn't say nothing and didn't seem to know what to
do with his hands. So he puts his hand in his pocket, like a man will,
and he seems to feel something there; and all at once, not being able to
think of nothing else, he pulls out what he found and holds it out to
Old Man Wright.

"Colonel," says he, "will you have a chew? It's Arrow Head--same name as
our home spring out there," says he. "I've used no other since. I just
heard you own most of the stock in the Arrow Head Tobacco Company; but I
ain't surprised. You ain't overlooked much!"

I reckon that was the luckiest accident ever happened to him--when he
found that piece of plug. Old Man Wright taken a bite of it liberal, and
says he:

"Son, do you wear garters?"

Everybody fell to laughing then, excepting me and Old Man Wright. It was
serious for us. We was figuring on cowmen now. Bonnie Bell, she goes up
to her pa once more and hugs him, and looks at the hired man.

"Don't mind him, Jim," says she. "He's awful sometimes; but he means all
right and he has his own ways of figuring. I've got the best dad in the
world!" says she.

"You had the best ma in the world," says Old Man Wright. "Seems to me
sometimes you favor your ma," says he.

Then they kissed each other; fact is, most everybody got kissed around
there excepting me. Yet, when you come to figure about it, I'd been
responsible for a good many of those things and the way they come out,
and I didn't get no credit for it. No foreman ever does.

Old Lady Wisner, like I said, she was setting there and saying mostly:
"Gawd bless me!" and "Gawd bless my soul!"--nobody paying much attention
to her. But now Bonnie Bell she sidles over to her and sort of puts out
her hand, shy. The old lady she puts a arm around her, and she begins to
cry too. They was both right happy. Dogs has to fight and women has to
cry; then they're happy. I reckon them two had some sort of
understanding.

"Son," says Old Man Wright after a while to James, or Jimmie, or Jim,
"where have I saw you before?" He'd been looking at him for some time.

"The first time you ever seen me, Colonel," says he, "was when I fell
in love with your daughter, sir," says he. "That was when I drove you
home to your house on Christmas Eve."

"You drove--when you drove us home!" says Old Man Wright. "What do you
mean about that? We had our own car; and I give the driver a ten-dollar
gold piece that night because it was Christmas Eve. He got lit up; so he
was wabbly next day too. I remember that."

"So do I," says James, laughing. "I've got that money now. But it was
your real driver that got lit up, not me. You see, when Bonnie Bell come
out in the storm that night she didn't notice that it wasn't her car.
Hers looked a good deal like it--both the same make and right new. Maybe
she wasn't very well acquainted with her new chauffore yet; so she says
to me to take her home. So I had to do that."

"How did you know where to go?" ast Bonnie Bell then, laughing.

"I knew all about you!" says he. "I'd been busy for over a hour there in
the hotel dining-room with Henderson, and that was long enough to learn
all I ever wanted to know. I knew how rich you were. That was why I
drove you home and didn't let you know who I was; that was why I never
tried to call; that was why a lot of things happened right the way they
did. I had some fool theories of my own, maybe; maybe I did get a touch
of socialism or something of that kind when I was in college.

"But anyway, Colonel Wright," he goes on, "I want to say to you, sir,
that I've known you and admired you a lot more than you ever knew. I
voted for you for alderman--though my own dad was running against you. I
thought you stood for what I thought was right. All the world is really
neighbors," says he, "and the human democracy is good enough for me. I
voted for you then--and I do now. My dad has a lot to learn."

He turns to his pa then, and the old man like to of blew up, he was so
mad; but we all ended by laughing at this too.

"Son," says Old Man Wright, "did you say to me that you used one of them
old-fashioned razors? I'm this sort of man that sometimes they say has
got prejerdices. Now I always hone my own razors."

"So do I," says James, or Jimmie, or Jim.

The old man he hesitates a while and looks at him right sad; and he
says, like he was talking to hisself:

"Well, well! I do wonder how I was such a hand-painted idiot all the
time! I believe we shore can make a cowman out of you yet," says he.

"It's in sixes and sevens," says James, or Jimmie, or Jim, "but there's
a chance there on that ranch. Maybe I can learn. And it's so fine out
there--with the mountains, and the skies, and the wind blowing in the
sage, and the----"

"Hush, man!" says Old Man Wright to him. "You're making me so homesick I
can't stand it. We'll all go out there to live. I'll tell you what we'll
do," says he in his rushing way, sort of taking the lead of things.
"We'll keep these two houses in here for both of us for our city homes,
and we'll all of us have the old ranch for our country homes," says he.
"And we'll all run the business plumb sensible on good business lines,"
says he, "with the peaches and cream out, and the ribs, chucks and
plates all in. Why, we'll----"

"Oh, dad!" says Bonnie Bell, and she goes up to the old man, crying
because she was happy. She'd seen him change right there before
her--he'd got forty years younger in the last ten minutes. "Dad," says
she--"dad, we will--when?"

"Daughter," says he, "we're going to begin right now to get them Better
Things we started out for. You're going to have the place in life that
your ma said you'd ought to have. You and Katherine," says he, "will
have to fix it up about that house I was going to leave in my last will
and testament. But, like I said, I'm going to give Katherine half a
million when she marries--if she marries as good a man as you did. You
see, Katherine kissed me--right here in a soft spot--on top of my old
bald head."

He rubs the place then. Bonnie Bell she kisses him there too--for maybe
sever'l million.

After a while I sort of moved over toward the door, it seeming like it
wasn't no place for me no more.

"Where you going?" says Old Man Wright to me; and Old Man Wisner he says
something, too, about my not being in a hurry.

"I don't know, but I reckon I'll be moving along now. Looks like I been
some foreman. I done all this. But what thanks do I get for it?"

I starts away to get outside this kissing zone, so to speak. I didn't
know but Old Lady Wisner'd try to kiss me. I didn't want that to happen.

"Ho, ho!" says Old Man Wright, laughing like he did years ago. "Hear
that fool boy talk, won't you, Dave? You can't quit, Curly," says he;
"there's too much for you to do out there on the old ranch. Do you
suppose you could teach this kid to rope?" says he.

"I already got a start at it," says I. "Him and me used to practice
some."

       *       *       *       *       *

Well now, that was how come us to square it all up, both sides, and come
to a understanding that didn't noways seem possible just a little while
before. That was how we come to go back to the old Yellow Bull country,
for part of the year anyways. It was how a right bad run-in was saved.
It was how Old Man Wisner was kept from busting wide open the next day,
and, like enough, a bank or so along with him. Likewise it was how them
two fortunes, maybe fifty or ninety million or more between them when
they got things cleaned up, was joined till death do them part. When
them two old fellows got to pulling together something had to crack. We
shore got a business now--sever'l of 'em.

I got Jimmie--we come to call him that on the ranch--so he could rope
some inside his first year, though I had to show him how to spread his
loop a little wide and not to depend on soaping his hondoo.

It was like old times to see a kid beginning on the range in the one
man's game that's worth while on earth--raising cows in a good cow
country. I was glad I hadn't shot Jimmie, or my boss hadn't shot his
pa--I wouldn't of minded so about Old Lady Wisner, because I couldn't
help remembering how she'd made trouble deliberate from the first. Of
course I'd made trouble, too, but I hadn't went to.

What become of the old wall between them two houses? Nothing much; we
left it stand, for someways it didn't seem so high no more when Bonnie
Bell's ivy and them other plants begun to hang down on it. But, of
course, I had to bust the hole in a little bit bigger after a while, so
as the twins could get through right easy, as well as Peanut. One was
named David Abraham and the other John William; but they couldn't help
it.

The best time was when we all rounded up one spring out there at the
station to go out on the ranch for the spring round-up, and to start
things running for the year. Old Man Wisner and the old lady was there,
and Old Man Wright and Jimmie and Bonnie Bell and me--me that was
foreman now and, like enough, earning it, the way things had been let go
to pieces.

We'd come down from Cody to that station where I found Jimmie--time I
was out hunting for him. For a while we'd been quite considerable busy
getting things packed, ready to go out to the ranch. We had two wagons,
one full of groceries and things. They'd even put in fly screens out
there now and had rocking chairs to set around in. Old Man Wright was as
busy as a fiddler getting things pulled together. His sleeves was rolled
up, and all at once Jimmie looks at him and says:

"Colonel, if I'm not mistaken your freckles is coming back again."

The old man roars laughing at that.

"Yes," he says; "I'm almost fit to run for sher'f oncet more. Ain't it
all like the old times, Curly?" says he.

"It shore is, Colonel," says I; "and there ain't no better times than
them."

The old man he gets into the buckboard on one side and he taken the two
twins on his knees. On the seat back of him was Pa and Ma Wisner--me
riding with Old Man Wright, in the middle. She was a three-seat
buckboard, and the mules was full of oats and plunging some; but Jimmie
didn't mind--he was driving, with Bonnie Bell, on the front seat.

"All set?" says he, turning his head around; and Old Man Wright nods.

"Giddap!" says Jimmie, and turns 'em loose.

Bonnie Bell, she turns around halfway, half looking at him and half at
the twins, and says she:

"Home, James!"



***END OF THE PROJECT GUTENBERG EBOOK THE MAN NEXT DOOR***


******* This file should be named 23606.txt or 23606.zip *******


This and all associated files of various formats will be found in:
https://www.gutenberg.org/dirs/2/3/6/0/23606



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://www.gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://www.gutenberg.org/about/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://www.gutenberg.org/fundraising/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
https://www.gutenberg.org/fundraising/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.