The Project Gutenberg EBook of M. P.'s in Session, by Harry Furniss

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: M. P.'s in Session
       From Mr. Punch's Parliamentary Portrait Gallery

Author: Harry Furniss

Release Date: August 1, 2009 [EBook #29560]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK M. P.'S IN SESSION ***




Produced by David Edwards, Anne Storer and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)

M.P.’s IN SESSION.

From MR. PUNCH’S PARLIAMENTARY PORTRAIT GALLERY.

By HARRY FURNISS.

Familiar Faces
mr. punch (cartoonist in chief). “oh, i know all you old models, i want some new ‘character’!”
Frontispiece.

london:
BRADBURY AGNEW, & CO., 8, 9, 10, BOUVERIE STREET, E.C.
1889.

PRINTED BY “Mr. PUNCH” AT

THE PRINTING OFFICES OF

Bradbury, Agnew, & Co., Whitefriars, E.C.

[Pg 1]

M.P.’s IN SESSION.

commons summoned to upper house.

[Pg 2]

[Pg 3]

[Pg 4]

[Pg 5]

[Pg 6]

[Pg 7]

[Pg 8]

[Pg 9]

NEW MEN AND OLD ATTITUDES.

principals of the new conservative comedy company trying
to look as much as possible like the old public favourites.

getting gladstone’s collar up.

[Pg 10]

[Pg 11]

[Pg 12]

[Pg 13]

[Pg 14]

[Pg 15]

[Pg 16]

[Pg 17]

[Pg 18]

[Pg 19]

THE ROYAL WESTMINSTER ACADEMY.

(Splendid Collection of Parliamentary Portraits, mostly done by “The Other Fellows.” The Speaking Likenesses speak for themselves and for the Artists.)

[Pg 20]

[Pg 21]

[Pg 22]

[Pg 23]

THE ROYAL WESTMINSTER ACADEMY.

(Splendid Collection of Parliamentary Portraits, mostly done by “The Other Fellows.” The Speaking Likenesses speak for themselves and for the Artists.)

[Pg 24]

[Pg 25]

[Pg 26]

[Pg 27]

[Pg 28]

[Pg 29]

HENRY CHAPLIN. chaplin’s opportunity.

“A ready wit and a fluent tongue are valuable auxiliaries. But force of character, consciousness of power, masculine ability in grappling with complicated questions, and that species of eloquence, the effect of which arises rather from earnestness, straightforwardness, and elevation of sentiment, than from sparkling or elaborate rhetoric, give a man a position in the House of Commons which leaves him little in need of such other gifts as we have mentioned.”—Standard, Dec. 30.

[Pg 30]

[Pg 31]

[Pg 32]

[Pg 33]

[Pg 34]

[Pg 35]

[Pg 36]

[Pg 37]

[Pg 38]

[Pg 39]

[Pg 40]

[Pg 41]

[Pg 42]

[Pg 43]

[Pg 44]

[Pg 45]

[Pg 46]

[Pg 47]

[Pg 48]

[Pg 49]

[Pg 50]

[Pg 51]

[Pg 52]

[Pg 53]

[Pg 54]

[Pg 55]

[Pg 56]

[Pg 57]

the westminster wax-works.

[Pg 58]

[Pg 59]

[Pg 60]

[Pg 61]

THE ROYAL WESTMINSTER ACADEMY.

(Splendid Collection of Parliamentary Portraits, mostly done by “The Other Fellows.” The Speaking Likenesses speak for themselves and for the Artists.)

[Pg 62]

[Pg 63]

[Pg 64]

A DISCORD IN BLACK AND WHITE.

[Pg 65]

retrospects; or, back views.

“the noes-es have it.”—1882.

some of the heads of the government.—1882.

[Pg 66]

viscount wolmer said:—“he saw hon. members toss their heads.”
our special artist here gives the effect, showing how some
hon. members lost their heads, and how others became wrong-headed.

[Pg 67]

PARLIAMENTARY INDEX.

1882-1888.

[The date attached to each name refers to the No. of “Punch.”]

[Pg 68]

“welcome! little stranger.”

HARRY FURNISS’s

ROYAL ACADEMY.

he Exhibition consisted of eighty-seven pictures, in black and white of course, but otherwise similar in size and general appearance to those annually seen on the walls of Burlington House. Anyone who visited it must have seen that it was the result of many years of labour, and not a few of the pictures possessed an artistic value quite apart from their interest as pictorial travesties. A wish has been very generally expressed that some permanent record, in a portable shape, but in character consonant with the artistic purpose of the Exhibition, should be procurable by the public at large, both those who saw and those who did not see the originals at the Gainsborough Gallery and elsewhere.

To meet this wish an ALBUM, containing Reproductions of these EIGHTY-SEVEN PICTURES, with which will be included the contents of THE ILLUSTRATED CATALOGUE, has been prepared and largely subscribed for. The issue of these Albums, however, which will be the only reproductions of the Exhibition, is strictly limited to ONE THOUSAND COPIES, each of which will be signed by the Artist.

It may be mentioned that the whole of this undertaking, from its conception to the present time, has been in Mr. Furniss’s own hands. This has enabled Mr. Furniss scrupulously to maintain the artistic character of the whole enterprise. In the preparation of this Album he has spared no time or expense in trying reproductions by the different processes at home and abroad, similar to those used in the Album of the Royal Academy Pictures of 1886, and the annual reproductions of the French Salon. Not, however, being satisfied with any of these cheaper methods, he has, regardless of the great cost, adopted the finest method of photogravure—viz., the Photo Intaglio process of A. and C. Dawson, No. 3, Farringdon Street, and Hogarth Works, Chiswick, the reproductions being made under his own supervision. Each plate is hand-printed, and will in every way surpass, for artistic quality, anything of the kind ever published.

As Photogravure is the best and most faithful, as well as the most expensive method, this Album is certain to be valuable, and a worthy and complete memorial of the “Artistic Joke”; whilst the price charged will be only £3 3s., the same as fixed, originally, when the adoption of the cheaper process was contemplated.

The size of the Album is Imperial Quarto (11 by 15 inches); the plates range, on an average, from 4 × 6 to 7½ × 9 inches. The whole is handsomely and tastefully bound in cloth and gilt edged.

After the Thousand Veritable Édition de Luxe were Printed, the Plates were Destroyed.

The whole Edition is rapidly being exhausted and the price will be raised to FIVE Guineas in a few days.

* * *Orders should be forwarded to The Typographic-Etching Co., No. 3, Farringdon Street.
£3 3s. 6d. (including case for packing).

“I have Hit upon a very Happy Thought.”—Happy Thoughts.

“Happy Thoughts”

BIRTHDAY BOOK.

 

By ROSIE BURNAND,

with

FRONTISPIECE PORTRAIT of

F. C. BURNAND.

PROFUSELY ILLUSTRATED

and

CHOICELY PRINTED.

Royal 16mo, elegant Cloth. Price 3s. 6d.

---

bradbury, agnew, & co., 8, 9, 10, bouverie street, e.c.

John Leech’s

Pictures

OF LIFE AND CHARACTER.

From the Collection of “Mr. PUNCH.”

Containing nearly 900 Pages of PICTURES.

In 3 Volumes, price 10s. 6d. each, or in One Volume, price 28s.

“The genius of Leech has never been seen to greater advantage than in this gallery.”—Morning Post.

“We doubt whether in the whole range of the literary or pictorial art of the period, the earlier portion of the Victorian era has been elsewhere so vigorously, so truthfully, as well as so humorously portrayed as in John Leech’s inimitable pictures. The series has an importance beyond the amusement of the moment—it serves both to commemorate the genius of the artist and the character of the age.”—Country Gentleman.

---

Pictures of

Our People.

by
CHARLES KEENE.

Super Royal Quarto,
Gilt edges, price £1 1s.

---

bradbury, agnew, & co., 8, 9, 10, bouverie street, e.c.

“A PICTORIAL KEY TO THE HISTORY OF THE QUEEN’S REIGN.”

PUNCH’S

Victorian Era

AN ILLUSTRATED CHRONICLE
of
FIFTY YEARS OF THE REIGN
of

pictorially arranged with annals of the time
from the contemporary pages of

“PUNCH.”

---

“There can be no better book for a drawing-room table, to suggest subjects of talk. The arts of engraving have made rapid progress since these pictures first appeared, but it would be hard to surpass the pregnant humour of the more famous of the political cartoons. They put the points on all the critical periods of our Parliamentary history, and indicate in effective outline the action of political celebrities.”—Times.

“It is surprising to find how complete a history of the times they present in vivid form, at least in its most salient features; and a history which is not confined to political events, but which catches and stereotypes many of the evanescent phases of popular fashion and opinion, which could hardly be preserved in any other way.”—Guardian.

“This chronicle must have a place amongst standard books of reference.”—Spectator.

---

In 3 Volumes, Royal quarto, elegant, price £2 2s.

---

bradbury, agnew, & co., 8, 9, 10, bouverie street, e.c.

Our River:

ON THE RIVER THAMES.

By G. D. LESLIE, R.A.

With FIFTY ORIGINAL DRAWINGS and SKETCHES

by THE AUTHOR;

And some others by Frederick Walker, A.R.A.,
H. S. Marks, R.A., and Briton Riviere, R.A.

“Punt Sailing with the Stream” (Reduced.)

“Mr. Leslie has a keen sense of the picturesque, while a genuine enthusiasm for the beauties of scenery to be found in the course of a leisurely boat-trip from Putney to Oxford, gives life and even force to what he says.... ‘Our River’ is not an exhaustive work, but it should be read by all persons who are in any way interested in the subject.”—Times.

“The diction moves in a sort of endless ripple, now telling of water-weeds and bank-flowers and birds, now lingering pleasantly over some of the traditions and old-world lore of which the Thames furnishes such a goodly quantity.”—Graphic.

Demy Octavo. Cloth elegant, gilt edges. Price 12s. 6d.

---

bradbury, agnew, & co., 8, 9, 10, bouverie street, e.c.

THE HANDY-VOLUME

Scott.

(NOVELS.)   complete.   (POEMS.)

Containing all the Waverley Novels, and a complete collection of Sir Walter Scott’s Poetry, making 32 elegant little volumes of high external finish, enclosed in an artistic case, measuring only 9¼ inches in width, 10¼ inches in height, and 3¾ inches in depth. The poetical volumes are adorned with frontispieces and illustrations representative of the best known Scottish scenery, or of places which the genius of the poet has made famous.

CONTENTS OF THE VOLUMES.
1.	WAVERLEY.	|	13.	BRIDE OF	|	23.	ANNE OF GEIERSTEIN.
2.	GUY MANNERING.	|		LAMMERMOOR.	|	24.	COUNT ROBERT OF
3.	OLD MORTALITY.	|	14.	LEGEND OF	|		PARIS.
4.	ROB ROY.	|		MONTROSE.	|	25.	SURGEON’S DAUGHTER.
5.	THE ANTIQUARY.	|	15.	FORTUNES OF NIGEL.	|	26.	LAY OF LAST MINSTREL
6.	HEART OF MIDLOTHIAN.	|	16.	QUENTIN DURWARD.	|		AND MEMOIR.
7.	IVANHOE.	|	17.	ST. RONAN’S WELL.	|	27.	MARMION.
8.	MONASTERY.	|	18.	REDGAUNTLET.	|	28.	LADY OF THE LAKE.
9.	THE ABBOT.	|	19.	THE BETROTHED.	|	29.	LORD OF THE ISLES.
10.	KENILWORTH.	|	20.	THE TALISMAN.	|	30.	ROKEBY.
11.	THE PIRATE.	|	21.	WOODSTOCK.	|	31.	BRIDAL OF TRIERMAIN.
12.	PEVERIL OF THE PEAK.	|	22.	FAIR MAID OF PERTH.	|	32.	BALLADS, POEMS, &c.

 

PRICES IN “CASE.”							PRICES IN “CABINET.”
	£	s.	d.		|			£	s.	d.
Crimson Cloth, extra gilt	3	3	0		|		Enamelled Boards	2	2	0
French Morocco	4	17	6		|		Fine Cloth	3	3	0
Turkey Morocco, or Russia	9	10	0		|		French Morocco	4	14	6

Each of the Volumes can be had separately, price 1s. in enamelled boards; and in cloth, red edges, price 1s. 6d. The Novels only (Volumes 1 to 25) in half red cloth, price 1s. 3d. each.

---

bradbury, agnew, & co., 8, 9, 10, bouverie street, e.c.

End of the Project Gutenberg EBook of M. P.'s in Session, by Harry Furniss

*** END OF THIS PROJECT GUTENBERG EBOOK M. P.'S IN SESSION ***

***** This file should be named 29560-h.htm or 29560-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/9/5/6/29560/

Produced by David Edwards, Anne Storer and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.