The Project Gutenberg EBook of Index of the Project Gutenberg Works of Nathaniel Hawthorne, by Nathaniel Hawthorne This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg Works of Nathaniel Hawthorne Author: Nathaniel Hawthorne Editor: David Widger Release Date: April 14, 2019 [EBook #59280] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF HAWTHORNE *** Produced by David Widger
CHAPTER | |
INTRODUCTORY NOTE | |
AUTHOR'S PREFACE | |
I. | THE OLD PYNCHEON FAMILY |
II. | THE LITTLE SHOP-WINDOW |
III. | THE FIRST CUSTOMER |
IV. | A DAY BEHIND THE COUNTER |
V. | MAY AND NOVEMBER |
VI. | MAULE'S WELL |
VII. | THE GUEST |
VIII. | THE PYNCHEON OF TO-DAY |
IX. | CLIFFORD AND PHOEBE |
X. | THE PYNCHEON GARDEN |
XI. | THE ARCHED WINDOW |
XII. | THE DAGUERREOTYPIST |
XIII. | ALICE PYNCHEON |
XIV. | PHOEBE'S GOOD-BYE |
XV. | THE SCOWL AND SMILE |
XVI. | CLIFFORD'S CHAMBER |
XVII. | THE FLIGHT OF TWO OWLS |
XVIII. | GOVERNOR PYNCHEON |
XIX. | ALICE'S POSIES |
XX. | THE FLOWER OF EDEN |
XXI. | THE DEPARTURE |
The Snow Image: A Childish Miracle |
The Great Stone Face |
Ethan Brand |
The Canterbury Pilgrims |
The Devil in Manuscript |
My Kinsman, Major Molineux |
INTRODUCTION |
THE GREAT STONE FACE |
THE AMBITIOUS GUEST |
THE GREAT CARBUNCLE |
SKETCHES FROM MEMORY |
I. | OLD MOODIE |
II. | BLITHEDALE |
III. | A KNOT OF DREAMERS |
IV. | THE SUPPER-TABLE |
V. | UNTIL BEDTIME |
VI. | COVERDALE'S SICK CHAMBER |
VII. | THE CONVALESCENT |
VIII. | A MODERN ARCADIA |
IX. | HOLLINGSWORTH, ZENOBIA, PRISCILLA |
X. | A VISITOR FROM TOWN |
XI. | THE WOOD-PATH |
XII. | COVERDALE'S HERMITAGE |
XIII. | ZENOBIA'S LEGEND |
XIV. | ELIOT'S PULPIT |
XV. | A CRISIS |
XVI. | LEAVE-TAKINGS |
XVII. | THE HOTEL |
XVIII. | THE BOARDING-HOUSE |
XIX. | ZENOBIA'S DRAWING-ROOM |
XX. | THEY VANISH |
XXI. | AN OLD ACQUAINTANCE |
XXII. | FAUNTLEROY |
XXIII. | A VILLAGE HALL |
XXIV. | THE MASQUERADERS |
XXV. | THE THREE TOGETHER |
XXVI. | ZENOBIA AND COVERDALE |
XXVII. | MIDNIGHT |
XXVIII. | BLITHEDALE PASTURE |
XXIX. | MILES COVERDALE'S CONFESSION |
CHAPTER I | MIRIAM, HILDA, KENYON, DONATELLO |
CHAPTER II | THE FAUN |
CHAPTER III | SUBTERRANEAN REMINISCENCES |
CHAPTER IV | THE SPECTRE OF THE CATACOMB |
CHAPTER V | MIRIAM'S STUDIO |
CHAPTER VI | THE VIRGIN'S SHRINE |
CHAPTER VII | BEATRICE |
CHAPTER VIII | THE SUBURBAN VILLA |
CHAPTER IX | THE FAUN AND NYMPH |
CHAPTER X | THE SYLVAN DANCE |
CHAPTER XI | FRAGMENTARY SENTENCES |
CHAPTER XII | A STROLL ON THE PINCIAN |
CHAPTER XIII | A SCULPTOR'S STUDIO |
CHAPTER XIV | CLEOPATRA |
CHAPTER XV | AN AESTHETIC COMPANY |
CHAPTER XVI | A MOONLIGHT RAMBLE |
CHAPTER XVII | MIRIAM'S TROUBLE |
CHAPTER XVIII | ON THE EDGE OF A PRECIPICE |
CHAPTER XIX | THE FAUN'S TRANSFORMATION |
CHAPTER XX | THE BURIAL CHANT |
CHAPTER XXI | THE DEAD CAPUCHIN |
CHAPTER XXII | THE MEDICI GARDENS |
CHAPTER XXIII | MIRIAM AND HILDA |
CHAPTER XXIV | THE TOWER AMONG THE APENNINES |
CHAPTER XXV | SUNSHINE |
CHAPTER XXVI | THE PEDIGREE OF MONTE BENI |
CHAPTER XXVII | MYTHS |
CHAPTER XXVIII | THE OWL TOWER |
CHAPTER XXIX | ON THE BATTLEMENTS |
CHAPTER XXX | DONATELLO'S BUST |
CHAPTER XXXI | THE MARBLE SALOON |
CHAPTER XXXII | SCENES BY THE WAY |
CHAPTER XXXIII | PICTURED WINDOWS |
CHAPTER XXXIV | MARKET-DAY IN PERUGIA |
CHAPTER XXXV | THE BRONZE PONTIFF'S BENEDICTION |
CHAPTER XXXVI | HILDA'S TOWER |
CHAPTER XXXVII | THE EMPTINESS OF PICTURE GALLERIES |
CHAPTER XXXVIII | ALTARS AND INCENSE |
CHAPTER XXXIX | THE WORLD'S CATHEDRAL |
CHAPTER XL | HILDA AND A FRIEND |
CHAPTER XLI | SNOWDROPS AND MAIDENLY DELIGHTS |
CHAPTER XLII | REMINISCENCES OF MIRIAM |
CHAPTER XLIII | THE EXTINCTION OF A LAMP |
CHAPTER XLIV | THE DESERTED SHRINE |
CHAPTER XLV | THE FLIGHT OF HILDA'S DOVES |
CHAPTER XLVI | A WALK ON THE CAMPAGNA |
CHAPTER XLVII | THE PEASANT AND CONTADINA |
CHAPTER XLVIII | A SCENE IN THE CORSO |
CHAPTER XLIX | A FROLIC OF THE CARNIVAL |
CHAPTER L | MIRIAM, HILDA, KENYON, DONATELLO |
PREFACE | |
THE LIFE AND GENIUS OF NATHANIEL HAWTHORNE | |
CHAPTER I. | SALEM AND THE HATHORNES: 1630-1800 |
CHAPTER II. | BOYHOOD OF HAWTHORNE: 1804-1821 |
CHAPTER III. | BOWDOIN COLLEGE: 1821-1825. |
CHAPTER IV. | LITTLE MISERY: 1825-1835 |
CHAPTER V. | EOS AND EROS: 1835-1839 |
CHAPTER VI. | PEGASUS AT THE CART: 1839-1841 |
CHAPTER VII. | HAWTHORNE AS A SOCIALIST: 1841-1842 |
CHAPTER VIII. | CONCORD AND THE OLD MANSE: 1842-1845 |
CHAPTER IX. | “MOSSES PROM AN OLD MANSE”: 1845 |
CHAPTER X. | FROM CONCORD TO LENOX: 1845-1849 |
CHAPTER XI. | PEGASUS IS FREE: 1850-1852 |
CHAPTER XII. | THE LIVERPOOL CONSULATE: 1852-1854 |
CHAPTER XIII. | HAWTHORNE IN ENGLAND: 1854-1858 |
CHAPTER XIV. | ITALY |
CHAPTER XV. | HAWTHORNE AS ART CRITIC: 1858 |
CHAPTER XVI. | “THE MARBLE FAUN”: 1859-1860 |
CHAPTER XVII. | HOMEWARD BOUND: 1860-1862 |
CHAPTER XVIII. | IMMORTALITY |
APPENDICES | |
APPENDIX A | |
APPENDIX B | |
APPENDIX C | |
INDEX |
OUR OLD HOME. |
CONSULAR EXPERIENCES. |
LEAMINGTON SPA. |
ABOUT WARWICK. |
RECOLLECTIONS OF A GIFTED WOMAN. |
LICHFIELD AND UTTOXETER. |
PILGRIMAGE TO OLD BOSTON. |
NEAR OXFORD. |
SOME OF THE HAUNTS OF BURNS. |
A LONDON SUBURB. |
UP THE THAMES. |
OUTSIDE GLIMPSES OF ENGLISH POVERTY. |
CIVIC BANQUETS. |
PAGE | |
Lord Nelson | Frontispiece. |
NEAR OXFORD | 281 |
Blenheim | 292 |
The Thames at Oxford from Folly Bridge | 318 |
Magdalen College, Oxford, from the Cherwell | 322 |
SOME OF THE HAUNTS OF BURNS | 325 |
Robert Burns | 334 |
Burns's Birthplace, Alloway Parish, near Ayr | 350 |
The Auld Brig o' Doon, Ayr | 354 |
Alloway Kirk | 356 |
A LONDON SUBURB | 359 |
A Country House | 364 |
The Houses of Parliament | 374 |
UP THE THAMES | 411 |
London Bridge | 412 |
Tower of London, showing Traitors' Gate | 428 |
St. Paul's Cathedral | 430 |
Poets' Corner, Westminster Abbey | 452 |
OUTSIDE GLIMPSES OF ENGLISH POVERTY | 470 |
An English Almshouse | 500 |
CIVIC BANQUETS | 527 |
|
|
|
|
CHIEFLY ABOUT WAR MATTERS. |
ALICE DOANE’S APPEAL. |
THE ANCESTRAL FOOTSTEP |
THE ANCESTRAL FOOTSTEP. |
I. The Inland Port. |
II. Rochester. |
III. A Night Scene. |
My Visit To Niagara |
The Antique Ring |
Graves And Goblins |
Mrs. Hutchinson |
Sir William Phips |
Sir William Pepperell |
Thomas Green Fessenden |
Jonathan Cilley |
BENJAMIN WEST. |
SIR ISAAC NEWTON. |
SAMUEL JOHNSON. |
OLIVER CROMWELL. |
BENJAMIN FRANKLIN. |
QUEEN CHRISTINA. |
Preface |
THE WHOLE HISTORY OF GRANDFATHER'S CHAIR |
Part I |
Chapter I |
Chapter II |
THE LADY ARBELLA |
Chapter III |
Chapter IV |
Chapter V |
Chapter VI |
THE PINE-TREE SHILLINGS |
Chapter VII |
Chapter VIII |
THE INDIAN BIBLE |
Chapter IX |
Chapter X |
THE SUNKEN TREASURE |
Chapter XI |
Part II |
Chapter I |
Chapter II |
Chapter III |
THE OLD-FASHIONED SCHOOL |
Chapter IV |
Chapter VI |
THE REJECTED BLESSING |
Chapter VII |
Chapter VIII |
THE PROVINCIAL MUSTER |
Chapter IX |
THE ACADIAN EXILES |
Chapter X |
Chapter XI |
Part III |
Chapter I |
Chapter II |
Chapter III |
THE HUTCHINSON MOB |
Chapter IV |
Chapter V |
THE BOSTON MASSACRE |
Chapter VI |
Chapter VII |
Chapter VIII |
Chapter IX |
THE TORY'S FAREWELL |
Chapter X |
Chapter XI |
GRANDFATHER'S DREAM |
Biographical Stories |
Chapter I |
Chapter II |
BENJAMIN WEST |
Chapter III |
SIR ISAAC NEWTON |
Chapter IV |
SAMUEL JOHNSON |
Chapter V |
SAMUEL JOHNSONâ?"continued. |
Chapter VI |
OLIVER CROMWELL |
Chapter VII |
BENJAMIN FRANKLIN |
Chapter VIII |
BENJAMIN FRANKLINâ?"continued |
Chapter IX |
QUEEN CHRISTINA |
PAGE | |
THE GORGON'S HEAD. | |
Tanglewood Porch.—Introductory to The Gorgon's Head | 1 |
The Gorgon's Head | 7 |
Tanglewood Porch.—After the Story | 39 |
THE GOLDEN TOUCH. | |
Shadow Brook.—Introductory to The Golden Touch | 42 |
The Golden Touch | 46 |
Shadow Brook.—After the Story | 69 |
THE PARADISE OF CHILDREN. | |
Tanglewood Play-Room.—Introductory to The Paradise of Children | 73 |
The Paradise of Children | 78 |
Tanglewood Play-Room.—After the Story | 100 |
THE THREE GOLDEN APPLES. | |
Tanglewood Fireside.—Introductory to The Three Golden Apples | 102 |
The Three Golden Apples | 109 |
Tanglewood Fireside.—After the Story | 136 |
THE MIRACULOUS PITCHER. | |
The Hill-Side.—Introductory to The Miraculous Pitcher | 140 |
The Miraculous Pitcher | 144 |
The Hill-Side.—After the Story | 170 |
THE CHIMÆRA. | |
Bald-Summit.—Introductory to The Chimæra | 172 |
The Chimæra | 176 |
Bald-Summit.—After the Story | 206 |
Half-Title | i |
Frontispiece—Bellerophon on Pegasus. | |
Title | iii |
Preface | v |
Tailpiece | vi |
Contents | vii |
List of Designs | ix |
Tailpiece | x |
Headpiece—Tanglewood Porch | 1 |
THE GORGON'S HEAD—Headpiece | 7 |
Perseus and the Graiæ | 22 |
Perseus armed by the Nymphs | 26 |
Perseus and the Gorgons | 32 |
Perseus showing the Gorgon's Head | 36 |
Tailpiece | 38 |
Headpiece—Tanglewood Porch, After the Story | 39 |
Tailpiece | 41 |
Headpiece—Shadow Brook | 42 |
THE GOLDEN TOUCH—Headpiece | 46 |
The Stranger appearing to Midas | 50 |
Midas' Daughter turned to Gold | 62 |
Midas with the Pitcher | 66 |
Tailpiece | 68 |
Headpiece—Shadow Brook, After the Story | 69 |
Tailpiece | 72 |
Headpiece—Tanglewood Play-Room | 73 |
Tailpiece | 77 |
THE PARADISE OF CHILDREN—Headpiece | 78 |
Pandora wonders at the Box | 80 |
Pandora desires to open the Box | 86 |
Pandora opens the Box | 92 |
Tailpiece | 96-x- |
Headpiece—Tanglewood Play-Room, After the Story | 100 |
Headpiece—Tanglewood Fireside | 102 |
Tailpiece | 108 |
THE THREE GOLDEN APPLES—Headpiece | 109 |
Hercules and the Nymphs | 112 |
Hercules and the Old Man of the Sea | 120 |
Hercules and Atlas | 126 |
Tailpiece | 135 |
Headpiece—Tanglewood Fireside, After the Story | 136 |
Tailpiece | 139 |
Headpiece—The Hill-Side | 140 |
Tailpiece | 143 |
THE MIRACULOUS PITCHER—Headpiece | 144 |
Philemon and Baucis | 144 |
The Strangers in the Village | 148 |
The Strangers entertained | 158 |
Tailpiece | 169 |
Headpiece—The Hill-Side, After the Story | 170 |
Tailpiece | 171 |
Headpiece—Bald Summit | 172 |
Tailpiece | 175 |
THE CHIMÆRA—Headpiece | 176 |
Bellerophon at the Fountain | 180 |
Bellerophon slays the Chimæra | 200 |
Tailpiece | 205 |
Headpiece—Bald Summit, After the Story | 206 |
Tailpiece | 210 |
Preface |
A WONDER BOOK |
THE GORGON'S HEAD |
THE GOLDEN TOUCH |
THE PARADISE OF CHILDREN |
THE THREE GOLDEN APPLES |
THE MIRACULOUS PITCHER |
THE CHIMÆRA |
TANGLEWOOD TALES |
THE WAYSIDE |
THE MINOTAUR |
THE PYGMIES |
THE DRAGON'S TEETH |
CIRCE'S PALACE |
THE POMEGRANATE SEEDS |
THE GOLDEN FLEECE |
Jason and the Talking Oak |
Pandora |
Atlas |
Bellerophon by the Fountain of Pirene |
The Fountain of Pirene |
Cadmus Sowing the Dragon's Teeth |
Circe's Palace |
Proserpina |
Jason and his Teacher |
The Argonauts in Quest of the Golden Fleece |
The Minotaur |
The Pygmies |
The Dragon's Teeth |
Circe's Palace |
The Pomegranate Seeds |
The Golden Fleece |
Cadmus beheld a female figure, wonderfully beautiful |
He tugged and toiled amain |
She whipped up the snakes and ascended high over the city |
"Thou hast slain the monster", cried Ariadne, clasping her hands |
He concluded that his dear son had been eaten by the Minotaur |
This giant and these pygmies were all brethren |
The giant gave them his brotherly kindness |
They were constantly at war with the cranes |
"Alas! my dear children", answered poor Queen Telephassa |
"Sacred Oracle of Delphi, wither shall I go"? |
This pitiless reptile had killed his poor companions |
At a distance he beheld stately towers |
The voyagers examined the web of cloth |
"Wretch"! cried Circe |
They brought along with them a great many beautiful shells |
So she peeped into the entrance of the cave |
They arrived at the sunniest spot in the world |
"I shall not touch it I assure you", said she |
"What shall I do"? said he |
"I am the king's daughter" |
At the appointed hour he met the beautiful Medea |
"What is it"? asked Jason |
Page | ||
The Custom House.—Introductory | 1 | |
THE SCARLET LETTER. | ||
I. | The Prison-Door | 51 |
II. | The Market-Place | 54 |
III. | The Recognition | 68 |
IV. | The Interview | 80 |
V. | Hester at her Needle | 90 |
VI. | Pearl | 104 |
VII. | The Governor's Hall | 118 |
VIII. | The Elf-Child and the Minister | 129 |
IX. | The Leech | 142 |
X. | The Leech and his Patient | 155 |
XI. | The Interior of a Heart | 168 |
XII. | The Minister's Vigil | 177 |
XIII. | Another View of Hester | 193 |
[vi]XIV. | Hester and the Physician | 204 |
XV. | Hester and Pearl | 212 |
XVI. | A Forest Walk | 223 |
XVII. | The Pastor and his Parishioner | 231 |
XVIII. | A Flood of Sunshine | 245 |
XIX. | The Child at the Brook-side | 253 |
XX. | The Minister in a Maze | 264 |
XXI. | The New England Holiday | 277 |
XXII. | The Procession | 288 |
XXIII. | The Revelation of the Scarlet Letter | 302 |
XXIV. | Conclusion | 315 |
Page | |
The Custom-House | 1 |
The Prison Door | 49 |
Vignette,—Wild Rose | 51 |
The Gossips | 57 |
“Standing on the Miserable Eminence” | 65 |
“She was led back to Prison” | 78 |
“The Eyes of the wrinkled Scholar glowed” | 87 |
The Lonesome Dwelling | 93 |
Lonely Footsteps | 99 |
Vignette | 104 |
A touch of Pearl's baby-hand | 113 |
Vignette | 118 |
The Governor's Breastplate | 125 |
“Look thou to it! I will not lose the child!” | 135 |
The Minister and Leech | 148 |
[viii]The Leech and his Patient | 165 |
The Virgins of the Church | 172 |
“They stood in the noon of that strange splendor” | 185 |
Hester in the House of Mourning | 195 |
Mandrake | 211 |
“He gathered herbs here and there” | 213 |
Pearl on the Sea-Shore | 217 |
“Wilt thou yet forgive me?” | 237 |
A Gleam of Sunshine | 249 |
The Child at the Brook-Side | 257 |
Chillingworth,—“Smile with a sinister meaning” | 287 |
New England Worthies | 289 |
“Shall we not meet again?” | 311 |
Hester's Return | 320 |
Act I |
Scene
I Scene II Scene III |
Act II |
Scene
I Scene II Scene III |
Act III |
Scene
I Scene II Scene III |
Act IV |
Scene
I Scene II |
PAGE | |
Editor's Introduction | V |
Dr. Heidegger's Experiment | 1 |
The Birthmark | 21 |
Ethan Brand | 53 |
Wakefield | 83 |
Drowne's Wooden Image | 101 |
The Ambitious Guest | 125 |
The Great Stone Face | 141 |
The Gray Champion | 177 |
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