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Title: Viola Gwyn

Author: George Barr McCutcheon

Release Date: July, 2004  [EBook #6013]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on October 16, 2002]

Edition: 10

Language: English

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*** START OF THE PROJECT GUTENBERG EBOOK, VIOLA GWYN ***




Charles Aldarondo, Charles Franks and the Online Distributed Proofreading
Team.



[Illustration: "I shall get married when and where I please,--and
to whom I please, Mr. Gwynne."]

VIOLA GWYN

BY George Barr McCutcheon





CONTENTS

PROLOGUE--THE BEGINNING

CHAPTER

     I SHELTER FOR THE NIGHT
    II THE STRANGE YOUNG WOMAN
   III SOMETHING ABOUT CLOTHES, AND MEN, AND CATS
    IV VIOLA GWYN
     V REFLECTIONS AND AN ENCOUNTER
    VI BARRY LAPELLE
   VII THE END OF THE LONG ROAD
  VIII RACHEL CARTER
    IX BROTHER AND SISTER
     X MOTHER AND DAUGHTER
    XI A ROADSIDE MEETING
   XII ISAAC STAIN APPEARS BY NIGHT
  XIII THE GRACIOUS ENEMY
   XIV A MAN FROM DOWN THE RIVER
    XV THE LANDING OF THE "PAUL REVERE"
   XVI CONCERNING TEMPESTS AND INDIANS
  XVII REVELATIONS
 XVIII RACHEL DELIVERS A MESSAGE
   XIX LAPELLE SHOWS HIS TEETH
    XX THE BLOW
   XXI THE AFFAIR AT HAWK'S CABIN
  XXII THE PRISONERS
 XXIII CHALLENGE AND RETORT
  XXIV IN AN UPSTAIRS ROOM
   XXV MINDA CARTER
  XXVI THE FLIGHT OF MARTIN HAWK
 XXVII THE TRIAL OF MOLL HAWK
XXVIII THE TRYSTING PLACE OF THOUGHTS
  XXIX THE ENDING




PROLOGUE

THE BEGINNING


Kenneth Gwynne was five years old when his father ran away with
Rachel Carter, a widow. This was in the spring of 1812, and in
the fall his mother died. His grandparents brought him up to hate
Rachel Carter, an evil woman.

She was his mother's friend and she had slain her with the viper's
tooth. From the day that his questioning intelligence seized upon
the truth that had been so carefully withheld from him by his
broken-hearted mother and those who spoke behind the hand when
he was near,--from that day he hated Rachel Carter with all his
hot and outraged heart. He came to think of her as the embodiment
of all that was evil,--for those were the days when there was no
middle-ground for sin and women were either white or scarlet.

He rejoiced in the belief that in good time Rachel Carter would come
to roast in the everlasting fires of hell, grovelling and wailing
at the feet of Satan, the while his lovely mother looked down
upon her in pity,--even then he wondered if such a thing were
possible,--from her seat beside God in His Heaven. He had no doubts
about this. Hell and heaven were real to him, and all sinners went
below. On the other hand, his father would be permitted to repent and
would instantly go to heaven. It was inconceivable that his big,
strong, well-beloved father should go to the bad place. But Mrs. Carter
would! Nothing could save her! God would not pay any attention to
her if she tried to repent; He would know it was only "make-believe"
if she got down on her knees and prayed for forgiveness. He was
convinced that Rachel Carter could not fool God. Besides, would
not his mother be there to remind Him in case He could not exactly
remember what Rachel Carter had done? And were there not dozens of
good, honest people in the village who would probably be in Heaven
by that time and ready to stand before the throne and bear witness
that she was a bad woman?

No, Rachel Carter could never get into Heaven. He was glad.
No matter if the Scriptures did say all that about the sinner who
repents, he did not believe that God would let her in. He supported
this belief by the profoundly childish contention that if God let
EVERYBODY in, then there would be no use having a hell at all. What
was the use of being good all your life if the bad people could
get into Heaven at the last minute by telling God they were sorry
and never would do anything bad again as long as they lived? And
was not God the wisest Being in all the world? He knew EVERYTHING!
He knew all about Rachel Carter. She would go to the bad place and
stay there forever, even after the "resurrection" and the end of
the world by fire in 1883, a calamity to which he looked forward
with grave concern and no little trepidation at the thoughtful age
of six.

At first they told him his father had gone off as a soldier to
fight against the Indians and the British. He knew that a war was
going on.  Men with guns were drilling in the pasture up beyond
his grandfather's house, and there was talk of Indian "massacrees,"
and Simon Girty's warriors, and British red-coats, and the awful
things that happened to little boys who disobeyed their elders
and went swimming, or berrying, or told even the teeniest kind of
fibs. He overheard his grandfather and the neighbours discussing
a battle on Lake Erie, and rejoiced with them over the report of
a great victory for "our side." Vaguely he had grasped the news of
a horrible battle on the Tippecanoe River, far away in the wilderness
to the north and west, in which millions of Indians were slain,
and he wondered how many of them his father had killed with his
rifle,--a weapon so big and long that he came less than half way
up the barrel when he stood beside it.

His father was a great shot. Everybody said so. He could kill wild
turkeys a million miles away as easy as rolling off a log, and deer,
and catamounts, and squirrels, and herons, and everything. So his
father must have killed heaps of Indians and red-coats and renegades.

He put this daily question to his mother: "How many do you s'pose
Pa has killed by this time, Ma?"

And then, in the fall, his mother went away and left him. They did
not tell him she had gone to the war. He would not have believed
them if they had, for she was too sick to go. She had been in bed
for a long, long time; the doctor came to see her every day, and
finally the preacher. He hated both of them, especially the latter,
who prayed so loudly and so vehemently that his mother must have
been terribly disturbed. Why should every one caution him to be
quiet and not make a noise because it disturbed mother, and yet say
nothing when that old preacher went right into her room and yelled
same as he always did in church? He was very bitter about it,
and longed for his father to come home with his rifle and shoot
everybody, including his grandfather who had "switched" him severely
and unjustly because he threw stones at Parson Hook's saddle horse
while the good man was offering up petitions from the sick room.

He went to the "burying," and was more impressed by the fact that
nearly all of the men who rode or drove to the graveyard down in
the "hollow" carried rifles and pistols than he was by the strange
solemnity of the occasion, for, while he realized in a vague,
mistrustful way that his mother was to be put under the ground,
his trust clung resolutely to God's promise, accepted in its most
literal sense, that the dead shall rise again and that "ye shall
be born again." That was what the preacher said,--and he had cried
a little when the streaming-eyed clergyman took him on his knee
and whispered that all was well with his dear mother and that he
would meet her one day in that beautiful land beyond the River.

He was very lonely after that. His "granny" tucked him in his big
feather bed every night, and listened to his little prayer, but she
was not the same as mother. She did not kiss him in the same way,
nor did her hand feel like mother's when she smoothed his rumpled
hair or buttoned his flannel nightgown about his neck or closed
his eyes playfully with her fingers before she went away with the
candle. Yet he adored her. She was sweet and gentle, she told such
wonderful fairy tales to him, and she always smiled at him. He
wondered a great deal.  Why was it that she did not FEEL the same
as mother? He was deeply puzzled. Was it because her hair was grey?

His grandfather lived in the biggest house in town. It
had an "upstairs,"--a real "upstairs,"--not just an attic. And
his grandfather was a very important person. Everybody called him
"Squire"; sometimes they said "your honour"; most people touched
their hats to him. When his father went off to the war, he and his
mother came to live at "grandpa's house." The cabin in which he was
born was at the other end of the street, fully half-a-mile away,
out beyond the grist mill. It had but three rooms and no "upstairs"
at all except the place under the roof where they kept the dried
apples, and the walnuts and hickory nuts, some old saddle-bags and
boxes, and his discarded cradle. You had to climb up a ladder and
through a square hole in the ceiling to get into this place, and
you would have to be very careful not to stand up straight or you
would bump your head,--unless you were exactly in the middle, where
the ridge-pole was.

He remembered that it was a very long walk to "grandpa's house"; he
used to get very tired and his father would lift him up and place
him on his shoulder; from this lofty, even perilous, height he could
look down upon the top of his mother's bonnet,--a most astonishing
view and one that filled him with glee.

His father was the biggest man in all the world, there could be no
doubt about that. Why, he was bigger even than grandpa, or Doctor
Flint, or the parson, or Mr. Carter, who lived in the cabin next door
and was Minda's father. For the matter of that, he was, himself, a
great deal bigger than Minda, who was only two years old and could
not say anywhere near as many words as he could say--and did not
know her ABC's, or the Golden Rule, or who George Washington was.

And his father was ever so much taller than his mother. He was tall
enough to be her father or her grandfather; why, she did not come
up to his shoulder when she walked beside him. He was a million
times bigger than she was. He was bigger than anybody else in all
the world.

The little border town in Kentucky, despite its population of
less than a thousand, was the biggest city in the world. There was
no doubt about that either in Kenneth's loyal little mind. It was
bigger than Philadelphia--(he called it Fil-LEF-ily),--where his
mother used to live when she was a little girl, or Massashooshoo,
where Minda's father and mother comed from.

He was secretly distressed by the superior physical proportions of
his "Auntie" Rachel. There was no denying the fact that she was a
great deal taller than his mother. He had an abiding faith, however,
that some day his mother would grow up and be lots taller than
Minda's mother. He challenged his toddling playmate to deny that
his mother would be as big as hers some day, a lofty taunt that
left Minda quite unmoved.

Nevertheless, he was very fond of "Auntie" Rachel. She was good
to him. She gave him cakes and crullers and spread maple sugar on
many a surreptitious piece of bread and butter, and she had a jolly
way of laughing, and she never told him to wash his hands or face,
no matter how dirty they were. In that one respect, at least, she
was much nicer than his mother. He liked Mr. Carter, too. In fact, he
liked everybody except old Boose, the tin pedlar, who took little
boys out into the woods and left them for the wolves to eat if they
were not very, very good.

He was four when they brought Mr. Carter home in a wagon one day.
Some men carried him into the house, and Aunt Rachel cried, and
his mother went over and stayed a long, long time with her, and
his father got on his horse and rode off as fast as he could go
for Doctor Flint, and he was not allowed to go outside the house
all day,--or old Boose would get him.

Then, one day, he saw "Auntie" Rachel all dressed in black, and he
was frightened. He ran away crying. She looked so tall and scary,---like
the witches Biddy Shay whispered about when his grandma was not
around,--the witches and hags that flew up to the sky on broomsticks
and never came out except at night.

His father did the "chores" for '"Auntie" Rachel for a long time,
because Mr. Carter was not there to attend to them.

There came a day when the buds were fresh on the twigs, and the
grass was very green, and the birds that had been gone for a long
time were singing again in the trees, and it was not raining. So he
went down the road to play in Minda's yard. He called to her, but
she did not appear. No one appeared. The house was silent. "Auntie"
Rachel was not there. Even the dogs were gone, and Mr. Carter's
horses and his wagon.  He could not understand. Only yesterday he
had played in the barn with Minda.

Then his grandma came hurrying through the trees from his own home,
where she had been with grandpa and Uncle Fred and Uncle Dan since
breakfast time. She took him up in her arms and told him that Minda
was gone. He had never seen his grandma look so stern and angry.
Biddy Shay had been there all morning too, and several of the
neighbours. He wondered if it could be the Sabbath, and yet that
did not seem possible, because it was only two days since he went
to Sunday school, and yesterday his mother had done the washing.
She always washed on Monday and ironed on Tuesday. This must be
Tuesday, but maybe he was wrong about that. She was not ironing,
so it could not be Tuesday. He was very much bewildered.

His mother was in the bedroom with grandpa and Aunt Hettie, and he
was not allowed to go in to see her. Uncle Fred and Uncle Dan were
very solemn and scowling so terribly that he was afraid to go near
them.

He remembered that his mother had cried while she was cooking
breakfast, and sat down a great many times to rest her head on her
arms. She had cried a good deal lately, because of the headache, she
always said. And right after breakfast she had put on her bonnet
and shawl, telling him to stay in the house till she came back
from grandpa's. Then she had gone away, leaving him all alone until
Biddy Shay came, all out of breath, and began to clear the table
and wash the dishes, all the while talking to herself in a way that
he was sure God would not like, and probably would send her to the
bad place for it when she died.

After a while all of the men went out to the barn-lot, where their
horses were tethered. Uncle Fred and Uncle Dan had their rifles.
He stood at the kitchen window and watched them with wide, excited
eyes.  Were they going off to kill Indians, or bears, or cattymunks?
They all talked at once, especially his uncles,--and they swore,
too. Then his grandpa stood in front of them and spoke very loudly,
pointing his finger at them. He heard him say, over and over again:

"Let them go, I say! I tell you, let them go!"

He wondered why his father was not there, if there was any fighting
to be done. His father was a great fighter. He was the bestest shot
in all the world. He could kill an Injin a million miles away, or
a squirrel, or a groundhog. So he asked Biddy Shay.

"Ast me no questions and I'll tell ye no lies," was all the answer
he got from Biddy.

The next day he went up to grandpa's with his mother to stay, and
Uncle Fred told him that his pa had gone off to the war. He believed
this, for were not the rifle, the powder horn and the shot flask
missing from the pegs over the fireplace, and was not Bob, the very
fastest horse in all the world, gone from the barn? He was vastly
thrilled. His father would shoot millions and millions of Injins,
and they would have a house full of scalps and tommyhawks and bows
and arrers.

But he was troubled about Minda. Uncle Fred, driven to corner by
persistent inquiry, finally confessed that Minda also had gone to
the war, and at last report had killed several extremely ferocious
redskins. Despite this very notable achievement, Kenneth was troubled.
In the first place, Minda was a baby, and always screamed when she
heard a gun go off; in the second place, she always fell down when
she tried to run and squalled like everything if he did not wait
for her; in the third place, Injins always beat little girls' heads
off against a tree if they caught 'em.

Moreover, Uncle Dan, upon being consulted, declared that a
good-sized Injin could swaller Minda in one gulp if he happened to
be 'specially hungry,--or in a hurry. Uncle Dan also appeared to
be very much surprised when he heard that she had gone off to the
war. He said that Uncle Fred ought to be ashamed of himself; and
the next time he asked Uncle Fred about Minda he was considerably
relieved to hear that his little playmate had given up fighting
altogether and was living quite peaceably in a house made of a
pumpkin over yonder where the sun went down at night.

It was not until sometime after his mother went away,--after the
long-to-be-remembered "fooneral," with its hymns, and weeping, and
praying,--that he heard the grown-ups talking about the war being
over. The redcoats were thrashed and there was much boasting and
bragging among the men of the settlement. Strange men appeared on
the street, and other men slapped their backs and shook hands with
them and shouted loudly and happily at them. In time, he came to
understand that these were the citizens who had gone off to fight
in the war and were now home again, all safe and sound. He began
to watch for his father. He would know him a million miles off, he
was so big, and he had the biggest rifle in the world.

"Do you s'pose Pa will know how to find me, grandma?" he would
inquire. "'Cause, you see, I don't live where I used to."

And his grandmother, beset with this and similar questions from
one day's end to the other, would become very busy over what she
was doing at the time and tell him not to pester her. He did not
like to ask his grandfather. He was so stern,--even when he was
sitting all alone on the porch and was not busy at all.

Then one day he saw his grandparents talking together on the porch.
Aunt Hettie was with them, but she was not talking. She was just
looking at him as he played down by the watering trough. He distinctly
heard his grandma say:

"I think he ought to be told, Richard. It's a sin to let him go
on thinking---" The rest of the sentence was lost to him when she
suddenly lowered her voice. They were all looking at him.

Presently his grandfather called to him, and beckoned with his
finger. He marched up to the porch with his little bow and arrow.
Grandma turned to go into the house, and Aunt Hettie hurried away.

"Don't be afraid, Granny," he sang out. "I won't shoot you. 'Sides,
I've only got one arrer, Aunt Hettie."

His grandfather took him on his knee, and then and there told him
the truth about his father. He spoke very slowly and did not say
any of those great big words that he always used when he was with
grown-up people, or even with the darkies.

"Now, pay strict attention, Kenneth. You must understand everything I
say to you. Do you hear? Your father is never coming home. We told
you he had gone to the war. We thought it was best to let you think
so. It is time for you to know the truth. You are always asking
questions about him. After this, when you want to know about your
father, you must come to me. I will tell you. Do not bother your
grandma. You make her unhappy when you ask questions. You see, your
Ma was once her little girl and mine. She used to be as little as
you are. Your Pa was her husband. You know what a husband is, don't
you?"

"Yes, sir," said Kenneth, wide-eyed. "It's a boy's father."

"You are nearly six years old. Quite a man, my lad." He paused to
look searchingly into the child's face, his bushy eyebrows meeting
in a frown.

"The devil of it is," he burst out, "you are the living image of
your father. You are going to grow up to look like him." He groaned
audibly, spat viciously over his shoulder, and went on in a strange,
hard voice. "Do you know what it is to steal? It means taking
something that belongs to somebody else."

"Yes, sir. 'Thou shalt not steal.' It's in the Bible."

"Well, you know that Indians and gipsies steal little boys, don't
you? It is the very worst kind of stealing, because it breaks the
boy's mother's heart. It sometimes kills them. Now, suppose that
somebody stole a husband. A husband is a boy's father, as you say.
Your father was a husband. He was your dear mother's husband. You
loved your mother very, very much, didn't you? Don't cry, lad,--there,
there, now! Be a little man. Now, listen. Somebody stole your
mother's husband. She loved him better than anything in the world.
She loved him, I guess, even better than she loved you, Kenneth.
She just couldn't live without him. Do you see? That is why she
died and went away. She is in Heaven now. Now, let me hear you say
this after me: My mother died because somebody stole her husband
away from her."

"'My mother died because somebody stoled her husband away from
her,'" repeated the boy, slowly.

"You will never forget that, will you?"

"No,--sir."

"Say this: My mother's heart was broken and so she died."

"'My mother's heart was broken and she--and so she died.'"

"You will never forget that either, will you, Kenneth?"

"No, sir."

"Now, I am going to tell you who stole your mother's husband away
from her. You know who your mother's husband was, don't you?"

"Yes, sir. My Pa."

"One night,--the night before you came up here to live--your Auntie
Rachel,--that is what you called her, isn't it? Well, she was not
your real aunt. She was your neighbour,--just as Mr. Collins over
there is my neighbour,--and she was your mother's friend. Well,
that night she stole your Pa from your Ma, and took him away with
her,--far, far away, and she never let him come back again. She
took him away in the night, away from your mother and you forever
and forever. She---"

"But Pa was bigger'n she was," interrupted Kenneth, frowning. "Why
didn't he kill her and get away?"

The old Squire was silent for a moment. "It is not fair for me to
put all the blame on Rachel Carter. Your father was willing to go.
He did not kill Rachel Carter. Together he and Rachel Carter killed
your mother. But Rachel Carter was more guilty than he was. She was
a woman and she stole what belonged in the sight of God to another
woman. She was a bad woman. If she had been a good woman she would
not have stolen your father away from your mother. So now you know
that your Pa did not go to the war. He went away with Rachel Carter
and left your mother to die of a broken heart. He went off into
the wilderness with that bad, evil woman. Your mother was unhappy.
She died. She is under the ground up in the graveyard, all alone.
Rachel Carter put her there, Kenneth. I cannot ask you to hate
your father. It would not be right. He is your father in spite of
everything. You know what the Good Book says? 'Honour thy father
and--' how does the rest of it go, my lad?"

"'Honour thy father and thy mother that thou days may be long upon
thou earth,'" murmured Kenneth, bravely.

"When you are a little older you will realize that your father did
not honour his father and mother, and then you may understand more
than you do now. But you may hate Rachel Carter. You MUST hate her.
She killed your mother. She stole your father. She made an orphan
of you. She destroyed the home where you used to live. As you
grow older I will try to tell you how she did all these things.
You would not understand now. There is one of the Ten Commandments
that you do not understand,--I mean one in particular. It is enough
for you to know the meaning of the one that says 'Thou shalt not
steal.' You must not be unhappy over what I have told you. Everything
will be all right with you. You will be safe here with granny and
me. But you must no longer believe that your father went to the
war like other men in the village. If he were MY son, I would---"

"Don't say it, Richard," cried Kenneth's grandma, from the doorway
behind them. "Don't ever say that to him."




CHAPTER I

SHELTER FOR THE NIGHT


Night was falling as two horsemen drew rein in front of a cabin
at the edge of a clearing in the far-reaching sombre forest.
Their approach across the stump-strewn tract had been heralded by
the barking of dogs,--two bristling beasts that came out upon the
muddy, deep-rutted road to greet them with furious inhospitality.
A man stood partially revealed in the doorway. His left arm and
shoulder were screened from view by the jamb, his head was bent
forward as he peered intently through narrowed eyes at the strangers
in the road.

"Who are you, and what do you want?" he called out.

"Friends. How far is it to the tavern at Clark's Point?"

"Clark's Point is three miles back," replied the settler. "I guess
you must have passed it without seein' it," he added drily. "If
it happened to be rainin' when you come through you'd have missed
seein' it fer the raindrops. Where you bound fer?"

"Lafayette. I guess we're off the right road. We took the left turn
four or five miles back."

"You'd ought to have kept straight on. Come 'ere, Shep! You, Pete!
Down with ye!"

The two dogs, still bristling, slunk off in the direction of the
squat log barn. A woman appeared behind the man and stared out
over his shoulder. From the tall stone chimney at the back of the
cabin rose the blue smoke of the kitchen fire, to be whirled away
on the wind that was guiding the storm out of the rumbling north.
There was a dull, wavering glow in the room behind her. At one of
the two small windows gleamed a candle-light.

"What's takin' you to Clark's Point? There ain't no tavern there.
There ain't nothin' there but a hitch-post and a waterin'-trough.
Oh, yes, I forgot. Right behind the hitch-post is Jake Stone's
store and a couple of ash-hoppers and a town-hall, but you wouldn't
notice 'em if you happened to be on the wrong side of the post.
Mebby it's Middleton you're lookin' fer."

"I am looking for a place to put up for the night, friend. We met
a man back yonder, half an hour ago, who said the nearest tavern
was at Clark's Point."

"What fer sort of lookin' man was he?"

"Tall fellow with red whiskers, riding a grey horse."

"That was Jake Stone hisself. Beats all how that feller tries to
advertise his town. He says it beats Crawfordsville and Lafayette
all to smash, an' it's only three or four months old. Which way
was he goin'?"

"I suppose you'd call it south. I've lost my bearings, you see."

"That's it. He was on his way down to Attica to get drunk. They
say Attica's goin' to be the biggest town on the Wabash. Did I ask
you what your name was, stranger?"

"My name is Gwynne. I left Crawfordsville this morning, hoping to
reach Lafayette before night. But the road is so heavy we couldn't---"

"Been rainin' steady for nearly two weeks," interrupted the settler.
"Hub-deep everywhere. It's a good twenty-five or thirty mile from
Crawfordsville to Lafayette. Looks like more rain, too. I think
she'll be on us in about two minutes. I guess mebby we c'n find a
place fer you to sleep to-night, and we c'n give you somethin' fer
man an' beast. If you'll jest ride around here to the barn, we'll
put the hosses up an' feed 'em, and--Eliza, set out a couple more
plates, an' double the rations all around." His left arm and hand
came into view. "Set this here gun back in the corner, Eliza. I
guess I ain't goin' to need it. Gimme my hat, too, will ye?"

As the woman drew back from the door, a third figure came up behind
the man and took her place. The horseman down at the roadside,
fifty feet away, made out the figure of a woman. She touched the
man's arm and he turned as he was in the act of stepping down from
the door-log. She spoke to him in a low voice that failed to reach
the ears of the travellers.

The man shook his head slowly, and then called out:

"I didn't jist ketch your name, mister. The wind's makin' such a
noise I--Say it again, will ye?"

"My name is Kenneth Gwynne. Get it?" shouted the horseman. "And
this is my servant, Zachariah."

The man in the door bent his head, without taking his eyes from the
horseman, while the woman murmured something in his ear, something
that caused him to straighten up suddenly.

"Where do you come from?" he inquired, after a moment's hesitation.

"My home is in Kentucky. I live at---"

"Kentucky, eh? Well, that's a good place to come from. I guess
you're all right, stranger." He turned to speak to his companion.
A few words passed between them, and then she drew back into
the room. The woman called Eliza came up with the man's hat and a
lighted lantern. She closed the door after him as he stepped out
into the yard.

"'Round this way," he called out, making off toward the corner of
the cabin. "Don't mind the dogs. They won't bite, long as I'm here."

The wind was wailing through the stripped trees behind the
house,--a sombre, limitless wall of trees that seemed to close in
with smothering relentlessness about the lonely cabin and its raw
field of stumps. The angry, low-lying clouds and the hastening
dusk of an early April day had by this time cast the gloom of
semi-darkness over the scene. Spasmodic bursts of lightning laid
thin dull, unearthly flares upon the desolate land, and the rumble
of apple-carts filled the ear with promise of disaster. The chickens
had gone to roost; several cows, confined in a pen surrounded by the
customary stockade of poles driven deep into the earth and lashed
together with the bark of the sturdy elm, were huddled in front of
a rude shed; a number of squealing, grunting pigs nosed the cracks
in the rail fence that formed still another pen; three or four pompous
turkey gobblers strutted unhurriedly about the barnlot, while some
of their less theatrical hens perched stiffly, watchfully on the
sides of a clumsy wagon-bed over against the barn. Martins and
chimney-swallows darted above the cabin and out-buildings, swirling
in mad circles, dipping and careening with incredible swiftness.

The gaunt settler conducted the unexpected guests to the barn,
where, after they had dismounted, he assisted in the removal of
the well-filled saddle-bags and rolls from the backs of their jaded
horses.

"Water?" he inquired briefly.

"No, suh," replied Zachariah, blinking as the other held the
lantern up the better to look into his face. Zachariah was a young
negro,--as black as night, with gleaming white teeth which he
revealed in a broad and friendly grin. "Had all dey could drink,
Marster, back yander at de crick."

"You couldn't have forded the Wea this time last week," said the
host, addressing Gwynne. "She's gone down considerable the last
four-five days. Out of the banks last week an' runnin' all over
creation."

"Still pretty high," remarked the other. "Came near to sweeping
Zack's mare downstream but--well, she made it and Zack has turned
black again."

The settler raised his lantern again at the stable door and looked
dubiously at the negro.

"You're from Kentucky, Mr. Gwynne," he said, frowning. "I got to
tell you right here an' now that if this here boy is a slave, you
can't stop here,--an' what's more, you can't stay in this county.
We settled the slavery question in this state quite a spell back,
an' we make it purty hot for people who try to smuggle niggers
across the border. I got to ask you plain an' straight; is this
boy a slave?"

"He is not," replied Gwynne. "He is a free man. If he elects to
leave my service to-morrow, he is at liberty to go. My grandfather
freed all of his slaves shortly before he died, and that was when
Zachariah here was not more than fifteen years of age. He is as
free as I am,--or you, sir. He is my servant, not my slave. I know
the laws of this state, and I intend to abide by them. I expect
to make my home here in Indiana,--in Lafayette, as a matter of
fact. This boy's name is Zachariah Button. Ten years ago he was a
slave. He has with him, sir, the proper credentials to support my
statement,--and his, if he chooses to make one. On at least a dozen
occasions, first in Ohio and then in Indiana, I have been obliged
to convince official and unofficial inquirers that my--"

"That's all right, Mr. Gwynne," cried the settler heartily. "I take
your word for it. If you say he's not a slave, why, he ain't, so
that's the end of it. And it ain't necessary for Zachariah to swear
to it, neither. We can't offer you much in the way of entertainment,
Mr. Gwynne, but what we've got you're welcome to. I came to this
country from Ohio seven years ago, an' I learned a whole lot about
hospitality durin' the journey. I learned how to treat a stranger
in a strange land fer one thing, an' I learned that even a hoss-thief
ain't an ongrateful cuss if you give him a night's lodgin' and a
meal or two."

"I shall be greatly indebted to you, sir. The time will surely
come when I may repay you,--not in money, but in friendship. Pray
do not let us discommode you or your household. I will be satisfied
to sleep on the floor or in the barn, and as for Zachariah, he--"

"The barn is for the hosses to sleep in," interrupted the host,
"and the floor is for the cat. 'Tain't my idee of fairness to allow
human bein's to squat on proppety that rightfully belongs to hosses
an' cats,--so I guess you'll have to sleep in a bed, Mr. Gwynne."
He spoke with a drawl. "Zachariah c'n spread his blankets on the
kitchen floor an' make out somehow. Now, if you'll jist step over
to the well yander, you'll find a wash pan. Eliza,--I mean Mrs.
Striker,--will give you a towel when you're ready. Jest sing out
to her. Here, you, Zachariah, carry this plunder over an' put it
in the kitchen. Mrs. Striker will show you. Be careful of them
rifles of your'n. They go off mighty sudden if you stub your toe.
You'll find a comb and lookin' glass in the settin' room, Mr. Gwynne.
You'll probably want to put a few extry touches on yourself when
I tell you there's an all-fired purty girl spendin' the night with
us. Go along, now. I'll put the feed down fer your hosses an' be
with you in less'n no time."

"You are very kind, Mr.--Did you say Striker?"

"Phineas Striker, sir,--Phin fer short."

"I am prepared and amply able to pay for lodging and food, Mr.
Striker, so do not hesitate to--"

"Save your breath, stranger. I'm as deef as a post. The storm's
goin' to bust in two shakes of a dead lamb's tail, so you'd better
be a leetle spry if you want to git inside afore she comes."

With that he entered the barn door, leading the horses. Gwynne and
his servant hurried through the darkness toward the light in the
kitchen window. The former rapped politely on the door. It was
opened by Mrs. Striker, a tall, comely woman well under thirty,
who favoured the good-looking stranger with a direct and smileless
stare. He removed his tall, sorry-looking beaver.

"Madam, your husband has instructed my servant to leave our belongings
in your kitchen. I fear they are not overly clean, what with mud
and rain, devil-needles and burrs. Your kitchen is as clean as a
pin. Shall I instruct him to return with them to the barn and--"

"Bring them in," she said, melting in spite of herself as she looked
down from the doorstep into his dark, smiling eyes. His strong,
tanned face was beardless, his teeth were white, his abundant brown
hair tousled and boyishly awry,--and there were mud splashes on
his cheek and chin. He was tall and straight and his figure was
shapely, despite the thick blue cape that hung from his shoulders.
"I guess they ain't any dirtier than Phin Striker's boots are
this time o' the year. Put them over here, boy, 'longside o' that
cupboard. Supper'll be ready in ten or fifteen minutes, Mr. Gwynne."

His smile broadened. He sniffed gratefully. A far more exacting
woman than Eliza Striker would have forgiven this lack of dignity
on his part.

"You will find me ready for it, Mrs. Striker. The smell of side-meat
goes straight to my heart, and nothing in all this world could be
more wonderful than the coffee you are making."

"Go 'long with you!" she cried, vastly pleased, and turned to her
sizzling skillets.

Zachariah deposited the saddle-bags and rolls in the corner and then
returned to the door where he received the long blue cape, gloves
and the towering beaver from his master's hands. He also received
instructions which sent him back to open a bulging saddle-bag and
remove therefrom a pair of soft, almost satiny calf-skin boots. As
he hurried past Mrs. Striker, he held them up for her inspection,
grinning from ear to ear. She gazed in astonishment at the white
and silver ornamented tops, such as were affected by only the most
fastidious dandies of the day and were so rarely seen in this raw,
new land that the beholder could scarce believe her eyes.

"Well, I never!" she exclaimed, and then went to the sitting-room
to whisper excitedly to the solitary occupant, who, it so chanced,
was at the moment busily and hastily employed in rearranging her
brown, wind-blown hair before the round-topped little looking-glass
over the fireplace.

"I thought you said you wasn't goin' to see him," observed Mrs.
Striker, after imparting her information. "If you ain't, what are
you fixin' yourself up fer?"

"I have changed my mind, Eliza," said the young lady, loftily. "In
the first place, I am hungry, and in the second place it would not
be right for me to put you to any further trouble about supper.
I shall have supper with the rest of you and not in the bedroom,
after all. How does my hair look?"

"You've got the purtiest hair in all the--"

"How does it look?"

"It would look fine if you NEVER combed it. If I had hair like
your'n, I'd be the proudest woman in--"

"Don't be silly. It's terrible, most of the time."

"Well, it's spick an' span now, if that's what you want to know,"
grumbled Eliza, and vanished, fingering her straight, straw-coloured
hair somewhat resentfully.

Meanwhile, Kenneth Gwynne, having divested himself of his dark
blue "swallow-tail," was washing his face and hands at the well.
The settler approached with the lantern.

"She's comin'," he shouted above the howling wind. "I guess you'd
better dry yourself in the kitchen. Hear her whizzin' through the
trees? Gosh all hemlock! She's goin' to be a snorter, stranger.
Hurry inside!"

They bolted for the door and dashed into the kitchen just as the
deluge came. Phineas Striker, leaning his weight against the door,
closed it and dropped the bolt.

"Whew! She's a reg'lar harricane, that's what she is. Mighty
suddent, too. Been holdin' back fer ten minutes,--an' now she lets
loose with all she's got. Gosh! Jest listen to her!"

The hiss of the torrent on the clapboard roof was deafening, the
little window panes were streaming; a dark, glistening shadow crept
out from the bottom of the door and began to spread; the howling
wind shook the very walls of the staunch cabin, while all about
them roared the ear-splitting cannonade, the crash of splintered
skies, the crackling of musketry, the rending and tearing of all
the garments that clothe the universe.

Eliza Striker, hardy frontierswoman though she was, put her fingers to
her ears and shrank away from the stove,--for she had been taught
that all metal "drew lightning." Her husband busied himself stemming
the stream of water that seeped beneath the door with empty grain
or coffee bags, snatched from the top of a cupboard where they
were stored, evidently for the very purpose to which they were now
being put.

Gwynne stood coatless in the centre of the kitchen, rolling down
his white shirt-sleeves. Behind him cringed Zachariah, holding his
master's boots and coat in his shaking hands, his eyes rolling with
terror, his lips mumbling an unheard appeal for mercy.

The sitting-room door opened suddenly and the other guest of the
house glided into the kitchen. Her eyes were crinkled up as if
with an almost unendurable pain, her fingers were pressed to her
temples, her red lips were parted.

"Goodness!" she gasped, with a hysterical laugh, not born of mirth,
nor of courage, but of the sheerest dismay.

"Don't be skeered," cried Phineas, looking at her over his
shoulder. "She'll soon be over. Long as the roof stays on, we're
all right,--an' I guess she'll stay."

Kenneth Gwynne bowed very low to the newcomer. The dim candle-light
afforded him a most unsatisfactory glimpse of her features. He
took in at a glance, however, her tall, trim figure, the burnished
crown of hair, and the surprisingly modish frock she wore. He had
seen no other like it since leaving the older, more advanced towns
along the Ohio,--not even in the thriving settlements of Wayne and
Madison Counties or in the boastful village of Crawfordsville. He
was startled. In all his journeyings through the land he had seen
no one arrayed like this. It was with difficulty that he overcame
a quite natural impulse to stare at her as if she were some fantastic
curiosity.

The contrast between this surprising creature and the gingham
aproned Eliza was unbelievable. There was but one explanation: She
was the mistress of the house, Eliza the servant. And yet, even
so, how strangely out-of-place, out-of-keeping she was here in the
wilderness.

In some confusion he strode over to lend a hand to Phineas Striker.
The rustle of silk behind him and the quick clatter of heels,
evidenced the fact that the girl had crossed swiftly to Eliza's
side.

Later on he had the opportunity to take in all the details of her
costume, and he did so with a practised, sophisticated eye. It was,
after all, of a fashion two years old, evidence of the slowness
with which the modes reached these outposts of civilization. Here
was a perfect fitting blue frock of the then popular changeable
gros de zane, the skirt very wide, set on the body in large plaits,
one in front, one on each side and two behind. The sleeves also
were wide from shoulder to elbow, where they were tightly fitted
to the lower arm. The ruffles around the neck, which was open and
rather low, and about the wrists were of plain bobinet quilling.
Her slippers were black, with cross-straps. He had seen such frocks
as this, he was reminded, in fashionable Richmond and New York
only a year or so before, but nowhere in the west. Add a Dunstable
straw bonnet with its strings of satin and the frilled pelerine, and
this strange young woman might have just stepped from her carriage
in the most fashionable avenue in the land.

Zachariah, lacking his master's good manners, gazed in open-mouthed
wonder at the lady, forgetting for the moment his fear of the
tempest's wrath. Only the most hair-raising crash of thunder broke
the spell, causing him to close his eyes and resume his supplication.

"Now's your chance to get at the lookin' glass, Mr. Gwynne," said
Striker. "Right there in the sittin'-room. Go ahead; I'll manage
this."

Muttering a word of thanks, the young man turned to leave the room.
He shot a glance at his fellow guest. Her back was toward him, she
had her hands to her ears, and something told him that her eyes
were tightly closed. A particularly loud crash caused her to draw
her pretty shoulders up as if to receive the death-dealing bolt of
lightning. He heard her murmur again:

"Goodness--gracious!"

Eliza suddenly put an arm about her waist and drew the slender,
shivering figure close. As the girl buried her face upon the older
woman's shoulder, the latter cried out:

"Land sakes, child, you'll never get over bein' a baby, will ye?"

To which Phineas Striker added in a great voice: "Nor you, neither,
Eliza. Ef we didn't have company here you'd be crawlin' under the
table or something. She ain't afraid of wild cats or rattlesnakes
or Injins or even spiders," he went on, addressing Gwynne, "but
she's skeered to death of lightnin'. An' as fer that young lady
there, she wouldn't be afeared to walk from here to Lafayette all
alone on the darkest night,--an' look at her now! Skeered out of
her boots by a triflin' little thunderstorm. Why, I wouldn't give
two--"

"My goodness, Phin Striker," broke in his wife, a new note of alarm
in her voice, "I do hope them chickens an' turkeys have got sense
enough to get under something in this downpour. If they ain't, the
whole kit an' boodle of 'em will be drownded, sure as--"

"I never yet see a hen that liked water," interrupted Phineas. "Er
a turkey either. Don't you worry about 'em. You better worry about
that side-meat you're fryin'. Ef my nose is what it ort to be, I'd
say that piece o' meat was bein' burnt to death,--an' that's a lot
wuss than bein' drownded. They say drowndin' is the easiest death--"

"You men clear out o' this kitchen," snapped Eliza. "Out with ye!
You too, Phin Striker. I'll call ye when the table's set. Now, you
go an' set over there in the corner, away from the window, deary,
where the lightnin' can't git at you, an'--You'll find a comb on
the mantel-piece, Mr. Gwynne, an' Phineas will git you a boot-jack
out o' the bedroom if that darkey is too weak to pull your boots
off for you. Don't any of you go trampin' all over the room with
your muddy boots. I've got work enough to do without scrubbin'
floors after a pack of--My land! I do believe it's scorched. An'
the corn-bread must be--"

Phineas, after a doubtful look at the stopped-up door-crack, led
the way into the sitting-room. Zachariah came last with his master's
boots and coat. He was mumbling with suppressed fervour:

"Oh, Lord, jes' lemme hab one mo' chaince,--jes' one mo' chaince.
Good Lord! I been a wicked, ornery nigger,--only jes' gimme jes'
one mo' chaince. I been a wicked,--Yassuh, Marster Kenneth, I got
your boots. Yassuh. Right heah, suh. Oh, Lordy-Lordy! Yassuh,
yassuh!"

Seated in a big wooden rocker before the fireplace, Gwynne stretched
out his long legs one after the other; Zachariah tugged at the
heavy, mud-caked riding-boots, grunting mightily over a task that
gave him sufficient excuse for interjecting sundry irrelevant appeals
for mercy and an occasional reference to his own unworthiness as
a nigger.

The tempest continued with unabated violence. The big, raw-boned
Striker, pulling nervously at his beard, stood near a window
which looked out upon the barn and sheds, plainly revealed in the
blinding, almost uninterrupted flashes of lightning. Such sentences
as these fell from his lips as he turned his face from the bleaching
flares before they ended in mighty crashes: "That struck powerful
nigh,"--or "I seen that one runnin' along the ground like a ball
of fire," or "There goes somethin' near," or "That was a tree jest
back o' the barn, you'll see in the mornin'."

"Dere won't never be any mo'nin'," gulped the unhappy Zachariah,
bending lower to his task, which now had to do with the boot-straps
at the bottoms of his master's trouser-legs. Getting to his feet,
he proceeded, with a well-trained dexterity that even his terror
failed to divert, to draw on the immaculate calf-skin boots with
the gorgeous tops. Then he pulled the trouser-legs down over the
boots, obscuring their upper glory; after which he smoothed out the
wrinkles and fastened the instep straps. Whereupon, Kenneth arose,
stamped severely on the hearth several times to settle his feet
in the snug-fitting boots, and turned to the looking-glass. He was
wielding the comb with extreme care and precision when his host
turned from the window and approached.

"Seems to me you're goin' to a heap o' trouble, friend," he remarked,
surveying the tall, graceful figure with a rather disdainful eye.
"We don't dress up much in these parts, 'cept on Sunday."

"Please do not consider me vain," said the young man, flushing. He
smarted under the implied rebuke,--in fact, he was uncomfortably
aware of ridicule. "My riding-boots were filthy. I--I--Yes, I know,"
he broke in upon himself as Phineas extended one of his own muddy
boots for inspection. "I know, but, you see, I am the unbidden
guest of yourself and Mrs. Striker. The least I can do in return
for your hospitality is to make myself presentable--"

"You'll have to excuse my grinnin', Mr. Gwynne," interrupted the
other. "I didn't mean any offence. It's jest that we ain't used to
good clothes an' servants to pull our boots off an' on, an'--butternut
pants an' so on. We're 'way out here on the edge of the wilderness
where bluejeans is as good as broadcloth or doe-skin, an' a chaw
of tobacco is as good as the state seal fer bindin' a bargain. Lord
bless ye, I don't keer how much you dress up. I guess I might as
well tell ye the only men up at Lafayette who wear as good clothes
as you do are a couple of gamblers that work up an' down the river,
an' Barry Lapelle. I reckon you've heerd of Barry Lapelle. He's
known from one end of the state to the other, an' over in Ohio an'
Kentucky too."

"I have never heard of him."

Striker looked surprised. He glanced at the closed sitting-room
door before continuing.

"Well, he owns a couple steamboats that come up the river. Got 'em
when his father died a couple o' years ago. His home used to be in
Terry Hut, but he's been livin' at Bob Johnson's tavern for a matter
of six months now, workin' up trade fer his boats, I understand.
He's as wild as a hawk an'--but you'll run across him if you're
goin' to live in Lafayette."

"By the way, what is the population of Lafayette?"

Phineas studied the board ceiling thoughtfully for a moment or two.
"Well, 'cordin' to people who live in Attica she's got about five
hundred. People who live in Crawfordsville give her seven hundred.
Down at Covington an' Williamsport they say she's got about four
hundred an' twelve. When you git to Lafayette Bob Johnson an' the
rest of 'em will tell you she's over two thousand an' growin' so
fast they cain't keep track of her. There's so much lyin' goin' on
about Lafayette that it's impossible to tell jest how big she is.
Countin' in the dogs, I guess she must have a population of between
six hundred and fifty an' three thousand. You see, everybody up
there's got a dog, an' some of 'em two er three. One feller I know
has got seven. But, on the whole, I guess you'll like the place.
It's the head of navigation at high water, an' if they ever build
the Wabash an' Erie Canal they're talkin' about she'll be a regular
seaport, like New York er Boston. 'Pears to me the worst is over,
don't you reckon so?"

Kenneth, having adjusted his stock and white roll-over collar to
suit his most exacting eye, slipped his arms into the coat Zachariah
was holding for him, settled the shoulders with a shrug or two and
a pull at the flaring lapels, smoothed his yellow brocaded waist-coat
carefully, and then, spreading his long, shapely legs and at the
same time the tails of his coat, took a commanding position with
his back to the blazing logs.

"Are you referring to my toilet, Mr. Striker?" he inquired amiably.

"I was talkin' about the storm," explained Phineas hastily. "Take
the boots out to the kitchen, Zachariah. Eliza'll git into your wool
if she ketches you leavin' 'em in here. Yes, sir, she's certainly
lettin' up. Goin' down the river hell-bent. They'll be gettin' her
at Attica 'fore long. Are you plannin' to work the farm yourself,
Mr. Gwynne, or are you goin' to sell er rent on shares?"

Gwynne looked at him in surprise. "You appear to know who I am,
after all, Mr. Striker."

Striker grinned. "I guess everybody in this neck o' the woods has
heerd about you. Dan Bugher,--he's the county recorder,--an' Rube
Kelsey, John Bishop, Larry Stockton, an' a lot more of the folks
up in town, have been lookin' down the Crawfordsville road fer you
ever since your father died last August. You 'pear to be a very
important cuss fer one who ain't never set foot in Indianny before."

"I see," said the other reflectively. "Were you acquainted with my
father, Mr. Striker?"

"Much so as anybody could be. He wasn't much of a hand fer makin'
friends. Stuck purty close to the farm, an' made it about the best
piece o' propetty in the whole valley. I was jest wonderin' whether
you was plannin' to live on the farm er up in town."

"Well, you see, I am a lawyer by profession. I know little or
nothing about farming. My plans are not actually made, however.
A great deal depends on how I find things. Judge Wylie wishes me
to enter into partnership with him, and Providence M. Curry says
there is a splendid chance for me in his office at Crawfordsville.
I shall do nothing until I have gone thoroughly into the matter.
You know the farm, Mr. Striker?"

"Yes. It's not far from here,--five or six mile, I'd say, to
the north an' east. Takes in some of the finest land on the Wea
Plain,--mostly clear, some fine timber, plenty of water, an' about
the best stocked farm anywheres around. Your father was one of the
first to edge up this way ten er twelve year ago, an' he got the
pick o' the new land. He came from some'eres down the river, 'bout
Vincennes er Montezuma er some such place. I reckon you know that
he left another passel of land over this way, close to the Wabash,
an' some propetty up in Lafayette an' some more down in Crawfordsville."

"I have been so informed," said his guest, rather shortly.

"I bought this sixty acre piece offen him two year ago. All timber
when I took hold of it, 'cept seventeen acres out thataway," jerking
his thumb, "along the Middleton road." He hesitated a moment. "You
see, I worked for your father fer a considerable time, as a hand.
That's how he came to sell to me. I got married an' wanted a place of
my own. He said he'd sooner sell to me than let some other feller
cheat the eye-teeth outen me, me bein' a good deal of fool when
it comes to business an' all. Yep, I'd saved up a few dollars, so
I sez what's the sense of me workin' my gizzard out fer somebody
else an' all that, when land's so cheap an' life so doggoned short.
'Course, there's a small mortgage on the place, but I c'n take keer
of that, I reckon."

"Ahem! The mortgage, I fancy, is held by--er--the other heirs to
his property." "You're right. His widder holds it, but she ain't
the kind to press me. She's purty comfortable, what with this land
along the edge o' the plain out here an' a whole section up in the
Grand Prairie neighbourhood, besides half a dozen buildin' lots
in town an' a two story house to live in up there. To say nothin'
of--"

"Come to supper," called out Mrs. Striker from the doorway.

"That's somethin' I'm always ready fer," announced Mr. Striker.
"Winter an' summer, spring an' fall. Step right ahead, Mr.--"

"Just a moment, if you please," said the young man, laying his hand
on the settler's arm. "You will do me a great favour if you refrain
from discussing these matters in the presence of your other
guest to-night. My father, as you doubtless know, meant very
little in my life. I prefer not to discuss him in the presence of
strangers,--especially curious-minded young women."

Phineas looked at him narrowly for an instant, a queer expression
lurking in his eyes.

"Jest as you say, Mr. Gwynne. Not a word in front of strangers. I
don't know as you know it, but up to the time your father's will
was perduced there wasn't a soul in these parts as knowed such a
feller as you wuz on earth. He never spoke of a son, er havin' been
married before, er bein' a widower, er anything like--"

"I am thoroughly convinced of that, Mr. Striker," said Kenneth, a
trifle austerely, and passed on ahead of his host into the kitchen.

"Bring in them two candlesticks, Phin," ordered Mrs. Striker. "We
got to be able to see what each other looks like, an' goodness knows
we cain't with this taller dip I got out here to cook by. 'Tain't
often we have people right out o' the fashion-plates to supper, so
let's have all the light we kin."




CHAPTER II

THE STRANGE YOUNG WOMAN


The tempest by now had subsided to a distant, rumbling murmur,
although the rain still beat against the window-panes in fitful
gusts, the while it gently played the long roll on the clapboards
a scant two feet above the tallest head. Far-off flashes of lightning
cast ghastly reminders athwart the windows, fighting the yellow
candle glow with a sickly, livid glare.

Kenneth's fellow-guest was standing near the stove, her back toward
him as he entered the kitchen. The slant of the "ceiling" brought
the crown of her head to within a foot or so of the round, peeled
beams that supported the shed-like roof, giving her the appearance
of abnormal height. As a matter of fact, she was not as tall as
the gaunt Eliza, who, like her husband and the six-foot guest, was
obliged to lower her head when passing through the kitchen door to
the yard.

The table was set for four, in the middle of the little kitchen;
rude hand-made stools, without backs, were in place. A figured red
cloth covered the board, its fringe of green hanging down over the
edges. The plates, saucers and coffee-cups were thick and clumsy
and gaudily decorated with indescribable flowers and vines done entirely
in green--a "set," no doubt, selected with great satisfaction in
advance of the Striker nuptials. There were black-handled case-knives,
huge four-tined forks, and pewter spoons. A blackened coffee-pot,
a brass tea-kettle and a couple of shallow skillets stood on the
square sheet-iron stove. "Come in and set down, Mr. Gwynne," said
Mrs. Striker, pointing to a stool. With the other hand she deftly
"flopped" an odorous corn-cake in one of the skillets. There was
a far from unpleasant odor of grease.

"I can't help thanking my lucky stars, Mrs. Striker, that I got
here ahead of that storm," said he, moving over to his appointed
place, where he remained standing. "We were just in time, too. Ten
minutes later and we would have been in the thick of it. And here
we are, safe and sound and dry as toast, in the presence of a
most inviting feast. I cannot tell you how much I appreciate your
kindness."

"Oh, it's--it's nothing," said she, diffidently. Then to Striker:
"Put 'em here on the table, you big lummix. Set down, everybody."

The young lady sat opposite Gwynne. She lowered her head immediately
as Phineas began to offer up his established form of grace. The unhappy
host got himself into a dire state of confusion when he attempted
to vary the habitual prayer by tacking on a few words appertaining
to the recent hurricane and God's goodness in preserving them all
from destruction as well as the hope that no serious damage had been
done to other live-stock and fowls, or to the life and property of
his neighbours,--amen!

To which Zachariah, seated on a roll of blankets in the corner,
appended a heartfelt amen, and then sank back to watch his betters
eat, much as a hungry dog feasts upon anticipation. He knew that he
was to have what was left over, and he offered up a silent prayer
of his own while wistfully speculating on the prospects.

The two colonial candlesticks stood in the centre of the table, a
foot or two apart. When Gwynne lifted his head after "grace," he
looked directly between them at his vis-a-vis. For a few seconds
he stared as if spell-bound. Then, realizing his rudeness and
conscious of an unmistakable resentment in her eyes, he felt the
blood rush to his face, and quickly turned to stammer something to
his host,--he knew not what it was.

Never had he looked upon a face so beautiful, never had he seen
any one so lovely as this strange young woman who shared with him
the hospitality of the humble board. He had gazed for a moment full
into her deep, violet eyes,--eyes in which there was no smile but
rather a cool intentness not far removed from unfriendliness,--and
in that moment he forgot himself, his manners and his composure.

The soft light fell upon warm, smooth cheeks; a broad, white
brow; red, sensitive lips and a perfect mouth; a round firm chin;
a delicate nose,--and the faint shadows of imperishable dimples
that even her unsmiling expression failed to disturb.

Not even in his dreams had he conjured up a face so bewilderingly
beautiful.

Her hair, which was puffed and waved over her ears, took on the shade
of brown spun silk on which the light played in changing tones of
bronze. It was worn high on her head, banded a la grecque, with a
small knot on the crown from which depended a number of ringlets
ornamented with bowknots. Her ears were completely hidden by the
soft mass that came down over them in shapely knobs. She wore no
earrings,--for which he was acutely grateful, although they were
the fashion of the day and cumbersomely hideous,--and her shapely
throat was barren of ornament. He judged her to be not more than
twenty-two or -three. A second furtive glance caught her looking
down at her plate. He marvelled at the long, dark eyelashes.

Who was she? What was she doing here in the humble cot of the
Strikers? Certainly she was out of place here. She was a tender,
radiant flower set down amongst gross, unlovely weeds. That she was
a person of consequence, to whom the Strikers paid a rude sort of
deference, softened by the familiarity of long association but in
no way suggestive of relationship, he was in no manner of doubt.

He was not slow to remark their failure to present him to her. The
omission may have been due to ignorance or uncertainty on their
part, but that was not the construction he put upon it. Striker was
the free-and-easy type who would have made these strangers known
to each other in some bluff, awkward manner,--probably by their
Christian names; he would never have overlooked this little formality,
no matter how clumsily he may have gone about performing it. It
was perfectly plain to Gwynne that it was not an oversight. It was
deliberate.

His slight feeling of embarrassment, and perhaps annoyance, evidently
was not shared by the young lady; so far as she was concerned the
situation was by no means strained. She was as calm and serene and
impervious as a princess royal.

She joined in the conversation, addressed herself to him without
constraint, smiled amiably (and adorably) upon the busy Eliza and
her jovial spouse, and even laughed aloud over the latter's account
of Zachariah and the silver-top boots. Gwynne remarked that it was
a soft, musical laugh, singularly free from the shrill, boisterous
qualities so characteristic of the backwoods-woman. She possessed
the poise of refinement. He had seen her counterpart,--barring
her radiant beauty,--many a time during his years in the cultured
east: in Richmond, in Philadelphia, and in New York, where he had
attended college.

He was subtly aware of the lively but carefully guarded interest she
was taking in him. He felt rather than knew that she was studying
him closely, if furtively, when his face was turned toward the
talkative host. Twice he caught her in the act of averting her gaze
when he suddenly glanced in her direction, and once he surprised
her in a very intense scrutiny,--which, he was gratified to observe,
gave way to a swift flush of confusion and the hasty lowering of
her eyes. No doubt, he surmised with some satisfaction, she was
as vastly puzzled as himself, for he must have appeared equally
out-of-place in these surroundings. His thoughts went delightedly
to the old, well-beloved story of Cinderella. Was this a Cinderella
in the flesh,--and in the morning would he find her in rags and
tatters, slaving in the kitchen?

He noticed her hands. They were long and slim and, while browned
by exposure to wind and sun, bore no evidence of the grinding toil
to which the women and girls of the frontier were subjected. And
they were strong, competent hands, at that.

The food was coarse, substantial, plentiful. (Even Zachariah could
see that it was plentiful.) Solid food for sturdy people. There were
potatoes fried in grease, wide strips of side meat, apple butter,
corn-cakes piping hot, boiled turnips, coffee and dried apple pie.
The smoky odor of frying grease arose from the skillets and, with
the grateful smell of coffee, permeated the tight little kitchen.
It was a savoury that consoled rather than offended the appetite
of these hardy eaters.

Striker ate largely with his knife, and smacked his lips resoundingly;
swigged coffee from his saucer through an overlapping moustache
and afterwards hissingly strained the aforesaid obstruction with
his nether lip; talked and laughed with his mouth full,--but all
with such magnificent zest that his guests overlooked the shocking
exhibition. Indeed, the girl seemed quite accustomed to Mr.
Striker's table-habits, a circumstance which created in Kenneth's
questing mind the conviction that she was not new to these parts,
despite the garments and airs of the fastidious East.

They were vastly interested in the account of his journey through
the wilderness.

"Nowadays," said Striker, "most people come up the river, 'cept them
as hail from Ohio. You must ha' come by way of Wayne an' Madison
Counties."

"I did," said his guest. "We found it fairly comfortable travelling
through Wayne County. The roads are decent enough and the settlers
are numerous. It was after we left Madison County that we encountered
hardships. We travelled for a while with a party of emigrants who
were heading for the settlement at Strawtown. There were three
families of them, including a dozen children. Our progress was
slow, as they travelled by wagon. Rumours that the Indians were
threatening to go on the warpath caused me to stay close by this
slow-moving caravan for many miles, not only for my own safety but
for the help I might be able to render them in case of an attack.
At Strawtown we learned that the Indians were peaceable and that
there was no truth in the stories. So Zachariah and I crossed the
White River at that point and struck off alone. We followed the
wilderness road,--the old Indian trace, you know,--and we travelled
nearly thirty miles without seeing a house. At Brown's Wonder we
met a party of men who had been out in this country looking things
over. They were so full of enthusiasm about the prairies around
here,--the Wea, the Wild Cat and Shawnee prairies,--that I was
quite thrilled over the prospect ahead, and no longer regretted
the journey which had been so full of privations and hardships and
which I had been so loath to undertake in the beginning. Have you
been at Thorntown recently?"

"Nope. Not sence I came through there some years ago. It was purty
well deserted in those days. Nothin' there but Injin wigwams an'
they was mostly run to seed. At that time, Crawfordsville was the
only town to speak of between Terry Hut an' Fort Wayne, 'way up
above here."

"Well, there are signs of a white settlement there now. Some of the
old French settlers are still there and other whites are coming in.
I had heard a great deal about the big Indian village at Thorntown,
and was vastly disappointed in what I found. I am quite romantic,
Miss--ahem!--quite romantic by nature, having read and listened to
tales of thrilling adventures among the redskins, as we call them
down my way, until I could scarce contain myself. I have always
longed for the chance to rescue a beautiful white captive from the
clutches of the cruel redskins. My valour--"

"And I suppose you always dreamed of marrying her as they always
do in stories?" said she, smiling.

"Invariably," said he. "Alas, if I had rescued all the fair maidens
my dreams have placed in jeopardy, I should by this time have as
many wives as Solomon. Only, I must say in defence of my ambitions,
I should not have had as great a variety. Strange as it may seem,
I remained through all my adventures singularly constant to a
certain idealistic captive. She looked, I may say, precisely alike
in each and every case. Poor old Solomon could not say as much for
his thousand wives. Mine, if I had them, would be so much alike in
face and form that I could not tell one from the other,--and, now
that I am older and wiser,--though not as wise as Solomon,--I am
thankful that not one of these daring rescues was ever consummated,
for I should be very much distressed now if I found myself married
to even the most beautiful of the ladies my feeble imagination
conceived."

This subtle touch of gallantry was over the heads of Mr. and Mrs.
Striker. As for the girl, she looked momentarily startled, and
then as the dimples deepened, a faint flush rose to her cheeks.
An instant later, the colour faded, and into her lovely eyes came
a cold, unfriendly light. Realizing that he had offended her with
this gay compliment,--although he had never before experienced
rebuff in like circumstances,--he hastened to resume his narrative.

"We finally came to Sugar River and followed the road along the
southern bank. You may know some of the settlers we found along
the river. Wisehart and Kinworthy and Dewey? They were among the
first to come to this part of the country, I am informed. Fine,
brave men, all of them. In Crawfordsville I stopped at the tavern
conducted by Major Ristine. While there I consulted with Mr. Elston
and Mr. Wilson and others about the advisability of selling my land
up here and my building lots in Lafayette. They earnestly advised
me not to sell. In their opinion Lafayette is the most promising
town on the Wabash, while the farming land in this section is not
equalled anywhere else in the world. Of course, I realize that they
are financially interested in the town of Lafayette, owning quite
a lot of property there, so perhaps I should not be guided solely
by their enthusiasm."

"They are the men who bought most of Sam Sargeant's lots some
years back," said Striker, "when there wasn't much of anything in
the way of a town,--them and Jonathan Powers, I think it was. They
paid somethin' like a hundred an' fifty dollars for more'n half
of the lots he owned, an' then they started right in to crow about
the place. I was workin' down at Crawfordsville at the time. They
had plenty of chance to talk, 'cause that town was full of emigrants,
land-grabbers, travellers an' setch like. That was before the new
county was laid out, you see. Up to that time all the land north
of Montgomery County was what was called Wabash County. It run up
as fer as Lake Michigan, with the jedges an' courts an' land offices
fer the whole district all located in Crawfordsville. Maybe you
don't know it, but Tippecanoe County is only about six years old.
She was organized by the legislature in 1826. To show you how
smart Elston and them other fellers was, they donated a lot of
their property up in Lafayette to the county on condition that the
commissioners located the county seat there. That's how she come
to be the county seat, spite of the claims of Americus up on the
east bank of the Wabash.

"Maybe you've heard of Bill Digby. He's the feller that started
the town o' Lafayette. Well, a couple o' days after he laid out
the town o' Lafayette,--named after a Frenchman you've most likely
heerd about,--he up an' sold the whole place to Sam Sargeant fer
a couple o' hundred dollars, they say. He kept enough ground fer a
ferry landin' an' a twenty-acre piece up above the town fer specolatin'
purposes, I understand. He afterwards sold this twenty-acre piece
to Sam fer sixty dollars, an' thought he done mighty well. When I
first come to the Wea, Lafayette didn't have more'n half a dozen
cabins. I went through her once on my way up to the tradin' house
at Longlois, couple a mile above. You wouldn't believe a town could
grow as fast as Lafayette has in the last couple o' years. If she
keeps on she'll be as big as all get-out, an' Crawfordsville won't
be nowhere. Tim Horran laid out Fairfield two-three years back,
over east o' here. Been a heap o' new towns laid out this summer,
all around here. But I guess they won't amount to much. Josiah
Halstead and Henry Ristine have jest laid out the town o' Columbia,
down near the Montgomery line. Over on Lauramie Crick is a town
called Cleveland, an' near that is Monroe, jest laid out by a
feller named Major. There's another town called Concord over east
o' Columbia. There may be more of 'em, but I ain't heerd of 'em
yet. They come up like mushrooms, an' 'fore you know it, why, there
they are.

"This land o' yours, Mr. Gwynne, lays 'tween here an' this new
settlement o' Columbia, an' I c'n tell you that it ain't to be
beat anywheres in the country. I'd say it is the best land your
fa--er--ahem!" The speaker was seized with a violent and obviously
unnecessary spell of coughing. "Somethin' must ha' gone the wrong
way," he explained, lamely. "Feller ort to have more sense'n to
try to swaller when he's talkin'."

"Comes of eatin' like a pig," remarked his wife, glaring at him
as she poured coffee into Gwynne's empty cup. "Mr. Gwynne'll think
you don't know any better. He never eats like this on Sunday," she
explained to their male guest.

"I got a week-day style of eatin' an' one strickly held back fer
Sunday," said Phineas. "Same as clothes er havin' my boots greased."

Kenneth was watching the face of the girl opposite. She was looking
down at her plate. He observed a little frown on her brow. When she
raised her eyes to meet his, he saw that they were sullen, almost
unpleasantly so. She did not turn away instantly, but continued
to regard him with a rather disconcerting intensity. Suddenly she
smiled. The cloud vanished from her brow, her eyes sparkled. He
was bewildered. There was no mistaking the unfriendliness that had
lurked in her eyes the instant before. But in heaven's name, what
reason had she for disliking him?

"If you believe all that Phineas says, you will think you have
come to Paradise," she said. At no time had she uttered his name,
in addressing him, although it was frequently used by the Strikers.
She seemed to be deliberately avoiding it.

"It is a present comfort, at least, to believe him," he returned.
"I hope I may not see the day when I shall have to take him to task
for misleading me in so vital a matter."

"I hope not," said she, quietly.

As he turned to Striker, he caught that worthy gazing at him with
a fixed, inquisitive stare. He began to feel annoyed and uncomfortable.
It was not the first time he had surprised a similar scrutiny on
the part of one or the other of the Strikers. Phineas, on being
detected, looked away abruptly and mumbled something about "God's
country."

The young man decided it was time to speak. "By the way you all look
at me, Mr. Striker, I am led to suspect that you do not believe I
am all I represent myself to be. If you have any doubts, pray do
not hesitate to express them."

Striker was boisterously reassuring. "I don't doubt you fer
a second, Mr. Gwynne. As I said before, the whole county has been
expectin' you to turn up. We heerd a few days back that you was in
Crawfordsville. If me an' Eliza seem to act queer it's because we
knowed your father an'--an', well, I can't help noticin' how much
you look like him. When he was your age he must have looked enough
like you to be your twin brother. We don't mean no disrespect, an'
I hope you'll overlook our nateral curiosity."

Kenneth was relieved. The furtive looks were explained.

"I am glad to hear that you do not look upon me as an outlaw or--"

"Lord bless you," cried Striker, "there ain't nobody as would take
you fer an outlaw. You ain't cut out fer a renegade. We know 'em
the minute we lay eyes on 'em. Same as we know a Pottawatomy Injin
from a Shawnee, er a jack-knife from a Bowie. No, there ain't
no doubt in my mind about you bein' your father's son--an' heir,
as the sayin' goes. If you turn out to be a scalawag, I'll never
trust my eyes ag'in."

The young man laughed. "In any case, you are very good to have
taken me in for the night, and I shall not forget your trust or
your hospitality. Wolves go about in sheep's clothing, you see,
and the smartest of men are sometimes fooled." He turned abruptly
to the girl. "Did you know my father, too?"

She started violently and for the moment was speechless, a curious
expression in her eyes.

"Yes," she said, at last, looking straight at him: "Yes, I knew
your father very well."

"Then, you must have lived in these parts longer than I have
suspected," said he. "I should have said you were a newcomer."

Mrs. Striker made a great clatter of pans and skillets at the stove.
The girl waited until this kindly noise subsided.

"I have lived in this neighbourhood since I was eight years old,"
she said, quietly.

Striker hastened to add: "Somethin' like ten or 'leven years,--'leven,
I reckon, ain't it?"

"Eleven years," she replied.

Gwynne was secretly astonished and rather skeptical. He would have
taken oath that she was twenty-two or -three years old, and not
nineteen as computation made her.

"She ain't lived here all the time," volunteered Eliza, somewhat
defensively. "She was to school in St. Louis fer two or three years
an'--"

The young lady interrupted the speaker coldly. "Please, Eliza!"

Eliza, looking considerably crestfallen, accepted the rebuke meekly.
"I jest thought he'd be interested," she murmured.

"She came up the Wabash when she was nothin' but a striplin',"
began Striker, not profiting by his wife's experience. He might
have gone on at considerable length if he had not met the reproving,
violet eye. He changed the subject hastily. "As I was sayin',
we've had a powerful lot o' rain lately. Why, by gosh, last week
you could have went fishin' in our pertato patch up yander an' got
a mess o' sunfish in less'n no time. I never knowed the Wabash to
be on setch a rampage. An' as fer the Wild Cat Crick and Tippecanoe
River, why, they tell me there ain't been anything like--How's
that?"

"Is Wabash an Indian name?" repeated Kenneth.

"That's what they say. Named after a tribe that used to hunt an'
fish up an' down her, they say."

"There was once a tribe of Indians in this part of the country,"
broke in the girl, with sudden zest, "known as the Ouabachi. We
know very little about them nowadays, however. They were absorbed
by other and stronger tribes far back in the days of the French
occupation, I suppose. French trappers and voyageurs are known to
have traversed and explored the wilderness below here at least one
hundred and fifty years ago. There is an old French fort quite near
here,--Ouiatanon."

"She knows purty nigh everything," said Phineas, proudly. "Well, I
guess we're about as full as it's safe to be, so now's your chance,
Zachariah."

He pushed back his stool noisily and arose. Taking up the two
candlesticks, he led the way to the sitting-room, stopping at the
door for a word of instruction to the negro. "You c'n put your
blankets down here on the kitchen floor when you're ready to go to
bed. Mrs. Striker will kick you in the mornin' if you ain't awake
when she comes out to start breakfast."

"Yassuh, yassuh," grinned the hungry darkey. "Missus won't need fo'
to kick more'n once, suh,--'cause Ise gwine to be hungry all over
ag'in 'long about breakfus time,--yas-SUH!"

"Zachariah will wash the dishes and--" began Kenneth, addressing
Mrs. Striker, who was already preparing to cleanse and dry her
pots and pans. She interrupted him.

"He won't do nothin' of the kind. I don't let nobody wash my dishes
but myself. Set down here, Zachariah, an' help yourself. When you're
done, you c'n go out an' carry me in a couple of buckets o' water
from the well,--an, that's all you CAN do."

"I guess I'll go out an' take a look around the barn an' pens,"
said Phineas, depositing the candles on the mantelpiece. "See
if everything's still there after the storm. No, Mr. Gwynne,--you
set down. No need o' you goin' out there an' gettin' them boots o'
your'n all muddy."

He took up the lantern and lighted the tallow wick from one of the
candles. Then he fished a corncob pipe from his coattail pocket
and stuffed it full of tobacco from a small buckskin bag hanging
at the end of the mantel.

"He'p yourself to tobaccer if you keer to smoke. There's a couple
o' fresh pipes up there,--jest made 'em yesterday,--an' it ain't
ag'inst the law to smoke in the house on rainy nights. Used to be
a time when we was first married that I had to go out an' git wet
to the skin jest because she wouldn't 'low no tobaccer smoke in
the house. Many's the time I've sot on the doorstep here enjoyin'
a smoke with the rain comin' down so hard it'd wash the tobaccer
right out o' the pipe, an' twice er maybe it was three times it
biled over an'--What's that you say?"

"I did not say anything, Phineas," said the girl, shaking her head
mournfully. "I am wondering, though, where you will go when you
die."

"Where I c'n smoke 'thout runnin' the risk o' takin' cold, more'n
likely," replied Phineas, winking at the young man. Then he went
out into the windy night, closing the door behind him.




CHAPTER III

SOMETHING ABOUT CLOTHES, AND MEN, AND CATS


Smiling over the settler's whimsical humour, Gwynne turned to his
companion, anticipating a responsive smile. Instead he was rewarded
by an expression of acute dismay in her dark eyes. He recalled seeing
just such a look in the eyes of a cornered deer. She met his gaze
for a fleeting instant and then, turning away, walked rapidly over
to the little window, where she peered out into the darkness. He
waited a few moments for her to recover the composure so inexplicably
lost, and then spoke,--not without a trace of coldness in his voice.

"Pray have this chair." He drew the rocking-chair up to the fireplace,
setting it down rather sharply upon the strip of rag carpet that
fronted the wide rock-made hearth. "You need not be afraid to be
left alone with me. I am a most inoffensive person."

He saw her figure straighten. Then she faced him, her chin raised,
a flash of indignation in her eyes.

"I am not afraid of you," she said haughtily. "Why should you
presume to make such a remark to me?"

"I beg your pardon," he said, bowing. "I am sorry if I have offended
you. No doubt, in my stupidity, I have been misled by your manner.
Now, will you sit down--and be friendly?"

His smile was so engaging, his humility so genuine, that her manner
underwent a swift and agreeable change. She advanced slowly to the
fireplace, a shy, abashed smile playing about her lips.

"May I not stand up for a little while?" she pleaded, with mock
submissiveness. "I do so want to grow tall."

"To that I can offer no objection," he returned; "although in my
humble opinion you would do yourself a very grave injustice if you
added so much as the eighth of an inch to your present height."

"I feel quite small beside you, sir," she said, taking her stand
at the opposite end of the hearth, from which position she looked
up into his admiring eyes.

"I am an overgrown, awkward lummix," he said airily. "The boys
called me 'beanpole' at college."

"You are not an awkward lummix, as you call yourself,--though what
a lummix is I have not the slightest notion. Mayhap if you stood
long enough you might grow shorter. They say men do,--as they become
older." She ran a cool, amused eye over his long, well-proportioned
figure, taking in the butter-nut coloured trousers, the foppish
waistcoat, the high-collared blue coat, and the handsome brown-thatched
head that topped the whole creation. He was almost a head taller
than she, and yet she was well above medium height.

"How old are you?" she asked, abruptly. Again she was serious,
unsmiling.

"Twenty-five," he replied, looking down into her dark, inquiring
eyes with something like eagerness in his own. He was saying over
and over again to himself that never had he seen any one so lovely
as she. "I am six years older than you. Somehow, I feel that I am
younger. Rather odd, is it not?"

"Six years," she mused, looking into the fire. The glow of the
blazing logs cast changing, throbbing shadows across her face, now
soft and dusky, like velvet, under the warm caress of the firelight.
"Sometimes I feel much older than nineteen," she went on, shaking
her head as if puzzled. "I remember that I was supposed to be very
large for my age when I was a little girl. Everybody commented on
my size. I used to be ashamed of my great, gawky self. But," she
continued, shrugging her pretty shoulders, "that was ages ago."

He drew a step nearer and leaned an elbow on the mantel.

"You say you knew my father," he said, haltingly. "What was he
like?"

She raised her eyes quickly and for an instant studied his face
curiously, as if searching for something that baffled her understanding.

"He was very tall," she said in a low voice. "As tall as you are."

"I have only a dim recollection of him," he said. "You see, I made
my home with my grandparents after I was five years old." He did
not offer any further information. "As a tiny lad I remember wishing
that I might grow up to be as big as my father. Did you know him
well?"

If she heard, she gave no sign as she turned away again. This time
she walked over to the cabin door, which she opened wide, letting
in a rush of chill, damp air. He felt his choler rise. It was a
deliberate, intentional act on her part. She desired to terminate
the conversation and took this rude, insolent means of doing so.
Never had he been so flagrantly insulted,--and for what reason? He
had been courteous, deferential, friendly. What right had she,--this
insufferable peacock,--to consider herself his superior? Hot words
rushed to his lips, but he checked them. He contented himself with
an angry contemplation of her slender, graceful figure as she poised
in the open doorway, holding the latch in one hand while the other
was pressed against her bare throat for protection against the
cold night air. Her ringlets, flouted by the wind, threshed merrily
about the crown of her head. He noted the thick coil of hair that
capped the shapely white neck. Despite his rancour and the glowering
gaze he bent upon her, he was still lamentably conscious of her
perfections. He had it in his heart to go over and shake her soundly.
It would be a relief to see her break down and whimper. It would
teach her not to be rude to gentlemen!

The two dogs came racing up to the threshold. She half-knelt and
stroked their heads.

"No, no!" she cried out to them. "You cannot come in! Back with
you, Shep! Pete! That's a good dog!"

Then she arose and quickly closed the door.

"The wind is veering to the south," she said calmly, as she advanced
to the fireplace. She was shivering. "That means fair weather and
warmer. We may even see the sun to-morrow."

She held out her hands to the blaze.

"Won't you have this chair now?" he said stiffly, formally. She
was looking down into the fire, but he saw the dimple deepen in
her cheek and an almost imperceptible twitching at the corner of
her mouth. Confound her, was she laughing at him? Was he a source
of amusement to her?

She turned her head and glanced up at him over her shoulder. He
caught a strained, appealing gleam in her eyes.

"Please forgive me if I was rude," she said, quite humbly.

He melted a little. He no longer desired to shake her. "I feared
I had in some way offended you," he said.

She shook her head and was silent for a moment or two, staring
thoughtfully at the flames. A faint sigh escaped her, and then she
faced him resolutely, frankly.

"You have succeeded fairly well in concealing your astonishment at
seeing me here in this hut, dressed as I am," she said, somewhat
hurriedly. "You have been greatly puzzled. I am about to confess
something to you. You will see me again,--often perhaps,--if you
remain long in this country. It is my wish that you should not
know who I am to-night. You will gain nothing by asking questions,
either of me or of the Strikers. You will know in the near future,
so let that be sufficient. At first I--"

"You have my promise not to disregard your wishes in this or any
other matter," he said, bowing gravely. "I shall ask no questions."

"Ah, but you have been asking questions all to yourself ever since
you came into this cabin and saw me--in all this finery--and you
will continue to ask them," she declared positively. "I do not blame
you. I can at least account for my incomprehensible costume. That
much you shall have, if no more. This frock is a new one. It has
just come up the river from St. Louis. I have never had it on until
to-day. Another one, equally as startling, lies in that bedroom
over there, and beside it on the bed is the dress I came here in
this afternoon. It is a plain black dress, and there is a veil and
a hideous black bonnet to go with it." She paused, a bright little
gleam of mingled excitement and defiance in her eyes.

"You--you have lost--I mean, you are in mourning for some one?" he
exclaimed. The thought rushed into his mind: Was she a widow? This
radiantly beautiful girl a widow?

"For my father," she stated succinctly. "He died almost a year
ago. I was in school at St. Louis when it happened. I had not seen
him for two years. My mother sent for me to come home. Since that
time I have worn nothing but black,--plain, horrible black. Do not
misjudge me. I am not vain, nor am I as heartless as you may be
thinking. I had and still have the greatest respect for my father.
He was a good man, a fine man. But in all the years of my life he
never spoke a loving word to me, he never caressed me, he never
kissed me. He was kindness itself, but--he never looked at me with
love in his eyes. I don't suppose you can understand. I was the
flesh of his flesh, and yet he never looked at me with love in his
eyes.

"As I grew older I began to think that he hated me. That is
a terrible thing to say,--and you must think it vile of me to say
it to you, a stranger. But I have said it, and I would not take
it back. I have seen in his eyes,--they were brooding, thoughtful
eyes,--I have seen in them at times a look--Oh, I cannot tell you
what it seemed like to me. I can only say that it had something
like despair in it,--sadness, unhappiness,--and I could not help
feeling that I was the cause of it. When I was a tiny girl he
never carried me in his arms. My mother always did that. When I
was thirteen years old he hired me out as a servant in a farmer's
family and I worked there until I was fourteen. It was not in this
neighbourhood. I worked for my board and keep, a thing I could not
understand and bitterly resented because he was prosperous. Then
my mother fell ill. She was a strong woman, but she broke down in
health. He came and got me and took me home. I was a big girl for
my age,--as big as I am now,--and strong. I did all the work about
the house until my mother was well again. He never gave me a word
of appreciation or one of encouragement.

"He was never unkind, he never found fault with me, he never in all
his life scolded or switched me when I was bad. Then, one day,--it
was three years ago,--he told me to get ready to go down to St. Louis
to school. He put me in charge of a trader and his wife who were
going down the river by perogue. He gave them money to buy suitable
clothes for me,--a large sum of money, it must have been,--and he
provided me with some for my own personal use. All arrangements
had been made in advance, without my knowing anything about it.

"I stayed there until I was called home by his death. I expected
to return to school, but my mother refused to let me go back. She
said my place was with her. That was last fall. She is still in the
deepest mourning, and I believe will never dress otherwise. I have
said all there is to say about my father. I did not love him, I
was not grieved when he passed away. It was almost as if a stranger
had died."

She paused. He took occasion to remark, sympathetically: "He must
have been a strange man."

"He was," she said. "I hope I have made you understand what kind
of a man he was, and what kind of a father he was to me. Now, I am
coming to the point. This finery you see me in now was purchased
without my mother's knowledge or consent,--with money of my own.
The box was delivered to Phineas Striker day before yesterday up
in Lafayette. I came here to spend the night, in order that I might
try them on. I live in town, with my mother. She left the farm after
my father's death. She adored him. She could not bear to live out
there on the lonely--but, that is of no interest to you. A few weeks
ago I asked her if I might not take off the black. She refused at
first, but finally consented. I have her promise that I may put on
colours sometime this spring. So I wrote to the woman who used to
make my dresses in St. Louis,--my father was not stingy with me,
so I always had pretty frocks,--and now they have come. My mother
does not know about them. She will be shocked when I tell her I have
them, but she will not be angry. She loves me. Is your curiosity
satisfied? It will have to be, for this is all I care to divulge
at present."

He smiled down into her earnest eyes. "My curiosity is appeased,"
he said. "I should not have slept tonight if you had not explained
this tantalizing mystery. Therefore, I thank you. May I have your
permission to say that you are very lovely in your new frock and
that you are marvellously becoming to it?"

"As you have already said it, I must decline to give you the
permission," she replied, naively.

He thought her adorable in this mood. "As a lawyer," he said, "I make
a practice of never withdrawing a statement, unless I am convinced
by incontrovertible evidence that I was wrong in the first place,--and
you will have great difficulty in producing the proof."

"Wait till you see me in my black dress and bonnet,--and mittens,"
she challenged.

He bowed gallantly. "Only the addition of the veil,--it would have
to be a very thick one,--I am sure,--could make me doubt my own
eyes. They are witnesses whose testimony it will be very hard to
shake."

Her manner underwent another transformation, as swift as it was
unexpected. A troubled, harassed expression came into her eyes,
driving out the sparkle that had filled them during that all too
brief exchange. The smile died on her lips, which remained drawn
and slightly parted as if frozen; she seemed for the moment to
have stopped breathing. He was acutely alive to the old searching,
penetrating look,--only now there was an added note of uneasiness.
In another moment all this had vanished, and she was smiling
again,--not warmly, frankly as before, but with a strange wistfulness
that left him more deeply perplexed than ever.

"I wonder,--" she began, and then shook her head without completing
the sentence. After a moment she went on: "Phineas is a long time.
I hope all is well."

They heard the kitchen door open and close and Striker's voice
loudly proclaiming the staunchness of his outbuildings, a speech
cut short by Eliza's exasperation.

"How many times do I have to tell you, Phin Striker, not to come
in this here kitchen without wipin' your feet? Might as well be
the barn, fer as you're concerned. Go out an' scrape that mud offen
your boots."

Deep mumbling and then the opening and shutting of the door again.

"Sometimes, I fear, poor Phineas finds matrimony very trying," said
the girl, her eyes twinkling.

Eliza appeared in the doorway. She was rolling down her sleeves.

"How are you two gettin' along?" she inquired, looking from one
to the other keenly. "I thought Phin was in here amusin' you the
whole time with lies about him an' Dan'l Boone. He used to hunt
with old Dan'l when he was a boy, an' if ever'thing happened to
them two fellers that he sez happened, why, Phin'd have to be nearly
two hundred years old by now an' there wouldn't be a live animal
or Indian between here an' the Gulf of Mexico." She seemed a little
uneasy. "I hope you two made out all right."

The girl spoke quickly, before her companion could reply. "We have
had a most agreeable chat, Eliza. Are you through in the kitchen?
If you are, would you mind coming into the bedroom with me? I want
you to see the other dress on me, and besides I have a good many
things I wish to talk over with you. Good night," she said to
Gwynne. "No doubt we shall meet again."

He was dumbfounded. "Am I not to see you in the new dress?" he
cried, visibly disappointed. "Surely you are not going to deny me
the joy of beholding you in--"

She interrupted him almost cavalierly. "Pray save up some of your
compliments against the day when you behold me in my sombre black,
for I shall need them then. Again, good night."

"Good night," he returned, bowing stiffly and in high dudgeon.

Eliza, in hurrying past, had snatched one of the candlesticks from
the mantel, and now stood holding the bedroom door open for the
queenly young personage. A moment later the door closed behind
them.

Gwynne was still scowling at the inoffensive door when Striker came
blustering into the room.

"Where are the women?" he demanded, stopping short.

A jerk of the thumb was his answer.

"Gone to bed?" with something like an accusing gleam in his eye as
his gaze returned to the young man.

"I believe so," replied Gwynne carelessly, as he sat down in the
despised rocker and stretched his long legs out to the fire. "I
fancy we are safe to smoke now, Striker. We have the parlor all to
ourselves. The ladies have deserted us."

Striker took the tobacco pouch from the peg on the mantel and handed
it to his guest.

"Fill up," he said shortly, and then walked over to the bedroom
door. He rapped timorously on one of the thick boards. "Want me
fer anything?" he inquired softly, as his wife opened the door an
inch or two.

"No. Go to bed when you're ready an' don't ferget to smother that
fire."

"Good night, Phineas," called out another voice merrily.

"Good night," responded Striker, with a dubious shake of his head.
He returned to the fireplace.

"Women are funny things," said he, dragging up another chair.
"'Specially about boots. I go out 'long about sun-up an' work like
a dog all day, an' then when I come in to supper what happens? First
thing my wife does is to look at my boots. Then she tells me to go
out an' scrape the mud off'm 'em. Then she looks up at my face to
see if it's me. Sometimes I get so doggoned mad I wish it wasn't
me, so's I could turn out to be the preacher er somebody like that
an' learn her to be keerful who she's talkin' to. Supposin' I do
track a little mud into her kitchen? It's OUR mud, ain't it? 'Tain't
as if it was somebody else's land I'm bringin' into her kitchen.
Between us we own every danged bit of land from here to the Middleton
dirt-road an' it ain't my fault if it happens to be mud once in
awhile. You'd think, the way she acts, I'd been out stealin' somebody
else's mud just for the sake of bringin' it into her kitchen.

"An' what makes me madder'n anything else is the way she scolds
them pore dogs when they come in with a little mud. As if a dog
understood he had to scrape his feet off an' wash his paws an'
everything 'fore he c'n step inside his master's cabin. Now you
take cats, they're as smart as all get out. They're jist like women.
Allus thinkin' about their pussonal appearance. Ever notice a cat
walk across a muddy strip o' ground? Why, you'd think they was
walkin' on a red hot stove, the way they step. I've seen a cat go
fifty rods out of her way to get around a mud-puddle. I recollect
seein' ole Maje,--he's our principal tom-cat,--seein' him creepin'
along a rail fence nearly half a mile from the house so's he
wouldn't have to cross a stretch o' wet ground jist outside the
kitchen door. Now, a dog would have splashed right through it an'
took the consequences. But ole Maje--NO, SIR! He goes miles out'n
his way an' then when he gits home he sets down on the doorstep
an' licks his feet fer half an hour er so before he begins to meow
so's Eliza'll open the door an' let him in.

"Ever' so often I got to tie a litter of kittens up in a meal-bag
an' take 'em over to the river an' drownd 'em, an' I want to tell
you it's a pleasure to do it. You never in all your life heerd of
anybody puttin' a litter of pups in a bag an' throwin' 'em in the
river, did ye? No, sirree! Dogs is like men. They grow up to be
useful citizens, mud er no mud. Why, if I had a dog what sat down
on the doorstep an' licked his paws ever' time he got mud on 'em
I'd take him out an' shoot him, 'cause I'd know he wasn't no kind
of a dog at all. Now, Eliza's tryin' to make me act like a cat,
an' me hatin' cats wuss'n pison. There's setch a thing as bein' too
danged clean, don't you think so? Sort o' takes the self-respect
away from a man. Makes you feel as if you'd ort to have petticoats
on in place o' pants. How do you like that terbaccer?"

Throughout the foregoing dissertation, Gwynne had sat with his
moody gaze fixed upon the flaring logs, which Striker had kicked
into renewed life with the heel of one of his ponderous boots,
disdaining the stout charred poker that leaned against the chimney
wall. He was pulling dreamily at the corncob pipe; the fragrant blue
smoke, drifting toward the open fireplace, was suddenly caught by
the draft and drawn stringily into the hot cavern where it was lost
in the hickory volume that swept up the chimney.

He had taken in but a portion of his host's remarks; his thoughts
were not of dogs and cats but of the perplexing girl who eagerly
gave him her confidence in one moment and shrank into the iciest
reticence the next. Her unreserved revelations concerning her own
father, uttered with all the frankness of an intimate, and the
childish ingenuousness with which she accounted for her raiment,
followed so closely, so abruptly by the most insolent display of
bad manners he had ever known, gave him ample excuse for reflection,
and if he failed to obtain the full benefit of Striker's discourse
it was because he had no power to command his addled thoughts. As
a matter of fact, he was debating within himself the advisability
of asking his host a few direct and pointed questions. A fine regard
for Striker's position deterred him,--and to this regard was added
the conviction that his host would probably tell him to mind his own
business and not go prying into the affairs of others. He came out
of his reverie in good time to avoid injury to his host's feelings.

"It is admirable," he assured him promptly. "Do you cure it yourself
or does it come up the river from Kentucky?"

"Comes from Kentucky. We don't have much luck tryin' to raise
terbaccer in these parts."

Whereupon Mr. Striker went into a long and intelligent lecture
upon the products of the soil in that section of Indiana; what to
avoid and what to cultivate; how to buy and how to sell; the traders
one could trust and those who could not be trusted out of sight;
the short corn crop of the year before and the way he lost half a
dozen as fine shoats as you'd see in a lifetime on account of wild
hogs coming out of the woods and enticin' 'em off. He interrupted
himself at one stage in order to get up and close the door to the
kitchen. Zachariah was snoring lustily.

"Whenever you feel like goin' to bed, jist say so," he said at
last, as his guest drew his huge old silver watch from his pocket
and glanced at it.

"I have been doing a little surmising, Mr. Striker," said the other.
"You have only this sitting-room and one bedroom. The ladies are
occupying the latter. My servant has gone to bed in the kitchen.
I am wondering where you and I are to dispose ourselves."

"I could see you was doin' some figgerin', friend. Well, fer that
matter, so was I. 'Tain't often she comes to spend the night here,
an' when she does me an' Eliza give her our room an' bed an' we pull
an extry straw tick out here in the room an' make the best of it.
Now, as I figger it out, Eliza is usin' that straw tick herself,
'cause she certainly wouldn't ever dream of gettin' into bed
with--with--er--her. Not but what she's clean an' all that,--I
mean Eliza,--but you see, she used to be a hired girl once upon a
time, an'--an'--well, that sort of makes a--"

"My fellow-guest confided to me a little while ago that she too
had been a hired girl, Mr. Striker, so I don't see--"

"Did she tell you that?" demanded Phineas sharply.

"She did," replied Gwynne, enjoying his host's consternation.

"Well, I'll be tee-totally danged," exploded the settler. He got
up suddenly and turning his back to his guest, knocked the burnt
tobacco from his pipe against the stone arch of the fireplace.
"I guess I better rake the ashes over these here coals," said he,
"'cause if I don't an' the cabin took fire an' burnt us all alive
Eliza'd never git done jawin' me about it." Presently he stood off
and critically surveyed his work. "I guess that'll fix her so's
she won't spit any sparks out here an' set fire to the carpet. As
I was sayin', I reckon I'll have to make up a bed here in front of
the fireplace fer myself, an' let you go up to the attic. We got
a--"

"I was afraid of this, Mr. Striker. You are putting yourselves out
terribly on my account. I can't allow it, sir. It is too much to ask--"

"Now, don't you worry about us. You ain't puttin' us out at all.
One night last winter,--the coldest night we had,--Eliza an' me
slep' on the kitchen floor with nary a blanket er quilt, an' I had
to git up every half hour to put wood on the fire so's we wouldn't
freeze to death, all because Joe Wadley an' his wife an' her father
an' mother an' his sister with her three children dropped in sort
of unexpected on account of havin' their two wagons git stuck in
a snow drift a mile er so from here. No, sirree, don't you worry.
There's a spare tick up in the attic what we use fer strangers when
they happen along, an' Zachariah has put your blankets right here
by the door,--an' your pistols, too, I see,--so whenever you're
ready, I'll lead the way up the ladder an' show you where you're
to roost. There's a little winder at one end, so's you c'n have
all the air you want,--an', my stars, there's a lot of it to-night,
ain't there? Jist listen to her whistle. Sounds like winter. She's
changed, though, an' I wouldn't be surprised if we'd find the moon
is shinin'."




CHAPTER IV

VIOLA GWYN


They stepped outside the cabin, into the fresh, brisk gale that
was blowing. A gibbous moon hung in the eastern star-specked sky.
Scurrying moonlit clouds off in the west sped northward on the
sweep of the inconstant wind, which had shifted within the hour. A
light shone dimly through the square little window of the bedroom.
Kenneth's imagination penetrated to sacred precincts beyond the
solid logs: he pictured her in the other frock, moving gracefully
before the fascinated eyes of the settler's wife, proud as a peacock
and yet as gay as the lark.

"Women like to talk," observed Striker, with a sidelong glance at
the lighted window. He led the way to the opposite end of the cabin
and pointed off into the night. "Lafayette's off in yan direction.
There's a big stretch of open prairie in between, once you git
out'n these woods, an' further on there's more timber. The town's
down in a sort of valley, shaped somethin' like a saucer, with hills
on all sides an' the river cuttin' straight through the middle.
Considerable buildin' goin' on this spring. There's talk of the
Baptists an' the Methodists puttin' up new churches an' havin'
regular preachers instead of the circuit riders. But you'll see
all this fer yourself when you git there. Plenty of licker to be
had at Sol Hamer's grocery,--mostly Mononga-Durkee whisky,--in case
you git the Wabash shakes or suddenly feel homesick."

"I drink very little," said Kenneth.

"Well, you'll soon git over that," prophesied his host. "Everybody
does. A spell of aguer like we have along the river every fall an'
winter an' spring will make you mighty thankful fer Sol Hamer's
medicine, an' by the time summer comes you'll be able to stand
more'n you ever thought you could stand. What worries me is how
the women manage to git along without it. You see big strong men
goin' around shakin' their teeth out an' docterin' day an' night
at Sol's, but I'll be doggoned if you ever see a woman takin' it.
Seems as if they'd ruther shake theirselves to death than tetch a
drop o' whisky."

"You would not have them otherwise, would you?"

"Why, if I ever caught my wife takin' a swaller o' whisky, I'd--well,
by gosh, I don't know what I would do. First place, I'd think the
world was comin' to an end, and second place, I guess I'd be glad
it was. No, sirree, I don't want to see whisky goin' down a woman's
gullet. But that don't explain how they come to git along without
it when they've got the aguer. They won't even take it when a
rattlesnake bites 'em. Sooner die. An' in spite of all that, they
bring he-children into the world that can't git over a skeeter bite
unless they drink a pint or two of whisky. Well, I guess we better
go to roost, Mr. Gwynne. Must be nine o'clock. Everything's all
right out at the barn an' the chicken coops. Wolves an' foxes an'
weasels visit us sometimes at night, but I got things fixed so's
they go away hungry. In the day time, Eliza's got an ole musket
o' mine standin' in the kitchen to skeer the hawks away, an' I got
a rifle in the settin' room fer whatever varmint comes along at
night,--includin' hoss-thieves an' setch-like."

"Horse-thieves?"

"Yep. Why, only last month a set of hoss-thieves from down the
river went through the Wea plains an' stole sixteen yearlin' colts,
drove 'em down to the river, loaded 'em on a flat-boat an' got away
without losin' a hair. Done it on a Sunday night, too."

It was a few minutes past nine when Kenneth followed his host
up the ladder and through the trap-door into the stuffy attic. He
carried his rough riding-boots, which Zachariah had cleaned and
greased with a piece of bacon-rind.

"I'll leave the ladder here," said Striker, depositing the candlestick
on the floor. "So's I c'n stick my head in here in the mornin' an'
rouse you up. There's your straw-tick over yander, an' I'll fotch
your blankets up in a minute or two. I reckon you'll have to crawl
on your hands an' knees; this attic wasn't built fer full-size
men."

"I will be all right," his guest assured him. "Beggars cannot be
choosers. A place to lay my head, a roof to keep the rain off, and
a generous host--what more can the wayfarer ask?"

The clapboard roof was a scant three feet above the dusty floor
of the attic. Stooping, the young man made his way to the bed-tick
near the little window. He did not sniff with scorn at his humble
surroundings. He had travelled long and far and he had slept in
worse places than this. He was drawing off his boots when Striker
again stuck his head and shoulders through the opening and laid
his roll of blankets on the floor.

"Eliza jist stuck her head out to tell me to shut this trap-door,
so's my snorin' won't keep you awake. I fergot all about my snorin'.
Like as not if I left this door open the whole danged roof would
be lifted right off'm the cabin 'fore I'd been asleep five minutes.
Well, good night. I'll call you in the mornin' bright an' early."

The trap-door was slowly lowered into place as the shaggy head and
broad shoulders of the settler disappeared. The young man heard the
scraping of the ladder as it was being removed to a place against
the wall.

He pried open the tight little window, letting a draft of fresh air
rush into the stifling attic. Then he sat on the edge of the tick
for a few minutes, ruminating, his gaze fixed thoughtfully on the
sputtering, imperilled candle. Finally he shook his head, sighed,
and began to unstrap his roll of blankets. He had decided to remove
only his coat and waistcoat. The sharp, staccato barking of a fox
up in the woods fell upon his ears. He paused to listen. Then came
the faraway, unmistakable howl of a wolf, the solemn, familiar hoot
of the wilderness owl and the raucous call of the great night heron.
But there was no sound from the farmyard. He said his prayers--he
never forgot to say the prayer his mother had taught him--blew out
the candle, pulled the blankets up to his chin, and was soon fast
asleep.

He did not know what time it was when he was aroused by the barking
of Striker's dogs, loud, furious barking and ugly growls, signifying
the presence in the immediate neighbourhood of the house of some
intruder, man or beast. Shaking off the sleep that held him, he
crept to the window and looked out. The moon was gone and the stars
had almost faded from the inky black dome. He guessed the hour
with the acute instinct of one to whom the vagaries of night have
become familiar through long understanding. It would now be about
three o'clock in the morning, with the creeping dawn an hour and
a half away.

Suddenly his gaze fell upon a light moving among the trees some
distance from the cabin. It appeared and disappeared, like a jack
o' lantern, but always it moved southward, obscured every few feet
by an intervening trunk or a clump of brush. As he watched the
bobbing light, he heard some one stirring in the room below. Then
the cabin door creaked on its rusty hinges and almost immediately
a jumble of subdued hoarse voices came up to him. He felt for his
pistols and realized with something of a shock that he had left them
in the kitchen with Zachariah. For the first time in his travels
he had neglected to place them beside his bed.

The dogs, admonished by a sharp word or two, ceased their barking.
This reassured him, for they would obey no one except Phineas
Striker. Whoever was at the cabin door, there was no longer any
question in his mind as to the peaceful nature of the visit. He
crept over to the trap-door and cautiously attempted to lift it
an inch or so, the better to hear what was going on, but try as he
would he could not budge the covering. The murmur of voices went on
for a few minutes longer, and then he heard the soft, light pad of
feet on the floor below; sibilant, penetrating whispers; a suppressed
feminine ejaculation followed by the low laugh of a man, a laugh
that might well have been described as a chuckle.

For a long time he lay there listening to the confused sound of
whispers, the stealthy shuffling of feet, the quiet opening and
closing of a door, and then there was silence.

Several minutes passed. He stole back to the window. The light in
the forest had vanished. Just as he was on the point of crawling
into bed again, another sound struck his ear: the unmistakable
rattle of wagon wheels on their axles, the straining of harness,
the rasp of tug chains,--quite near at hand. The clack-clack of
the hubs gradually diminished as the heavy vehicle made its slow,
tortuous way off through the ruts and mire of the road. Presently
the front door of the cabin squealed on its hinges, the latch
snapped and the bolt fell carefully into place.

He could not go to sleep again. His brain was awake and active,
filled with unanswered questions, beset by endless speculation.
The first faint sign of dawn, creeping through the window, found
him watching eagerly, impatiently for its appearance. The presence
of a wagon, even at that black hour of the night, while perhaps
unusual, was readily to be accounted for in more ways than one, none
of them possessing a sinister significance. A neighbouring farmer
making an early start for town stopping to carry out some friendly
commission for Phineas Striker; a settler calling for assistance
in the case of illness at his home; hunters on their way to the
marshes for wild ducks and geese; or even guardians of the law in
search of malefactors. But the mysterious light in the woods,--that
was something not so easily to be explained.

The square little aperture was clearly defined against the greying
sky before he distinguished signs of activity in the room below.
Striker was up and moving about. He could hear him stacking logs
in the fireplace, and presently there came up to him the welcome
crackle of kindling-wood ablaze. A door opened and a gruff voice
spoke. The settler was routing Zachariah out of his slumbers.
Far off in some unknown, remote land a rooster crowed,--the day's
champion, the first of all to greet the rising sun. Almost instantly,
a cock in Striker's barnyard awoke in confusion and dismay, and
sent up a hurried, raucous cock-a-doodle-doo,--too late by half
a minute to claim the honours of the day, but still a valiant
challenger. Then other chanticleers, big and little, sounded their
clarion call,--and the day was born.

Kenneth, despite his longing for this very hour to come, now perversely
wished to sleep. A belated but beatific drowsiness seized him. He
was only half-conscious of the noise that attended the lifting of
the trap-door.

"Wake up! Time to git up," a distant voice was calling, and he
suddenly opened his eyes very wide and found himself staring at a
shaggy, unkempt head sticking up out of the floor, rendered grim
and terrifying by the fitful play of a ruddy light from the depths
below. For a second he was bewildered.

"That you, Striker?" he mumbled.

"Yep,--it's me. Time to git up. Five o'clock. Breakfass'll soon be
ready. You c'n wash up out at the well. Sleep well?"

"Passably. I was awakened some time in the night by your visitors."

He was sitting up on the edge of the tick, drawing on his boots.
Striker was silent for a moment.

"Thought maybe you'd be disturbed, spite of all we could do to be
as quiet as possible. People from a farm 'tother side of the plains."

The head disappeared, and in a very few minutes Gwynne, carrying
his coat and waistcoat, descended the ladder into the presence of
a roaring fire. He shot a glance at the closed bedroom door, and
then hastily made his way out of the cabin and around to the well.
Eliza was preparing breakfast. In the grey half-light he made out
Striker and Zachariah moving about the barnlot. A rough but clean
towel hung across the board wall of the well, while a fresh bucket
of water stood on the shelf inside, its chain hanging limply from
the towering end of the "h'isting pole."

As he completed his ablutions, the darkey boy approached.

"Good morning, Zachariah," he spluttered, over the edge of the
towel. "Did you sleep well?"

"No, suh, Marse Kenneth, Ah slep' powerful porely. Ah don't reckon
Ah had mah eyes close' more'n fifteen seconds all night long, suh."

His master peered at him. Zachariah's eyes were not yet thoroughly
open.

"You mean you did not have them open more than fifteen seconds,
you rascal. Why, you were asleep and snoring by nine o'clock."

"Yas, suh, yas, suh,--but Ah done got 'em wide open ag'in 'side o'
no time. Ah jes' couldn't holp worryin', Marse Kenneth, 'bout you
all. Ah sez to mahself, ef Marse Kenneth he ain' got no fitten
place to lay his weary haid--"

"Oh, then you were not kept awake by noises or--by the by, did you
hear any noises?"

"Noises? No, SUH! Dis yere cabin hit was like a grave. Thass what
kep' me awake, mos' likely. Ah reckon Ah is used to noises. Ah jes'
couldn't go to sleep widdout 'em, Marse Kenneth. Wuzzen't even a
cricket er a--"

His master's hearty laugh caused him to cut his speech short. A
wary glance out of the corner of his eye satisfied him that it was
now time to change the subject.

"Done fed de hosses, suh, an' mos' ready to packen up fo' de juhney,
suh. Yas, SUH! Ev'thing all hunky-dory jes' soon as Marse Kenneth
done had his breakfuss. YAS, suh! Yas, SUH!"

They ate breakfast by candle-light, Striker and Eliza and Kenneth.
There was no sign of the beautiful and exasperating girl. Phineas
was strangely glum and preoccupied, his wife too busy with her
flap-jacks to take even the slightest interest in the desultory
conversation.

"A little too early for my fellow-guest to be up and about, I
see," ventured Kenneth at last, taking the bull by the horns. His
curiosity had to be satisfied.

Striker did not look up from his plate. "She's gone. She ain't
here."

"Gone?"

"Yep. Left jist a little while 'fore sun-up."

"Her ma sent for her," volunteered Eliza.

"Sent fer her to come in a hurry," added Striker, trying to be
casual.

"Then it was she who went away in the wagon last night," said the
young man, a note of disappointment in his voice.

"Airly this mornin'," corrected his host. "Jist half an hour or so
'fore sun-up."

"I trust her mother is not ill."

"No tellin'," was Striker's non-committal response.

It was quite apparent to Kenneth that they did not wish to discuss
the matter. He waited a few moments before remarking:

"I saw a light moving through the woods above here,--a lantern,
I took it to be,--just after I was awakened by the barking of the
dogs. I thought at first it was that which set the dogs off on a
rampage."

Striker was looking at him intently under his bushy eyebrows, his
knife poised halfway to his lips. While he could not see Eliza, who
was at the stove behind him, he was struck by the fact that there
was a brief, significant suspension of activity on her part; the
scrape of the "turnover" in the frying-pan ceased abruptly.

"A lantern up in the woods?" said Striker slowly, looking past
Gwynne at Eliza.

"A light. It may not have been a lantern."

"Which way was it movin'?"

"In that direction," indicating the south.

The turning of the flap-jacks in the pan was resumed. Striker
relaxed a little.

"Hunters, I reckon, goin' down stream for wild duck and geese this
mornin'. There's a heap o' ducks an' geese passin' over--"

"See here, Phineas," broke in his wife suddenly, "what's the sense
of sayin' that? You know it wasn't duck hunters. Nobody's out
shooting ducks with the river as high as it is down this way, an'
Mr. Gwynne knows it, if he's got half as much sense as I think he
has."

"When I heard people out in front of the cabin shortly afterward,
I naturally concluded that the lantern belonged to them," remarked
the young man.

"Well, it didn't," said Striker, laying down his knife. "I guess it
won't hurt you to know now somethin' that will be of considerable
interest to you later on. I ain't betrayin' nobody's secret, 'cause
I said I was goin' to tell you the whole story."

"Don't you think you'd better let it come from somebody else, Phin?"
interposed his wife nervously.

"No, I don't, Eliza. 'Cause why? 'Cause I think he'd ort to know.
Maybe he'll be able to put a stop to her foolishness. We didn't know
until long after you went to bed that her real reason fer comin'
here yesterday was to run off an' get married to Barry Lapelle.
She didn't tell you no lies about her clothes an' all that, 'cause
her ma had put her foot down on her takin' off black. They had it
all planned out beforehand, her an' this Lapelle. He was to come
fer her some time before daybreak with a couple of hosses an' they
was to be off before the sun was up on their way to Attica where
they was to be married, an' then go on down the river to his home
in Terry Hut. Me an' Eliza set up all night in that bedroom, tryin'
to coax her out of it. I don't like this Lapelle feller. He's a
handsome cuss, but he's as wild as all get out,--drinks, gambles,
an' all setch. Well, to make a long story short, that was prob'ly
him up yander on the ole Injin trace, with his hosses, waitin' fer
the time to come when they could be off. Her ma must have found
out about their plans, 'cause she come here herself with two of her
hired men an' old Cap'n Scott, a friend of the fam'ly, an' took her
daughter right out from under Barry's nose. It was them you heared
down here last night. I will say this fer the girl, she kinder
made up her mind 'long about midnight that it was a foolish thing
to do, runnin' off like this with Barry, an' like as not when the
time come she'd have backed out."

"She's a mighty headstrong girl," said Eliza. "Sot in her ways an'
sp'iled a good deal by goin' to school down to St. Louis." "Her
mother don't want her to marry Lapelle. She's dead sot ag'inst it.
It's a mighty funny way fer the girl to act, when she's so fond of
her mother. I can't understand it in her. All the more reason fer
her to stick to her mother when it's a fact that the old woman
ain't got what you'd call a friend in the whole deestrict. She's a
queer sort of woman,--close an' stingy as all get out, an' as hard
as a hickory log. Never been seen at a church meetin'. She makes
her daughter go whenever there's a meetin', but as fer herself,--no,
sirree. 'Course, I understand why she's so sot ag'inst Barry. She's
purty well off an' the girl will be rich some day."

"Shucks!" exclaimed Eliza. "Barry Lapelle's after her 'cause she's
the purtiest girl him or anybody else has ever seen. He ain't the
only man that's in love with her. They ALL are,--clear from Lafayette
to Terry Hut, an' maybe beyond. Don't you tell me it's her money
he's after, Phin Striker. He's after HER. He's got plenty of money
himself, so they say, so why--"

"I ain't so sure about that," broke in her husband. "There's a lot
of talk about him gamblin' away most everything his father left him.
Lost one of his boats last winter in a poker game up at Lafayette,
an' had to borrer money on some land he's got down the river to
git it back. The packet Paul Revere it was. Used to run on the
Mississippi. I guess she kinder lost her head over him," he went
on musingly. "He's an awful feller with women, so good-lookin' an'
all, an' so different from the farm boys aroun' here. Allus got
good clothes on, an' they say he has fit a couple of duels down
the river. Somehow that allus appeals to young girls. But I can't
understand it in her. She's setch a level-headed girl,--but, then, I
guess they're all alike when a good-lookin' man comes along. Look
at Eliza here. The minute she sot eyes on me she--" "I didn't marry
you, Phin Striker, because you was purty, let me tell you that,"
exclaimed Eliza, witheringly.

Gwynne, who had been listening to all this with a queer sinking of
the heart, interrupted what promised to develop into an acrimonious
wrangle over pre-connubial impressions. He was decidedly upset by
the revelations; a vague dream, barely begun, came to a sharp and
disagreeable end.

"She actually had planned to run away with this man Lapelle?" he
exclaimed, frowning. "It was all arranged?"

"So I take it," said Striker. "She brought some of her personal
trinkets with her, but Eliza never suspected anything queer about
that."

"The fellow must be an arrant scoundrel," declared the young man
angrily. "No gentleman would subject an innocent girl to such--"

"All's well that ends well, as the feller says," interrupted
Striker, arising from the table. "At least fer the present. She
seemed sort of willin' to go home with her ma, so I guess her heart
ain't everlastingly busted. I thought it was best to tell you all
this, Mr. Gwynne, 'cause I got a sneakin' idee you're goin' to
see a lot of that girl, an' maybe you'll turn out to be a source
of help in time o' trouble to her."

"I fail to understand just what you mean, Striker. She is an absolute
stranger to me."

"Well, we'll see what we shall see," said Striker, cryptically.
He opened the kitchen door and called to Zachariah to hurry in and
get his breakfast.

Half an hour later Kenneth and his servant mounted their horses in
the barnyard and prepared to depart. The sun was shining and there
was a taste and tang of spring in the breeze that flouted the faces
of the horsemen.

"Follow this road back to the crossin' an' turn to your left,"
directed Striker, "an' 'fore you know it you'll be in Lay-flat, as
they call it down in Crawfordsville. Remember, you're allus most
welcome here. I reckon we'll see somethin' of each other as time
goes on. It ain't difficult fer honest men to be friends as well
as neighbours in this part of the world. I'm glad you happened my
way last night."

He walked alongside Gwynne's stirrup as they moved down toward the
road.

"Some day," said the young man, "I should like to have a long talk
with you about my father. You knew him well and I--by the way, your
love-lorn friend knew him also."

The other was silent for half a dozen paces, looking straight ahead.

"Yes," said he, with curious deliberation. "She was sayin' as how
she told you a lot about him last night,--what sort of a man he
was, an' all that."

"She told me nothing that--"

"Jist a minute, Mr. Gwynne," said Striker, laying his hand on the
rider's knee. Kenneth drew rein. "I guess maybe you didn't know
who she was talkin' about at the time, but it was your father she
was describin'. We all three knowed somethin' that you didn't know,
an' it's only fair fer me to tell you the truth, now that she's
out of the way. That girl was Viola Gwyn, an' she's your half-sister."




CHAPTER V

REFLECTIONS AND AN ENCOUNTER


The sun was barely above the eastward wall of trees when Kenneth and
his man rode away from the home of Phineas Striker. Their progress
was slow and arduous, for the black mud was well up to the fetlocks
of the horses in this new road across the boggy clearing. He rode
ahead, as was the custom, followed a short distance behind by his
servant on the strong, well-laden pack-horse.

The master was in a thoughtful, troubled mood. He paid little
attention to the glories of the fresh spring day. What he had just
heard from the lips of the settler disturbed him greatly. That
beautiful girl his half-sister! The child of his own father and the
hated Rachel Carter! Rachel Carter, the woman he had been brought
up to despise, the harlot who had stolen his father away, the scarlet
wanton at whose door the death of his mother was laid! That evil
woman, Rachel Carter!

Could she, this foulest of thieves, be the mother of so lovely, so
sensitive, so perfect a creature as Viola Gwyn?

As he rode frowningly along, oblivious to the low chant of the
darkey and the song of the first spring warblers, he revisualized
the woman he had known in his earliest childhood. Strangely enough,
the face of Rachel Carter had always remained more firmly, more
indelibly impressed upon his memory than that of his own mother.

This queer, unusual circumstance may be easily, reasonably accounted
for: his grandfather's dogged, almost daily lessons in hate. He was
not allowed to forget Rachel Carter,--not for one instant. Always
she was kept before him by that bitter, vindictive old man who was
his mother's father,--even up to the day that he lay on his deathbed.
Small wonder, then, that his own mother's face had faded from his
memory while that of Rachel Carter remained clear and vivid, as he
had known it now for twenty years. The passing years might perforce
bring about changes in the face and figure of Rachel Carter, but
they could not, even in the smallest detail, alter the picture his
mind's eye had carried so long and faithfully. He could think of
her only as she was when he last saw her, twenty years ago: tall
and straight, with laughing eyes and white teeth, and the colour
of tan-bark in her cheeks.

Then there had been little Minda,--tiny Minda who existed vaguely
as a name, nothing more. He had a dim recollection of hearing his
elders say that the babe with the yellow curls had been drowned
when a boat turned over far away in the big brown river. Some one
had come to his grandfather's house with the news. He recalled
hearing the talk about the accident, and his grandfather lifting
his fist toward the sky and actually blaming God for something! He
never forgot that. His grandfather had blamed God!

He had thought of asking Striker about his father's widow, after
hearing the truth about Viola, but a stubborn pride prevented. It
had been on his tongue to inquire when and where Robert Gwynne and
Rachel Carter were married,--he did not doubt that they had been
legally married,--but he realized in time that in all probability
the settler, as well as every one else in the community, was totally
uninformed as to the past life of Robert and Rachel Gwynne. Besides,
the query would reveal an ignorance on his part that he was loath
to expose to speculation.

Striker had explained the somewhat distasteful scrutiny to which
he had been subjected the night before. All three of them, knowing
him to be Viola's blood relation, were studying his features with
interest, seeking for a trace of family resemblance, not alone
to his father but to the girl herself. This had set him thinking.
There was not, so far as he could determine, the slightest likeness
between him and his beautiful half-sister; there was absolutely
nothing to indicate that their sire was one and the same man.

Pondering, he now understood what Striker meant in declaring that
he ought to know the truth about the frustrated elopement. Even
though the honest settler was aware of the strained relations existing
between the widow and her husband's son by a former wife,--(the
deceased in his will had declared in so many words that he owed more
than mere reparation to the neglected but unforgotten son born to
him and his beloved but long dead wife, Laura Gwynne),--even though
Striker knew all this, it was evident that he looked upon this son
as the natural protector of the wilful girl, notwithstanding the
feud between step-mother and step-son.

And Kenneth, as he rode away, felt a new weight of responsibility
as unwelcome to him as it was certain to be to Viola; for, when
all was said and done, she was her mother's daughter and as such
doubtless looked upon him through the mother's eyes, seeing a common
enemy. Still, she was his half-sister, and whether he liked it or
not he was morally bound to stand between her and disaster,--and if
Striker was right, marriage with the wild Lapelle spelled disaster
of the worst kind. He had only to recall, however, the unaccountable
look of hostility with which she had favoured him more than once
during the evening to realize that he was not likely to be called
upon for either advice or protection.

He mused aloud, with the shrug of a philosopher: "Heigh-ho! I fear
me I shall have small say as to the conduct of this newly found
relation. The only tie that bound us is gone. She is not only
the child of my father, whom she feared and perhaps hated, but of
mine enemy, whom she loves,--so the case is clear. There is a wall
between us, and I shall not attempt to surmount it. What a demnition
mess it has turned out to be. I came prepared to find only the
creature I have scorned and despised, and I discover that I have
a sister so beautiful that, not knowing her at all, my eyes are
dazzled and my heart goes to thumping like any silly school boy's.
Aye, 'tis a very sorry pass. Were it not so demned upsetting,
it would be amusing. Fate never played a wilder prank. What, ho,
Zachariah! Where are we now? Whose farm is that upon the ridge?"

Zachariah, urging his horse forward, consulted his memory. Striker
had mentioned the farms they were to pass en route, and the features
by which they were to be identified. Far away on a rise in the
sweep of prairie-land stood a lonely cabin, with a clump of trees
behind it.

"Well, Marse Kenneth, ef hit ain' de Sherry place hit shorely am de
Sheridan place, an' ef hit ain't nuther one o' dem hit mus' belong
to Marse Dimmit er---"

"It is neither of these, you rascal. We are to the north of them,
if I remember our directions rightly. Mr. Hollingsworth and the
Kisers live hereabouts, according to Phineas Striker. A house with
a clump of trees,--it is Mr. Huff's farm. Soon we will come to the
Martin and Talbot places, and then the land that is mine, Zachariah.
It lies for the most part on this side of the Crawfordsville road."

"Is yo' gwine to stop dere, Marse Kenneth?"

"No. I shall ride out from town some day soon to look the place over,"
said his master with a pardonable lordliness of mien, becoming to
a landed gentleman. "Our affairs at present lie in the town, for
there is much to be settled before I take charge. Striker tells me
the man who is farming the place is an able, honest fellow. I shall
not disturb him. From what he says, my property is more desirable
in every way than the land that fell to my father's widow. Her
farm lies off to our left, it seems, and reaches almost to the
bottomlands of the river. We, Zachariah, are out here in the fertile
prairie land. Our west line extends along the full length of her
property. So, you see, the only thing that separates the two farms
is an imaginary line no wider than your little finger, drawn by
a surveyor and established by law. You will observe, my faithful
fellow,--assuming that you are a faithful fellow,--that as we
draw farther away from the woods along the river, the road becomes
firmer, the soil less soggy, the--If you will cast your worthless
eye about you, instead of at these mud-puddles, you will also
observe the vast fields of stubble, the immense stretches of corn
stalks and the signs of spring ploughing on all sides. Truly 'tis
a wonderful country. See yon pasture, Zachariah, with the cows and
calves,--a good score of them. And have you, by the way, noticed
what a glorious day it is? This is life!"

"Yas, suh, Marse Kenneth, Ah done notice dat, an' Ah done notice
somefin ailse. Ah done notice dem buzzards flyin' low over yan way.
Dat means death, Marse Kenneth. Somefin sho' am daid over yan way."

"You are a melancholy croaker, Zachariah. You see naught but the
buzzards, when all about you are the newly come birds of spring,
the bluebird, the robin, and the thrush. Soon the meadow lark will
be in the fields, and the young quail and the prairie-hen."

"Yas, suh," agreed Zachariah, brightening, "an' de yaller-hammer
an' de blue-jay an' de--an' de rattlesnake," he concluded, with a
roving, uneasy look along the roadside.

"Do not forget the saucy parroquets we saw yesterday as we came
through the forest. You went so far in your excitement over those
little green and golden birds, with their scarlet heads, that you
declared they reminded you of the Garden of Eden. Look about you,
Zachariah. Here is the Garden of Eden, right at your feet. Do you
see those plum trees over yonder? Well, sir, old Adam and Eve used
to sit under those very trees during the middle of the day, resting
themselves in the shade. And right over there behind that big rock
is where the serpent had his nest. He gave Eve a plum instead of
an apple, because Eve was especially fond of plums and did not care
at all for apples. She--"

"'Scuse me, Marse Kenneth, but dem is hawthorn trees," said Zachariah,
grinning.

"So they are, so they are. Now that I come to think of it, it
was the red-haw that Eve fancied more than any other fruit in the
garden."

"Yas, suh,--an' ole Adam he was powerful fond ob snappin'-turtles
fo' breakfas'," said Zachariah, pointing to a tortoise creeping
slowly along the ditch. "An' lil Cain an' Abel,--my lan', how dem
chillum used to gobble up de mud pies ole Mammy Eve used to make
right out ob dish yere road we's ridin' on."

And so, in this sportive mood, master and man, warmed by the golden
sun and cheered by the spring wind of an April morn, traversed this
new-found realm of Cerus, forded the turbulent, swollen creek that
later on ran through the heart of the Gwynne acres, and came at
length to the main road leading into the town.

They passed log cabins and here and there pretentious frame houses
standing back from the road in the shelter of oak and locust
groves. Their passing was watched by curious women and children
in dooryards and porches, while from the fields men waved greeting
and farewell with the single sweep of a hat. On every barn door
the pelts of foxes and raccoons were stretched and nailed.

Presently they drew near to a lane reaching off to the west, and
apparently ending in a wooded knoll, a quarter of a mile away.

"There," said Kenneth, with a wave of his hand, "is where I shall
some day erect a mansion, Zachariah, that will be the wonder and the
envy of all the people in the country. For unless I am mistaken, that
is the grove of oaks that Striker mentioned. Behold, Zachariah,--all
that is mine. Four hundred acres of as fine farm-land as there is
in all the world, and timber unparalleled. Yes, I am right. There
is the house that Striker described, the place where my father
lived he first came to the Wea. Egad, 'tis not a regal palace, is
it, Zachariah? The most imposing thing about it is the chimney."

They were gazing at a cabin that squatted meekly over against the
wall of oaks. Its roof was barely visible above the surrounding
stockade, while the barn and styes and sheds were hidden entirely
beyond the slope. It was, in truth, the most primitive and
insignificant house they had seen that day.

"He was one of the first to build in this virgin waste," mused the
young man aloud. "Rough and parlous were the days when he came to
this land, Zachariah. There was no town of Lafayette, no neighbours
save the rude, uncultured trappers. Now see how the times have
changed. And, mark my guess, Zachariah, there will be still greater
changes before we are laid away. There will be cities and--Ha!
Look, Zachariah,--to the right of the grove. It is all as Striker
said. There is the other house,--two miles or more to the westward.
That is HER house. It is new, scarce two years old, built of lumber
instead of logs, and quite spacious. There are, he tells me, two
stories, containing four rooms, with a kitchen off the back, a
smoke-house and a granary besides the barn,--yes, I see them all,
just as he said we should see them after we rounded the grove."

He drew rein and gazed at the distant house, set on a ridge and
backed by the seemingly endless forest that stretched off to the
north and south. His face clouded, his jaw was set, and his eyes
were hard.

"Yes, that would be Rachel Carter's house," he continued, harshly.
"Her land and my land lying side by side, with only a fence between.
Her grain and my grain growing out of the same soil. What an unholy
trick for fate to play. Perhaps she is over there, even now. She
and Viola. It is not likely that they would have started for town
at an earlier hour than this. And to think of the damnable situation
I shall find in town. She will be my neighbour,--just as she was
twenty years ago. We shall live within speaking distance of each
other, we shall see each other perhaps a dozen times a day, and
yet we may neither speak nor see. Egad, I wonder what I'll do if
she even attempts to address me! Heigh-ho! 'Tis the mischief of
Satan himself. Come, Zachariah,--you lazy rascal! As if you had
not slept soundly all night long, you must now fall asleep sitting
bolt upright in the saddle."

And so on they rode again, at times breaking into a smart canter
where the road was solid, but for the most part proceeding with
irksome slowness through the evil slough. Ahead lay the dense wood
they were to traverse before coming to the town. Soon the broad,
open prairie would be behind them, they would be plunged into the
depths of a forest primeval, wending their way through five miles
of solitude to the rim of the vale in which the town was situated.
But the forest had no terrors for them. They were accustomed to the
long silences, the sombre shades, the seemingly endless stretches
of wildwood wherein no mortal dwelt. They had come from afar and
they were young, and hardy, and fearless. Beyond that wide wall of
trees lay journey's end; a new life awaited them on the other side
of the barrier forest.

Suddenly Zachariah called his master's attention to a horseman who
rode swiftly, even recklessly across the fields to their left and
well ahead of them. They watched the rider with interest, struck by
the furious pace he was holding, regardless of consequences either
to himself or his steed.

"Mus' be somebody pow'ful sick, Marse Kenneth, fo' dat man to be
ridin' so fas'," remarked Zachariah.

"Going for a doctor, I sup--Begad, he must have come from Rachel
Carter's farm! There is no other house in sight over in that
direction. I wonder if--" He did not complete the sentence, but
frowned anxiously as he looked over his shoulder at the distant
house.

Judging by the manner and the direction in which he was galloping,
the rider would reach the main road a quarter of a mile ahead of
them, about at the point where it entered the wood. Kenneth now
made out an unfenced wagon-road through the field, evidently a
short-cut from Rachel Carter's farm to the highway. He permitted
himself a faint, sardonic smile. This, then, was to be her means
of reaching the highway rather than to use the lane that ran past
his house and no doubt crossed a section of his farm.

Sure enough the horseman turned into the road some distance ahead
of them and rode straight for the forest. Then, for the first time,
Gwynne observed a second rider, motionless at the roadside, and in
the shadow of the towering, leafless trees that marked the portal
through which they must enter the forest. The flying horseman slowed
down as he neared this solitary figure, coming to a standstill when
he reached his side. A moment later, both riders were cantering
toward the wood, apparently in excited, earnest conversation. A
few rods farther on, both turned to look over their shoulders at
the slow-moving travellers. Then they stopped, wheeled about, and
stood still, awaiting their approach.

Kenneth experienced a poignant thrill of apprehension What was he
to expect: a friendly or a sanguinary encounter? He slipped his
right hand into the saddle pocket and drew forth a pistol which he
shoved hastily inside his waistcoat, covering the stock with the
folds of his cape.

"Keep a little way behind me," he said to his servant, a trace of
excitement in his voice.

"Yas, suh," said Zachariah, with more alacrity than valour, the
whites of his eyes betraying something more than a readiness to
obey this conservative order. It was a foregone conclusion that
Zachariah would turn tail and flee the instant there was a sign
of danger. "Slave hunters, Marse Kenneth, dat's what dey is," he
announced with conviction. "Ah c'n smell 'em five miles away. Yas,
suh,--dey's gwine a' make trouble fo' you, Marse Kenneth, sho' as
you is--" But by this time he had dropped so far behind that his
opinions were valueless.

When not more than fifty yards separated the two parties, one
of the men, with a word and an imperative jerk of the head to his
companion, advanced slowly to meet Kenneth. This man was the one
who had waited for the other at the edge of the wood.

Gwynne beheld a tall, strongly built young man who rode his horse
with the matchless grace of an Indian. Although his companion was
roughly dressed and wore a coon-skin cap, this man was unmistakably
a dandy. His high beaver hat observed a jaunty, rakish tilt; his
brass-buttoned coat was the colour of wine and of the latest fashion,
while his snug fitting pantaloons were the shade of the mouse. He
wore no cumbersome cape, but fashioned about his neck and shoulders
was a broad, sloping collar of mink. There were silver spurs on
his stout riding boots, and the wide cuffs of his gauntlets were
embroidered in silver.

He was a handsome fellow of the type described as dashing. Dark
gleaming eyes peered out beneath thick black eyebrows which met in
an unbroken line above his nose. Set in a face of unusual pallor,
they were no doubt rendered superlatively brilliant by contrast. His
skin was singularly white above the bluish, freshly shaven cheeks
and chin. His hair was black and long and curling. The thin lips,
set and unsmiling, were nevertheless drawn up slightly at one
corner of the mouth in what appeared to be a permanent stamp of
superiority and disdain,--or even contempt. Altogether, a most striking
face, thought Gwynne,--and the man himself a person of importance.
The very manner in which he jerked his head to his companion was
proof enough of that.

"Good morning," said this lordly gentleman, bringing his horse
to a standstill and raising his "gad" to the brim of his hat in a
graceful salute.

Gwynne drew rein alongside. He had observed in a swift glance that
the stranger was apparently unarmed, except for the short, leather
gad.

"Good morning," he returned. "I am on the right road to Lafayette,
I take it." "You are," said the other. "From Crawfordsville way?"

"Yes. I left that place yesterday. I come from afar, however. This
is a strange country to me."

"It is strange to most of us. Unless I am mistaken, sir, you are
Mr. Kenneth Gwynne."

The other smiled. "My approach appears to be fairly well heralded.
Were I a vain person I should feel highly complimented."

"Then you ARE Kenneth Gwynne?" said the stranger, rather curtly.

"Yes. That is my name."

"Permit me to make myself known to you. My name is Lapelle,--Barry
Lapelle. While mine no doubt is unfamiliar to you, yours is well
known to me. In fact, it is known to every one in these parts. You
have long been expected. You will find the town anxiously awaiting
your appearance." He smiled slightly. "If you could arrange to arrive
after nightfall, I am sure you would find bonfires and perhaps a
torchlight procession in your honour. As it is, I rather suspect
our enterprising citizen, Mr. William Smith, will fire a salute
when you appear in view."

"A salute?" exclaimed Kenneth blankly.

"A joyful habit of his, but rather neglected of late. It used to
be his custom, I hear, to put a charge of powder in a stump and
set it off whenever a steamboat drew up to the landing. That was
his way of letting the farmers for miles around know that a fresh
supply of goods had arrived and they were to hurry in and do the
necessary trading at the store. He almost blew himself and his
store to Hallelujah a year or two ago, and so he isn't quite so
enterprising as he was. I am on my way to town, Mr. Gwynne, so if
you do not mind, I shall give myself the pleasure of riding along
with you for a short distance. I shall have to leave you soon,
however, as I am due in the town by ten o'clock. You are too heavily
laden, I see, to travel at top speed,--and that is the way I am
obliged to ride, curse the luck. When I have set you straight at the
branch of the roads a little way ahead, I shall use the spurs,--and
see you later on."

"You are very kind. I will be pleased to have you jog along with
me."




CHAPTER VI

BARRY LAPELLE


So this was Barry Lapelle. This was the wild rake who might yet
become his brother-in-law, and whose sprightly enterprise had been
frustrated by a woman who had, herself, stolen away in the dark of
a far-off night.

As they rode slowly along, side by side, into the thick of the
forest, Kenneth found himself studying the lover's face. He looked
for the signs of the reckless dissipated life he was supposed
to have led,--and found them not. Lapelle's eyes were bright and
clear, his skin unblemished, his hand steady, his infrequent smile
distinctly engaging. The slight, disdainful twist never left the
corner of his mouth, however. It lurked there as a constant reminder
to all the world that he, Barry Lapelle, was a devil of a fellow
and was proud of it. While he was affable, there was no disguising
the fact that he was also condescending. Unquestionably he was
arrogant, domineering, even pompous at times, absolutely sure of
himself.

He spoke with a slight drawl, in a mellow, agreeable voice, and
with meticulous regard for the King's English,--an educated youth
who had enjoyed advantages and associations uncommon to young men
of the frontier. His untanned face testified to a life of ease and
comfort, spent in sheltered places and not in the staining open,
where sun and wind laid bronze upon the skin. A lordly fellow, decided
Kenneth, and forthwith took a keen dislike for him. Nevertheless,
it was not difficult to account for Viola's interest in him; nor,
to a certain extent, the folly which led her to undertake the exploit
of the night before. Barry Lapelle would have his way with women.

"You come from Kentucky, Mr. Gwynne," Lapelle was saying. "I
am from Louisiana. My father came up to St. Louis a few years ago
after establishing a line of steamboats between Terre Haute and the
gulf. Two of our company's boats come as far north as Lafayette,
so I spend considerable of my time there at this season of the
year. You will find, sir, a number of Kentucky and Virginia people
in this part of the state. Splendid stock, some of them. I understand
you have spent several years in the East, at college and in pursuit
of your study of the law."

"Principally in New York and Philadelphia," responded the other,
subduing a smile. "My fame seems to have preceded me, Mr. Lapelle.
Even in remote parts of the country I find my arrival anticipated.
The farmer with whom I spent the night was thoroughly familiar with
my affairs."

"You are an object of interest to every one in this section," said
Lapelle, indifferently. "Where did you spend the night?"

"At the farm of a man named Striker,--Phineas Striker."

Lapelle started. His body appeared to stiffen in the saddle.

"Phineas Striker?" he exclaimed, with a swift, searching look into
the speaker's eyes. Suddenly a flush mantled his cheek. "You were
at Phineas Striker's last night?"

"Yes. We had lost our way and came to his place just before the
storm," said Kenneth, watching his companion narrowly. Lapelle's
face was a study. Doubt, indecision, even dismay, were expressed
in swift succession.

"Then you must have met,--but no, it isn't likely," he said, in
some confusion.

Kenneth hesitated a moment, enjoying the other's discomfiture. Then
he said: "I met no one there except my sister, who also happened
to be spending the night with the Strikers."

The colour faded from Lapelle's face, leaving it a sickly white.
"Were you in any way responsible for--well, for her departure, Mr.
Gwynne?" he demanded, his eyes flaming with swift, sudden anger.

"I was not aware of her departure until I arose this morning, Mr.
Lapelle. Striker informed me that she went away before sunrise."

For a moment Lapelle glared at him suspiciously, and then gave vent
to a short, contemptuous laugh.

"A thousand apologies," he said, shrugging his shoulders. "I might
have known you would not be consulted."

"I never laid eyes on my half-sister until last night," said
Kenneth, determined to hold his temper. "It is not likely that she
would have asked the advice of a total stranger, is it? Especially
in so simple a matter as going home when she felt like it."

Lapelle shrugged his shoulders again. "I quite forgot that you are
a lawyer, Mr. Gwynne," he said, drily. "Is it your purpose to hang
out your shingle in the town of Lafayette?"

"My plans are indefinite."

"You could do worse, I assure you. The town is bound to grow. It
will be an important town in a very few years." And so the subject
uppermost in the minds of both was summarily dismissed.

They came at last to the point where a road branched off to the
right. The stillness was intense. There was no sign of either
human or animal life in the depths of this wide, primeval forest.

"Follow this road," said Lapelle, pointing straight ahead. "It will
take you into the town. You will find the bridge over Durkee's Run
somewhat shaky after the rain, but it is safe. I must leave you
here. I shall no doubt see you at Johnson's Inn, in case you intend
to stop there. Good morning, sir."

He lifted his hat and, touching the spirited mare with the gad, rode
swiftly away. A few hundred feet ahead he overtook his mud-spattered
friend and the two of them were soon lost to sight among the trees.

Kenneth fell into profound cogitation. Evidently Lapelle had waited
at the edge of the forest for a report of some description from the
farmhouse belonging to Rachel Carter. In all probability Viola was
still at the farm with her mother, and either she had sent a message
to her lover or had received one from him. Or, it was possible,
Lapelle had despatched his man to the farmhouse to ascertain
whether the girl was there, or had been hurried on into the town
by her mother. In any case, the disgruntled lover was not content
to acknowledge himself thwarted or even discouraged by the
miscarriage of his plans of the night just ended. Kenneth found
himself wondering if the incomprehensible Viola would prove herself
to be equally determined. If so, they would triumph over opposition
and be married, whether or no. He was conscious of an astounding,
almost unbelievable desire to stand with Rachel Carter in her hour
of trouble.

His thoughts went back, as they had done more than once that
morning, to Viola's artful account of his own father. He had felt
sorry for her during and after the recital and now, with the truth
revealed to him, he was even more concerned than before,--for he
saw unhappiness ahead of her if she married this fellow Lapelle.
He went even farther back and recalled his own caustic opinions
of certain young rakes he had known in the East, wherein he had
invariably asseverated that if he "had a sister he would sooner
see her dead than married to that rascal." Well,--here he was with
a sister,--and what was he to do about it?

Zachariah, observing the dark frown upon his master's face, and
receiving no answer to a thrice repeated question, fell silent
except for the almost inaudible hymn with which he invited consolation.

From afar in the thick wood now came the occasional report of a
gun, proof that hunters were abroad. Many times Kenneth was roused
from his reverie by the boom and whiz of pheasants, or the ring of
a woodman's axe, or the lively scurrying of ground squirrels across
his path. They forded three creeks before emerging upon a boggy,
open space, covered with a mass of flattened, wind-broken reeds
and swamp grass, in the centre of which lay a wide, still bayou
partially fringed by willows with the first sickly signs of spring
upon them in the shape of timid mole-ear leaves. Beyond the bridge
over the canal-like stream which fed the bayou was a ridge of hills
along whose base the road wound with tortuous indecision.

The first log cabin they had seen since entering the wood nestled
among the scrub oaks of the hill hard by. The front wall of the hut
was literally covered with the pegged-up skins of foxes, raccoons
and what were described to Kenneth as the hides of "linxes," but
which, in reality, were from the catamount. A tall, bewhiskered
man, smoking a corncob pipe, leaned upon the rail fence, regarding
the strangers with lazy interest.

Kenneth drew rein and inquired how far it was to Lafayette.

"'Bout two mile an' a half," replied the man. "My name is Stain,
Isaac Stain. I reckon you must be Mister Kenneth Gwynne. I heerd
you'd be along this way some time this mornin'."

"I suppose Mr. Lapelle informed you that I was coming along behind,"
said Kenneth, smiling.

"'Twuzn't Barry Lapelle as told me. I hain't seen him to-day."

"Didn't he pass here within the hour?"

"Nope," was the laconic response.

"I met him back along the road. He was coming this way."

"Must 'a' changed his mind."

"He probably took another road."

"There hain't no other road. I reckon he turned off into the wood
an' 'lowed you to pass," said Mr. Stain slowly.

"But he was in great haste to reach town. He may have passed when
you were not--"

"He didn't pass this place unless he was astraddle of an eagle er
somethin' like that," declared the other, grinning. "An' even then
he'd have to be flyin' purty doggone high ef I couldn't see him.
Nope. I guess he took to the woods, Mr. Gwynne, for one reason er
'nother,--an' it must ha' been a mighty good reason, 'cause from
what I know about Barry Lapelle he allus knows which way he's goin'
to leap long before he leaps. He's sorter like a painter in that
way."

Kenneth, knowing that he meant panther when he said painter, was
properly impressed.

"It is very strange," he said, frowning. It was suddenly revealed
to him that if Lapelle had tricked him it was because the messenger
had brought word from Viola, at the farmhouse, and that the baffled
lovers might even now be laying fresh plans to outwit the girl's
mother. This fear was instantly dissipated by the next remark of
Isaac Stain.

"Nope. It wuzn't him that told me about you, pardner. It wuz Violy
Gwyn. She went by here with her ma, jes' as I wuz startin' off to
look at my traps,--'long about seven o'clock, I reckon,--headed
for town. She sez to me, sez she: 'Ike, there'll be a young man
an' a darkey boy come ridin' this way some time this forenoon an'
I want you to give him a message for me.' 'With pleasure,' sez I;
'anything you ask,' sez I. 'Well,' sez she, 'it's this. Fust you
ask him ef his name is Kenneth Gwynne, an 'ef he sez it is, then
you look an' see ef he is a tall feller an' very good-lookin',
without a beard, an' wearin' a blue cape, an' when you see that he
answers that description, why, you tell him to come an' see me as
soon as he gits to town. Tell him it's very important.' 'All right,'
sez I, 'I'll tell him.'"

"Where was her mother all this time?"

"Settin' right there in the buggy beside her, holdin' the reins.
Where else would she be?"

"Did she say anything about my coming to see her daughter?"

"Nope. She never said anythin' 'cept 'Good mornin', Ike,' an' I
sez 'Good mornin', Mrs. Gwyn.' She don't talk much, she don't. You
see, she's in mournin' fer her husband. I guess he wuz your pa,
wuzn't he?"

"Yes," said Kenneth briefly. "Was there anything else?"

"Nothin' to amount to anything. Violy sez, 'When did you get the
linx skins, Ike?' an' I sez, 'Last Friday, Miss Violy,' an' she
sez, 'Ain't they beautiful?' an' I sez--"

"She wants me to come to her house?" broke in Kenneth, his brow
darkening.

"I reckon so."

"Well, I thank you, Mr. Stain. You are very kind to have waited so
long for me to arrive. I--"

"Oh, I'd do a whole lot more'n that fer her," said the hunter
quickly. "You see, I've knowed her ever since she wuz knee-high
to a duck. She wuzn't more'n five or six when I brung her an' her
folks up the Wabash in my perogue, all the way from Vincennes, an'
it wuz me that took her down to St. Louis when she went off to
school--her an' some friends of her pa's. Skinny, gangling sort
of a young 'un she wuz, but let me tell you, as purty as a picter.
I allus said she'd be the purtiest woman in all creation when she
got her growth an' filled out, an', by hokey, I wuz right. Yes,
sir, I used to run a boat on the river down below, but I give it
up quite awhile ago an' come up here to live like a gentleman."
He waved his hand proudly over his acre and a half estate. "I wuz
talkin' to Bill Digby not long ago an' he sez this is a wonderful
location for a town, right here at the fork of two o' the best
fishin' cricks in the state. An' Bill he'd ort to know, 'cause he's
laid out more towns than anybody I know of. The only trouble with
Bill is that as soon as he lays 'em out somebody comes along an'
offers him a hundred dollars er so fer 'em, er a team of hosses,
er a good coon dog, an' he up an' sells. Now, with me, I--Got to
be movin' along, have you? Well, good-bye, an' be a little keerful
when you come to Durkee's Run bridge. It's kinder wobbly."

They were fording a creek some distance beyond Stain's cabin when
Kenneth broke the silence that had followed the conversation with
the hunter by exploding violently:

"Under no circumstances,--and that's all there is to it."

Zachariah, ever ready to seize an opportunity to raise his voice,
either in expostulation or agreement, took this as a generous
opening. He exclaimed with commendable feeling:

"Yas, suh! Undeh no suckemstances! No, suh!"

"It is not even to be thought of," declared his master, frowning
heavily.

"No, suh! We can't even think about it, Marse Kenneth," said
Zachariah, a trifle less decisively.

"So that is the end of it,--absolutely the end."

"Dat's what Ah say,--yas, suh, dat's what Ah say all along, suh!"

His master suddenly turned upon him. "I cannot go to that woman's
house. It is unthinkable, Zachariah."

Zachariah began to see light. "Yo' all got to be mighty car'ful
'bout dese yere strange women, Marse Kenneth. Don' you forget what
done happen in 'at ole Garden of Eden. Dis yere old Eve, she--"

"Still I am greatly relieved to know that she is in town and not
out on the farm. It is a relief, isn't it, Zachariah?"

"Yas, suh,--hit sho'ly am."

They progressed slowly up a long hill and came to an extensive
clearing, over which perhaps half a dozen farmhouses were scattered.
Beyond this open space they entered a narrow strip of wood and,
upon emerging, had their first glimpse of the Wabash River.

Stopping at the brow of the hill, they looked long and curiously
over the valley into which they were about to descend. The panorama
was magnificent. To the left flowed the swollen, turgid river,
high among the willows and sycamores that guarded the low-lying
bank. Far to the north it could be seen, a clayish, ugly monster,
crawling down through the heart of the bowl-like depression. Mile
after mile of sparsely wooded country lay revealed to the gaze of
the travellers, sunken between densely covered ridges, one on either
side of the river. Half a mile beyond where they stood feathery
blue plumes of smoke rose out of the tree tops and, dispersing,
floated away on the breeze,--and there lay the town of Lafayette,
completely hidden from view.

The road wound down the hill and across a clumsily constructed bridge
spanning the Run and thence along the flat shelf that rimmed the
bottom-land, through a maze of wild plum and hazel brush squatting,
as it were, at the feet of the towering forest giants that covered
the hills.

Presently the travellers came upon widely separated cabins
and gardens, and then, after passing through a lofty grove, found
themselves entering the town itself. Signs of life and enterprise
greeted them from all sides. Here, there and everywhere houses were
in process of erection,--log-cabins, frame structures, and even an
occasional brick dwelling-place. Turning into what appeared to be
a well-travelled road,--(he afterwards found it to be Wabash Street),
Kenneth came in the course of a few minutes to the centre of the
town. Here was the little brick courthouse and the jail, standing
in the middle of a square which still contained the stumps of many
of the trees that originally had flourished there. At the southwest
corner of the square was the tavern, a long story and a half log
house,--and it was a welcome sight to Gwynne and his servant, both
of whom were ravenously hungry by this time.

The former observed, with considerable satisfaction, that there were
quite a number of substantial looking buildings about the square,
mostly stores, all of them with hitching-racks along the edge of the
dirt sidewalks. As far as the eye could reach, in every direction,
the muddy streets were lined with trees.

Half a dozen men were standing in front of the tavern when the
newcomers rode up. Kenneth dismounted and threw the reins to his
servant. Landlord Johnson hurried out to greet him.




CHAPTER VII

THE END OF THE LONG ROAD


"We've been expecting you, Mr. Gwynne," he said in his most genial
manner. "Step right in. Dinner'll soon be ready, and I reckon
you must be hungry. Take the hosses around to the stable, nigger,
and put 'em up. I allowed you'd be delayed some by the bad roads,
but I guess you must have got a late start this mornin' from Phin
Striker's. Mrs.--er--ahem! I mean your step-mother sent word that
you were on the way and to have accommodations ready for you. Say,
I'd like to make you acquainted with--"

"My step-mother sent word to you?" demanded Kenneth, incredulously.

"She did. What would you expect her to do, long as she knew you
were headed this way? I admit she isn't specially given to worryin'
about other people's comforts, but, when you get right down to it,
I guess she considers you a sort of connection of hers, spite of
everything, and so she lays herself out a little. But I want to tell
you one thing, Mr. Gwynne, you're not going to find her particularly
cordial, as the sayin' is. She's about as stand-offish and
unneighbourly as a Kickapoo Indian. But, as I was sayin', I'd like
to make you acquainted with some of our leadin' citizens. This is
Daniel Bugher, the recorder, and Doctor Davis, Matt Scudder, Tom
Benbridge and John McCormick. It was moved and seconded, soon as
you heaved in sight, that we repair at once to Sol Hamer's grocery
for a little--"

"Excuse me," broke in Kenneth, laughing; "I have heard of that
grocery, and I think it would be wise for me to become a little better
acquainted with my surroundings before I begin trading there."

The landlord rubbed his chin and the other gentlemen laughed
uproariously.

"Well," said the former, "I can see one thing mighty plain. You're
going to be popular with my wife and all the other women in town.
They'll point to you and say to practically nine-tenths of the
married men in Lafayette: 'There's a man that don't drink, and
goodness knows HE isn't a preacher!'"

"I am hardly what you would call a teetotaler, gentlemen," said
Gwynne, still smiling.

"Wait till you get down with a spell of the Wabash shakes," said
Mr. McCormick. "That'll make a new man of him, won't it, Doc?"

"Depends somewhat on his constitution and the way he was brought
up," said the doctor, with a professional frown which slowly relaxed
into an unprofessional smile.

"I was brought up by my grandmother," explained Kenneth, vastly
amused.

"That settles it," groaned Mr. Johnson. "You're not long for this
world. Before we go in I wish you'd take a look at the new courthouse.
We're mighty proud of that building. There isn't a finer courthouse
in the state of Indiana,--or maybe I'd better say there won't
be if it's ever finished." "I noticed it as I came by," said the
newcomer, dismissing the structure with a glance. "If you will
conduct me to my room, Mr. Johnson, I--"

"Just a second," broke in the landlord, his gaze fixed on a horseman
who had turned into the street some distance below. "Here comes
Barry Lapelle,--down there by that clump of sugar trees. He's the
most elegant fellow we've got in town, and you'll want to know him.
Makes Lafayette his headquarters most of the--"

"I have met Mr. Lapelle," interrupted Kenneth. "This morning, out
in the country."

"You don't say so!" exclaimed Johnson. The citizens exchanged a
general look of surprise.

"Thought you said he went down the river on yesterday's boat," said
Scudder.

"That's just what he did," said Johnson, puzzled. "Packed some of
his things and said he'd be gone a week or so. He must have got off
at Attica,--but, no, he couldn't have got here this soon by road.
By glory, I hope the boat didn't strike a snag or a rock, or run
ashore somewhere. Looks kind of serious, boys."

"Couldn't he have landed almost anywhere in a skiff?" inquired
Gwynne, his eyes on the approaching horseman.

"Certainly he could,--but why? He had business down at Covington,
he said."

"He told me this morning he had very important business here.
That is why he could not ride in with me," said Kenneth, affecting
indifference. "By the way, is he riding his own horse?"

"Yes," said Benbridge. "That's his mare Fancy,--thoroughbred
filly by King Philip out of Shawnee Belle. He sent her down to Joe
Fell's to stud yesterday and--Say, that accounts for him being on
her now. You made a good guess, Mr. Gwynne. He must have landed
at La Grange, rowed across the river, and hoofed it up to Fell's
farm. But what do you suppose made him change his mind so suddenly?"

"He'll probably tell you to go to thunder if you ask him," said
the landlord.

"I'm not going to ask him anything," retorted Benbridge.

"He's working tooth and nail against the Wabash and Erie Canal that's
projected to run from Lake Erie to the mouth of the Tippecanoe,
Mr. Gwynne," said one of the citizens. "But it's coming through
in spite of him and all the rest of the river hogs."

"I see," said the young man, a grim smile playing about his lips.

He knew that the mare Fancy had been in waiting for her master when
he clambered ashore on the river bank opposite La Grange, and he
also suspected that the little steamboat had remained tied up at
the landing all night long and well into the morning, expecting
two passengers who failed to come aboard. He could not suppress a
chuckle of satisfaction.

Lapelle rode up at this instant and, throwing the bridle rein to
a boy who had come running up from the stable, dismounted quickly.
He came straight to Gwynne, smiling cordially.

"I see you beat me in. After we parted I decided to cut through
the woods to have a look at Jack Moxley's keel boat, stuck in the
mud on this side of the river. You'd think the blame fool would
have sense enough to keep well out in mid stream at a time like
this. Happy to have you here with us, and I hope you will like us
well enough to stay."

"Thank you. I shall like you all better after I have had something
to eat," said Kenneth.

"And drink," added Lapelle. It was then that Kenneth noticed that
his eyes were slightly blurred and his voice a trifle thick. He
had been drinking.

"What turned you back, Barry?" inquired McCormick. "Thought you
were to be gone a week or--"

"Changed my mind," said Lapelle curtly, and then, apparently on
second thought, added: "I got off the boat at La Grange and crossed
over to spend the night at Martin Hawk's, the man you saw with me
this morning, Mr. Gwynne. He is a hunter down Middleton way. I fish
and hunt with him a good deal. Well, I reckon I'd better go in and
get out of these muddy boots and pants."

Without another word, he strode up the steps, across the porch and
into the tavern, his head high, his gait noticeably unsteady.

"Martin Hawk!" growled the landlord. "The orneriest cuss this side
of hell. Plain no-good scalawag. Barry'll find it out some day,
and then maybe he'll wish he had paid some attention to what I've
been tellin' him."

"Wouldn't surprise me a bit if Mart knows a whole lot more about
what became of some mighty good yearlin' colts that used to belong
to honest men down on the Wea," said one of the group, darkly.

"I wouldn't trust Mart Hawk as far as I could throw a thousand pound
rock," observed Mr. Johnson, compressing his lips. "Well, come on
in, Mr. Gwynne, and slick up a bit. The dinner bell will be ringin'
in a few minutes, and I want you to meet the cook before you risk
eatin' any of her victuals. My wife's the cook, so you needn't look
scared. Governor Noble almost died of over-feedin' the last time
he was here,--but that wasn't her fault. And my daughters, big and
little, seem anxious to get acquainted with the celebrated Kenneth
Gwynne. People have been talkin' so much about you for the last six
months that nearly everybody calls you by your first name, and Jim
Crouch's wife is so taken with it that she has made up her mind to
call her baby Kenneth,--that is, providing nature does the right
thing. Next week some time, ain't it, Doc?"

"That's what most everybody in town says, Bob," replied the doctor
solemnly, "so I guess it must be true."

"We begin counting the inhabitants of the town as far as a month
ahead sometimes," explained Mr. McCormick drily. "I don't know as
we've been out of the way more than a day or a day-and-a-half on
any baby that's been born here in the last two years. Hope to see
you in my store down there, Mr. Gwynne--any time you're passing
that way. You can't miss it. It's just across the street from that
white frame building with the green stripes running criss-cross on
the front door,--Joe Hanna's store."

"Robert Gwyn's son is always welcome at my store and my home," said
another cordially. "We didn't know till last fall that he had a son,
and--well, I hope you don't mind my saying we couldn't believe it
at first."

"You spell the name different from the way he spelled it," answered
Bugher, the recorder. "I noticed it in your letters, and it struck
me as queer."

"My father appears to have reverted to the original way of spelling
the name," said Kenneth, from the upper step. "My forebears were
Welsh, you see. The manner of spelling it was changed when they
came to America, over a hundred years ago."

His bedroom was in the small wing off the dining-room. Its one window
looked out upon the courthouse, the view being somewhat restricted
by the presence of a pair of low-branched oak trees in the side-yard,
almost within arm's length of the wall,--they were so close, in
fact, that their limbs stretched out over the rough shingle roof,
producing in the wind an everlasting sound of scratching and
scraping. There was a huge four-poster feather bed of mountainous
proportions, leaving the occupant scant space in which to move
about the room.

"Last people to occupy this room," said Mr. Johnson, standing in
the doorway, "were George Ripley and Edna Cole, three weeks ago
last night. They came in from the Grand Prairie and only stayed
the one night. Had to get back to the farm next day on account
of it bein' wash-day. I guess I forgot to say they were on their
weddin'-trip. Generally speaking, it takes about three years
for people to get over callin' a girl by her maiden name,--so you
needn't think there was anything wrong about George and Edna stayin'
here. I wish you could have been here to drive out to the infare
at her pa's house two nights after the weddin'. It was the biggest
ever held on that side of the river,--and as for the shiveree,--my
Lord, it WAS something to talk about. Tin cans, cowbells, shot-guns,
tenor-drums,--but I'm keeping you, Mr. Gwynne. You'll find water
in that jug over there, and a towel by the lookin' glass. Come out
when you're ready."

When Kenneth returned to the dining-room, he found Johnson waiting
there with his wife and two of his comely daughters. They were
presented to the new guest with due informality, and then the
landlord went out upon the front porch to ring the dinner-bell.

"I guess you won't be stayin' here long, Mr. Gwynne," said Mrs.
Johnson. "Your mother,--I should say, your step-mother,--has got
your house all ready for you to move right in. Job Turner moved
out last week, and she took some of the furniture and things over
so's you could be sort of at home right away." Observing his start,
and the sudden tightening of his lips, she went on complacently:
"'Twasn't much trouble for her. Your house isn't more than fifty
yards from hers,--just across lots, you might say. She--"

Kenneth, forgetting himself in his agitation, interrupted her with
the startling question:

"Where does Rachel Carter live?"

"Rachel who?"

He collected his wits, stammering:

"I believe that was her name before she--before she married my
father."

"Oh, I see. Her name is Rachel, of course. Well, her house
is up Columbia street,--that's the one on the other side of the
square,--almost to the hill where Isaac Edwards has his brickyard,
just this side of the swamp."

After dinner, which was eaten at a long table in company with eight
or ten "customers," to whom he was introduced by the genial host,
he repaired to the office of Recorder Bugher.

"Everything's in good shape," announced Bugher. "There ain't
a claim against the property, now that Mrs. Gwyn has given up her
idea of contesting the will. The property is in your name now, Mr.
Gwynne,--and that reminds me that your father, in his will, spells
your name with a double n and an e, while he spells hers with only
one n. He took into consideration the fact that you spelled your
name in the new-fangled way, as you say he used to spell it in
Kentucky. And that also accounts for his signing the will 'Robert
Gwyn, formerly known as Robert Gwynne.' It's legal, all right,
properly witnessed and attested by two reliable men of this county."

"I have seen a copy of the will."

"Another queer thing about it is that he bequeathed certain property
to you as 'my son, Kenneth Gwynne,'--while he fails to mention his
daughter Viola at all, except to say that he bequeaths so-and-so
to 'Rachel Gwyn, to give, bequeath and devise as she sees fit.' Of
course, Viola, by law, is entitled to a share of the estate and it
should have been so designated. Judge Wylie says she can contest
the will if she so desires, on the ground that she is entitled to
as much as you, Mr. Gwynne. But she has decided to let it stand
as it is, and I guess she's sensible. All that her mother now has
will go to her when said Rachel dies, and as it will be a full
half of the estate instead of what might have been only a third,
I guess she's had pretty good advice from some one."

"The fact that my half-sister was not mentioned in the will naturally
led me to conclude that no such person existed. I did not know till
this morning, Mr. Bugher, that I had a half-sister."

"Well," began the recorder, pursing his lips, "for that matter she
didn't know she had a half-brother till the will was read, so she
was almost as ignorant as you."

"It's all very strange,--exceedingly strange."

"When did your own mother die, if it's a fair question?"

"In the year 1812. My father was away when she died."

"Off to the war, I suppose."

"Yes," said the young man steadily. "Off to the war," he lied,
still staring out of the window. "I was left with my grandparents
when he went off to make his fortune in this new country. It was
not until I was fairly well grown that we heard that he was married
to a woman named Rachel Carter."

"Well, I guess it's something you don't like to talk about," said
Mr. Bugher, and turned his attention to the records they were
consulting.

Later the young man called at the office of Mr. Cornell, the lawyer
who had charge of his affairs. He had come to Lafayette prepared to
denounce Rachel Carter, to drive her in shame and disgrace from the
town, if necessary. Now he found himself confronted by a condition
that distressed and perplexed him; his bitter resolve was rudely
shaken and he was in a dire state of uncertainty. He was faced by
a most unexpected and staggering situation.

To denounce Rachel Carter would be to deliberately strike a
cruel, devastating blow at the happiness and peace of an innocent
person,--Viola Gwyn, his own half-sister. A word from him, and that
lovely girl, serene in her beliefs, would be crushed for life. The
whole scheme of life had been changed for him in the twinkling of
an eye, as it were. He could not wreak vengeance upon Rachel Carter
without destroying Viola Gwyn,--and the mere thought of that caused
him to turn cold with repugnance. How could he publish Rachel Carter's
infamy to the world with that innocent girl standing beside her to
receive and sustain the worst of the shock? Impossible! Viola must
be spared,--and so with her, Rachel Carter!

Then there was the strange message he had received from Viola,
through the hunter, Stain. What was back of the earnest request for
him to come and see her at her mother's house? Was she in trouble?
Was she in need of his help? Was she depending upon him, her blood
relation, for counsel in an hour of duress? He was sadly beset by
conflicting emotions.

In the course of his interview with the lawyer, from whom he had
decided to withhold much that he had meant to divulge, he took
occasion to inquire into the present attitude of Rachel Carter,--or
Gwyn, as he reluctantly spoke of her,--toward him, an open and
admitted antagonist.

"Well," said Cornell, shaking his head, "I don't believe you will
catch her asking any favours of you. She has laid down her arms,
so to speak, but that doesn't mean she intends to be friendly. As
a matter of fact, she simply accepts the situation,--with very bad
grace, of course,--but she'll never be able to alter her nature or
her feelings. She considers herself cheated, and that's all there
is to it. I doubt very much whether she will even speak to you,
Mr. Gwynne. She is a strange woman, and a hard one to understand.
She fought desperately against your coming here at all. One of
her propositions was that she should be allowed to buy your share
of the estate, if such a transaction could be arranged, you will
remember. You declined to consider it. This was after she withdrew
her proposed contest of the will. Then she got certain Crawfordsville
men interested in the purchase of your land, and they made you a
bona fide offer,--I think they offered more than the property is
worth, by the way. I think, back of everything, she could not bear
the thought of you, the son of a former wife, living next door to
her. Jealousy, I suppose,--but not unnatural, after all, in a second
wife, is it? They're usually pretty cantankerous when it comes to
the first wife's children. As regards her present attitude, I think
she'll let you alone if you let her alone."

"My sister has asked me to come up to the house to see her this
afternoon," said Kenneth.

The lawyer looked surprised. "Is that so? Well," with a puzzled
frown, "I don't quite understand how she came to do that. I was
under the impression that she felt about as bitterly toward you
as her mother does. In fact, she has said some rather nasty things
about you. Boasted to more than one of her friends that she would
slap your face if you ever tried to speak to her."

Kenneth smiled, a reminiscent light in his eyes. "She has done
so, figuratively speaking, Mr. Cornell. I am confident she hates
me,--but if that's the case, why should she leave word for me to
come and see her?"

"Experience has taught me that women have a very definite object
in view when they let on as if they had changed their minds," was
the judicial opinion of Mr. Cornell. "Maybe they don't realize it,
but they are as wily as the devil when they think, and you think,
and everybody else thinks, they're behaving like an angel. It's
not for me to say whether you should go to see her or not, but I
believe I would if I were in your place. Maybe she has made up her
mind to be friendly, on the surface at least, and as you are bound
to meet each other at people's houses, parties, and all such, perhaps
it would be better to bury the hatchet. I think you will be quite
safe in going up there to-day, so far as Mrs. Gwyn is concerned.
She will not appear on the scene, I am confident. You will not come
in contact with her. You say that she has put some of her furniture
at your disposal, but she doubtless did so on the advice of her
lawyer. You must not forget that your father, in his will, left
half of his personal effects to you. She is just smart enough to
select in advance the part that she is willing for you to have,
feeling that you will not be captious about it."

"I have no desire to exact anything of--"

"Quite so, quite so," broke in the lawyer. "But she could not be
expected to know that. She is a long-headed woman, Mr. Gwynne. I
suspect she is considerably worried about Viola. Your half-sister
is being rather assiduously courted by a young man named Lapelle. Mrs.
Gwyn does not approve of him. She is strait-laced and--er--puritanical."

"Puritanical, eh?" said Kenneth, with a short laugh that Mr. Cornell
totally misinterpreted.

"Barry isn't exactly what you would call sanctimonious," admitted
the lawyer, with a dry smile. "The worst of it is, I'm afraid Viola
is in love with him."

His client was silent for a moment, reflecting. Then he arose
abruptly and announced:

"I agree with you, Mr. Cornell. I will go up to see her this
afternoon. I bear her no grudge,--and after all, she is my sister.
Good day, sir. I shall give myself the pleasure of calling in to
see you to-morrow."




CHAPTER VIII

RACHEL CARTER


Kenneth strolled about the town for awhile before returning to the
tavern to shave, change his boots, and "smarten" himself up a bit
in preparation for the ceremonious call he had dreaded to make.
On all sides he encountered the friendliest interest and civility
from the townspeople. The news of his arrival had spread over the
place with incredible swiftness. Scores of absolute strangers turned
to him and tendered to him the welcome to be found in a broad and
friendly smile.

Shortly after three o'clock he set forth upon his new adventure.
Assailed by a strange and unaccustomed timidity,--he would have
called it bashfulness had Viola been other than his sister--he
approached the young lady's home by the longest and most round-about
way, a course which caused him to make the complete circuit of the
three-acre pond situated a short distance above the public square--a
shallow body of water dignified during the wet season of the year
by the high-sounding title of "Lake Stansbury," but spoken of
scornfully as the "slough" after the summer's sun had reduced its
surface to a few scattered wallows, foul and green with scum. It
was now full of water and presented quite an imposing appearance
to the new citizen as he skirted its brush-covered banks; in his
ignorance he was counting the probability of one day building a
handsome home on the edge of this tiny lake.

A man working in a garden pointed out to him Mrs. Gwyn's house
half-hidden among the trees at the foot of a small slope.

"That other house, a couple of hundred foot further on,--you
can just see it from here,--well, that belonged to Robert Gwyn. I
understand his long-lost son is comin' to live in it one of these
days. They say this boy when he was a baby was stolen by the Injins
and never heard of ag'in until a few months ago. Lived with the
Injins right up to the time he was found and couldn't speak a word
of English. I have heard that he--what are ye laughin' at, mister?"

"I was laughing at the thought of how surprised you are going to
be some day, my friend. Thank you. The house with the green window
blinds, you say?"

He proceeded first to the house that was to be his home. It was a
good stone's throw from the pretentious two-story frame structure in
which Rachel Carter and her daughter lived, but nearer the centre
of the town when approached by a more direct route than he had
followed. This smaller house, an insignificant, weather-beaten
story and a half frame, snuggling among the underbrush, was where
his father had lived when he first came to Lafayette. Later on he
had erected the larger house and moved into it with his family,
renting the older place to a man named Turner.

It was faced by a crudely constructed picket fence, once white but
now mottled with scales of dirty sun-blistered paint, and inside
the fence rank weeds, burdocks and wild grass flourished without
hindrance. He strode up the narrow path to the low front door.
Finding it unlocked, he opened it and stepped into the low, roughly
plastered sitting-room. The window blinds were open, permitting
light and air to enter, and while the room was comparatively bare,
there was ample evidence that it had been made ready for occupancy
by a hand which, though niggardly, was well trained in the art of
making a little go a long way. The bedroom and the kitchen were
in order. There were rag carpets on the floors, and the place was
immaculately clean. A narrow, enclosed stairway ran from the end
of the sitting-room to the attic, where he discovered a bed for his
servant. Out at the back was the stable and a wagonshed. These he
did not inspect. A high rail fence stretched between the two yards.

As he walked up the path to the front door of the new house, he
was wondering how Viola Gwyn would look in her garb of black,--the
hated black she had cast aside for one night only. He was oppressed
by a dull, cold fear, assuaged to some extent by the thrill of
excitement which attended the adventure. What was he to do or say
if the door was opened by Rachel Carter? His jaw was set, the palms
of his hands were moist, and there was a strange, tight feeling
about his chest, as if his lungs were full and could not be emptied.
After a moment's hesitation, he rapped firmly on the door with his
bare knuckles.

The door was opened by a young coloured woman who wore a blue
sunbonnet and carried a red shawl over her arm.

"Is Miss Viola at home?" he inquired.

"Is dis Mistah Gwynne, suh?"

"Yes."

"Come right in, suh, an' set down."

He entered a small box of a hallway, opening upon a steep set of
stairs.

"Right in heah, suh," said the girl, throwing open a door at his
left.

As he walked into this room, he heard the servant shuffling up the
staircase. He deposited his hat and gloves on a small marble-top
table in the centre of the room and then sent a swift look of
investigation about him. Logs were smouldering in the deep, wide
fireplace at the far end of the room, giving out little spurts
of flame occasionally from their charred, ash-grey skeletons. The
floor was covered with a bright, new rag carpet, and there was a
horse-hair sofa in the corner, and two or three stiff, round-backed
little chairs, the seats also covered with black horse-hair. A
thick, gilt-decorated Holy Bible lay in the centre of the marble-top
table, shamed now by contact with the crown of his unsaintly
hat. On the mantel stood a large, flat mahogany clock with floral
decorations and a broad, white face with vivid black numerals and
long black hands. The walls were covered with a gaudy but expensive
paper, in which huge, indescribable red flowers mingled regularly
with glaring green leaves. Two "mottoes," worked in red and blue
worsted and framed with narrow cross-pieces of oak, hung suspended
in the corners beside the fireplace. One of them read "God Bless
Our Home," the other a sombre line done in black: "Faith, Hope and
Charity."

Three black oval oak frames, laden with stiff leaves that glistened
under a coat of varnish, contained faded, unlovely portraits,--one
of a bewhiskered man wearing a tall beaver hat and a stiff black
stock: another of a sloping-shouldered woman with a bonnet, from
which a face, vague and indistinct, sought vainly to emerge. The
third contained a mass of dry, brown leaves, some wisps of straw,
and a few colourless pressed blossoms. On a table in front of one
of the two windows stood a spindling Dutch lamp of white and delft
blue, with a long, narrow chimney. There were two candlesticks on
the mantel.

All these features of the room he took in while he stood beside
the centre table, awaiting the entrance of Viola Gwyn. He heard a
door open softly and close upstairs, and then some one descending
the steps; a few words spoken in the subdued voice of a woman and
the less gentle response of the darky servant, who mumbled "Yas'm,"
and an instant later went out by the front door. Through the window
he saw her go down the walk, the red shawl drawn tightly about her
shoulders.

He smiled. The clever Viola getting rid of the servant so that she
could be alone with him, he thought, as he turned toward the door.

A tall woman in black appeared in the doorway, paused there for a
second or two, and then advanced slowly into the room. He felt the
blood rush to his head, almost blinding him. His hand went out for
the support of the table, his body stiffened and suddenly turned
cold. The smile with which he intended to greet Viola froze on his
lips.

"God Al--" started to ooze from his stiff lips, but the words broke
off sharply as the woman stopped a few steps away and regarded
him steadily, silently, unsmilingly. He stood there like a statue
staring into the dark, brilliant eyes, sunken deep under the straight
black eyebrows. Even in the uncertain light from the curtained
windows he could see that her face was absolutely colourless,--the
pallor of death seemed to have been laid upon it. Swiftly she lifted
a hand to her throat, her eyes closed for a second and then flew
wide open again, now filled with an expression of utter bewilderment.

"Is it--is it you, Robert? Is it really you, or am I--" she murmured,
scarcely above a whisper. Once more she closed her eyes, tightly;
as if to shut out the vision of a ghost,--an unreal thing that
would not be there when she looked again.

The sound of her voice released him from the brief spell of
stupefaction.

"I know you. I remember you. You are Rachel Carter," he said
hoarsely.

She was staring at him as if fascinated. Her lips moved, but no
sound issued from them.

He hesitated for an instant and then turned to pick up his hat and
gloves. "I came to see your daughter, madame,--as well you know.
Permit me to take my departure."

"You are so like your--" she began with an effort, her voice deep
and low with emotion. "So like him I--I was frightened. I thought
he had--" She broke off abruptly, lowered her head in an attempt
to hide from him the trembling lips and chin, and to regain, if
possible, the composure that had been so desperately shaken. "Wait!"
she cried, stridently. "Wait! Do not go away. Give me time to--to--"

"There is no need for us to prolong--" he began in a harsh voice.

"I will not keep you long," she interrupted, every trace of emotion
vanishing like a shadow that has passed. She was facing him now,
her head erect, her voice steady. Her dark, cavernous eyes were
upon him; he experienced an odd, indescribable sensation,--as of
shrinking,--and without being fully aware of what he was doing,
replaced his hat upon the table, an act which signified involuntary
surrender on his part.

"Where is Viola?" he demanded sternly. "She left word for me to
come here. Where is she?"

"She is not here," said the woman.

He started. "You don't mean she has--has gone away with--"

"No. She has gone over to spend the afternoon with Effie Wardlow.
I will be frank with you. This is not the time for misunderstanding.
She asked Isaac Stain to give you that message at my request,--or
command, if you want the truth. I sent her away because what I
have to say to you must be said in private. There is no one in the
house besides ourselves. Will you do me the favour to be seated?
Very well; we will stand."

She turned away to close the hall door. Then she walked to one
of the windows and, drawing the curtain aside, swept the yard and
adjacent roadway with a long, searching look.

The strong light fell full upon her face; its warmth seemed
suddenly to paint the glow of life upon her pallid skin. He gazed
at her intently. Out of the past there came to him with startling
vividness the face of the Rachel Carter he had known. Despite
the fact that she was now an old woman,--he knew that she must be
at least forty-six or -seven,--she was still remarkably handsome.
She was very tall, deep-chested, and as straight as an arrow. Her
smoothly brushed hair was as black as the raven's wing. Time and
the toil of long, hard hours had brought deep furrows to her cheeks,
like lines chiselled in a face of marble, but they had not broken
the magnificent body of the Rachel Carter who used to toss him
joyously into the air with her strong young arms and sure hands. But
there was left no sign of the broad, rollicking smile that always
attended those gay rompings. Her lips were firm-set, straight and
unyielding,--a hard mouth flanked by what seemed to be absolutely
immovable lines. Her chin was square; her nose firm and noticeably
"hawk-like" in shape; her eyes clear, brilliant and keenly penetrating.

She faced him, standing with her back to the light.

"Sooner or later we would have had to meet," she said. "It is best
for both of us to have it over with at the very start."

"I suppose you are right," said he stiffly. "You know how I feel
toward you, Rachel Carter. There is nothing either of us can say
that will make the situation easier or harder, for that matter."

"Yes,--I understand," said she calmly. "You hate me. You have been
brought up to hate me. I do not question the verdict of those who
condemned me, but you may as well understand at once that I do not
regret what I did twenty years ago. I have not repented. I shall
never repent. We need not discuss that side of the question any
farther. You know my history, Kenneth Gwynne. You are the only person
in this part of the world who does know it. When the controversy
first came up over the settlement of your father's estate, I feared
that you would reveal the story of my--"

He held up his hand, interrupting her. "Permit me to observe, Rachel
Carter, that for many months after being notified of my father's
death and the fact that he had left me a portion of his estate, I
was without positive proof as to the identity of the woman mentioned
in the correspondence as his widow. It was not until a copy of the
will was forwarded to me that I was sure. By that time I had made
up my mind to keep my own counsel. I can say to you now, Rachel
Carter, that I do not intend to rake up that ugly story. I do not
make war on helpless women."

Her lips writhed slightly, and her eyes narrowed as if with pain.
It was but a fleeting exposition of vulnerability, however, for in
another instant she had recovered.

"You could not have struck harder than that if you had been warring
against a strong man," she said gently.

A hot flush stained his cheek. "It is the way I feel, nevertheless,
Rachel Carter," he said deliberately.

"You can think of me only as Rachel Carter," she said. "My name
is Rachel Gwyn. Still it doesn't matter. I am past the point where
I can be hurt. You may tell the story if it suits your purpose. I
shall deny nothing. It may even give you some satisfaction to see
me wrap my soiled robes about me and steal away, leaving the field
to you. I can sell my lands to-morrow and disappear. It will matter
little whether I am forgotten or not. The world is large and I am
not without fortitude. I wanted you to come here to-day, to see me
alone, to hear what I have to say,--not about myself,--but about
another. I am a woman of quick decisions. When I learned early this
morning that you would be in Lafayette to-day, I made up my mind
to take a certain step,--and I have not changed it."

"If you are referring to your daughter--to my half-sister, if you
will--I have only to remind you that my mind is already made up.
You need have no fear that I shall do or say anything to hurt that
innocent girl. I am assuming, of course, that she knows nothing
of--well, of what happened back there in Kentucky."

"She knows nothing," said the woman, in a voice strangely low and
tense. "If she ever knew, she has forgotten."

"Forgotten?" he cried. "Good God, how could she have forgotten a
thing so--"

She moved a step nearer, her burning eyes fixed on his.

"You remember Rachel Carter well enough. Have you no recollection
of the little girl you used to play with? Minda? The babe who could
scarcely toddle when you--"

"Of course I remember her," he cried impatiently. "I remember
everything. You took her away with you and--why did you not leave
her behind as my father left me? Why could you not have been as
fair to your child as he was to his?"

She was silent for a moment, pondering her answer. "I do not suppose
it has ever occurred to you that I might have loved my child too
deeply to abandon her," she said, a strange softness in her voice.

"My father loved me," he cried out, "and yet he left me behind."

"He loved you,--yes,--but he would not take you. He left you with
some one who also loved you. Don't ever forget that, Kenneth Gwynne.
I would not go without Minda. No more would your mother have gone
without you. Stop! I did not mean to offend. So you DO remember
little Minda?"

"Yes, I remember her. But she is dead. Why do you mention her--"

"Minda is not dead," said she slowly.

"Not--why, she was drowned in the--"

"No. Minda is alive. You saw her last night,--at Phineas Striker's
house."

He started violently. "The girl I saw last night was--Minda?" he
cried. "Why, Striker told me she was--"

"I know,--I know," she interrupted impatiently. "Striker told you
what he believed to be true. He told you she was Robert Gwyn's
daughter and your half-sister. But I tell you now that she is Minda
Carter. There is not a drop of Gwyn blood in her body."

"Then, she is not my half-sister?" he exclaimed, utterly dazed, but
aware of the exquisite sensation of relief that was taking hold of
him.

"She is no blood relation of yours."

"But she is,--yes, now I understand,--she is my step-sister," he
said, with a swift fall of spirits.

"I suppose that is what you might call her," said Rachel Gwyn,
indifferently. "I have not given it much thought."

"Does she know that she is not my father's daughter?"

"No. She believes herself to be his own flesh and blood,--his own
daughter," said she with the deliberateness of one weighing her
words, that they might fall with full force upon her listener.

"Why are you telling me all this?" he demanded abruptly. "What is
your object? If she does not know the truth, why should I? Good
God, woman, you--you do not expect ME to tell her, do you? Was that
your purpose in getting me here? You want me to tell her that--"

"No!" she cried out sharply. "I do not want you or any one else to
do that. Listen to me. I sha'n't beat about the bush,--I will not
waste words. So far as Viola and the world are concerned, she is
Robert Gwyn's daughter. That is clear to you, is it not? She was
less than two years old when we came away,--too young to remember
anything. We were in the wilderness for two or three years, and
she saw but one or two small children, so that it was a very simple
matter to deceive her about her age. She is nearly twenty-two now,
although she believes she is but nineteen. She does not remember
any other father than Robert Gwyn. She has no recollection of her
own father, nor does she remember you. She--"

"Last night she described her father to me," he interrupted. "Her
supposed father, I mean. She made it quite plain that he did not
love her as a father should love his own child."

"It was not that," she said. "He was afraid of her,--mortally
afraid of her. He lived in dread of the day when she would learn
the truth and turn upon him. He always meant to tell her himself,
and yet he could not find the courage. Toward the end he could not
bear to have her near him. It would not be honest in me to say that
he loved her. I do not believe he would have loved a child if one
had come to him and me,--no child of mine could take the place you
had in his heart." She spoke with calm bitterness. "You say she
told you about him last night. I am not surprised that she should
have spoken of him as she did. It was not possible for her to love
him as a father. Nature took good care of that. There was a barrier
between them. She was not his child. The tie of blood was lacking.
Nature cannot be deceived. She has never told me what her true
feelings toward him were, but I have sensed them. I could understand.
I think she is and always has been bewildered. It is possible that
away back in her brain there is something too tiny to ever become
a thought, and yet it binds her to a man she does not even remember.
But we are wasting time. You are wondering why I have told you the
truth about Viola. The secret was safe, so why should I reveal it
to you,--my enemy,--isn't that what you are thinking?"

"Yes. I don't quite grasp your motive in telling me, especially
as I am still to look upon Viola as my half-sister. I have already
stated that under no circumstances will I hurt her by raking up that
old, infamous story. I find myself in a most difficult position.
She believes herself to be my sister while I know that she is not.
It must strike even you, Rachel Carter, as the ghastliest joke that
fate ever played on a man,--or a woman, either."

"I have told you the truth, because I am as certain as I am that I
stand here now that you would have found it all out some day,--some
day soon, perhaps. In the first place your father did not mention
her in his will. That alone is enough to cause you to wonder. You
are not the only one who is puzzled by his failure to provide for
her as well as for you. Before long you would have begun to doubt,
then to speculate, and finally you would have made it your business
to find out why she was ignored. In time you could have unearthed
the truth. The truth will always out, as the saying goes. I
preferred to tell it to you at once. You understand I cannot exact
any promises from you. You will do as you see fit in the matter.
There is one thing that you must realize, however. Viola has not
robbed you of anything--not even a father's love. She does not
profit by his death. He did not leave her a farthing, not even a
spadeful of land. I am entitled to my share by law. The law would
have given it to me if he had left no will. I am safe. That is clear
to you, of course. I earned my share,--I worked as hard as he did
to build up a fortune. When I die my lands and my money will go to
my daughter. You need not hope to have any part of them. I do not
ask you to keep silent on my account. I only ask you to spare her.
If I have sinned,--and in the sight of man, I suppose I have,--I
alone should be punished. But she has not sinned. I have thought it
all out carefully. I have lain awake till all hours of the night,
debating what was the best thing to do. To tell you or not to tell
you, that was the question I had to settle. This morning I decided
and this is the result. You know everything. There is no need for
you to speculate. There is nothing for you to unravel. You know
who Viola is, you know why she was left out of your father's will.
The point is this, when all is said,--she must never know. She must
always,--do you hear me?--she must always look upon you as her
brother. She must never know the truth about me. I put her happiness,
her pride, her faith, in your hands, Kenneth Gwynne."

He had listened with rigid attention, marvelling at the calm,
dispassionate, unflinching manner in which she stated her case and
Viola's,--indeed, she had stated his own case for him. Apparently
she had not even speculated on the outcome of her revelations; she
was sure of her ground before she took the first step.

"There is no other course open to me," he said, taking up his hat.
He was very pale. "There is nothing more to say,--now or hereafter.
We have had, I trust, our last conversation. I hate you. I could
wish you all the unhappiness that life can give, but I am not such
a beast as to tell your daughter what kind of a woman you are. So
there's the end. Good-day, Rachel Carter."

He turned away, his hand was on the door-latch, before she spoke
again.

"There is something more," she said, without moving from the spot
where she had stood throughout the recital. The same calm, cold
voice,--the same compelling manner. "It was my pleading, back
in those other days, that finally persuaded Robert Gwyn to let me
bring Minda up as his daughter. He was bitterly opposed to it at
first. He never quite reconciled himself to the deception. He did
not consider it being honest with her. He was as firm as a rock
on one point, however. He would bring her up as his daughter, but
he would not give her his name. It was after he agreed to my plan
that he changed the spelling of his own name. She was not to have
his name,--the name he had given his own child. That was his real
reason for changing his name, and not, as you may suspect, to avoid
being traced to this strange land."

"A belated attempt to be fair to me, I suppose," he said, ironically.

"As you like," she said, without resentment. "In the beginning,
as I have told you, he believed it to be his duty to tell her the
truth about herself. He was sincere in that. But he did not have
the heart to tell her after years had passed. Now let me tell you
what he did a few weeks before he passed away,--and you will know
what a strange man he was. He came home one day and said to me: 'I
have put Viola's case in the hands of Providence. You may call it
luck or chance if you like, but I call it Providence. I cannot go
to her face to face and tell her the truth by word of mouth, but
I have told her the whole story in writing.' I was shocked, and
cried out to know if he had written to her in St. Louis. He smiled
and shook his head. 'No, I have not done that. I have written it all
out and I have hidden the paper in a place where she is not likely
to ever find it,--where I am sure she will never look. I will not
even tell you where it is hidden,--for I do not trust you,--no, not
even you. You would seek it out and destroy it.' How well he knew
me! Then he went on to say, and I shall never forget the solemn way
in which he spoke: 'I leave it all with Providence. It is out of my
hands. If she ever comes across the paper it will be a miracle,--and
miracles are not the work of man. So it will be God Himself
who reveals the truth to her.' Now you can see, Kenneth, that the
secret is not entirely in our keeping. There is always the chance
that she may stumble upon that paper. I live in great dread. My
hope now is that you will find it some day and destroy it. I have
searched in every place that I can think of. I confess to that. It
is hidden on land that some day will belong to Viola,--that much
he confided to me. It is not on the land belonging to you,--nor in
your house over there."

"You are right," he said, deeply impressed. "There is always the
chance that it will come to light. There is no telling how many
times a day she may be within arm's length of that paper,--perhaps
within inches of it. It is uncanny."

He cast a swift, searching look about the room, as if in the hope
that his eyes might unexpectedly alight upon the secret hiding
place.

"He could not have hidden it in this house without my knowing it,"
she said, divining his thought.

He was silent for a moment, frowning reflectively. "Are you sure
that no one else knows that she is not his daughter?"

"I am sure of it," she replied with decision.

"And there is nothing more you have to tell me?"

"Nothing. You may go now."

Without another word he left her. He was not surprised by her
failure to mention the early morning episode at Striker's cabin.
His concluding question had opened the way; it was clear that she
had no intention of discussing with him the personal affairs of
her daughter. Nevertheless he was decidedly irritated. What right
had she to ask him to accept Viola as a sister unless she was also
willing to grant him the privileges and interests of a brother?
Certainly if Viola was to be his sister he ought to have something
to say about the way she conducted herself,--for the honour of the
family if for no other reason.

As he walked rapidly away from the house in the direction of Main
Street, he experienced a sudden sense of exaltation. Viola was
not his sister! As suddenly came the reaction, and with it stark
realization. Viola could never be anything to him except a sister.




CHAPTER IX

BROTHER AND SISTER


As he turned into Main Street he espied the figure of a woman
coming toward him from the direction of the public Square. She was
perhaps a hundred yards farther down the street and was picking
her way gingerly, mincingly, along the narrow path at the roadside.
His mind was so fully occupied with thoughts of a most disturbing
character that he paid no attention to her, except to note that
she was dressed in black and that in holding her voluminous skirt
well off the ground to avoid the mud-puddles, she revealed the
bottom of a white, beruffled petticoat.

His meditations were interrupted and his interest suddenly aroused
when he observed that she had stopped stock-still in the path.
After a moment, she turned and walked rapidly, with scant regard
for the puddles, in the direction from which she had come. Fifteen
or twenty paces down the road, she came to what was undoubtedly a
path or "short cut" through the wood. Into this she turned hastily
and was lost to view among the trees and hazel-brush.

He had recognized her,--or rather he had divined who she was. He
quickened his pace, bent upon overtaking her. Then, with the thrill
of the hunter, he abruptly whirled and retraced his steps. With the
backwoodsman's cunning he hastened over the ground he had already
traversed, chuckling in anticipation of her surprise when she found
him waiting for her at the other end of the "short cut."

He had noticed a path opening into the woods at a point almost
opposite his own house, and naturally assumed that it was the one
she was now pursuing in order to avoid an encounter with him. His
long legs carried him speedily to the outlet and there he posted
himself. He could hear her coming through the brush, although her
figure was still obscured by the tangle of wildwood; the snapping
of dead twigs under her feet; the scuffling of last year's leaves
on the path, now wet and plastered with mud and the slime of winter;
the swish of branches as she thrust them aside.

She emerged, breathless, into a little open spot, not twenty feet
away, and stopped to listen, looking back through the trees and
underbrush to see if she was being followed. Her skirts were drawn
up almost to the knees and pinched closely about her grey-stockinged
legs. He gallantly turned away and pretended to be studying the house
across the road. Presently he felt his ears burning; he turned to
meet the onslaught of her scornful, convicting eyes.

She had not moved. Her hands, having released the petticoat, were
clenched at her sides. Her cheeks were crimson, and her dark eyes,
peering out from the shade of the close-fitting hood of her black
bonnet, smouldered with wrath,--and, if he could have read them
better, a very decided trace of maidenly dismay.

"Ah, there you are," he cried, lifting his hat. "I was wondering
whether you would come out at this--"

"Can't you see I am trying to avoid you?" she demanded with extreme
frigidity.

"I rather fancied you were," said he easily. "So I hurried back
here to head you off. I trust you will not turn around and run the
other way, now that I have almost trapped you. Because if you do,
I shall catch up with you in ten jumps."

"I wish you would go away," she cried. "I don't want to see you,--or
talk to you."

"Then why did you leave word for me to come to your house to see
you?" he challenged. "I suspect you know by this time," she replied,
significantly.

He hesitated, regarding her with some uneasiness. "What do you
mean?" he fenced.

"Well, you surely know that it was my mother who wanted to see you,
and not I," she said, almost insolently. "Are you going to keep me
standing here in the mud and slush all day?"

"No, indeed," he said. "Please come out."

"Not until you go away."

"Why don't you want to talk to me? What have I done?"

"You know very well what you have done," she cried, hotly. "In the
first place, I don't like you. You have made it very unpleasant
for my mother,--who certainly has never done you any harm. In the
second place, I resent your interference in my affairs. Wait! Do
not interrupt me, please. Maybe you have not exactly interfered
as yet, but you are determined to do so,--for the honour of the
family, I suppose." She spoke scathingly. "I defy you,--and mother,
too. I am not a child to be--"

"I must interrupt you," he exclaimed. "I haven't the slightest idea
what you are talking about."

"Don't lie," she cried, stamping her foot. "Give me credit for a
little intelligence. Don't you suppose I know what mother wanted
to see you about? There! I can see the guilty look in your eyes.
You two have been putting your heads together, in spite of all the
ill-will you bear each other, and there is no use in denying it. I
am a naughty little girl and my big brother has been called in to
put a stop to my foolishness. If you--What are you laughing at,
Mr. Gwynne?" she broke off to demand furiously.

"I am laughing at you," he replied, succinctly. "You ARE like a
little girl in a tantrum,--all over nothing at all. Little girls in
tantrums are always amusing, but not always naughty. Permit me to
assure you that your mother and I have not discussed your interesting
affair with Mr. Lapelle. We talked of business mat--"

"Then," she cried, "how do you happen to know anything about Mr.
Lapelle and me? Aha! You're not as clever as you think you are. That
slipped out, didn't it? Now I know you were discussing my affairs
and nothing else. Well, what is the verdict? What are you going to
do to me? Lock me in my room, or tie me hand and foot, or--Please
stay where you are. It is not necessary to come any nearer, Mr.
Gwynne."

He continued his advance through the thicket, undeterred by the
ominous light in her eyes. She stood her ground.

"I think we had better talk the matter over quietly,--Viola," he
said, affecting sternness. "We can't stand here shouting at each
other. It is possible we may never have another chance to converse
freely. As a matter of fact, I do not intend to thrust myself upon
you or your mother. That is understood, I hope. We have nothing
in common and I daresay we can go our own ways without seriously
inconveniencing one another. I want you to know, however, that I
went to that house over there this afternoon because I thought you
wanted to consult with me about something. I was prepared to help
you, or to advise you, or to do anything you wanted me to do. You
were not there. I felt at first that you had played me a rather
shabby trick. Your mother,--my step-mother,--got me there under false
pretences, solely for the purpose of straightening out a certain
matter in connection with the--well, the future. She doubtless
realized that I would not have come on her invitation, so she used
you as a decoy. In any event, I am now glad that I saw her and
talked matters over. It does not mean that we shall ever be friendly,
but we at least understand each other. For your information I will
state that your mother did not refer to the affair at Striker's,
nor did I. I know all about it, however. I know that you went out
there to meet Lapelle. You planned to run away with him and get
married. I may add that it is a matter in which I have not the
slightest interest. If you want to marry him, all well and good. Do
so. I shall not offer any objection as a brother or as a counsellor.
If you were to ask for my honest opinion, however, I should--"

"I am not asking for it," she cried, cuttingly.

"--I should advise you to get married in a more or less regular
sort of way in your mother's home."

"Thank you for the advice," she said, curtly. "I shall get married
when and where I please,--and to whom I please, Mr. Gwynne."

"In view of the fact that I am your brother, Viola, I would suggest
that you call me Kenneth."

"I have no desire to claim you as a brother, or to recognize you
as one," said she.

He smiled. "With all my heart I deplore the evil fate that makes
you a sister of mine."

She was startled. "That--that doesn't sound very--pretty," she
said, a trifle dashed.

"The God's truth, nevertheless. At any rate, so long as you have
to be my sister, I rejoice in the fact that you are an extremely
pretty one. It is a great relief. You might have turned out to
be a scarecrow. I don't mind confessing that last night I said to
myself, 'There is the most beautiful girl in all the world,' and I
can't begin to tell you how shocked I was this morning when Striker
informed me that you were my half-sister. He knocked a romantic
dream into a cocked hat,--and--But even so, sister or no sister,
Viola, you still remain beyond compare the loveliest girl I have
ever seen."

There was something in his eyes that caused her own to waver,--something
that by no account could be described as brotherly. She looked
away, suddenly timid and confused. It was something she had seen
in Barry Lapelle's eyes, and in the eyes of other ardent men. She
was flustered and a little distressed.

"I--I--if you mean that," she said, nervously, "I suppose I--ought
to feel flattered."

"Of course, I mean it,--but you need not feel flattered. Truth is
no form of flattery."

She had recovered herself. "Who told you about Barry Lapelle and
me?" she demanded.

"You mean about last night's adventure?" he countered, a trifle
maliciously.

She coloured. "I suppose some one has--Oh, well, it doesn't matter.
I sha'n't ask you to betray the sneak who--"

"Tut, tut, my dear Viola! You must not--"

"Don't call me your dear Viola!"

"Well, then, my dear sister,--surely you cannot expect me to address
you as Miss Gwyn?" in mild surprise.

"Just plain Viola, if you must have a name for me."

"That's better," said he, approvingly.

"Whoever told you was a sneak," she said, wrathfully. She turned
her face away, but not quickly enough to prevent his seeing her
chin quiver slightly.

"At any rate, it was not your mother," he said. "I have Striker's
permission to expose what you call his treachery. He thought it was
his duty to tell me under the circumstances. And while I am about
it, I may as well say that I think you conspired to take a pretty
mean advantage of those good and faithful friends. You deceived them
in a most outrageous manner. It wasn't very thoughtful or generous
of you, Viola. You might have got them into very serious trouble
with your mother,--who, I understand, holds the mortgage on their
little farm and could make it extremely unpleasant for them if she
felt so inclined."

She was staring at him in wide-eyed astonishment, her red
lips slightly parted. She could not believe her ears. Why, he was
actually scolding her! She was being reprimanded! He was calmly,
deliberately reproving her, as if she were a mischievous child!
Amazement deprived her momentarily of the power of speech.

"To be sure," he went on reflectively, "I can appreciate the extremities
to which you were driven. The course of true love was not running
very smoothly. No doubt your mother was behaving abominably.
Mothers frequently do behave that way. This young man of yours may
be,--and I devoutly hope he is,--a very worthy fellow, one to whom
your mother ought to be proud and happy to see you married. In
view of her stand in the matter, I will go so far as to say that
you were probably doing the right thing in running away from home
to be married. I think I mentioned to you last night that I am of
a very romantic nature. Lord bless you, I have lain awake many a
night envying the dauntless gentlemen of feudal days who bore their
sweethearts away in gallant fashion pursued by ferocious fathers
and a score or more of blood-thirsty henchmen. Ah, that was the way
for me! With my lady fair seated in front of me upon the speeding
palfrey, my body between her and the bullets and lances and bludgeons
of countless pursuers! Zounds! Odds blood! Gadzooks! and so forth!
Not any of this stealing away in the night for me! Ah, me! How
different we are in these prosaic days! But, even so, if I were you,
the next time I undertake to run away with the valiant Mr. Lapelle
I should see to it that he does his part in the good old-fashioned
way. And I should not drag such loyal, honest folk as Striker and
his wife into the business and then ride merrily off, leaving them
to pay the Piper."

His heart smote him as he saw her eyes fill with tears. He did not
mistake them for tears of shame or contrition,--far from it, he
knew they were born of speechless anger. He had hurt her sorely,
even deliberately, and he was overcome by a sudden charge of
compassion--and regret. He wanted to comfort her, he wanted to say
something,--anything,--to take away the sting of chastisement.

He was not surprised when she swept by him, her head high, her
cheeks white with anger, her stormy eyes denying him even so much
as a look of scorn. He stood aside, allowing her to pass, and remained
motionless, gazing after her until she turned in at her own gate
and was lost to view. He shook his head dubiously and sighed.

"Little Minda," he mused, under his breath. "You were my playmate
once upon a time,--and now! Now what are you? A rascal's sweetheart, if
all they say is true. Gad, how beautiful you are!" He was walking
slowly through the path, his head bent, his eyes clouded with
trouble. "And how you are hating me at this moment. What a devil's
mess it all is!"

His eye fell upon something white lying at the edge of the path
a few feet ahead. It was a neatly folded sheet of note paper. He
stood looking down at it for a moment. She must have dropped it as
she came through. It was clean and unsoiled. A message, perhaps,
from Barry Lapelle, smuggled to her through the connivance of a
friendly go-between,--the girl she had gone to visit, what was her
name? He stooped to pick it up, but before his fingers touched it
he straightened up and deliberately moved it with the toe of his
boot to a less exposed place among the bushes, where he would have
failed to see it in passing. Then he strode resolutely away without
so much as a glance over his shoulder, and, coming to the open
road, stepped briskly off in the direction of the public Square.
His conscience would have rejoiced had he betrayed it by secreting
himself among the bushes for a matter of five minutes,--quaint
paradox, indeed!--for he would have seen her steal warily, anxiously
into the thicket in search of the lost missive,--and he would have
been further exalted by the little cry of relief that fell from her
lips as she snatched it up and sped incontinently homeward, as if
pursued by all the eyes in Christendom.

As a matter of fact, it was not a letter from Barry to Viola. It
was the other way round. She had written him a long letter absolving
herself from blame in the contretemps of the night before, at the
same time confessing that she was absolutely in the dark as to how
her mother had found out about their plans. Suffice to say, she
HAD found out early in the evening and, to employ her own words,
"You know the result." Then she went on to say that, all things
considered, she was now quite sure she could never, never consent
to make another attempt.

"I am positive," she wrote, ingenuously, "that mother will relent
in time, and then we can be married without going to so much trouble
about it." Farther on she admitted that, "Mother is very firm about
it now, but when she realizes that I am absolutely determined to
marry you, I am sure she will give in and all will be well." At the
end she said: "For the present, Barry dear, I think you had better
not come to the house. She feels very bitter toward you after last
night. We can see each other at Effie's and other places. After
all, she has had a great sorrow and she is so very unhappy that I
ought not to hurt her in any way if I can help it. I love you, but
I also love her. Please be kind and reasonable, dear, and do not
think I am losing heart. I am just as determined as ever. Nothing
can change me. You believe that, don't you, Barry dear? I know how
impulsive you are and how set in your ways. Sometimes you really
frighten me but I know it is because you love me so much. You must
not do anything rash. It would spoil everything. I do wish you
would stay away from that awful place down by the river. Mother
would feel differently toward you, I know, if you were not there
so much. She knows the men play cards there for money and drink and
swear. I believe you will keep your promise never to touch a drop
of whiskey after we are married, but when I told her that she only
laughed at me. By this time you must know that my brother has come
to Lafayette. He arrived this morning. He knows nothing about what
happened last night but I am afraid mother will tell him when she
sees him to-day. It would not surprise me if they bury the hatchet
and join hands and try to make a good little girl out of me. I think
he is quite a prim young man. He spent the night at Striker's and
I saw him there. I must say he is good-looking. He is so good-looking
that nobody would ever suspect that he is related to me." She signed
herself, "Your loving and devoted and loyal Viola."

She had been unable to get the letter to him that day, and for
a very good reason. Her messenger, Effie Wardlow's young brother,
reached the tavern just in time to see Barry emerge, quite tipsy
and in a vile temper, arguing loudly with Jack Trentman and Syd
Budd, the town's most notorious gamblers.

The three men went off toward the ferry. The lad very sensibly
decided this was no time to deliver a love letter to Mr. Lapelle,
so forthwith returned it to the sender, who, after listening bleakly
to a somewhat harrowing description of her lover's unsteady legs
and the direction in which they carried him, departed for home fully
convinced that something dreadful was going to happen to Barry and
that she would be to blame for it.

Halfway home she decided that her mother was equally if not more to
blame than she, and, upon catching sight of her lordly, self-satisfied
brother, acquitted herself of ALL responsibility and charged everything
to her meddling relatives. Her encounter with the exasperating
Kenneth, however, served to throw a new and most unwelcome light
upon the situation. It WAS a shabby trick to play upon the Strikers.
She had not thought of it before. And how she hated him for making
her think of it!

The first thing she did upon returning to the house with the recovered
letter was to proceed to the kitchen, where, after reading it over
again, she consigned it to the flames. She was very glad it had
not been delivered to Barry. The part of it referring to the "place
down by the river" would have to be treated with a great deal more
firmness and decision. That was something she would have to speak
very plainly about.

By this time she had reached the conclusion that Barry was to blame
for THAT, and that nothing more terrible could happen to him than
a severe headache,--an ailment to which he was accustomed and which
he treated very lightly in excusing himself when she took him to
task for his jolly lapses. "All red-blooded fellows take a little
too much once in a while," he had said, more than once.




CHAPTER X

MOTHER AND DAUGHTER


Rachel Gwyn was seated at the parlor window when Viola entered the
house. She was there ten or fifteen minutes later when her daughter
came downstairs.

"May I have a word with you, mother?" said the girl, from the
doorway, after waiting a moment for her mother to take some notice
of her presence.

She spoke in a very stiff and formal manner, for there had been
no attempt on the part of either to make peace since the trying
experiences of early morning. Viola had sulked all day, while her
mother preserved a stony silence that remained unbroken up to the
time she expressed a desire to be alone with Kenneth when he called.

Apparently Mrs. Gwyn did not hear Viola's question. The girl
advanced a few steps into the room and stopped again to regard the
motionless, unresponsive figure at the window. Mrs. Gwyn's elbow
was on the sill, her chin resting in the hand. Apparently she was
deaf to all sound inside the room.

A wave of pity swept over Viola. All in an instant her rancour
took flight and in its place came a longing to steal over and throw
her arms about those bent shoulders and whisper words of remorse.
Desolation hung over that silent, thinking figure. Viola's heart
swelled with renewed anger toward Kenneth Gwynne.

What had he said or done to wound this stony, indomitable mother
of hers?

The room was cold. The fire had died down; only the huge backlog
showed splotches of red against the charred black; in front of
it were the faintly smoking ashes of a once sprightly blaze. She
shivered, and then, moved by a sudden impulse, strode softly over
and took down from its peg beside the fireplace the huge turkey
wing used in blowing the embers to life. She was vigorously fanning
the backlog when a sound from behind indicated that her mother had
risen from the chair. She smiled as she glanced over her shoulder.

Her mother was standing with one of her hands pressed tightly to
her eyes. Her lips were moving.

"He is Robert--Robert himself," she was murmuring. "As like as two
peas. I was afraid he might be--would be--" The words trailed off
into a mumble, for she had lowered her hand and was staring in dull
surprise at Viola.

"What is it, mother?" cried the girl, alarmed by the other's
expression. "What were you saying?"

After a moment her mother said, quite calmly: "Oh, it's you, is
it? When did you get home?"

"A few minutes ago. How cold it is! The fire is almost out. Shall
I get some kindling and start it up?"

"Yes. I don't know how I came to let it go down."

When Viola returned from the kitchen with the fagots and a bunch
of shavings, the older woman was standing in front of the fireplace
staring moodily down at the ashes. She moved to one side while
her daughter laid the kindling and placed three or four sticks of
firewood upon the heap. Not a word was spoken until after Viola
had fanned a tiny flame out of the embers and lighted the shavings
with a spill.

"I met my brother out there in the grove," said she, rising and
brushing the wood dust from her hands.

"Yes?"

"I thought maybe you and he had been discussing Barry Lapelle and
me and what happened last night, so I started to give him a piece
of my mind," said Viola, crimsoning.

A faint smile played about the corners of Mrs. Gwyn's lips. "I can
well imagine his astonishment," she said, drily.

"He knew all about it, even if he did not get it from you, mother,"
said the girl, darkly. "Phin Striker told him everything."

"Everybody in town will know about it before the week is out,"
said the mother, a touch of bitterness in her voice. "I would have
given all I possess if it could have been kept from Kenneth Gwynne.
Salt in an open sore, that's what it is, Viola. It smarts, oh, how
it smarts."

Viola, ignorant of the true cause of her mother's pain, snapped
her fingers disdainfully.

"That's how much I care for his opinion, one way or the other. I
wouldn't let him worry me if I were you, mother. Let him think what
he pleases. It's nothing to us. I guess we can get along very well
without his good opinion or his good will or anything else. And
I will not allow him to interfere in my affairs. I told him so in
plain words out there awhile ago. He comes here and the very first
thing he does is to--"

"He will think what he pleases, my child," broke in her mother; "so
do not flatter yourself that he will be affected by your opinion
of him. We will not discuss him, if you please. We have come to an
understanding on certain matters, and that is all that is necessary
to tell you about our interview. He will go his own way and we will
go ours. There need be no conflict between us."

Viola frowned dubiously. "It is all very well for you to take
that attitude, mother. But I am not in the same position. He is
my half-brother. It is going to be very awkward. He is nothing to
you,--and people will understand if you ignore him,--but it--it
isn't quite the same with me. Can't you see?"

"Certainly," admitted Mrs. Gwyn without hesitation. "You and he
have a perfect right to be friendly. It would not be right for me
to stand between you if you decide to--"

"But I do not want to be friendly with him," cried the girl,
adding, with a toss of her head,--"and I guess he realizes it by
this time. But people know that we had the same father. They will
think it strange if--if we have nothing to do with each other. Oh,
it's terribly upsetting, isn't it?"

"What did he say to you out there?"

"He was abominable! Officious, sarcastic, insolent,--"

"In plain words, he gave you a good talking to," interrupted Mrs.
Gwyn, rather grimly.

"He said some things I can never forgive."

"About you and Barry?"

"Well,--not so much about me and Barry as about the way I--Oh, you
needn't smile, mother. He isn't going to make any fuss about Barry.
He told me in plain words that he did not care whether I married
him or not,--or ran away with him, for that matter. You will not
get much support from him, let me tell you. And now I have something
I want to say to you. We may as well have it out now as any other
time. I am going to marry Barry Lapelle." There was a ring of
defiance in her voice.

Rachel Gwyn looked at her steadily for a moment before responding
to this out-and-out challenge.

"I think it would be only fair of you," she began, levelly, "to
tell Mr. Lapelle just what he may expect in case he marries you.
Tell him for me that you will never receive a penny or an inch of
land when I die. I shall cut you off completely. Tell him that. It
may make some difference in his calculations."

Viola flared. "You have no right to insinuate that he wants to
marry me for your money or your lands. He wants me for myself,--he
wants me because he loves me."

"I grant you that," said Mrs. Gwyn, nodding her head slowly, "He
would be a fool not to want you--now. You are young and you are
very pretty. But after he has been married a few years and you
have become an old song to him, he will feel differently about
money and lands. I know Mr. Lapelle and his stripe. He wants you
now for yourself, but when you are thirty years old he will want you
for something entirely different. At any rate, you should make it
plain to him that he will get nothing but you,--absolutely nothing
but you. Men of his kind do not love long. They love violently--but
not long. Idle, improvident men, such as he is, are able to crowd
a whole lot of love into a very short space of time. That is because
they have nothing much else to do. They run through with love as
they run through with money,--quickly. The man who wastes money will
also waste love. And when he has wasted all his love, Barry Lapelle
will still want money to waste. Be good enough to make him understand
that he will never have a dollar of my money to waste,--never, my
child, even though his wife were starving to death."

Viola stared at her mother incredulously, her face paling. "You
mean--you mean you would let me starve,--your own daughter? I--why,
mother, I can't believe you would be so--"

"I mean it," said Rachel Gwyn, compressing her lips.

"Then," cried Viola, hotly, "you are the most unnatural, cruel
mother that ever--"

"Stop! You will not find me a cruel and inhuman mother when you
come creeping back to my door after Barry Lapelle has cast you
off. I am only asking you to tell him what he may expect from me.
And I am trying hard to convince you of what you may expect from
him. There's the end of it. I have nothing more to say."

"But I have something more to say," cried the girl. "I shall tell
him all you have said, and I shall marry him in spite of everything. I
am not afraid of starving. I don't want a penny of father's money.
He did not choose to give it to me; he gave half of all he possessed
to his son by another woman, he ignored me, he cut me off as if I
were a--"

"Be careful, my child," warned Rachel Gwyn, her eyes narrowing. "I
cannot permit you to question his acts or his motives. He did what
he thought was best,--and we--I mean you and I--must abide by his
decision."

"I am not questioning your husband's act," said Viola, stubbornly.
"I am questioning my FATHER'S act."

Mrs. Gwyn started. For a second or two her eyes wavered and then
fell. One corner of her mouth worked curiously. Then, without a
word, she turned away from the girl and left the room.

Viola, greatly offended, heard her ascend the stairs and close a
door; then her slow, heavy tread on the boards above. Suddenly the
girl's anger melted. The tears rushed to her eyes.

"Oh, what a beast I was to hurt her like that," she murmured,
forgetting the harsh, unfeeling words that had aroused her ire,
thinking only of the wonder and pain that had lurked in her mother's
eyes,--the wonder and pain of a whipped dog. "The only person in
all the world who has ever really loved me,--poor, poor old mother."
She stared through her tears at the flames, a little pucker of
uncertainty clouding her brow. "I am sure Barry never, never can
love me as she does, or be as kind and good to me," she mused.
"I wonder--I wonder if what she says is true about men. I wish he
had not gone to drinking to-day. But I suppose the poor boy really
couldn't help it. He hates so to be disappointed."

Later on, at supper, she abruptly asked:

"Mother, how old is Kenneth?"

They had spoken not more than a dozen words to each other since
sitting down to table, which was set, as usual, in the kitchen.
Both were thoughtful;--one of them was contrite.

Rachel Gwyn, started out of a profound reverie, gave her daughter
a sharp, inquiring look before answering.

"I do not know. Twenty-five or six, I suppose."

"Did you know his mother?"

"Yes," after a perceptible pause.

"How long after she died were you and father married?"

"Your father had been a widower nearly two years when we were
married," said Rachel, steadily.

"Why doesn't Kenneth spell his name as we do?"

"Gwyn is the way it was spelled a great many years ago, and it is
the correct way, according to your father. It was his father, I
believe, who added the last two letters,--I do not know why, unless
it was supposed to be more elegant."

"It seems strange that he should spell it one way and his own son
another," ventured the girl, unsatisfied.

"Kenneth was brought up to spell it in the new-fangled way, I guess,"
was Rachel Gwyn's reply. "You need not ask me questions about the
family, Viola. Your father never spoke of them. I am afraid he was
not on good terms with them. He was a strange man. He kept things
to himself. I do not recollect ever hearing him mention his first
wife or his son or any other member of his family in,--well, in
twenty years or more."

"I should think you would have been a little bit curious. I know
I should."

"I knew all that was necessary for me to know," said Rachel, somewhat
brusquely.

"Can't you tell me something more about father's people?" persisted
the girl.

"I only know that they lived in Baltimore. They never came west.
Your father was about twenty years old when he left home and came
to Kentucky. That is all I know, so do not ask any more questions."

"He never acted like a backwoodsman," said Viola. "He did not talk
like one or--"

"He was an educated man. He came of a good family."

"And you are different from the women we used to see down the river.
Goodness, I was proud of you and father. There isn't a woman in
this town who--"

"I was born in Salem, Massachusetts, and lived there till I was
nearly twenty," interrupted Mrs. Gwyn, calmly. "I taught school
for two years after my father died. My mother did not long survive
him. After her death I came west with my brother and his wife and
a dozen other men and women. We lived in a settlement on the Ohio
River for several years. My brother was killed by the Indians.
His widow took their two small children and went back to Salem to
live. I have never heard from her. We did not like each other. I
was glad to have her go."

"Where did you first meet father?"

She regretted the question the instant the words were out of her
mouth. The look of pain,--almost of pleading,--in her mother's eyes
caused her to reproach herself.

"Forgive me, mother," she cried. "I did not stop to think. I know
how it hurts you to talk about him, and I should have--"

"Be good enough to remember in the future," said Rachel Gwyn,
sternly, her eyes now cold and forbidding. She arose and stalked
to the kitchen window, where she stood for a long time looking out
into the gathering darkness.

"Clear the table, Hattie," said Viola, presently. "We are through."

Then she walked over to her mother and timidly laid an arm across
her shoulder.

"I am sorry, mother," she said.

To this Mrs. Gwyn did not reply. She merely observed: "We have had
very little sleep in the last six and thirty hours. Come to bed,
child."

As was her custom, Rachel Gwyn herself saw to the locking and
bolting of the doors and window shutters at the front of the house.
To-night Viola, instead of Hattie, followed the tall black figure
from door to window, carrying the lighted candle. They stood
together, side by side, in the open front door for a few moments,
peering at the fence of trees across the road.

Off in the distance some one was whistling a doleful tune. The spring
wind blowing in their faces was fresh and moist, a soft wind laden
with the smell of earth. A clumsy hound came slouching around the
corner of the little porch and, wagging his tail, stopped below
them; the light shone down into his big, glistening eyes. Viola
spoke to him softly. He wagged his tail more briskly.

Rachel had turned her head and was looking toward the house that
was to be Kenneth's home. Its outlines could be made out among the
trees to the right, squat and lonely in a setting less black than
itself.

"Before long there will be lights in the windows again," she was
saying, more to herself than to Viola. "A haunted house. Haunted
by a living, mortal ghost. Eh?" she cried out, sharply, turning to
Viola.

"I did not speak, mother."

A look of awe came to Rachel's eyes.

"I was sure I heard--" she began, and then, after a short pause,
laughed throatily. "I guess it was the wind. Come in. I want to
lock the door."

Viola was a long time in going to sleep. It seemed to her as
she lay there, staring wide awake, that everything in the world
was unsettled and topsy-turvy. Nothing could ever be right again.
What with the fiasco of the night just gone, the appearance of the
mysterious brother, the counterbalancing of resolve and remorse
within her troubled self, the report of Barry's lapse from rectitude,
her mother's astounding sophistry, her tired brain was in such a
whirl as never was.

There was a new pain in her breast that was not of thwarted desires
nor of rancour toward this smug, insolent brother who had come
upon the scene. It hurt her to think that up to this night she had
known so little, ay, almost nothing, about her own mother's life.
For the first time, she heard of Salem, of her mother's people and
her occupation, of the journey westward, of the uncle who was killed
by the Indians and the wife who turned back; of unknown cousins
to whom she was also unknown. There was pain in the discovery that
her mother was almost a stranger to her.




CHAPTER XI

A ROADSIDE MEETING


Kenneth remained at the tavern for a month. He did not go near the
house of his step-mother. He saw her once walking along the main
street, and followed her with his eyes until she disappeared into
a store. A friendly citizen took occasion to inform him that it
was the "fust time" he had seen her on the street in a coon's age.

"She ain't like most women," he vouchsafed. "Never comes down town
unless she's got some reason to. Most of 'em never stay to home
unless they've got a derned good reason to, setch as sickness, or
the washin' and ironin', or it's rainin' pitchforks. She's a mighty
queer woman, Rachel Gwyn is. How air you an' her makin' out these
days, Kenneth?"

"Oh, fair to middlin'," replied the young man, dropping into the
vernacular.

"I didn't know but what ye'd patched things up sorter," said the
citizen, invitingly.

"There is nothing to patch up," said Kenneth.

"Well, I guess it ain't any of my business, anyhow," remarked the
other, cheerfully.

The business of taking over the property, signing the necessary
papers, renewing an agreement with the man who farmed his land
on the Wea, taking account of all live-stock and other chattels,
occupied his time for the better part of a fortnight. He spent
two days and a night at the little farmhouse, listening with ever
increasing satisfaction to the enthusiastic prophecies of the
farmer, a stout individual named Jones whose faith in the new land
was surpassed only by his ability to till it. Even out here on
his own farm Kenneth was unable to escape the unwelcome influence
of Rachel Carter. Mr. Jones magnanimously admitted that she was
responsible for all of the latest conveniences about the place and
characterized her as a "woman with a head on her shoulders, you
bet."

He confessed: "Why, dodgast it, she stopped by here a couple o'
weeks ago an' jest naturally raised hell with me because my wife's
goin' to have another baby. She sez, sorter sharp-like, 'The
only way to make a farm pay is to stock it with somethin' besides
children.' That made me a leetle mad, so I up an' sez back to her:
'I wouldn't swap my seven children fer all the hogs an' cattle in
the state o' Indianny.' So she sez, kind o' grinnin', 'Well, I'll
bet your wife would jump at the chance to trade your NEXT seven
children, sight onseen, fer a new pair o' shoes er that bonnet
she's been wantin' ever sence she got married.' That sorter mixed
me up. I couldn't make out jest what she was drivin' at. Must ha'
been nine o'clock that night when it come to me all of a sudden.
So I woke Sue up an' told her what Rachel Gwyn said to me, an',
by gosh, Sue saw through it quicker'n a flash. 'You bet I would,'
sez she. 'I'd swap the next HUNDRED.' Then she kinder groaned an'
said, 'I guess maybe I'd better make it the next ninety-nine.'
Well, sir, that sot me to thinkin', an' the more I thought, the
more I realized what a lot o' common sense that mother-in-law o'
your'n has got. She--"

"You mean my step-mother, Jones."

"They say it amounts to the same thing in most families," said the
ready Mr. Jones, and continued to expatiate upon the remarkable
qualities of Rachel Gwyn.

Kenneth found it difficult to think of the woman as Rachel Gwyn.
To him, she was unalterably Rachel Carter. Time and again he
caught himself up barely in time to avoid using the unknown name
in the presence of others. The possibility that he might some day
inadvertently blurt it out in conversation with Viola caused him
a great deal of uneasiness and concern. He realized that he would
have to be on his guard all of the time.

There seemed to be no immediate prospect of such a calamity,
however. Since the memorable encounter in the thicket he had not
had an opportunity to speak to the girl. For reasons of her own
she purposely avoided him, there could be no doubt about that. On
more than one occasion she deliberately had crossed a street to
escape meeting him face to face, and there was the one especially
irritating instance when, finding herself hard put, she had
been obliged to turn squarely in her tracks and hurry back in the
direction from which she came. This would have been laughable to
Kenneth but for the distressing fact that it was even more laughable
to others. Several men and women, witnessing the manoeuvre, had
sniggered gleefully,--one of the men going so far as to slap his
leg and roar: "Well, by gosh, did you ever see anything like that?"
His ejaculation, like that of a town-crier, being audible for a
hundred feet or more, had one gratifying result. It caused Viola
to turn and transfix the offender with a stare so haughty that he
abruptly diverted his attention to the upper north-east corner of
the court-house, where, fortunately for him, a pair of pigeons had
just alighted and were engaged in the interesting pastime of bowing
to each other.

A week or so after his return from the farm Kenneth saw her riding
off on horseback with two other young women and a youth named Hayes.
She passed within ten feet of him but did not deign to notice him,
although her companions bowed somewhat eagerly. This was an occasion
when he felt justified in swearing softly under his breath--and also
to make a resolve--to write her a very polite and formal letter
in which he would ask her pardon for presuming to suggest, as a
brother, that she was making a perfect fool of herself, and that
people were laughing "fit to kill" over her actions. It goes without
saying that he thought better of it and never wrote the letter.

She was a graceful and accomplished horsewoman. He watched her out
of the corner of his eye as she cantered down the street, sitting
the spirited sorrel mare with all the ease and confidence of a
practised rider. Her habit was of very dark blue, with huge puffed
sleeves and a high lace collar. She wore a top-hat of black,
a long blue veil trailing down her back. He heartily agreed with
the laconic bystander who remarked that she was "purtier than most
pictures."

Later on, urged by a spirit of restlessness, he ordered Zachariah
to saddle his horse and bring him around to the front of the tavern,
where he mounted and set out for a ride up the Wild Cat road. Two
or three miles above town he met Hayes and the two young women
returning. The look of consternation that passed among them did
not escape him. He smiled a trifle maliciously as he rode on, for
now he knew what had become of the missing member of the party.

Half a mile farther on he came upon Viola and Barry Lapelle, riding
slowly side by side through the narrow lane. He drew off to one
side to allow them to pass, doffing his beaver ceremoniously.

Lapelle's friendly greeting did not surprise him, for the two had
seen a great deal of each other, and at no time had there been
anything in the lover's manner to indicate that Viola had confided
to him the story of the meeting in the thicket. But he was profoundly
astonished when the girl favoured him with a warm, gay smile and
cried out a cheery "How do you do, Kenneth!"

More than that, she drew rein and added to his amazement by shaking
her finger reproachfully at him, saying:

"Where on earth have you been keeping yourself? I have not laid
eyes on you for more than a week."

Utterly confounded by this unexpected attack, Kenneth stammered:
"Why, I--er--I have been very busy." Not laid eyes on him, indeed!
What was her game? "Now that I come to think of it," he went on,
recovering himself, "it is fully a week since I've seen you. Don't
you ever come down town, Viola?"

"Every day," she said, coolly. "We just happen never to see each
other, that's all. I am glad to have had this little glimpse of
you, Kenneth, even though it is away out here in the woods."

There was no mistaking the underlying significance of these words.
They contained the thinly veiled implication that he had followed
for the purpose of spying upon her.

"Better turn around and ride back with us, Kenny," said Barry,
politely but not graciously.

"I am on my way up to the Wild Cat to see a man on business," said
Kenneth, lamely.

"Kenny?" repeated Viola, puckering her brow.

"Where have I heard that name before? I seem to remember--oh, as
if it were a thousand years ago. Do they call you Kenny for short?"

"It grew up with me," he replied. "Ever since I can remember, my
folks--"

He broke off in the middle of the sentence, confronted by a disconcerting
thought. Could it be possible that somewhere in Viola's brain,--or
rather in Minda's baby brain,--that familiar name had stamped
itself? Why not? If it had been impressed upon his own baby brain,
why not in a less degree upon hers? He made a pretence of stooping
far over to adjust a corner of his saddle blanket. Straightening
up, he went on:

"Any name is better than what the boys used to call me at school.
I was known by the elegant name of Piggy, due to an appetite over
which I seemed to have no control. Well, I must be getting along.
Good day to you."

He lifted his hat and rode off. He had gone not more than twenty
rods when he heard a masculine shout from behind: turning, he
discovered that the couple were still standing where he had left
them. Lapelle called out:

"Your sister wants to have a word with you."

She rode swiftly up to where he was waiting.

"I just want to let you know that I intend to tell mother about
meeting Barry out here to-day," she said, unsmilingly. "I shall
not tell her that we planned it in advance, however. We did plan
it, so if you want to run and tell her yourself, you may do so. It
will make no--"

"Is that all you wanted to say to me, Viola?" he interrupted.

For a moment she faced him rebelliously, hot words on her lips.
Then a surprising change came over her. Her eyes quailed under the
justifiable scorn in his. She hung her head.

"No," she said, miserably. "I thought it was all, but it isn't. I
want to say that I am sorry I said what I did."

He watched the scarlet flood sweep over her cheeks and then as
swiftly fade. It was abject surrender, and yet he had no thrill of
triumph.

"It's--it's all right, Viola," he stammered, awkwardly. "Don't
think anything more about it. We will consider it unsaid."

"No, we'll not," she said, looking up. "We will just let it stand
as another black mark against me. I am getting a lot of them lately.
But I AM sorry, Kenneth. Will you try to forget it?"

He shook his head. "Never! Forgetting the bitter would mean that
I would also have to give up the sweet," said he, gallantly. "And
you have given me something very sweet to remember."

She received this with a wondering, hesitating little smile.

"I never dreamed that brothers could say such nice things to their
sisters," she said, and he was aware of a deep, questioning look
in her eyes. "They usually say them to other men's sisters."

"Ah, but no other fellow happens to have you as a sister," he
returned, fatuously. She laughed aloud at this, perhaps a little
uncertainly.

"Bless me!" he exclaimed. "It sounds good to hear you laugh like
that,--such a jolly, friendly sort of laugh."

"I must be going now," she said, biting her lip. "Good-bye,--Kenny."
A faint frown clouded her brow after she had uttered the name. "I
must ask mother if she remembers hearing father speak of you as
Kenny."

"Say, Viola," came an impatient shout from Barry Lapelle, "are you
going to take all day?"

It was plain to be seen that the young man was out of temper.
There was a sharp, domineering note of command in his voice. Viola
straightened up in her saddle and sent a surprised, resentful look
at the speaker. Kenneth could not repress a chuckle.

"Better hurry along," he said, grimly, "or he'll take your head off.
Lord, we are going to have a storm. I see a thundercloud gathering
just below the rim of Barry's hat. If you--"

"Please keep your precious wit to yourself," she flamed, but with
all her show of righteous indignation she could not hide from him
the chagrin and mortification that lurked in her tell-tale eyes.

She rode off in high dudgeon, and he was left to curse his ill-timed
jest. What a blundering fool he had been! Her first, timid little
advance,--and he had met it with boorish, clownish wit! A scurvy
jest, indeed! She was justified in despising him.

If Viola had turned her proud head a few moments later, she would have
beheld an amazing spectacle: her supposedly smug and impeccable
brother riding away at break-neck speed down the soggy lane, regardless
of overhanging branches and flying mud, fleeing in wrath from the
scene of his discontent.

Dusk was falling when he rode slowly into the town again. He had
reached a decision during that lonely ride. He would not remain
in Lafayette. He foresaw misery and unhappiness for himself if he
stayed there,--for, be it here declared, he was in love with Viola
Gwyn. No, worse than that, he was in love with Minda Carter,--and
therein lay all the bitterness that filled his soul. He could never
have her. Even though she cast off the ardent Lapelle, still he
could not have her for his own. The bars were up, and it was now
beyond his power to lower them. And so, with this resolve firmly
fixed in his mind, he gave himself up to a strange sort of despair.

After supper at the tavern, he set out for a solitary stroll about
the town before going to bed. He took stock of himself. No later
than that morning he had come to a decision to open an office and
engage in the practice of Law in Lafayette. He had made many friends
during his brief stay in the place, and from all sides he had been
encouraged to "hang out his shingle" and "grow up with the town."
He liked the people, he had faith in the town, he possessed all
the confidence and courage of youth. The local members of the bar,
including the judge and justices, seriously urged him to establish
himself there--there was room for him,--the town needed such men
as he,--indeed, one of the leading lawyers had offered to take him
into partnership, an opportunity not to be despised, in view of
this man's state-wide reputation as a lawyer and orator, and who
was already being spoken of for high honours in the councils of
state and nation.

All this was very gratifying to the young stranger. He was
flattered by the unmistakable sincerity of these new friends. And
he was in a position to weather the customary paucity of clients
for an indefinite period, a condition resulting to but few young
men starting out for themselves in the practice of law. He was
comfortably well-off in the matter of worldly goods, not only through
his recently acquired possessions, but as the result of a substantial
legacy that had come to him on the death of his grandmother. He
had received his mother's full share of the Blythe estate, a no
inconsiderable fortune in lands and money.

And now everything was changed. He would have to give up his plan
to settle in Lafayette, and so, as he strolled gloomily about the
illy-lighted town, he was casting about for the next best place
to locate. The incomprehensible and incredible had come to pass.
He had fallen in love with Viola Gwyn at first sight, that stormy
night at Striker's. The discovery that she was his own half-sister
had, of course, deluded his senses--temporarily, but now he realized
that the strange, primitive instincts of man had not been deceived
and would not be denied.

His blood had known the truth from the instant he first laid
eyes upon the lovely stranger. Since that first night there had
been revelations. First of all, Viola was the flesh and blood of
an evil woman, and that woman his mortal foe. Notwithstanding her
own innocence and purity, it was inconceivable that he should ever
think of taking her to himself as wife. Secondly, he was charged
with a double secret that must forever stand between him and her:
the truth about her mother and the truth about herself.

There was but one thing left for him to do,--go away. He loved
her. He would grow to love her a thousand-fold more if he remained
near her, if he saw her day by day. These past few days had brought
despair and jealousy to him, but what would the future bring? Misery!
No, he would have to go. He would wind up his affairs at once and
put longing and temptation as far behind him as possible. There
was the town of Louisville. From all reports it was a prosperous,
growing town, advantageously situated on the River Ohio. Crawfordsville
was too near. He would have to go farther, much farther away than
that,--perhaps back to the old home town.

"What cruel foul luck!" he groaned, aloud.

His wanderings had carried him through dark, winding cow-paths and
lanes to within a stone's throw of Jack Trentman's shanty, standing
alone like the pariah it was, on the steep bank of the river near
the ferry. Back in a clump of sugar trees it seemed to hide, as
if shrinking from the accusing eye of every good and honest man.
Kenneth had stopped at the edge of the little grove and was gazing
fiercely at the two lighted windows of the "shanty." He was thinking
of Barry Lapelle as he muttered the words, thinking of the foul
luck that seemed almost certain to deliver Viola into his soiled and
lawless hands. The fierceness of his gaze was due to the knowledge
that Lapelle was now inside Trentman's notorious shanty and perhaps
gambling.

This evening, as on two or three earlier occasions, he had been urged
by Barry to come down to the shanty and try his luck at poker. He
had steadfastly declined these invitations. Trentman's place was
known far and wide as a haven into which "cleaned out" river gamblers
sailed in the hope of recovering at least enough of their fortunes
to enable them to return to more productive fields down the reaches
of the big river. These whilom, undaunted rascals, like birds of
passage, stayed but a short time in the new town of Lafayette. They
came up the river with sadly depleted purses, confident of "easy
pickings" among the vainglorious amateurs, and be it said in behalf
of their astuteness, they seldom if ever boarded the south-bound
boats as poor as when they came.

In due time they invariably returned again to what they called
among themselves "the happy hunting-ground." The stories of big
"winnings" and big "losings" were rife among the people of the
town. More than one adventurous citizen or farmer had been "wiped
out," with no possible chance of ever recovering from his losses.
It was common talk that Barry Lapelle was "fresh fish" for these
birds of prey. He possessed the gambling instinct but lacked the
gambler's wiles. He was reckless where they were cool. They "stripped"
him far oftener than he won from them, but it was these infrequent
winnings that encouraged him. He believed that some day he would
make a big "killing"; the thought of that was ever before him,
beckoning him on like the dancing will-o'-the-wisp. He took no note
of the fact that these bland gentlemen could pocket their losings
as well as their winnings. It was part of their trade to suffer
loss. They had everything to gain and nothing to lose, so they
throve on uncertainty.

Not so with Barry, or others of his kind. They could only afford
to win. It was no uncommon experience for the skilled river gambler
to be penniless; it was all in the day's work. It did not hurt him
to lose, for the morrow was ahead. But it was different with his
victims. The morrow was not and never could be the same; when they
were "cleaned out" it meant desolation. They went down under the
weight and never came up, while the real gambler, in similar case,
scraped his sparse resources together and blithely began all over
again,--a smiling loser and a smiling winner. Full purse or empty,
he was always the same. Rich to-day, poor to-morrow,--all the
same to him. Philosopher, rascal, soldier, knave,--but never the
craven,--and you have the Mississippi gambler.

Barry, after coming in from his ride with Viola, had "tipped the
jug" rather liberally. He kept a demi-john of whiskey in his room
at the tavern, and to its contents all the "afflicted" were welcome.
It could not be said of him that he was the principal consumer,
for, except under unusual circumstances, he was a fairly abstemious
man. As he himself declared, he drank sparingly except when his "soul
was tried." The fact that he had taken several copious draughts
of the fiery Mononga-Durkee immediately upon his return was an
indication that his soul was tried, and what so reasonable as to
assume that it had been tried by Viola.

In a different frame of mine, Kenneth might have accepted this as
a most gratifying augury. But, being without hope himself, he took
no comfort in Barry's gloom. What would he not give to be in the
roisterer's boots instead of his own?

The spoken lament had barely passed his lips when the wheel of fate
took a new and unexpected turn, bringing his dolorous meditations
to a sudden halt and subsequently upsetting all his plans.

He thought he was alone in the gloom until he was startled by the
sound of a man's voice almost at his elbow.

"Evenin', Mr. Gwynne."




CHAPTER XII

ISAAC STAIN APPEARS BY NIGHT


Whirling, he made out the lank shadow of a man leaning against a
tree close by.

"Good evening," he muttered in some confusion, conscious of a sense
of guilt in being caught in the act of spying.

"I've been follerin' you fer quite a ways," observed the unknown.
"Guess you don't remember me. My name is Stain, Isaac Stain."

"I remember you quite well," said Kenneth, stiffly. "May I inquire
why you have been following me, Mr. Stain?"

"Well, I jest didn't know of anybody else I could come to about a
certain matter. It has to do with that feller, Lapelle, up yander
in Trentman's place. Fust, I went up to Mrs. Gwyn's house, but it
was all dark, an' nobody to home 'cept that dog o' her'n. He knowed
me er else he'd have jumped me. I guess we'd better mosey away from
this place. A good many trees have ears, you know."

They walked off together in the direction of town. Stain was silent
until they had put a hundred paces or more between them and the
grove.

"Seems that Violy is right smart taken with this Lapelle feller,"
he observed. "Well, I thought I'd oughter tell her ma what I heerd
about him to-day. Course, everybody's heerd queer things about
him, but this beats anything I've come acrosst yet. Martin Hawk's
daughter, Moll, come hoofin' it up to my cabin this mornin' an'
told me the derndest story you've ever heerd. She came to me, she
sez, on account of me bein' an old friend of Rachel's, an' she
claims to be a decent, honest girl in spite of what her dodgasted
father is. Everybody believes Mart is a hoss thief an' sheep-stealer
an' all that, but he hain't ever been caught at it. He's purty
thick with Barry Lapelle. Moll Hawk sez her dad'll kill her if he
ever finds out she come to me with this story. Seems that Barry an'
Violy are calculatin' on gettin' married an' the old woman objects.
Some time this past week, Violy told Barry she wouldn't marry him
anywheres 'cept in her own mother's house. Well, from what Moll
sez, Barry has got other idees about it."

He paused to bite off a fresh chew of tobacco.

"Go on, Stain. What did the girl tell you?"

"'Pears that Barry ain't willin' to take chances on gettin' married
jest that way, an' besides he's sort of got used to havin' anything
he wants without waitin' very long fer it. Now, I don't know whuther
Violy's a party to the scheme or not,--maybe she is an' maybe she
ain't. But from what Moll Hawk sez there's a scheme on foot to get
the best of Rachel Gwyn by grabbin' Violy some night an' rushin' her
to a hidin' place down the river where Barry figgers he c'n persuade
her to marry him an' live happy ever afterwards, as the sayin' is.
Seems that Barry figgers that you, bein' a sort o' brother to her,
will put your foot down on them gettin' married, so he's goin'
to get her away from here before it's too late. Moll sez it's
all fixed up, 'cept the time fer doin' it. Martin Hawk an' a half
dozen fellers from some'eres down the river is to do the job. All
she knows is it's to be in the dark o' the moon, an' that's not fer
off. Moll sez she believes Violy knows about the plan an' sort of
agrees to--"

"I don't believe it, Stain," broke in Kenneth. "She would not lend
herself to a low-down trick like that."

Stain shook his head. "They say she's terrible in love with Barry,
an' gosh only knows what a woman'll stoop to in order to git the
man she's set her heart on. Why, I could tell you somethin' about
a woman that was after me some years back,--a widder down below
Vincennes,--her husband used to run a flatboat,--an', by cracky, Mr.
Gwynne, you wouldn't believe the things she done. Chased me clean
down to Saint Louis an' back ag'in, an' then trailed me nearly fifty
miles through the woods to an Injin village on the White River. I
don't know what I'd have done if it hadn't been fer an Injin I'd
befriended a little while back. He shot her in the leg an' she was
laid up fer nearly six weeks, givin' me that much of a start. That
was four years ago an' to this day I never go to sleep at night
without fust lookin' under the bed. Some day I'll tell you all about
that woman, but not now. I'm jest tellin' this to show you what a
woman'll do when she once makes up her mind, an' maybe Violy ain't
any different from the rest of 'em."

"Nevertheless, Viola is not that kind," asserted Kenneth, stubbornly.
"She may be in love with Lapelle, but if she has made up her mind
to be married at her mother's house, that's the end of it. See
here, Stain, I've been thinking while you were talking. If there
is really anything in this story, I doubt the wisdom of going to
Mrs. Gwyn with it, and certainly it would be a bad plan to speak to
Viola. We've got to handle this matter ourselves. I want to catch
Barry Lapelle red-handed. That is the surest way to convince Viola
that he is an unworthy scoundrel. It is my duty to protect my--my
sister--and I shall find a way to do so, whether she likes it or not.
You know, perhaps, that we are not on the friendliest of terms."

"Yep, I know," said Stain. "You might as well know that I am on
their side, Mr. Gwynne. Whatever the trouble is between you an'
them two women, I am for them an' ag'in you. That's understood,
ain't it?"

"It is," replied Kenneth, impressed by the hunter's frankness. "But
all the more reason why in a case like this you and I should work
hand in hand. I am glad you came to me with the Hawk girl's story.
Hawk and his crew will find me waiting for them when they come.
They will not find their job a simple one."

"I guess you'll need a little help, Mr. Gwynne," said Stain, drily.
"What are you goin' to do? Call in a lot o' these dodgasted canary
birds to fight the hawks? If you do, you'll get licked. What you
want is a man er two that knows how to shoot an' is in the habit
o' huntin' varmints. You c'n count on me, Mr. Gwynne, if you need
me. If you feel that you don't need me, jest say so, an' I'll go
it alone. I don't like Martin Hawk; we got a grudge to settle, him
an' me. So make your choice. You an' me will work in cahoots with
each other, or we'll go at it single-hand."

"We will work together, Stain," said Kenneth, promptly. "You know
your man, you know the lay of the land, and you are smarter than
I am when it comes to handling an affair of this kind. I will be
guided by you. Shake hands."

The two men shook hands. Then the lawyer in Gwynne spoke.

"You should see this Hawk girl again and keep in touch with their
plans. We must not let them catch us napping."

"She's comin' to see me in a day er so. Mart Hawk went down to
Attica to-day, him an' a feller named Suggs who's been soberin'
up at Mart's fer the past few days. The chances are he's gone down
there on this very business."

"Will you keep in touch with me?"

"Yes, sir. If you ain't got anything to do to-morrow, you might
ride out to my place, where we c'n talk a little more free-like."

"A good idea, Stain. You are sure nothing is likely to happen
to-night?"

"Not till the dark o' the moon, she sez."

"By the way, why is she turning against her father like this?"

"Well, you remember what I was jest sayin' about women,--how sot
they are in their ways concarnin' a man? Well, Moll is after Barry
Lapelle,--no question about that. She's an uncommon good-lookin'
girl, I might say, an' I guess Barry ain't blind. Course, she's
an unedicated girl an' purty poor trash,--you couldn't expect much
else of a daughter of Martin Hawk, I guess,--but that don't seem
to make much difference when it comes to fallin' in love. You don't
need to have much book learnin' fer that. I could tell ye about a
girl I used to know,--but we'll save it fer some other time."

"I see," mused Kenneth, reflectively. "She wants Lapelle for herself.
But doesn't she realize that if they attempt this outrage her own
father stands a pretty good chance of being shot?"

"Lord love ye, that don't worry her none," explained the hunter.
"She don't keer much what happens to him. Why, up to this day he
licks the daylights out o' her, big as she is. You c'n hear her
yell fer half a mile. That's how she comes to be a friend o' mine, I
happened to be huntin' down nigh Mart's place last fall an' heerd
her screamin',--you could hear the blows landin' on her back,
too,--so I jest stepped sort o' spry to'ards his cabin an' ketched
him layin' it on with a wilier branch as thick as your thumb, an'
her a screechin' like a wild-cat in a trap. Well, what happened
inside the next minute made a friend o' her fer life,--an' an enemy
o' him. You'd have thought any dootiful an' loyal offspring would
o' tried to pull me off'n him, but all she done was to stand back
an' egg me on, 'specially when I took to tannin' him with the same
stick he'd been usin' on her. Seems like Mart's never felt very
friendly to'ards me sence that day."

"I shouldn't think he would."

"When I got kind o' wore out with wollopin' him, I sot down to rest
on the edge o' the waterin' trough, an' she comes over to me an'
sez she wished I'd stay an' help her bury the old man. She said
if I'd wait there she'd go an' get a couple o' spades out'n the
barn,--well, to make a long story short, soon as Mart begin to
realize he was dead an' wasn't goin' to have a regular funeral,
with mourners an' all that, he sot up an' begin to whine all over
ag'in. So I up an' told him if I ever heerd of him lickin' his gal
ag'in, I'd come down an' take off what little hide there was left
on him. He said he'd never lick her ag'in as long as he lived.
So I sez to Moll, sez I, 'If you ever got anything to complain of
about this here white-livered weasel, you jest come straight to
me, an' I'll make him sorry he didn't get into hell sooner.' Well,
sir, after that he never licked her without fust tyin' somethin'
over her mouth so's she couldn't yell, an' it wasn't till this
afternoon that I found out he'd been at it all along, same as ever,
'cept when Barry Lapelle was there. Seems that Barry stopped him
from lickin' her once, an' that made Moll foller him around like
a dog tryin' to lick his hand. No, sir, she won't be heartbroke
if somebody puts a rifle ball between Mart's eyes an' loses it
some'eres back inside his skull. She'd do it herself if she wasn't
so doggoned sure somebody else is goin' to do it, sooner or later."

"You say there was no one at home up at Mrs. Gwyn's?" observed
Kenneth, apprehensively. "That's queer. Where do you suppose they
are?"

"That's what I'm wonderin' about. Mrs. Gwyn never goes nowhere,
'cept out to the farm, an' I'm purty sure she didn't--Say, do you
hear somebody comin' up the road behind us?"

He laid a hand on Kenneth's arm and they both stopped to listen.

"I hear no one," said the young man.

"Well, you ain't got a hunter's ears," said the other. "Some one's
follerin' us,--a good ways back. I've got so's I c'n hear an acorn
drop forty mile away."

They drew off into the shadows at the roadside and waited. Twenty
yards or more ahead gleamed the lights in the windows of the nearest
store. A few seconds elapsed, and then Kenneth's ears caught the
sound of footsteps in the soft dirt road, and presently the subdued
murmur of voices.

"Women," observed Stain, laconically, lowering his voice. "Let 'em
pass. If we show ourselves now, they'll think we're highwaymen or
something, an' begin screechin' fer dear life."

Two vague, almost indistinguishable figures took shape in the
darkness down the road and rapidly drew nearer. They passed within
ten feet of the two men,--black voiceless shadows. Stain's hand
still gripped his companion's arm. The women had almost reached the
patches of light cast upon the road from the store windows, before
the hunter spoke.

"Recognize 'em?" he whispered.

"No."

"Well, I guess I know now why there wasn't nobody to home up yander.
That was Violy an' her ma."

Kenneth started. "You--you don't mean it!"

"Yep. An' if you was to ask me what they air doin' down here by the
river I'd tell you. Mrs. Gwyn jest simply took Violy down there to
Trentman's shanty an' SHOWED her Barry Lapelle playin' cards."

"Impossible! I would have seen them."

"Not from where you stood. The winders on the river side air open,
an' you c'n see into the house. On the side facin' this way, Jack's
got curtains hangin'. Well, Mrs. Gwyn took Violy 'round on t'other
side where she could look inside. Maybe you didn't hear what they
was sayin' when we fust beared 'em talkin'. Well, I did. I heared
Violy say, plain as day, 'I don't keer what you say, mother, he
swore to me he never plays except fer fun.' An' Rachel Gwyn, she
sez, 'There ain't no setch thing as playin' fer fun in that place,
so don't talk foolish.' That's all I heared 'em say,--an' they
ain't spoke a word sence."

"Come along, Stain," said Kenneth, starting forward. "We must follow
along behind, to see that they reach home safely."

The hunter gave vent to a deprecating grunt. "They won't thank us
if they happen to turn around an' ketch us at it. 'Sides, I got to
be startin' to'ards home. That ole hoss o' mine ain't used to bein'
out nights. Like as not, he's sound asleep this minute, standin'
over yander in front o' Curt Cole's blacksmith shop, an' whenever
that hoss makes up his mind he's asleep there ain't nothin' that'll
convince him he ain't. There they go, turnin' off Main street, so's
they won't run across any curious-minded saints. Guess maybe we'd
better trail along behind, after all."

Fifteen minutes later the two men, standing back among the trees,
saw lights appear in the windows of Mrs. Gwyn's house. Then they
turned and wended their way toward the public square. They had
spoken but few words to each other while engaged in the stealthy
enterprise, and then only in whispers. No one may know what was in
the mind of the hunter, but in Kenneth's there was a readjustment of
plans. A certain determined enthusiasm had taken the place of his
previous depression. The excitement of possible conflict, the thrill
of adventure had wrought a complete change in him. His romantic
soul was aflame.

"See here, Stain," he began, when they were down the slope; "I've
been thinking this matter over and I have come to the conclusion
that the best thing for me to do is to go straight to Lapelle and
tell him I am aware of his--"

"Say, you're supposed to be a lawyer, ain't you?" drawled his
companion, sarcastically.

"Yes, I am," retorted Kenneth.

"Well, all I got to say is you'd make a better wood-chopper. Barry'd
jest tell you to go to hell, an' that'd be the end of it as fer as
you're concarned. Course, he'd give up the plan, but he'd make it
his business to find out how you got wind of it. Next thing we'd
know, Moll Hawk would have her throat slit er somethin',--an' I
reckon that wouldn't be jest what most people would call fair, Mr.
Gwynne. I guess we'd better let things slide along as they air an'
ketch Mart an' his crowd in the act. You don't reckon that Barry
is goin' to take a active part in this here kidnappin' job, do you?
Not much! He won't be anywheres near when it happens. He's too cute
fer that. You won't be able to fasten anything on him till it's
too late to do anything."

Kenneth was properly humbled. "You are right, Stain. If you hear
of anybody who wants to have some wood chopped, free of charge, I
wish you'd let me know."

"Well," began the laconic Mr. Stain, "it takes considerable practice
to get to be even a fair to middlin' woodchopper."




CHAPTER XIII

THE GRACIOUS ENEMY


Bright and early the next morning Kenneth gave orders to have his
new home put in order for immediate occupancy. Having made up his
mind to remain in Lafayette and face the consequences that had seemed
insurmountable the night before, he lost no time in committing himself
to the final resolve. Zachariah was despatched with instructions
to lay in the necessary supplies, while two women were engaged
to sweep, scrub and furbish up the long uninhabited house. He had
decided to move in that very afternoon.

Meanwhile he rented an "office" on the north side of the public
square, a small room at the back of a furniture store, pending the
completion of the two story brick block on the south side. With
commendable enterprise he lost no time in outfitting the temporary
office from the furniture dealer's stock. His scanty library of
law books,--a half dozen volumes in all,--Coke, Kent and Chitty,
among them,--had been packed with other things in the cumbersome
saddle bags, coming all the way from Kentucky with him.

Of necessity he had travelled light, but he had come well provided
with the means to purchase all that was required in the event that
he decided to make Lafayette his abiding place.

As he was hurrying away from the tavern shortly after breakfast,
he encountered Lapelle coming up from the stable-yard. The young
Louisianian appeared to be none the worse for his night's dissipation.
In fact, he was in a singularly amiable frame of mind.

"Hello," he called out. Kenneth stopped and waited for him to come
up. "I'm off pretty soon for my place below town. Would you care
to come along? It's only about eight miles. I want to arrange with
Martin Hawk for a duck shooting trip the end of the week. He looks
after my lean-to down there, and he is the keenest duck hunter in
these parts. Better come along."

"Sorry I can't make it," returned Kenneth. "I am moving into my
house to-day and that's going to keep me pretty busy."

"Well, how would you like to go out with us a little later on for
ducks?"

"I'd like to, very much. That is, after I've got thoroughly settled
in my new office, shingles painted, and so forth. Mighty good of
you to ask me."

Barry was regarding him somewhat narrowly.

"So you are moving up to your house to-day, are you? That will be
news to Viola. She's got the whim that you don't intend to live
there."

"I was rather undecided about it myself,--at least for the present.
I am quite comfortable here at Mr. Johnson's."

"It isn't bad here,--and he certainly sets a good table. Say, I
guess I owe you a sort of apology, Kenny. I hope you will overlook
the way I spoke last night when you said you couldn't go to Jack
Trentman's. I guess I was a--well, a little sarcastic, wasn't I?"

There was nothing apologetic in his voice or bearing. On the contrary,
he spoke in a lofty, casual manner, quite as if this perfunctory
concession to the civilities were a matter of form, and was to be
so regarded by Gwynne.

"I make it a rule to overlook, if possible, anything a man may say
when he is drinking," said Kenneth, smiling.

Barry's pallid cheeks took on a faint red tinge; his hard eyes
seemed suddenly to become even harder than before.

"Meaning, I suppose, that you considered me a trifle tipsy, eh?"
he said, the corner of his mouth going up in mirthless simulation
of a grin.

"Well, you had taken something aboard, hadn't you?"

"A drink or two, that was all," said the other, shrugging his
shoulders. "Anyhow, I have apologized for jeering at you, Gwynne,
so I've done all that a sober man should be expected to do," he
went on carelessly. "You missed it by not going down there with me
last night. I cleaned 'em out."

"You did, eh?"

"A cool two thousand," said the other, with a satisfaction that
bordered on exultation. "By the way, changing the subject, I'd like
to ask you a question. Has a mother the legal right to disinherit
a son in case said son marries contrary to her wishes?"

Kenneth looked at him sharply. Could it be possible that Lapelle's
mother objected to his marriage with Viola, and was prepared to
take drastic action in case he did so?

"Different states have different laws," he answered. "I should have
to look it up in the statutes, Barry."

"Well, what is your own opinion?" insisted the other, impatiently.
"You fellows always have to look things up in a book before you
can say one thing or another."

"Well, it would depend largely on circumstances," said Kenneth,
judicially. "A parent can disinherit a child if he so desires,
provided there is satisfactory cause for doing so. I doubt whether
a will would stand in case a parent attempted to deprive a child
of his or her share of an estate descending from another parent who
was deceased. For example, if your father left his estate to his
widow in its entirety, I don't believe she would have the right to
dispose of it in her will without leaving you your full and legal
share under the statutes of this or any other state. Of course,
you understand, there is nothing to prevent her making such a will.
But you could contest it and break it, I am sure."

"That's all I want to know," said the other, drawing a deep breath
as of relief. "A close friend of mine is likely to be mixed up in
just that sort of unpleasantness, and I was a little curious to
find out whether such a will would stand the test."

"Your friend should consult his own lawyer, if he has one,
Lapelle. That is to say, he should go to some one who knows all
the circumstances. If you want my advice, there it is. Don't take
my word for it. It is too serious a matter to be settled off-hand,--and
my opinion in the premises may be absolutely worthless."

"I was only asking for my own satisfaction, Gwynne. No doubt my
friend has already consulted a lawyer and has been advised. I must
be off. Sorry you can't come with me."

Kenneth would have been surprised and disturbed if he could have
known all that lay behind these casual questions. But it was not
for him to know that Viola had repeated Mrs. Gwyn's threat to her
impatient, arrogant lover, nor was it for him to connect a simple
question of law with the ugly plot that had been revealed to Isaac
Stain by Moll Hawk.

After two nights of troubled thought, Barry Lapelle had hit upon an
extraordinary means to circumvent Rachel Gwyn. With Machiavellian
cunning he had devised a way to make Viola his wife without
jeopardizing her or his own prospects for the future. No mother,
he argued, could be so unreasonable as to disinherit a daughter who
had been carried away by force and was compelled to wed her captor
rather than submit to a more sinister alternative.

Shortly after the noon meal, Kenneth rode up to the old Gwyn house.
He found Zachariah beaming on the front door step.

"Yas, suh,--yas, suh!" was the servant's greeting. "Right aroun'
dis way, Marse Kenny. Watch out, suh, ailse yo' scrape yo' hat off
on dem branches."

He grasped the bit, after his master had dismounted in the weed-covered
little roadway at the side of the house, and ceremoniously waved
his hand toward the open door.

"Step right in, suh,--yas, suh,--an' make yo'self to home, suh.
Sit right down front of de fiah, Marse Kenny. Ah won't be more'n
two shakes, suh, stablin'--yas, suh! Come on hyar, yo' Brandy Boy!
Ise gwine show yo' whar yo's gwine to be de happies' hoss in--yas,
suh,--yas, suh!"

The young man looked long and searchingly through the trees before
entering the house, but saw no sign of his neighbours. He thought
he detected a slight movement of a curtain in one of the windows,--the
parlor window, if his memory served him right.

It was late in the afternoon before he saw either of his relatives.
He had had occasional glimpses of the negro servant-girl and also
of a gaunt stable-man, both of whom favoured his partially obscured
abode with frank interest and curiosity. A clumsy, silent hound
came up to the intervening fence several times during the afternoon
and inspected the newcomers with seeming indifference, an attitude
which misled Zachariah into making advances that were received with
alarming ill-temper.

Kenneth was on his front doorstep, contemplating with secret despair
the jungle of weeds and shrubbery that lay before him, completely
obliterating the ancient path down to the gate. The whole place was
overgrown with long, broken weeds, battered into tangled masses by
the blasts of winter; at his feet were heaps of smitten burdocks
and the dead, smothered stems of hollyhocks, geraniums and other
garden plants set out and nurtured with tender care by Rachel Gwyn
during her years of occupancy. The house needed painting, the roof
required attention, the front gate was half open and immovably
imbedded in the earth.

He was not aware of Viola's presence on the other side of the fence
dividing the two yards until her voice fell upon his ears. It was
clear and sweet and bantering.

"I suppose you are wondering why we haven't weeded the yard for
you, brother Kenny."

As he made his way through the weeds to the fence, upon which she
rested her elbows while she gazed upon him with a mocking smile
in the eyes that lay far back in the shovel-like hood of her black
quaker bonnet, he experienced a sudden riotous tumult in the region
of his heart. Shaded by the dark, extended wings of the bonnet, her
face was like a dusky rose possessed of the human power to smile.
The ribbon, drawn close under her chin, was tied in a huge bow-knot,
while at the back of her head the soft, loose cap of the bonnet
fitted snugly over hair that he knew would gleam with tints of
bronze if exposed to the rays of the sinking sun.

"Not at all," he rejoined. "I am wondering just where I'd better
begin."

"Did you find the house all right?"

"Yes. You have saved me a lot of trouble, Viola."

"Don't give me credit for it. Mother did everything. I suppose you
know that the furniture and other things belong to you by rights.
She didn't give them to you out of charity."

"The last thing in the world I should expect would be charity from
your mother," he said, stung by the obvious jibe.

She smiled tolerantly. "She is more charitable than you imagine.
It was only last night that she said she wished Barry Lapelle was
half as good and upright as you are."

"That was very kind of her. But if such were the case, I dare say
it never would have occurred to you to fall in love with him."

He had come up to the fence and was standing with his hand on the
top rail. She met his ironic gaze for a moment and then lowered
her eyes.

"I wish it were possible for us to be friends, Kenny," she surprised
him by saying. "It doesn't seem right for us to hate each other,"
she went on, looking up at him again. "It's not our fault that we
are who and what we are. I can understand mother's attitude toward
you. You are the son of another woman, and I suppose it is only
natural for her to be jealous. But you and I had the same father.
It--it ought to be different with us, oughtn't it?"

"It ought to be,--and it shall be, Viola, if you are willing. It
rests entirely with you."

"It is so hard to think of you as a brother. Somehow I wish you
were not."

"It is pretty hard luck, isn't it? You may be sure of one thing. If
I were not your brother I would be Barry Lapelle's most determined
rival."

She did not laugh at this. On the contrary, her eyes clouded.

"The funny part of it is, Kenny, I have been wondering what would
have happened if you had come here as a total stranger and not as
my relation." Then she smiled whimsically. "Goodness knows poor
Barry is having a hard enough time of it as it is, but what a time
he would be having if you were some one else. You see, you are very
good-looking, Kenny, and I am a very silly, frivolous, susceptible
little goose."

"You are nothing of the kind," he exclaimed warmly, adding in some
embarrassment, "except when you say that I am good-looking."

"And I have also been wondering how many girls have been in love
with you," she went on archly; "and whether you have a sweetheart
now,--some one you are engaged to. You needn't be afraid to tell
me. I can keep a secret. Is there some one back in Kentucky
or in the east who--"

"No such luck," whispered simple, honest Kenneth. "No one will have
me."

"Have you ever asked anybody?" she persisted.

"No,--I haven't."

"Then, how do you know that no one will have you?"

"Well, of course, I--I mean to say I can't imagine any one caring
for me in that way."

"Don't you expect ever to get married?"

"Why,--er,--naturally I--" he stammered, bewildered at this
astonishing attack.

"Because if you want to remain a bachelor, I would advise you not
to ask any one of half a dozen girls in this town that I could
mention. They would take you so quick your head would swim."

By this time he had recovered himself. Affecting grave solicitude,
he inquired:

"Is there any one here that you would particularly desire as a
sister-in-law?"

She shook her head, almost pensively. "I don't want you to bring
any more trouble into the family than you've already brought, and
goodness knows THAT would be doing it. But I shouldn't have said
that, Kenny. There are lots of fine, lovely girls here. I wouldn't
know which one to pick out for you if you were to ask me to do your
choosing."

"I will leave it entirely in your hands," said he, grinning boyishly.
"Pick me out a nice, amiable, rather docile young lady,--some one
who will come the nearest to being a perfect sister-in-law, and
I will begin sparking her at once. By the way, I hope matters are
going more smoothly for you and Barry."

Her face clouded. She shot a suspicious, questioning look at him.

"I--I want to talk to you about Barry some day," she said seriously.

"You seemed to resent it most bitterly the last time I attempted
to talk to you about him," said he, somewhat pointedly.

"You were horrid that day," said she. "I have a good deal to forgive.
You said some very mean, nasty things to me that day over there,"
indicating the thicket with a jerk of her head.

"I am glad to see that you took them to heart and have profited,"
he ventured boldly.

She hesitated, and then spoke with a frankness that shamed him.
"Yes, I did take them to heart, Kenny. I will not say that I have
profited, but I'll never make the same kind of a fool of myself
again. I hated you with all my soul that day,--and for a long time
afterward,--but I guess you took the right way with me, after all.
If I was fair and square, I would say that I am grateful to you.
But, you see, I am not fair and square. I am as stubborn as a mule."

"The best thing about a mule is that he takes his whalings without
complaining."

She sighed. "I often wonder what a mule thinks about when he stands
there without budging while some angry, infuriated man beats him
until his arm gets tired."

"That's very simple. He just goes on thinking what a fool the man
is for licking a mule."

"Good! I hope you will remember that the next time you try to reason
with me."

"What is it you want to say to me about Barry?" he asked, abruptly.

"Oh, there is plenty of time for that," she replied, frowning. "It
will keep. How are you getting along with the house?"

"Splendidly. It was in very good order. I will be settled in a
day or two and as comfortable as anything. To-night Zachariah and
I are going to make a list of everything we need and to-morrow I
shall start out on a purchasing tour. I intend to buy quite a lot
of new furniture, things for the kitchen, carpets and--"

Viola interrupted him with an exclamation. Her eyes were shining,
sparkling with eagerness.

"Oh, won't you take me along with you? Mr. Hanna has just received
a wonderful lot of things from down the river, and at Benbridge &
Foster's they have a new stock of--"

"Hurrah!" he broke in jubilantly. "It's just what I wanted, Viola.
Now you are being a real sister to me. We will start early in the
morning and--and buy out the town. Bless your heart, you've taken
a great load off my mind. I haven't the intelligence of a snipe
when it comes to fitting up a--why, say, I tell you what I'll do.
I will let you choose everything I need, just as if you were setting
up housekeeping for yourself. Curtains, table cloths, carpets,
counterpanes, china, Queensware, chairs, chests--"

"Brooms, clothes-pins, rolling-pins, skillets, dough-bowls, cutlery--"

"Bureaus, looking-glasses, wardrobe, antimacassar tidies, bedspreads,
towels--"

"Oh, Kenny, what fun we'll have," she cried. "And, first of all,
you must let me come over right now and help you with your list.
I know much better than you do what you really need,--and what you
don't need. We must not spend too much money, you see."

"'Gad," he gulped, "you--you talk just as if you and I were a poor,
struggling young couple planning to get married."

"No, it only proves how mean and selfish I am. I am depriving your
future bride of the pleasure of furnishing her own house, and that's
what all brides like better than anything. But I promise to pick
out things that I know she will like. In the meantime, you will
be happy in knowing that you have something handsome to tempt her
with when the time comes. As soon as you are all fixed up, you
must give a party. That will settle everything. They'll all want
to marry you,--and they'll have something to remember me by when
I'm gone. Come on, Kenny, let's go in and start making the list."

She started off toward her own gate, but stopped as he called out
to her.

"Wait! Are you sure your mother will approve of your--"

"Of course she will!" she flung back at him. "She doesn't mind our
being friendly. Only,"--and she came back a few steps, "I am afraid
she will never be friends with you, Kenny. I am sorry."

He was silent. She waited for a moment before turning away, shaking
her head slightly as if attempting to dismiss something that perplexed
her sorely. There was a yearning in his eyes as they followed her
down to the gate; then he shot a quick, accusing glance at the
house in which his enemy lived. He saw the white curtains in the
north parlor window drop into place, flutter for a second or two,
and then hang perfectly still. Rachel Gwyn had been watching them.
He made no effort to hide the scowl that darkened his brow as he
continued to stare resentfully at the window.

He met Viola at his own disabled gate, which cracked and shivered
precariously on its rusty hinges as he jerked it open.

"I lived for nearly three years in this house, Kenny," she said
as she picked her way through the weeds. "I slept on a very hard
straw tick up in the attic. It was dreadfully cold in the winter
time. I used to shiver all night long curled up with my knees
up to my chin. And in the summer time it was so hot I slept with
absolutely nothing,--" She broke off in sudden confusion. "Our new
house is only about a year old," she went after a moment. Pointing,
she added: "That is my bedroom window up there. You can get a glimpse
of it through the trees but when the leaves are out you can't see
it at all from here."

"I shall keep an eye on that window," said he, with mock severity,
"and if ever I catch you climbing down on a ladder to run away
with--well, I'll wake the dead for miles around with my yells. See
to it, my dear sister, that you attempt nothing rash at the dead
hour of night."

She laughed. "Have you seen our dog? I pity the valiant knight who
tries to put a ladder up to my window."

They spent the better part of an hour going over the house. She was
in an adorable mood. Once she paused in the middle of a sentence
to ask why he was so solemn.

"Goodness me, Kenny, you look as if you had lost your very best
friend. Aren't you interested? Shall we stop?"

A feeling of utter desolation had stricken him. He was sick at
heart. Every drop of blood in his body was crying out for her.
Small wonder that despair filled his soul and lurked in his gloomy,
disconsolate eyes. She had removed her bonnet. If he had thought
her beautiful on that memorable night at Striker's he now realized
that his first impression was hopelessly inadequate. Her eyes,
dancing with eagerness, no longer reflected the disdain and suspicion
with which she had regarded him on that former occasion. Her smile
was frank and warm and joyous. He saw her now as she really was,
incomparably sweet and charming--and so his heart was sick.

"I wouldn't stop for the world," he exclaimed, making a determined
effort to banish the tell-tale misery from his eyes.

"I know!" she cried, after a searching look into his eyes. "You
are in love with some one, Kenny, and you are wishing that she were
here in my place, helping you to plan the--"

"Nonsense," he broke in gruffly. "Put that out of your head, Viola.
I tell you there is no--er--no such girl."

"Then," she said darkly, "it must be the dreadful extravagance I
am leading you into. Goodness, when I look at this list, I realize
what a lot of money it is going to take to--"

"We're not half through," he said, "and I am not thinking of
the expense. I am delighted with everything you have suggested. I
shudder when I think how helpless I should have been without you.
Didn't I tell you in the beginning that I wanted you to fix this
house up just as if you were planning to live in it yourself? Put
down all the things you would most like to have, Viola, and--and--well,
confound the expense. Come along! We're losing time. Did you jot
down that last thing we were talking about? That--er--that--" He
paused, wrinkling his forehead.

"I don't believe you have been paying any attention to what--Now,
tell me, what WAS the last thing we were talking about?"

He squinted hard at the little blank book in her hand. She closed
it with a snap.

"Have you got it down?" he demanded severely.

"I have."

"Then, there's no use worrying about it," he said, with great
satisfaction. "Now, let me see: don't you think I ought to have a
clock for the mantelpiece?"

"I put that down half an hour ago," she said. "The big gold French
clock I was telling you about."

"That's so. The one you like so well down at Currie's."

They proceeded. He had followed about, carrying the ink pot into
which she frequently dipped the big quill pen. She overlooked
nothing in the scantily furnished house. She even went so far as
to timidly suggest that certain articles of furniture might well
be replaced by more attractive ones, and he had promptly agreed.
At last she announced that she must go home.

"If you buy all the things we have put down here, Kenny, you will
have the loveliest house in Lafayette. My, how I shall envy you!"

"I have a feeling I shall be very lonely--amidst all this splendour,"
he said.

"Oh, no, you won't. I shall run in to see you every whipstitch.
You will get awfully sick of having me around."

"I am thinking of the time when you are married, Viola, and,--and
have gone away from Lafayette."

"Well," she began, her brow clouding, "you seem to have got along
without me for a good many years,--so I guess you won't miss me as
much as you think. Besides, we are supposed to be enemies, aren't
we?"

"It doesn't look much like it now, does it?"

"No," she said dubiously, "but I--I must not do anything that will
make mother feel unhappy or--"

He broke in a little harshly. "Are you forgetting how unhappy it
will make her if you marry Barry Lapelle?"

"Oh, that may be a long way off," she replied calmly. "You see, Barry
and I quarrelled yesterday. We both have vile tempers,--perfectly
detestable tempers. Of course, we will make up again--we always
do--but there may come a time when he will say, 'Oh, what's the
use trying to put up with you any longer?' and then it will all be
over."

She was tying her bonnet strings as she made this astonishing
statement. Her chin being tilted upward, she looked straight up
into his eyes the while her long, shapely fingers busied themselves
with the ribbons.

"I guess you have found out what kind of a temper I have, haven't
you?" she added genially. As he said nothing (being unable to trust
his voice): "I know I shall lead poor Barry a dog's life. If he
knew what was good for him he would avoid me as he would the plague."

He swallowed hard. "You--you will not fail to come with me to-morrow
morning on the purchasing tour," he said, rather gruffly. "I'll be
helpless without you."

"I wouldn't miss it for anything," she cried.

As they walked down to the gate she turned to him and abruptly
said:

"Barry is going down the river next week. He expects to be away
for nearly a fortnight. Has he said anything to you about it?"

Kenneth started. Next week? The dark of the moon.

"Not a word," he replied grimly.




CHAPTER XIV

A MAN FROM DOWN THE RIVER


Kenneth's first night in the old Gwyn house was an uneasy, restless
one, filled with tormenting doubts as to his strength or even his
willingness to continue the battle against the forces of nature.

Viola's night was also disturbed. Some strange, mysterious instinct
was at work within her, although she was far from being aware of
its significance. She lay awake for a long time thinking of him.
She was puzzled. Over and over again she asked herself why she had
blushed when he looked down at her as she was tying her bonnet-strings,
and why had she felt that queer little thrill of alarm? And why did
he look at her like that? She answered this question by attributing
its curious intensity to a brotherly interest--which was quite
natural--and the awakening of a dutiful affection--but that did
not in any sense account for the blood rushing to her face, so that
she must have reminded him of a "turkey gobbler." She announced to
her mother at breakfast:

"I don't believe I can ever think of Kenny as a brother."

Rachel Gwyn looked up, startled. "What was that you called him?"
she asked.

"Kenny. He has always been called that for short. And somehow,
mother, it sounds familiar to me. Have I ever heard father speak
of him by that name?"

"I--I am sure I do not know," replied her mother uneasily. "I doubt
it. It must be a fancy, Viola."

"I can't get over feeling shy and embarrassed when he looks at me,"
mused the girl. "Don't you think it odd? It doesn't seem natural
for a girl to feel that way about a brother."

"It is because you are not used to each other," interrupted Rachel.
"You will get over it in time."

"I suppose so. You are sure you don't mind my going to the stores
with him, mother?"

Her mother arose from the table. There was a suggestion of fatalism
in her reply. "I think I can understand your desire to be with
him." She went to the kitchen window and looked over at the house
next door. "He is out in his back yard now, Viola," she said, after
a long pause, "all dressed and waiting for you. You had better get
ready."

"It will not hurt him to wait awhile," said Viola perversely. "In
fact, it will do him good. He thinks he is a very high and mighty
person, mother." She glanced at the clock on the kitchen wall. "I
shall keep him waiting for just an hour."

Rachel's strong, firm shoulders drooped a little as she passed
into the sitting-room. She sat down abruptly in one of the stiff
rocking-chairs, and one with sharp ears might have heard her whisper
to herself:

"We cannot blindfold the eyes of nature. They see through everything."

It was nine o'clock when Viola stepped out into her front yard,
reticule in hand, and sauntered slowly down the walk, stopping
now and then to inspect some Maytime shoot. He was waiting for her
outside his own gate.

"What a sleepy-head you are," was her greeting as she came up to
him.

"I've been up since six o'clock," he said.

"Then, for goodness' sake, why have you kept me waiting all this
time?"

"My dear Viola, I was not born yesterday, nor yet the day before,"
he announced, with aggravating calmness. "Long before you were out
of short frocks and pantalettes I was a wise old gentleman."

"I don't know just what you mean by that."

"I learned a great many years ago that it is always best to admit
you are in fault when a charming young lady says you are. If you
had kept me waiting till noon I should still consider it my duty
to apologize. Which I now do."

She laughed merrily. "Come along with you. We have much to do on
this fine May day. First, we will go to the hardware store, saving
the queensware store till the last,--like float at the end of a
Sunday dinner."

And so they advanced upon the town, as fine a pair as you would
find in a twelvemonth's search. First she conducted him to Jimmy
Munn's feed and wagon-yard, where he contracted to spend the
first half-dollar of the expedition by engaging Jimmy to haul his
purchases up to the house.

"Put the sideboards on your biggest wagon, Jimmy," was Viola's
order, "and meet us at Hinkle's."

She proved to be a very sweet and delightful autocrat. For three
short and joyous hours she led him from store to store, graciously
leaving to him the privilege of selection but in nine cases out of
ten demonstrating that he was entirely wrong in his choice, always
with the naive remark after the purchase was completed and the
money paid in hand: "Of course, Kenny, if you would rather have
the other, don't for the world let me influence you."

"You know more about it than I do," he would invariably declare.
"What do I know about carpets?"--or whatever they happened to be
considering at the time.

She was greatly dismayed, even appalled, as they wended their way
homeward, followed by the first wagonload of possessions, to find
that he had spent the stupendous, unparalleled sum of two hundred
and forty-two dollars and fifty cents.

"Oh, dear!" she sighed. "We must take a lot of it back, Kenny. Why
didn't you keep track of what you were spending? Why, that's nearly
a fourth of one thousand dollars."

He grinned cheerfully. "And we haven't begun to paint the house
yet, or paper the walls, or set out the flower beds, or--"

"Goodness me!" she cried, aghast. "You are not going to do all that
now, are you?"

"Every bit of it," he affirmed. "I am going to rebuild the barn,
put in a new well, dig a cistern, build a smoke-house, lay a brick
walk down to the front gate and put up a brand new picket fence--"

"You must be made of money," she cried, eyeing him with wonder in
her big, violet eyes.

"I am richer now than when we started out this morning," said he,
magnificently.

"When you say things like that, you almost make me wish you were
not my brother," said she, after a moment, and to her annoyance
she felt the blood mount to her face.

"And what would you do if I were not your brother?" he inquired,
looking straight ahead.

Whereupon she laughed unrestrainedly. "You would be dreadfully
shocked if I were to tell you,--but I can't help saying that Barry
would be so jealous he wouldn't know what to do."

"You might find yourself playing with fire."

"Well," she said, flippantly, "I've got over wanting to play with
dolls. Now don't scold me! I can see by your face that you'd like to
shake me good and hard. My, what a frown! I am glad it isn't January.
If your face was to freeze--There! That's better. I shouldn't mind
at all if it froze now. You look much nicer when you smile, Kenny."
Her voice dropped a little and a serious expression came into her
eyes. "I don't believe I ever saw father smile. But I've seen him
when he looked exactly as you did just then. I--I hope you don't
mind my talking that way about your father, Kenny. I wouldn't if
he were not mine as well."

"You knew him far better than I," he reminded her. Then he added
brightly: "I shall try to do better from now on. I'll smile--if it
kills me."

"Don't do that," she protested, with a pretty grimace. "I've been
in mourning for ages, it seems, and I'm sure I should hate you if
you kept me in black for another year or two."

As they parted at Kenneth's gate,--it seemed to be mutely understood
that he was to go no farther,--they observed a tall, black figure
cross the little front porch of the house beyond and disappear
through the door. Kenneth's eyes hardened. The girl, looking up
into those eyes, shook her head and smiled wistfully.

"Will you come over and help me put all these things where they
belong?" he asked, after a moment.

"This afternoon, Kenny?"

"If you haven't anything else you would rather--" he began.

"I can't wait to see how the house will look when we get everything
in place. I will be over right after dinner,--unless mother needs
me for something."

. . . . .

That evening Zachariah was noticeably perturbed. He had prepared
a fine supper, and to his distress it was scarcely touched by his
preoccupied master. Now, Zachariah was proud of his cooking. He was
pleased to call himself, without fear of contradiction, "a natteral
bo'n cook, from de bottom up." Moreover, his master was a gentleman
whose appetite was known to be absolutely reliable; it could be
depended upon at almost any hour of the day or night. Small wonder
then that Zachariah was not only mystified but grieved as well. He
eyed the solemn looking young man with anxiety.

"Ain't yo' all feelin' well, Marse Kenneth?" he inquired, with a
justifiable trace of exasperation in his voice.

"What's that, Zachariah?" asked Kenneth, startled out of a profound
reverie.

"Is dey anything wrong wid dat ham er--"

"It is wonderful, Zachariah. I don't believe I have ever tasted
better ham,--and certainly none so well broiled."

"Ain't--ain't de co'n-bread fitten to eat, suh?"

"Delicious, Zachariah, delicious. You have performed wonders with
the--er--new baking pan and--"

"What's de matteh wid dem b'iled pertaters, suh?"

"Matter with them? Nothing! They are fine."

"Well, den, suh, if dere ain't nothin' de matteh wid de vittels,
dere suttinly mus' be somefin de matteh wid you, Marse Kenneth.
Yo' all ain't etten enough fo' to fill a grasshoppeh."

"I am not hungry," apologized his master, quite humbly.

"'Cause why? Yas, suh,--'cause why?" retorted Zachariah, exercising
a privilege derived from long and faithful service. "'Cause Miss
Viola she done got yo' all bewitched. Can't fool dis yere nigger.
Wha' fo' is yo' all feelin' dis yere way 'bout yo' own sister?
Yas, suh,--Ah done had my eyes open all de time, suh. Yo' all was
goin' 'round lookin' like a hongry dog, 'spectin'--Yas, suh! Yas,
SUH! Take plenty, suh, Marse Johnson he say to me, he say, 'Dis yere
sap come right outen de finest maple tree in de State ob Indianny,
day befo' yesterday,' he say. A leetle mo' coffee, suh? Yas, suh!
Das right! Yo' suttinly gwine like dat ham soon as ever yo' get a
piece in yo' mouth,--yas, SUH!"

Kenneth's abstraction was due to the never-vanishing picture
of Viola, the sleeves of her work-dress rolled up to the elbows,
her eyes aglow with enthusiasm, her bonny brown hair done up in
careless coils, her throat bare, her spirits as gay as the song of
a roistering gale. She had come over prepared for toil, an ample
apron of blue gingham shielding her frock, her skirts caught up
at the sides, revealing the bottom of her white petticoat and a
glimpse of trim, shapely ankles.

She directed the placing of all the furniture carried in by the
grunting Jimmy Munn and Zachariah; she put the china safe and pantry
in order; she superintended the erection of the big four poster
bed, measured the windows for the new curtains, issued irrevocable
commands concerning the hanging of several gay English hunting
prints (the actual hanging to be done by Kenneth and his servant
in a less crowded hour,--after supper, she suggested); ordered
Zachariah to remove to the attic such of the discarded articles of
furniture as could be carried up the pole ladder, the remainder to
go to the barn; left instructions not to touch the rolls of carpet
until she could measure and cut them into sections, and then went
away with the promise to return early in the morning not only
with shears and needle but with Hattie as well, to sew and lay the
carpets,--a "Brussels" of bewildering design and an "ingrain" for
the bedroom.

"When you come home from the office at noon, Kenny, don't fail to
bring tacks and a hammer with you," she instructed, as she fanned
her flushed face with her apron.

"But I am not going to the office," he expostulated. "I have too
much to see to here."

"It isn't customary for the man of the house to be anywhere around
at a time like this," she informed him, firmly. "Besides you ought
to be down town looking for customers. How do you know that some one
may not be in a great hurry for a lawyer and you not there to--"

"There are plenty of other lawyers if one is needed in a hurry,"
he protested. "And what's more, I can't begin to practise law in
this State without going through certain formalities. You don't
understand all these things, Viola."

"Perhaps not," she admitted calmly; "but I do understand moving
and house-cleaning, and I know that a man is generally in the way
at such times. Oh, don't look so hurt. You have been fine this
afternoon. I don't know how I should have got along without you.
But to-morrow it will be different. Hattie and I will be busy sewing
carpets and--and--well, you really will not be of any use at all,
Kenny. So please stay away."

He was sorely disgruntled at the time and so disconsolate later on
that it required Zachariah's startling comment to lift him out of
the slough of despond. Spurred by the desire to convince his servant
that his speculations were groundless, he made a great to-do over
the imposed task of hanging the pictures, jesting merrily about the
possibility of their heads being snapped off by Mistress Viola if
she popped in the next morning to find that they had bungled the
job.

Four or five days passed, each with its measure of bitter and
sweet. By the end of the week the carpets were down and the house
in perfect order. He invited her over for Sunday dinner. A pained,
embarrassed look came into her eyes.

"I was afraid you would ask me to come," she said gently. "I don't
think it would be right or fair for me to accept your hospitality.
Wait! I know what you are going to say. But it isn't quite the
same, you see. Mother has been very kind and generous about letting
me come over to help you with the house,--and I suppose she would
not object if I were to come as your guest at dinner,--but I have
a feeling in here somewhere that it would hurt her if I came here
as your guest. So I sha'n't come. You understand, don't you?" "Yes,"
he said gravely,--and reluctantly. "I understand, Viola."

Earlier in the week he had ridden out to Isaac Stain's. The hunter
had no additional news to give him, except that Barry, after spending
a day with Martin Hawk, had gone down to Attica by flat-boat and
was expected to return to Lafayette on the packet Paul Revere, due
on Monday or Tuesday.

Lapelle's extended absence from the town was full of meaning.
Stain advanced the opinion that he had gone down the river for the
purpose of seeing a Williamsport justice of the peace whose record
was none too good and who could be depended upon to perform the
contemplated marriage ceremony without compunction if his "palm
was satisfactorily greased."

"If we could only obtain some clear and definite idea as to their
manner of carrying out this plan," said Kenneth, "I would be the
happiest man on earth. But we will be compelled to work in the
dark,--simply waiting for them to act."

"Well, Moll Hawk hain't been able to find out just yet when er how
they're goin' to do it," said Stain. "All she knows is that two
or three men air comin' up from Attica on the Paul Revere and air
goin' to get off the boat when it reaches her pa's place. Like
as not this scalawag of a justice will be one of 'em, but that's
guesswork. That reminds me to ask, did you ever run acrosst a feller
in the town you come from named Jasper Suggs?"

"Jasper Suggs? I don't recall the name."

"Well, she says this feller Suggs that's been stayin' at Martin's
cabin fer a week er two claims to have lived there some twenty
odd years ago. Guess you must ha' been too small to recollect him.
She says he sort of brags about bein' a renegade durin' the war
an' fightin' on the side of the Injins up along the Lakes. He's
a nasty customer, she says. Claims to be a relation of old Simon
Girty's,--nephew er something like that."

"Does he claim to have known any of my family down there?" inquired
Kenneth, apprehensively.

"From what Moll says he must have knowed your pa. Leastwise, he
says the name's familiar. He was sayin' only a day or two ago that
he'd like to see a picter of your pa. He'd know if it was the same
feller he used to know soon as he laid eyes on it."

Kenneth pondered a moment and then said: "Do you suppose you could
get a letter to Moll Hawk if I were to write it, Stain?"

"I could," said the other, "but it wouldn't do any good. She cain't
read er write. Besides, if I was you, I wouldn't risk anything
like that. It might fall into Hawk's hands, and the fust thing he
would do would be to turn it over to Lapelle,--'cause Martin cain't
read himself."

"I was only wondering if she could find out a little more about
this man Suggs,--just when he lived there and--and all that."

"He's purty close-mouthed, she says. Got to be, I reckon. He fell
in with Martin ten er twelve years ago, an' there was a price on
his head then. Martin hid him for awhile an' helped him to git safe
away. Like as not Suggs ain't his real name anyhow."

Kenneth was a long time in deciding to speak to Rachel Gwyn about
the man Suggs. He found an opportunity to accost her on the day
that the Paul Revere came puffing up to the little log-built landing
near the ferry. Viola had left the house upon learning that the
boat had turned the bend in the river two or three miles below town,
and had made no secret of her intention to greet Lapelle when he
came ashore. This was Gwynne's first intimation that she was aware
of her lover's plan to return by the Paul Revere. He was distinctly
annoyed by the discovery.

Rachel was in her back yard, feeding the chickens, when he came
up to the fence and waited for her to look in his direction. All
week,--in fact, ever since he had come up there to live,--he had
been uncomfortably conscious of peering eyes behind the curtains in
the parlor window. Time and again he had observed a slight flutter
when he chanced to glance that way, as of a sudden release of the
curtains held slightly apart by one who furtively watched from
within. On the other hand, she never so much as looked toward his
house when she was out in her own yard or while passing by on the
road. Always she was the straight, stern, unfriendly figure in black,
wrapped in her own thoughts, apparently ignorant of all that went
on about her.

She turned at last and saw him standing there.

"May I have a word with you?" he said.

She did not move nor did she speak for many seconds, but stood
staring hard at him from the shade of her deep black bonnet.

"What is it you want, Kenneth Gwynne?"

"No favour, you may be sure, Rachel Carter."

She seemed to wince a little. After a moment's hesitation, she
walked slowly over to the fence and faced him.

"Well?" she said curtly.

"Do you remember a man at home named Jasper Suggs?"

"Are you speaking of my old home in Salem or of--of another place?"

"The place where I was born," he said, succinctly.

"I have never heard the name before," she said. "Why do you ask?"

"There is a man in this neighbourhood,--a rascal, I am told,--who
says he lived there twenty years ago."

She eyed him narrowly. "Well,--go on! What has he to say about me?"

"Nothing, so far as I know. I have not talked with him. It came to
me in a roundabout way. He is staying with a man named Hawk, down
near the Wea." "He keeps pretty company," was all she said in
response to this.

"I have been told that he would like to see a daguerreotype of my
father some time, just to make sure whether he was the Gwynne he
used to know."

"Has he ever seen you, Kenneth Gwynne?" She appeared to be absolutely
unconcerned.

"No."

"One look at you would be sufficient," she said. "If you are both
so curious, why not arrange a meeting?"

"I am in no way concerned," he retorted. "On the other hand, I
should think you would be vitally interested, Rachel Carter. If he
knew my father, he certainly must have known you."

"Very likely. What would you have me do?" she went on ironically.
"Go to him and beg him to be merciful? Or, if it comes to the worst,
hire some one to assassinate him?"

"I am not thinking of your peace of mind. I am thinking of Viola's.
We have agreed, you and I, to spare her the knowledge of--"

"Quite true," she interrupted. "You and I have agreed upon that,
but there it ends. We cannot include the rest of the world. Chance
sends this man, whoever he may be, to this country. I must likewise
depend upon Chance to escape the harm he may be in a position to
do me. Is it not possible that he may have left before I came there
to live? That chance remains, doesn't it?"

"Yes," he admitted. "It is possible. I can tell you something about
him. He is related to Simon Girty, and he was a renegade who fought
with the Indians up north during the war. Does that throw any light
upon his identity?"

"He says his name is Suggs?" she inquired.

He was rewarded by a sharp catch in her breath and a passing flicker
of her eyes.

"Jasper Suggs."

She was silent for a moment. "I know him," she said calmly. "His
name is Simon Braley. At any rate, there was a connection of Girty's
who went by that name and who lived down there on the river for
a year or two. He killed the man he was working for and escaped.
That was before I--before I left the place. I don't believe he ever
dared to go back. So, you see, Chance favours us again, Kenneth
Gwynne."

"You forget that he will no doubt remember you as Rachel Carter.
He will also remember that you had a little girl."

"Let me remind you that I remember the cold-blooded murder of John
Hendricks and that nobody has been hung for it yet," she said.
"My memory is as good as his if it should come to pass that we are
forced to exchange compliments. Thank you for the information. The
sheriff of this county is a friend of mine. He will be pleased to
know that Simon Braley, murderer and renegade, is in his bailiwick.
From what I know of Simon Girty's nephew, he is not the kind of
man who will be taken alive."

He started. "You mean,--that you will send the sheriff out to arrest
him?"

She shook her head. "Not exactly," she replied. "Did you not hear
me say that Simon Braley would never be taken alive?"

With that, she turned and walked away, leaving him to stare after
her until she entered the kitchen door. He was conscious of a sense
of horror that began to send a chill through his veins.




CHAPTER XV

THE LANDING OF THE "PAUL REVERE"


The Paul Revere tied up at the landing shortly after two o'clock.
The usual crowd of onlookers thronged the bank, attention being
temporarily diverted from an important game of "horseshoes" that
was taking place in the sugar grove below Trentman's shanty.

Pitching horseshoes was the daily fair-weather pastime of the male
population of the town. At one time or another during the course
of the day, practically every man in the place came down to the
grove to shy horseshoes at the stationary but amazingly elusive pegs.
It was not an uncommon thing for a merchant to close his place of
business for an hour or so in order to keep an engagement to pitch
horseshoes with some time-honoured adversary.

On this occasion a very notable match was in progress between
"Judge" Billings and Mr. Pennington Sawyer, the real estate agent.
They were the recognized champions. Both were accredited with the
astonishing feat of ringing eight out of ten casts at twenty paces;
if either was more than six inches away from the stake on any try
the crowd mutely attributed the miss to inhibitions of the night
before. Not only was the betting lively when these two experts met
but all other matches were abandoned during the classic clash.

The "Judge" did not owe his title to service on the bench nor
even at the bar of justice. It had been bestowed upon him by a
liberal-minded community because of his proficiency as a judge of
horse races, foot races, shooting matches, dog or rooster fights, and
other activities of a similar character. He was, above all things,
a good judge of whiskey. When not engaged in judging one thing
or another, he managed to eke out a comfortable though sometimes
perilous living by trading horses,--a profession which made him
an almost infallible judge of men, notwithstanding two or three
instances where he had erred with painful results to his person.
Notably, the prodigious thrashing Jake Miller had given him two days
after a certain trade, and an almost identical experience with Bud
Shanks who had given a perfectly sound mare and seventeen dollars
to boot for a racehorse that almost blew up with the heaves before
Bud was half-way home.

But, whatever his reputation may have been as a horse-trader, "Judge"
Billings was unaffectedly noble when it came to judging a contest
of any description. Far and wide he was known to be "as honest as
the day is long," proof of which may be obtained from his publicly
uttered contention that "nobody but a derned fool would do anything
crooked while a crowd was lookin' on, with more'n half of 'em
carryin' guns or some other weapon that can't be expected to listen
to argument."

He was Kenneth Gwynne's first client. In employing the young
man to defend a suit brought by Silas Kenwright, he ingenuously
announced that the plaintiff had a perfectly good case and that his
only object in fighting the claim was to see how near Silas could
come to telling the truth under oath. Mr. Kenwright was demanding
twenty-five dollars damages for slander. In the complaint Mr.
Billings was charged with having held Mr. Kenwright up to ridicule
and contumely by asseverating that said plaintiff was "a knock-kneed,
cross-eyed, red-headed, white-livered liar."

"The only chance we've got," he explained to Gwynne, "is on the
question of his liver. We can prove he's a liar,--in fact, he admits
that,--but, doggone it, he's as bow-legged as a barrel hoop, he's
wall-eyed, and what little hair he's got is as black as the ace
o' spades. I don't suppose the Court would listen to a request to
have him opened up to see what colour his liver is,--and that's
where he's got us. It ain't so much being called a liar that riles
him; he's used to that. It's being called knock-kneed and cross-eyed.
He don't mind the white-livered part so much, or the way I spoke
about his hair, 'cause one of 'em you can't see an' the other
could be dyed or sheared right down to the skin if the worst came
to the worst. If I'd only called him a lousy, ornery, low-lived,
sheep-stealing liar, this here suit never would have been brought.
But what did I do but up and hurt his feelings by callin' him
knock-kneed and cross-eyed. That comes of not stickin' to the truth,
Mr. Gwynne,--and it's a derned good lesson for me. Honesty is the
best policy, as the feller says. It'll probably cost me forty or
fifty dollars for being so slack with my veracity."

Kenneth's suggestion that an effort be made to settle the controversy
out of court had met with instant opposition.

"It ain't to be thought of," declared Mr. Billings firmly. "Why,
dodgast it, you don't suppose I'm going to pay that feller any
money, do you? Not much! I'm willing enough to let him get a judgment
against me for any amount he wants, just fer the fun of it, but,
by gosh, when you begin to talk about me giving him money, why,
that's serious. I'm willing to pay you your ten dollars fee and
the court costs, but the only way Si Kenwright can ever collect a
penny from me will be after I'm dead and he sneaks in when nobody's
around and steals the coppers off my eyes."

This digression serves a simple purpose. It introduces a sporty
gentleman of unique integrity whose friendship for Kenneth Gwynne
flowered as time went on and ultimately bore such fruits as only the
most favoured of men may taste. In passing he may be described as
a pudgy, middle-aged individual, with mild blue eyes, an engaging
smile, cherubic cheeks, sandy hair, and a highly pitched,
far-reaching voice. He also had a bulbous nose resembling a large,
ripe strawberry.

Before coming to rest alongside the wharf, the Paul Revere indulged
in a vast amount of noise. She whistled and coughed and sputtered
and gasped with all the spasmodic energy of a choking monster; her
bells kept up an incessant clangour; her wheel creaked and grovelled
on the bed of the river, churning the water into a yellowish,
foaming mass; her captain bellowed and barked, her crew yelped,
her passengers shouted; the flat boats and perogues moored along
the bank, aroused from their lassitude, began to romp gaily in the
swirl of her crazy backwash; ropes whined and rasped and groaned,
the deck rattled hollowly with the tread of heavy feet and the
shifting of boxes and barrels and crates; the gangplank came down
with a crash,--and so the mighty hundred and fifty ton leviathan
of the Wabash came to the end of her voyage!

There were a score of passengers on board, among them Barry Lapelle.
He kept well in the rear of the motley throng of voyagers, an
elegant, lordly figure, approached only in sartorial distinction
by the far-famed gambler, Sylvester Hornaday, who likewise held
himself sardonically aloof from the common horde, occupying a
position well forward where, it might aptly be said, he could count
his sheep as they straggled ashore.

From afar Barry had recognized Viola standing among the people at
the top of the bank, and his eager, hungry gaze had not left her.
She, too, had caught sight of him long before the boat was near
the landing. She waved her kerchief.

He lifted his hat and blew a kiss to her. A thrill of exultation
ran through him. He had not expected her to meet him at the landing.
Her mere presence there was evidence of a determination to defy
not only her mother but also to brave the storm of gossip that was
bound to attend this public demonstration of loyalty on her part,
for none knew so well as he how the townspeople looked upon their
attachment. A most satisfying promise for the future, he gloated;
here was the proof that she loved him, that her tantalizing
outbursts of temper were not to be taken seriously, that his power
over her was irresistible. There were times when he felt uncomfortably
dubious as to his hold upon her affections. She was whimsical,
perverse, maddening in her sudden transitions of mood. And she
had threatened more than once to have nothing more to do with him
unless he mended his ways! Now he smiled triumphantly as he gazed
upon her. All that pother about nothing! Henceforth he would pay
no attention to her whims; let her rail and fume and lecture as
much as she liked, there was nothing for him to be worried about.
She would always come round like a lamb,--and when she was his for
keeps he would take a lot of the nonsense out of her!

With few exceptions the passengers on board the Revere were
strangers,--fortune-seekers, rovers, land-buyers and prospectors
from the east and south come to this well-heralded region of promise,
perhaps to stay, perhaps to pass on. Three or four Lafayette men,
home after a trip down the river, crowded their way ashore, to be
greeted by anxious wives. The strangers were more leisurely in their
movements. They straggled ashore with their nondescript possessions
and ambled off between two batteries of frank, appraising eyes.

Judge Billings, shrewd calculator of human values, quite audibly
disclosed his belief that at least three of the newcomers would
have to be run out of town before they were a day older, possibly
astraddle of a rail.

One of these marked individuals was a tall, swart, bearded fellow
with black, shifty eyes and a scowling brow. His baggage consisted
of a buckskin sack slung across his shoulder and a small bundle
which he carried under his arm. He appeared to have no acquaintances
among the voyagers.

"You don't know how happy this makes me, Viola," exclaimed Lapelle
as he clasped the girl's hand in his. He was devouring her with a
bold, consuming gaze.

She reddened. "I told mother I was coming down to meet you," she
explained, visibly embarrassed by the stares of those nearby. "I--I
wanted to see you the instant you arrived, Barry. Shall we walk
along slowly behind the rest?"

"What's happened?" he demanded suspiciously, his brow darkening.

"Don't be impatient. Wait till they are a little ahead."

"'Gad, it sounds ominous. I thought you came down to meet me because
you love me and were--well, glad to see me."

"I am glad to see you. You didn't expect me to make an exhibition
of myself before all those people, did you?"

His face brightened. "Well, THAT sounds better." His mouth went up
at the corner in its habitual curl. "I'd give all I possess if it
was dark now, so that I could grab you and squeeze the--"

"Sh! They will hear you," she whispered, drawing away from him in
confusion.

They held back until the throng had moved on a short distance. Then
she turned upon him with a dangerous light in her eyes.

"And what's more," she said in a low voice, "I don't like to hear
you say such things. They sound so cheap and low--and vulgar,
Barry. I--" "Oh, you're always jumping on me for saying the things
I really feel," he broke in. "You're my girl, aren't you? Why
shouldn't I tell you how I feel? What's vulgar about my telling
you I want to hold you in my arms and kiss you? Why, I don't think
of anything else, day or night. And what do I get? You put me
off,--yes, you do!--bringing up some silly notion about--about--what
is it?--propriety! Good Lord, Viola, that's going back to the days
of the Puritans,--whoever they were. They just sat around and
held hands,--and that's about all I've been allowed to do with you.
It's not right,--it's not natural, Viola. People who are really
in love with each other just simply can't help kissing and--"

"I guess you were right when you said you were not expecting me
down to meet the boat, Barry," she interrupted, looking straight
before her.

"Well, didn't I tell you how happy it made me?"

"If you had thought there was any chance of me coming down to
meet you, you wouldn't have taken so much to drink," she went on,
a little catch in her voice.

Whereupon he protested vigorously that he had not tasted a
drop,--except one small dram the captain had given him early that
morning when he complained of a chill.

"Why, you're drunk right now," she said miserably. "Oh, Barry,
won't you ever--"

"Drunk? I'm as sober as the day I was born," he retorted, squaring
his shoulders. "Look at me,--look me in the eye, Viola. Oh, well,
if you WON'T look you won't, that's all. And if I'm as drunk as
you imagine I am I should think you'd be ashamed to be seen in my
company." She did not respond to this, so, with a sneering laugh,
he continued: "Suppose I have had a little too much,--who's the cause
of it? You! You drive me to it, you do. The last couple of weeks
you've been throwing up all my faults to me, tormenting me till
I'm nearly crazy with uncertainty. First you say you'll have me,
that you'll do anything I wish, and then, just as I begin to feel
that everything's all right, you up and say you're not sure whether
you care for me or not and you're going to obey your mother in
every--And, say, that reminds me. Unless I am very much mistaken, I
think I'll soon have a way to bring your mother to time. She won't--"

He brought himself up with a jerk, realizing that his loose tongue
was running away with his wits. She was looking at him with startled,
inquiring eyes.

"What do you mean by that, Barry Lapelle?" she asked, and he was
quick to detect the uneasiness in her manner.

He affected a grin of derision. "I'm going to put my case in the
hands of Kenny Gwynne, the rising young barrister. With him on
our side, my dear, I guess we'll bring her to time. All he has to
do is to stand up to her and say he isn't going to put up with any
more nonsense, and she'll see the light of wisdom. If he thinks it's
all right for you to marry me, I guess that will end the matter.
He's the head of the family, isn't he?"

This hastily conceived explanation of his luckless remark succeeded
in deceiving her. She stared at him in distress.

"Oh, Barry, you--you surely can't be thinking of asking Kenneth to
intercede--"

"Why not? He doesn't see any reason why we shouldn't be married,
my dear. In fact, he told me so a few days ago. He--"

"I don't believe it," she cried.

"You don't?" he exclaimed sharply.

"No, I don't," she repeated.

"Has he been talking to you about me?" he demanded, an ugly gleam
flashing into his eyes.

"He has never said a word against you,--not one. But I don't believe
you when you say he told you that we ought to get married." She
felt her cheeks grow hot. She had turned her face away from him.

"I'm a liar, am I?" he snarled.

"I--I don't believe he ever said it," she said stubbornly.

"Well,--you're right," he admitted, after a moment's hesitation.
"Not in so many words. But he did say to me that he had told you
he saw no reason why you shouldn't marry me if you wanted to. Did
he ever tell you that?"

She remembered only too well the aggravating encounter in the
thicket path.

"Yes, he did," she replied, lifting her head defiantly. "And," she
added, "I hated him for it. I hate him more and more every time I
think of it. He--he was perfectly abominable."

"Well, you're--you're damned complimentary," he grated, his face
expressing the utmost bewilderment.

She walked on for eight or ten paces before speaking again. Her
head was lowered. She knew that he was glaring at the wing of the
bonnet which shielded her whitening cheek. Suddenly she turned to
him.

"Barry, let's sit down on that log over there for a few minutes.
There is something I've got to say to you,--and I'm sorry. You
must not be angry with me. Won't you come over there with me,--and
listen to what I have to tell you?"

He hung back for a moment, his intuition grasping at something
vague and yet strangely definite.

"You--you are going to tell me it's all over between us, Viola?"
he ventured, going white to the lips. He was as sober now as though
he had never touched liquor in his life.

"Come and sit down," she said gently, even compassionately.

He followed her in silence to the log she had indicated, a few
rods back from the roadside at the edge of the clearing. He sat
down beside her and waited for her to speak, and as she remained
speechless, evidently in distress, his lips curled in a smile
of reviving confidence. He watched the quick rise and fall of her
bosom, exulting in her difficulty. Birds were piping among the fresh
green twigs overhead. The air was redolent of the soft fragrance of
May: the smell of the soil, the subtle perfume of unborn flowers,
the tang of the journeying breeze, the spice of sap-sweating trees.
The radiance of a warm, gracious sun lay soft upon the land.

At last she spoke, not tremulously as he had expected but with a
firmness that boded ill for his composure.

"Barry," she began, still staring straight ahead, "I don't know
just how to begin. It is awfully hard to--to say what I feel I must
say. Perhaps I should have waited till--well, till you were home
for a little while,--before doing what I have made up my mind to
do. But I thought it right to have it over with as soon as possible."

She paused for a moment and then resolutely faced him. He saw the
pain in her dark, troubled eyes, and the shadow of an appealing
smile on her lips. His face hardened.

"So," she went on unflinchingly, "I came down to the landing to
meet you in case you were on the Paul Revere. I cannot marry you,
Barry. I--I don't love you as I should. I thought I did but--but--well,
that's all. I don't know what has happened to make me see things so
differently, but whatever it is I know now that I was mistaken,--oh,
so terribly mistaken. I know I am hurting you, Barry,--and you
have a right to despise me. I--I somehow hope you will,--because
I deserve it."

He smiled indulgently. "I hope you don't think I am taking this
seriously. This isn't the first time I've heard you take on like--"

"But I mean it this time, Barry,--I do truly and honestly," she
cried. "I know I've played hot and cold with you,--and that's
just the point. It proves that I never really cared for you in--in
that way--down in my soul, I mean. I am sure of it now. I have been
dreadfully unhappy about it,--because, Barry dear, I can't bear
to hurt you. We are not suited to each other. We think differently
about a great many things. We--"

"Look here," he exclaimed roughly, no longer able to disguise his
anger; "you've got to stop this everlasting--"

"Let go of my arm, Barry Lapelle!" she cried. "Don't you dare lay
your hand on me like that!"

He loosened his grip on her arm and drew back sulkily. "Ah,--I
didn't mean to hurt you and you know it. I wouldn't hurt you for
anything in the world. I'm sorry if I was rough with--"

"I don't blame you," she broke in, contritely. "I guess it would
serve me right if you beat me black and blue."

"What I was going to say," he growled, controlling himself with
difficulty, "is this: if you think I'm going to take this as final,
you're very much mistaken. You'll get over this, just as you've
gotten over your peevishness before. I've spoiled you, that's the
truth of the matter. I always give in to you--"

"I tell you I am in earnest," she cried hotly. "This is for good
and all,--and you make me furious when you talk like that. I am
doing my best to be kind and considerate, so you'd better be careful,
Barry Lapelle, not to say too much."

He looked into her flaming eyes for a moment and then muttered
slowly, wonderingly: "By heaven, Viola, I believe you DO mean it.
You--you are actually throwing me over,--giving me the mitten?"

"I can't help it, Barry," she insisted. "Something,--I don't know
what,--has come over me. Nothing seems to be the same as it used
to be. I only know that I cannot bear the thought of--why, Barry
dear, for the past three or four nights I've lain awake for hours
thinking of the awful consequences if we had succeeded in making
our escape that night, and had been married as we planned. How
terrible it would have been if I had found out too late that I did
not love you,--and we were tied to each other for life. For your
sake as well as my own, Barry. Can you imagine anything more horrible
than to be married to a woman who--who didn't love you?"

"Yes," he snapped, "I can. It's worse a thousand times over not to
be married to the girl you love,--and to see her married to some
one else. That would be hell,--hell, do you understand?"

She drew a little away from him. "But not the hell it would be for
me when I found out--too late. Won't you understand, Barry? Can't
you see how terrible it would be?"

"Say, when did you get this idea into your head?" he demanded
harshly. "What put it there? You were loving me hard enough a
while ago,--couldn't get along without me, you claimed. Now you're
singing another tune. Look here! Is--is there some one else?"

"You know there isn't," she cried indignantly. "Who else could
there be? Don't be foolish, Barry."

"By God, if some one else has cut me out, I'll--I'll--"

"There is no one else, I tell you! I don't love anybody,--I swear
it."

He eyed her narrowly. "Has Kenny Gwynne anything to do with all
this?"

She started. "Kenny? Why,--no,--of course not. What on earth could
he have to do with my loving or not loving you?"

"It would be just like him to turn you against me because he
thinks I'm not fit to--Say, if I find out that he's been sticking
his nose into my affairs, I'll make it so hot for him,--brother or
no brother,--that he'll wish he'd never been born. Wait a minute!
I'll tell you what I think of him while I'm about it--and you can
run and tell him as quick as you please. He's a G-- d---- snake
in the grass, that's what he is. He's a conceited, sanctimonious,
white-livered--"

"Stop that!" she cried, springing to her feet, white with fury,
her eyes blazing. "You are forgetting yourself, Barry Lapelle. Not
another word! How dare you speak like that about my brother?"

He sat staring up at her in a sort of stupefaction.

"How dare you?" she repeated furiously.

He found his voice. "You weren't sticking up for him this time
last week," he sneered. "You were hating him like poison. Has the
old woman had a change of heart, too? Is she letting him sit in
her lap so's she can feed him with a spoon when he's hungry and--"

"I wouldn't marry you if you were the only man in the world, Barry
Lapelle," said she, her voice low with passion.

She whirled and walked rapidly away from him, her head in the air,
her hands clenched. Leaping to his feet, he started after her,
calling:

"Wait a minute, Viola! Can't you see I'm almost out of my head over
what you've--Oh, well, go it! I'm not going to CRAWL after you!
But let me tell you one thing, my girl. You'll be talking out of
the other side of your mouth before you're much older. You'll be
down on your knees--"

"Don't you follow me another step!" she cried over her shoulder.

He was not more than two yards behind her when she uttered this
withering command. He stopped short in his tracks.

"Well, this is a hell of a way to treat a gentleman!" he shouted,
hoarse with fury.




CHAPTER XVI

CONCERNING TEMPESTS AND INDIANS


Shortly after dark that evening, the tall, swarthy man who had
come up on the Paul Revere sauntered slowly up and down that part
of Main Street facing the Court House. Ostensibly he was inspecting
store windows along the way, but in reality he was on the lookout
for a man he had agreed to meet at a point just above the tavern,--a
casual meeting, it was to appear, and between two strangers. Barry
Lapelle came out of the tavern at the stroke of eight and walked
eastward a few paces, halting at the dark open lot between Johnson's
place and Smith's store beyond. The swarthy man approached slowly,
unconcernedly. He accosted Lapelle, inquiring:

"Is that the tavern, Mister?"

"Yes," replied Barry, needlessly pointing down the street. "Well?"

"It's her," said the stranger. "I had a good look at her 'long
about five o'clock from the woods across from her house. She's a
heap sight older but I knowed her all right."

"You are sure?"

"Sure as my name is--"

"Sh!"

"Course I'm sure. She was Owen Carter's widder. He was killt by
a tree fallin' on him. Oh, I got a good memory. I can't afford to
have a bad one. I remember her as plain as if it wuz yestiday." He
pointed off in a westerly direction for the benefit of a passerby.
"Thank ye, mister. You say it's not more'n six mile out yan way?"
Lowering his voice, he went on: "A feller wouldn't be likely to
fergit a woman like her. Gosh, I used to wish--but wishin' don't
count fer much in this world."

"Get on with it. We can't stand here talking all night."

"Well, she's the woman that run off with Bob Gwynne. There ain't
no doubt about it. Everybody knowed it. I wuz there at the time,
workin' fer Ed Peters. He left his wife an' a little boy. His wife
was a daughter of ole Squire Blythe,--damn his heart! He had me
hoss-whipped in public fer--well, fer some triflin' thing I done.
Seems to me Mrs. Carter had a little baby girl. Maybe not. I ain't
much of a hand fer noticin' babies."

"You are sure,--absolutely positive about all this?" whispered
Lapelle intensely.

"You bet yer boots I am."

"She ran off with a married man?"

"She did. A feller by the name o' Gwynne, as I said afore,--Bob
Gwynne. An' I want to tell you, he got out o' that town jest
in time or I'd have slit his gizzard fer him. He had me arrested
fer stealin' a saddle an' bridle. He never WOULD have got away ef
I hadn't been locked up in Jim Hatcher's smokehouse with two men
settin' outside with guns fer a solid month, keepin' watch on me
day an' night. I wuz--"

"That's all for to-night," snapped Barry impatiently. "You get out
of town at once. Mart will be waiting for you down below Granny
Neff's cabin,--this side of the tanyard,--as arranged."

"What about that other business? Mart'll want to know when we're
to--"

"He knows. The Paul Revere goes south day after to-morrow morning.
If the plans are changed before that time, I'll get word to him.
It may not be necessary to do anything at all. You've given me
information that may bring the old woman to her senses."

"Them two fellers that come up on the boat to-day. Air you sure
you c'n--"

"That's all for to-night," interrupted Barry, and strode off
up the street, leaving Jasper Suggs, sometime Simon Braley of the
loathsome Girty stock, to wend his lonely way out into a silence
as black as the depths of his own benighted soul.

The night was sultry. Up in the marshy fastnesses of Lake Stansbury
all the frogs in the universe seemed to have congregated for a
grand festival of song. The treble of baby frogs, the diapason of
ancient frogs, the lusty alto of frogs in the prime of life, were
united in an unbroken, penetrating chant to the starless sky. The
melancholy hoot of the owl, the blithesome chirp of the cricket,
even the hideous yawp of the roaming loon, were lost in the din
and clatter of Lake Stansbury's mighty chorus.

There was promise of storm in the lifeless air. Zachariah, resting
his elbows on the fence, confided this prognostication to an almost
invisible Hattie on the opposite side of the barrier between two
back yards.

"Ah allus covers my haid up wid de blanket--an' de bolster--an' de
piller when hit's astormin'," said Hattie, in an awed undertone.
"An' Ah squeals lak a pig ev' time hit claps."

"Shucks, gal!" scoffed Zachariah. "What yo' all so skeert o'
lightnin' fo'? Why, good lan' o' Goshen, Ah hain't no mo' askeert
o' storms dan Ah is ob--ob YOU!" He chuckled rather timorously
after blurting out this inspired and (to him) audacious remark. To
his relief and astonishment, Hattie was not offended.

"Ah bet yo' all hain't see no setch thunderstorms as we has 'round
dis yere neck o' de woods," said she, with conviction. "Ah bet yo'
be skeert ef you--"

"Don' yo' talk to me, gal," boasted Zachariah. "Wuzzin Ah in de
wustest storm dis yere valley has seed sence dat ole Noah he climb up
in dat ole ark an' sez, 'Lan' sakes, Ah wonder ef Ah done gone an'
fergit anyt'ing.' Yes, MA'AM,--dat evenin' out to Marse Striker's--dat
wuz a storm, gal. Wuz Ah skeert? No, SUH! Ah stup right out in
de middle of it, lightnin' strikin' all 'round an' de thunder so
turrible Marse Kenneth an' ever'body ailse wuz awonderin' ef de
good Lord could hear 'em prayin' fo' mercy. Yas, suh--yas, SUH!
Dat's de gospel trufe. An' me right out dere in dat ole barnyard
doin' de chores fo' ole Mis' Striker. Marse Kenneth he stick his
haid out'n de winder an' yell, 'Zachariah, yo' come right in heah
dis minnit! Yo' heah me? Wha' yo' all doin' out dere in dat hell-fire
an' brimstone? Ah knows yo' is de bravest nigger in all dis world,
but fo' mah sake, Zachariah, won't yo' PLEASE come in?' Well, suh,
jes' den Ah happens to look up from what Ah wuz doin' an' sees a
streak o' lightnin' comin' straight to'ards de cabin. So Ah yells
fo' him to pull his haid in mighty quick, an' shore 'nuff he got
it in jes' in de nick o' time. Dat streak o' lightnin' went right
pass de winder an' hit de groun'. Den hit sort o' bounce up in de
air an' lep right over mah haid an' hitten a tree--"

"Wuz hit rainin' all dis time?"

"Rainin'? Mah lan', gal, course hit wuz rainin'," replied Zachariah,
somewhat testily. "Hitten a tree not more'n ten foot from where Ah
wuz--"

"Hain't yo' all got no sense at all, nigger?" demanded Hattie,
witheringly. "Don' yo' know 'nough to go in out'n de rain?"

Zachariah was flabbergasted. Here was a bolt from a supposedly clear
and tranquil sky; it flattened him out as no stroke of lightning
could ever have done. For once in his life he was rendered speechless.

Hattie, who had got religion on several unforgettable occasions and
was at this very time on the point of returning to the spiritual
fold which she had more or less secretly abandoned at the behest of
the flesh, regarded this as an excellent opportunity to re-establish
herself as a disciple of salvation.

"An' what's more, nigger," she went on severely, "ef de good Lord
ever cotch setch a monst'ous liar as yo' is out in a hurricane lak
what yo' all sez it wuz, dere wouldn't be no use buryin' what wuz
lef' of yo'. 'Cause why, 'cause yo' jes' gwine to be a lil black
cinder no bigger'n a chinkapin. I knows all about how brave yo'
wuz out to Marse Striker's. Miss Violy she done tell how yo' all
snuck under de table an' prayed an' carried on somefin' scan'lous."

Zachariah, though crushed, made a noble effort to extricate himself
from the ruins. "Ah lak to know what Miss Violy knows about me on
dat yere occasion. Yas, suh,--dat's what Ah lak to know. She never
lay eyes on me dat night. 'Ca'se why? 'Ca'se I wuz out in de barnlot
all de time. She done got me contwisted wid dat other fool nigger,
dat's what she done."

"What other fool nigger?"

"Didden she tell yo' all about dat nigger we fotch along up from
Craffordsville to--"

"Yas, suh, she done tole all about dat Craffordsville nigger, ef
dat's de one yo' means."

Zachariah was staggered. "She--she tole yo' about--about dat
Craffordsville nigger?"

"Yas, suh,--she did. Miss Violy she say he wuz de han'somest boy
she ever did see,--great big strappin' boy wid de grandest eyes
an'--"

"Dat's enough,--dat'll do," exclaimed Zachariah in considerable
heat. "Marse Kenneth he got to change his tune, dat's all I got
to say. He say Ah am de biggest liar in dis yere land,--but, by
golly, he ain' ever heared about dis yere gal Hattie. No, SUH! When
Ah lies, Ah lies about SOMEFIN', but when yo' lies, yo' jes' lies
about NUFFIN',--'ca'se why? 'Ca'se dat Craffordsville nigger he
ain' nuffin'. Yo' ought to be 'shamed o' yo'self, nigger, makin'
out Miss Violy to be a liar lak dat,--an' her bein' de fines' lady
in--"

"Go on 'way wid yo', nigger," retorted Hattie airily. "Don' yo'
come aroun' heah no mo' makin' out how brave yo' is,--'ca'se Ah
knows a brave nigger when Ah sees one, lemme tell yo' dat, Mistah
Zachariah Whatever-yo'-name is."

Silence followed this Parthian shot. Zachariah, being a true
philosopher, rested his case without further argument. He appeared
to have given himself up to reflection. Presently Hattie, tempering
her voice with honey, remarked:

"Ah suttinly is mighty glad yo' is come up yere to live, Zachariah."

"Look here, gal,--don' yo' go countin' on me too much," said he,
suspiciously. "Ah got all Ah c'n do 'tendin' to mah own wo'k 'thout
comin' over yander an' hulpin' yo'--"

"Lan's sakes, man, 'tain't mah look-out ef yo' come over yere an'
tote mah clo'se-basket an' ev'thing 'round fo' me,--no, suh! Ah
ain' nev' ast yo', has Ah? All Ah does is to hole Cato so he won't
chaw yo' laig off when yo' come botherin' me to please 'low yo'
to hulp me,--das all Ah do. An' lemme tell yo', nigger, dat ain'
no easy job. 'Ca'se ef dere's one t'ing Cato do enjoy hit's dark
meat,--yas, suh, hit's come so he won't even look at light meat no
mo', he so sick o' feedin' off'n dese yere white shin-bones."

"Well, den, why is yo' glad Ah come up yere to live?" demanded
Zachariah defensively.

"'Ca'se o' dis yere ole Black Hawk."

"Ah don' know nuffin' 'bout no ole Black Hawk."

"Yo' all gwine to know 'bout him mighty quick," said she solemnly.
"He's on de rampage. Scalpin' an' burnin' white folks at de stake
an' des wallerin' in blood. Yas, suh,--Ah suttinly ain't gwine feel
so skeert o' dat ole Black Hawk 'long as yo' is livin' right nex'
do', Zachariah."

"Wha' yo' all talkin' about?"

"Marse Joe,--he de sheriff dis yere county,--he done tole ole
Mis' Gwyn dis evenin' all de news 'bout dat ole Black Hawk. Yas,
suh,--ole Black Hawk he on de warpath. All de Injuns in dis yere--"

"Injuns?" gulped Zachariah.

"Dey all got dere warpaint on an' dere tommyhawks--"

"How come Marse Kenneth he don' know nuffin' 'bout all dis?" demanded
Zachariah, taking a step or two backward and glancing anxiously
over one shoulder, then the other. "He a lawyer. How come he don'
know nuffin' 'bout--Say, how close dat ole sheriff say dem Injuns
is?"

"Dat's what I can't make out, Zachariah. He talk so kind o' low
an' me lettin' de dishpan drop right in de middle--"

"Ah guess Ah better go right straight in de house an' tell Marse
Kenneth 'bout dis," hastily announced Zachariah. Then he bethought
himself to add: "'Ca'se me an' him got a lot to do ef dese here
Injuns come 'roun' us lookin' fo' trouble, Yas, suh! Ah got to git
de guns an' pistols an' huntin' knives all ready fo'--"

The words froze on his lips. A low, blood-curdling moan that seemed
to end in a gasp,--or even a death-rattle,--fell upon the ears
of the two negroes. It was close at hand,--not more than twenty
feet away. This was succeeded, after a few seconds of intense
stillness--(notwithstanding the uproarious frogs!)--by a hair-raising
screech from Hattie. An instant later she was scuttling for her
own kitchen door, emitting inarticulate cries of terror.

As for Zachariah? His course was a true one so far as direction
was concerned. Blind instinct located the back door for him and
he made a bee-line toward it regardless of all that lay between.
First he encountered a tree-stump. This he succeeded in passing
without the slightest deviation from the chosen route. Scrambling
frantically to his feet after landing with a mighty grunt some
two yards beyond the obstacle, he dashed onward, tearing his way
through a patch of gooseberry bushes, coming almost immediately
into contact with the wood-pile. Here he was momentarily retarded
in his flight. There was a great scattering of stove-wood and chips,
accompanied by suppressed howls, and then he was on his feet again.
Almost simultaneously the heavy oak door received and withstood
the impact of his flying body; a desperate clawing at the latch,
the spasmodic squeak of rusty hinges, a resounding slam, the jar
of a bolt being shot into place,--and Zachariah vociferously at
prayer in a sanctuary behind the kitchen stove.




CHAPTER XVII

REVELATIONS


That sepulchral groan had issued not from a mortal in the agony of
impending death but from the smiling red lips of Viola Gwyn. The
grewsome "death-rattle" was the result of the means she took to
suppress a shriek of laughter by frantically clapping both hands
to her convulsed mouth.

For some time she had been standing at the fence, her elbows on
the top rail, gazing pensively at the light in Kenny's window. A
clump of honeysuckle bushes was between her and the unsuspecting
servants. At first she had paid little or no attention to the
gabble of the darkies, her thoughts being centred on her own serious
affairs. She had been considerably shaken and distressed by the
unpleasant experience of the early afternoon. Somehow she longed to
take her troubles to Kenneth, to rid herself of them in the comfort
of his approbation, to be reassured by his brotherly counsel. She
knew he was sitting beside the table in the cosy sitting-room,
poring over one of his incomprehensible law books. How jolly, how
consoling to her own agitated mind, if she could only be there in
the same room with him, quiet as a mouse so as not to disturb his
profound studies, and reposing in that comfortable new rocker on
the opposite side of the table where she could watch the studious
frown on his brow while she waited patiently for him to lay aside
the book.

Indeed, she had come out of the house animated by a sudden impulse
to pay him a brief, surreptitious visit; then to run back home
before she was missed by her mother. This impulse was attended by
a singularly delightful sensation of guilt. She had never been over
to see him at night. In fact, it had never occurred to her to do
such a thing before. But even as she started forth from the house,
a strange timidity assailed her. It halted her impetuous footsteps,
turned them irresolutely aside, and led her not to the gate but to
the barrier fence. She could not explain, even to herself, the queer,
half-frightened thumping of her heart, nor the amazing shyness,
nor the ridiculous feeling that it would be improper for her to be
alone with him at night.

But why, she argued,--why should it be improper? What could be
wrong in going to see her own brother? What difference did it make
whether it was night or day? Still the doubt persisted,--a nagging
yet agreeable doubt that made her all the more eager to defy
its feeble authority. First she sought to justify her inclination
by reminding herself that her mother had never by word or look
signified the slightest opposition to her intimacy with Kenneth.
This attitude of resignation on her mother's part, however, was a
constant thorn in her side, a prick to her conscience. It caused
her many a pang.

Then she called to mind certain of her girl friends who had brothers,
--one in particular who declared that she had slept in the same
bed with her brother up to the time she was fourteen years old. She
felt herself turn scarlet. That was really quite dreadful, even
though the cabin in which her friend dwelt was very tiny and there
were six children in the family. She had bitterly envied certain
others, those who told of the jolly good times they had had with
their brothers, the fun they had in quarrelling and the way they
teased the boys when they first began "going out" with the girls.

What fun to have had a brother when she was little,--a brother to
play with! Kenny was so unreal. He was not like a brother at all.
He was no different from other men,--she did not believe she could
ever get used to thinking of him as a brother,--even a half-brother.
This very thought was in her mind,--perhaps it was an ever-present
thought,--as she stood gazing shyly at his window.

She wanted to tell him about her break with Barry. Somehow,--although
she was not quite conscious of it,--she longed to have him pat her
on the shoulder, or clasp her hands in his, and tell her she had
done the right thing and he was glad. The corners of her mouth were
drooping a little.

But the pensive droop slowly disappeared as she harkened to the
valiant words of Zachariah. It was not until Kenny's servant lifted
his voice in praise of his own deeds at Phineas Striker's that
she became acutely aware of the close proximity of the speakers.
Gradually she surrendered to the spirits of mirth and mischief.
The result of her awesome moan,--even though it narrowly escaped
ending in a shriek of laughter,--has already been revealed. The
manner of Zachariah's flight sobered her instantly. Too late she
regretted the experiment.

"Oh, goodness!" she murmured, blanching. "The poor fellow has hurt
himself--"

The slamming of the door behind Zachariah was reassuring. At any
rate he was alive and far too sprightly to have suffered a broken
leg or a cracked skull. A few seconds later she saw Kenny's shadow
flit hurriedly past the window as he dashed toward the kitchen.
For some time she stood perfectly still, listening to the confused
jumble of voices in the house across the way, debating whether she
should hurry over to explain,--and perhaps to assist in dressing
poor Zachariah's cuts and bruises. Suddenly she decided; and, without
thought of her garments, she scrambled hastily over the fence. Just
as her feet touched the ground, the front door of Kenneth's house
flew open and a figure, briefly revealed by the light from within,
rushed out into the yard and was swallowed up by the darkness. She
whirled and started to climb back over into her own yard, giggling
hysterically. She heard the rush of feet through the weeds and
shrubbery. They halted abruptly, and then:

"Stop where you are, damn you! I've got you covered and, so help
me God, I'll put a bullet through--"

"Kenny! Kenny!" she cried out. "It's I--Viola!"

There was a moment's silence.

"My God! You? Viola?" came in suppressed, horrified tones from the
darkness. "Drop down,--drop to the ground! They may begin firing
at me. You--"

"Firing at you?" she cried, shakily. "What on earth are you talking
about? There's--there's no one here. I am all alone. I did it. I'm
the ghost. It was all in fun. I didn't dream--"

"Do as I tell you!" he called out sharply. "There is a pack of
ruffians--"

"Pack your granny!" she cried, with a shrill laugh. "I tell you I
am all alone. My goodness, what on earth did Zachariah think was
after him? A regiment of soldiers?"

As he came quickly toward her she shrank back, seized by a strange,
inexplicable panic. He loomed above her in the darkness as she
half-crouched against the fence. For a few seconds he stood looking
down at her, breathing sharply. She heard something drop at his
feet, and then both his hands gripped her shoulders, drawing her
roughly up to him.

"Oh-h! Wh-what are you doing?" she gasped as his arm went around
her. That arm of steel drew her so close and held her so tightly
to his breast that she could feel the tremendous thumping of his
heart. She felt herself trembling--trembling all over; the light
in the window up beyond seemed to draw nearer, swelling to vast
proportions as it bore down upon her. She closed her eyes. What
was happening to her,--what was causing this strange languor, this
queer sensation as of falling?

As abruptly as he had clasped her to him, he released her,
springing back with a muttered execration. She tottered dizzily,
and involuntarily reached out to clutch his arm for support. He
shook her hand off.

"What is the matter, Kenny?" she murmured, hazily.

He did not answer. He leaned heavily against the fence, his head
on his arm. She did not move for many seconds. Then he heard her
gasp,--a gasp of actual terror.

"Who are you?" she whispered tensely. "You are not my brother. You
are not the real Kenneth Gwynne! Who are you?" She waited for the
answer that did not come. Then as she drew farther away from him:
"You are an impostor. You have deceived us. You have come here
representing yourself to be--to be my brother,--and you are not--you
are not! I know it--oh, I know it now. You are--"

This aroused him. "What is that you are saying?" he cried out,
fighting to pull his disordered wits together. "Not your brother?
Impostor? What are you saying, Viola?"

"I want the truth," she cried. "Are you what you claim to be?"

"Of course I am," he answered, stridently. "I am Kenneth Gwynne.
Your brother. Have you lost your senses?"

"Then, why--" she began huskily. "Why did you--Oh, Kenny, I don't
know what I am saying," she murmured piteously. "I--I don't know
what has come over me. Something--something--Oh, I don't know what
made me feel--I mean, what made me say that to you. You are Kenneth
Gwynne. You are my half-brother. You are not--" "There, there!"
he interrupted, his voice shaking a little. "You were frightened.
I came so near to shooting--Yes, that is it. And I was so happy,
so relieved that I--I almost ate you alive,--my little sister.
God, what a horrible thing it would have been if I had--fired
and the bullet had--"

She interrupted him, speaking rapidly, breathlessly in her effort
to regain command of herself. "But you didn't--you didn't, you
see,--so what is the use of worrying about it now?" She laughed
jerkily. "But, my goodness, it is a good lesson for me! I'll never
try to scare anybody else again as I did poor Zachariah."

He stooped and, feeling among the weeds, recovered not one but both
of the long duelling pistols.

"I was after bigger game than you," he muttered. "Here are my
pistols,--all primed and ready for business."

She stretched out her hand and touched one of the weapons. "Ready
for what business?" she inquired. "What did you mean by a pack of
ruffians?" As he did not answer at once, she went on to explain
what had actually occurred, ending with, "I suppose Zachariah ran
in and told you that old Black Hawk and his warriors were attacking
the town."

"I couldn't get much out of him, he was so excited. But I was
mortally afraid they had stolen a march on us, and you were already
in their hands. You see, Isaac Stain was to have kept me informed
and we were to have laid a trap for them. Oh, Lord!" he exclaimed
in sudden consternation. "I am letting the cat out of the bag."

"Will you please tell me what you are talking about, Kenneth Gwynne?"
she said impatiently.

He came to a quick decision. "Yes, I will tell you everything.
I guess I was a fool not to have told you before,--you and your
mother. There is a plot afoot, Viola, to abduct you. Stain got wind
of it, through--well, he got wind of it. He came to me with the
story. I don't suppose you will believe me,--and you will probably
despise me for what I am about to say,--but the man you love and
expect to marry is behind the scheme. I mean Barry Lapelle. He--"

"When did you hear of this?" she interrupted quickly. "After the
Revere came in?"

"More than a week ago. He came home on the Revere to-day. His plan
is to--"

"I know. I saw him. We quarrelled. It is all over between us, Kenny.
He was furious. I thought he may have--but you say you knew of
this a week ago? I don't--I can't understand it. A week ago there
was no heed of--of carrying me off against my will."

"It is all over between you?" he cried, and he could not disguise
the joy in his voice. "You have ended it, Viola?"

"Yes,--it is all over," she said stiffly. "I am not going to
marry him. I was coming over to tell you. But--go on. What is this
cock-and-bull story about abducting me? Goodness, I am beginning
to feel like a girl in a story-book."

"It is no laughing matter," he said, a little gruffly. "Does it
look like it when I come rushing out here with two loaded pistols
and come near to shooting you? Come up to the house. We will talk
it all over, and then,--" he hesitated for a moment,--"then I'll
go over and see your mother."

He took her arm and led her up to the house. As they entered the
front door, Zachariah's groans fell upon their ears. She looked at
Kenny in alarm, and for the first time realized that he was without
coat or waistcoat. His hair was tousled in evidence of his studious
application to the open law books that lay on the floor.

"He must be quite badly hurt," she cried miserably. "Oh, I'm SO
sorry."

Kenny went to the kitchen door. "Zachariah! Stop that groaning.
You're not hurt. Here! What are you doing with that rifle?"

"Ah was jes' co-comin' out, Marse Kenny, fo' to he'p yo' kill--yas,
suh! Ah was--" The remainder was lost as Kenneth deliberately
closed the door behind him and walked over to the negro, who was
squatting in a corner with a rifle in his hands. Viola, left alone,
crossed to the window and looked out. She was pale and anxious. Her
wide, alarmed eyes tried to pierce the darkness outside. Suddenly
she started back, pressing her hands to her cheeks.

"Oh, my soul!" she murmured. "They could have shot him dead.
He could not have seen them." She felt herself turn faint. Then a
thrill of exaltation swept over her and she turned quickly toward
the kitchen door, her eyes glowing. "And he was not afraid! He ran
out to face them alone. He thought they were out there,--he risked
being shot to save me from--"

The door opened and Kenneth came swiftly into the room. He stopped
short, staring at her radiant face.

"Oh, Kenny, you--you really believed they were out there,--a crowd
of them,--trying to carry me off? Why,--why, that was the bravest
thing a man--"

"Shucks!" he scoffed. "My tragedy turns out to be the most uproarious
farce. I've never seen a funnier one in the theatre. But there is a
serious side to it, Viola. Sit down for a minute or two, and I'll
tell you. Zachariah is all right. Barked his shins a little, that's
all."

At the conclusion of his short, unembellished recital, he said:

"There is nothing for you to be worried about. They cannot carry
out the plot. We are all forewarned now. I should have told you
all this before, but I was afraid you would think I was trying to
blacken Lapelle. I wanted to catch him red-handed, as the saying
is. Isaac Stain is coming in to sleep here to-morrow night, and
Zachariah, for all his fear of ghosts and lightning, is not afraid of
men. We will be ready for them if they come,--so don't you worry."

There was a puzzled frown in her eyes. "I don't see why he should
have planned this a week ago, Kenny. I had told him I would marry
him. There must be something back of all this."

"Do you know anything about a friend of his who is going to be
married soon? He spoke to me about it the other day, and asked if
a parent could legally deprive a daughter of a share in
her deceased father's--"

"Why,--that's me, Kenny," she cried excitedly. "I told him that
mother would disinherit me entirely if I married him without her
consent."

A light broke over him. "By jingo!" he cried. "I am beginning to
see. Why, it's as plain as day to me now. The beastly scoundrel!"

"What do you mean?"

"Could your mother very well carry out her threat if he made off
with you by force and compelled you to marry him, whether or no?"

She stiffened. "I would never,--never consent, Kenny. I would die
first."

"I suppose you imagine there could be no worse fate than that?" he
said, pity in his eyes.

She looked puzzled for a moment and then grasped his meaning. Her
face blanched.

"I said I would die first," she repeated in a low, steady voice.

"Well," he cried, starting up briskly from his chair, "I guess
we'd better hurry if we want to catch your mother before she goes
to bed. And that reminds me, Viola,--I would like to speak with
her alone. You see," he went on lamely, "you see, we're not friends
and I don't know how she will receive me."

She nodded her head without speaking and together they left the
house.




CHAPTER XVIII

RACHEL DELIVERS A MESSAGE


Rachel was standing on her porch as they came up the walk. The light
through the open door at her back revealed her tall, motionless
figure but not her face which was in shadow.

"Kenneth wants to talk to you about something very important," said
Viola unevenly, as they drew near.

The woman on the porch did not speak until they paused at the bottom
of the steps.

"Have you been over at his house, Viola?" she asked levelly.

"Yes, mother."

After a moment's hesitation: "Come in, Kenneth." She stood aside to
let Viola pass. Kenneth, who had hastily donned his coat, followed
the two women into the house. There was a light in the parlor.
"Will you sit down, or do you prefer to remain standing in my house,
Kenneth Gwynne?"

He bowed stiffly, indicating a chair with a gesture. "Will you be
seated first, madam?"

His sophomoric dignity drew a faint, ironic smile to her lips. "Thank
you," she said calmly, and seated herself on the little horsehair
sofa. If there was any uneasiness in the look she sent from one
to the other of the young people it was not noticeable. "Hattie
came in a little while ago," she said, "scared out of her wits. I
suspected that you were up to one of your pranks, Viola. I do wish
you would stop frightening the girl."

"Kenneth will tell you what happened," said the girl, hurriedly.
"He wants to see you alone. I am going upstairs."

She left the room, closing the door behind her. Neither spoke until
they heard her footsteps on the floor overhead.

"Well, what have you been telling her?" asked Rachel, leaning
forward, her eyes narrowing.

He drew a chair up close to the sofa and sat down. "Nothing that
she should not know," he answered. "I will first tell you what
happened a little while ago, and then--the rest of it. There is
evil afoot. I have been wrong, I realize, in not warning you and
Viola."

She listened intently to the end; not once did she interrupt him,
but as he proceeded to unfold the meagre details of the plot as
presented to him by Isaac Stain, her brow darkened and her fingers
began to work nervously, restlessly in her lap. His account of
the frightening of Zachariah and its immediate results took up but
little time. He was careful to avoid any mention of that stirring
scene at the fence, its effect upon the startled girl, or how near
he was to betraying the great secret.

Rachel Gwyn's eyes never left his face during the whole of the
unbroken recital. Toward the end he had the disconcerting impression
that she was reading his turbulent thoughts, that she was successfully
searching his soul.

"That's the story as it came to me," he concluded. "I deserve your
condemnation for not preparing Viola against a trick that might
have resulted disastrously while we were marking time."

"Why did Isaac Stain go to you instead of coming to me?" was her
first question.

"Because he believes I am her brother, and this happens to be a
man's job," he said, lowering his voice. "It is only fair, however,
to state that he wanted to come to you and I, in my folly, advised
him not to do so."

She was silent for a moment. Then: "And why did you think it not
advisable to tell me?"

"I will be frank with you," he replied, colouring under her steady
gaze. "I wanted her to find out for herself just what kind of man
Lapelle really is. I was prepared to let the plot go almost to the
point of consummation. I--I wanted to be the one to save her." He
lowered his eyes, afraid that she would discover the truth in them.

Again she hesitated, apparently weighing her words.

"You are in love with her, Kenneth."

He looked up, startled, almost aghast. Involuntarily he started to
rise to his feet, his eyes still fixed on hers, vehement denial on
his parted lips, only to sink back into the chair again, convicted.
There was no use attempting to deceive this cold, clear-headed woman.
She knew. No lie, no evasion could meet that direct statement. For
a long time they looked straight into each other's eyes, and at
length his fell in mute confession.

"God help me,--I am," he groaned.

"Oh, the pity of it!" she cried out. He looked up and saw that she
was trembling, her ashen face working as in pain.

"No! The curse of it, Rachel Carter!"

She appeared not to have heard his words. "'God works in a mysterious
way,'" she muttered, almost inaudibly. "The call of the blood is
unfailing. The brain may be deceived, the heart never." With an
effort, she regained control of herself. "She has broken off with
Barry Lapelle. Do you know the reason why? Because, all unbeknownst
to her, she has fallen in love with you. Yes! It is true. I know.
I have seen it coming."

She arose and crossed to the door, which she cautiously opened.
For a moment she remained there listening, then closing it gently,
she came over and stood before him.

"Love is a wonderful thing, Kenneth," she said slowly. "It is the
most powerful force in all the world. It overcomes reason, it crushes
the conscience, it makes strong men weak and weak men strong. For
love a woman will give her honour, for love a man will barter his
chance for eternal salvation. It overlooks faults, it condones
crime, it rises above every obstacle that the human mind can put
before it. It knows no fear, it has no religion, it serves no God.
You love my girl, Kenneth. She is the daughter of the woman you
despise, the daughter of one you call evil. Is your love for her
great enough,--or will it ever be great enough,--to overcome these
obstacles? In plain words, would you take her unto yourself as
your wife, to love and cherish and honour,--mind you, HONOUR,--to
the end of your days on earth?"

He stood up, facing her, his face white.

"She has done nothing dishonourable," he said levelly.

"'The sins of the mother,'" she paraphrased, without taking her
eyes from his.

"Was her mother any worse than my father? Has the sin been visited
upon one of us and not upon the other?"

"Then, you WOULD be willing to take Viola as your wife?"

He seemed to wrench his gaze away. "Oh, what is the use of talking
about the impossible?" he exclaimed. "I have confessed that I love
her,--yes, in spite of everything,--and you--"

"You have not answered my question."

"No, I have not," he said deliberately,--"and I do not intend to
answer it. You know as well as I that I cannot ask her to marry
me, so why speak of it? Good God, could I ask my own sister to be
my wife?"

"She is not your sister. She has not one drop of Gwynne blood in
her veins."

He gave a short, bitter laugh. "But who is going to tell her that,
may I ask, Rachel Carter?"

She turned away, took two or three turns up and down the room, her
head bent, a heavy frown between her eyes, and then sank wearily
into a chair.

"I will put it this way, Kenneth," she said. "Would you ask her to
be your wife if the time should ever come when she knows the truth?"

He hesitated a long time. "Will you be kind enough to tell me what
your object is in asking me these questions?"

"I want to know whether you are truly in love with her," she replied
steadily.

"And if I say that I could not ask her to marry me, would that
prove anything to you?"

"Yes. It would prove two things. It would prove that you do not
love her with all your heart and soul, and it would prove that you
are the same kind of man that your father was before you."

He started. It was the second reason that caused him to look at
her curiously. "What do you mean?"

"When you have answered my question, I will answer yours, Kenneth."

"Well," he began, setting his jaw, "I DO love her enough to ask
her to be my wife. But I would ask her as Owen Carter's daughter.
And," he added, half closing his eyes as with pain, "she would
refuse to have me. She could not look at the matter as I do. Her
love,--if she should ever come to have such a feeling for me,--her
love would revolt against--Oh, you know what I mean! Do you suppose
it would survive the shock of realization? No! She has a clean
heart. She would never marry the son of the man who--who--" He found
himself unable to finish the sentence. A strange, sudden reluctance
to hurt his enemy checked the words even as they were being framed
on his lips,--reluctance due not to compassion nor to consideration
but to a certain innate respect for an adversary whose back is to
the wall and yet faces unequal odds without a sign of shrinking.

"Shall I say it for you?" she asked in a cold, level voice. But
she had winced, despite her iron control.

"It is not necessary," said he, embarrassed.

"In any case," she said, with a sigh, "you have answered my question.
If you could do this for my girl I am sure of your love for her.
There could be no greater test. I shall take a little more time
before answering your question. There are one or two more things
I must say to you before I come to that,--and then, if you like,
we will take up this story of Isaac Stain's. Kenneth, the time
may come,--I feel that it is sure to come, when--" She stopped. A
sound from above caught her ear,--a regular, rhythmic thumping on
the floor. After a few seconds she remarked:

"It is all right. That is a rocking-chair. She is getting impatient."
Nevertheless she lowered her voice and leaned forward in her chair.
"The time is sure to come when Viola will learn the truth about
herself and me,--and you, as well. I feel it in my bones. It may
not come till after I am dead. But no matter when it comes, I want
to feel sure now,--to-night, Kenneth,--that you will never undertake
to deprive her of the lands and money I shall leave to her."

He stared at her in astonishment. "What is this you are saying?"
She slowly repeated the words. "Why, how could I dispossess her?
It is yours to bequeath as you see fit, madam. Do you think I am
a mercenary scoundrel,--that I would try to take it away from her?
I know she is not my father's daughter, but--why, good heaven, I
would never dream of fighting for what you--"

"Your love for her,--though unrequited,--aye, even though she became
embittered toward you because of what happened years ago,--you
love her enough to stand aside and allow her to hold what I shall
leave to her?"

"You are talking in riddles. What on earth are you driving at?" "You
will not fight her right, her claim to my estate?" she insisted,
leaning still closer.

"Why, of course not!" he exclaimed, angrily.

"Even though the law might say she is not entitled to it?"

"The law can take no action unless I invoke its aid," said he. "And
that is something I shall never do," he added, with finality.

"I wish I could be sure of that," she murmured, wistfully.

He came to his feet. "You may be sure of it," he said, with dignity.
"Possess your soul in peace, if that is all that is troubling it."

"Sit down," she said, a strange huskiness in her voice. He obeyed
her. "Your father left a certain part of his fortune to me. There
was no provision made for Viola. You understand that, don't you?"

"Yes. I know all about that," said he, plainly bewildered. "On the
other hand, he did not impose any restrictions upon you. You are
at liberty to dispose of your share by will, as you see fit, madam.
I am not likely to deny my step-sister what is rightfully hers.
And that reminds me. She is not my blood relation, it's true. But
she is my step-sister. That settles another point. I could not ask
my step-sister to be my wife. The law would--"

"Now we have come to the point where I shall answer the question
you asked a while ago," she interrupted, straightening up in her
chair and regarding him with a fixed, steady light in her eyes that
somehow seemed to forewarn him of what was about to be revealed.
"I said it would prove two things to me. One of them was that you
are the same kind of man that your father was before you. I mean if
you had said you could not ask Viola to be your wife." She paused,
and then went on slowly, deliberately. "I lived with your father
for nearly twenty years. In all that time he never asked me to be
his wife."

At first he stared blankly at her, uncomprehending.

Then a slow, dark flush spread over his face. He half-started up
from his chair.

"You--you mean--" he stammered.

"He never asked me to be his wife," she repeated without emotion.

He sank back, incredulous, dumbfounded. "My God! Am I to understand
that you--that you were never married to my father?"

"Yes. I waited twenty years for him to ask me to marry him,--but
he never did."

He was still somewhat stupefied. The disclosure was so unexpected,
so utterly at odds with all his understanding that he could not
wholly grasp its significance. Somewhat footlessly he burst out:

"But surely you must have demanded--I mean, did you never ask him
to--to marry you?"

Her eyebrows went up slightly.

"How could I?" she inquired, as if surprised by the question. "I
had not sunk so low in my own estimation as that, Kenneth Gwynne.
My bed was made the day I went away with him. Some day you may
realize that even such as I may possess the thing called pride.
No! I would have died rather than ask him to marry me. I chose my
course with my eyes open. It was not for me to demand more than I
gave. He was not a free man when I went to him. He made no promises,
nor did I exact any."

She spoke in the most matter-of-fact way. He regarded her in sheer
wonder.

"But he SHOULD have made you his wife," he exclaimed, his sense of
fairness rising above the bitter antipathy he felt toward her.

"That was for him to decide," said she, calmly. "I respected his
feelings in the matter,--and still do. He had no right to marry me
when we went away together. He did not take me as a wife, Kenneth
Gwynne. He took me as a woman. He had a wife. Up to the day he
died he looked upon her as his wife. I was his woman. I could never
take her place. Not even after she had been in her grave for twenty
years. He never forgot her. I see the scorn in your eyes. He does
not quite deserve it, Kenneth. After all is said and done, he was
fair to me. Not one man in a thousand would have done his part so
well as he.

"I don't suppose you know what men do with their mistresses when
they begin to feel that they are through with them and there is
no legal bond to hold them. They desert them. They cast them off.
And then they turn to some honest woman and marry her. That is the
way with men. But he was not like that. I can tell what you are
about to say. It is on your lips to say that he deserted an honest
woman. Well, so he did. And therein lies the secret of his constancy
to me,--even after he had ceased to love me and the passion that
was in him died. He would never desert another woman who trusted
him. He paid too dearly in his conscience for the first offence to
be guilty of a second.

"You see I am laying bare my innermost soul to you. It hurts me to
say that through all these years he loved and honoured and revered
his wife,--and the memory of her. He was never unkind to me,--he
never spoke of her. But I knew, and he knew that I knew. He loved
you, his little boy. I, too, loved you once, Kenneth. When you were
a little shaver I adored you. But I came to hate you as the years
went by. It is needless to tell you the reason why. When it came
time for him to die he left you half of his fortune. The other
half,--and a little over,--he gave to me." Her voice faltered a
little as she added: "For good and faithful service, I suppose."

During this long speech Kenneth had succeeded in collecting his
thoughts. He had been shocked by her confession, and now he was
mentally examining the possibilities that might arise from the
aspect it bared.

First of all, Viola was not even his step-sister. He experienced a
thrill of joy over that,--notwithstanding the ugly truth that gave
her the new standing; to his simple, straightforward mind, Viola's
mother was nothing more than a prostitute. (In his thoughts he
employed another word, for he lived in a day when prostitutes were
called by another name.) Still, Viola was not to blame for that.
That could never be held against her.

"Why have you told me all this?" he asked bluntly. "I had no means
of learning that you were never married to my father. There was
never a question about it in my mind, nor in anybody else's, so
far as I know. You have put a very dangerous weapon in my hand in
case I should choose to use it against you."

She was silent for a long time, struggling with herself. He could
almost feel the battle that was going on within her. Somehow it
appalled him.

The wind outside was rising. It moaned softly, plaintively through
the trees. A shutter creaked somewhere at the back of the house
and at intervals banged against the casement. The frogs down in
the hollow had ceased their clamour and no doubt took to themselves
credit for the storm that was on the way in answer to their
exhortations. The even, steady thump of the rocking-chair in the
room overhead stopped suddenly, and Viola's quick tread was heard
crossing the floor. She closed a window. Then, after a moment, the
sound of the rocking-chair again.

Rachel left her chair and walked over to the window to peer out
into the night.

"It is coming from the west," she said, as if to test the steadiness
of her voice.

A far-off flicker of lightning cast a faint, phosphorescent glow
into the dimly lighted room, quivering for a second or two on the
face of the woman at the window, then dying away with what seemed
to be a weird suggestion of reluctance.

She stood before him, looking down. "I have at last obeyed a command
imposed by Robert Gwynne when he was on his death-bed. Almost his
last words to me were in the nature of a threat. He told me that if
I failed to carry out his request,--he did not call it a command,--he
would haunt me to my dying day. You may laugh at me if you will,
but he HAS been haunting me, Kenneth Gwynne. If I ever cherished
the notion that I could ignore his command and go on living in the
security of my own secret, I must have known from the beginning
that it would be impossible. Day and night, ever since you came,
some force that was not my own has been driving at my resistance.
You will call it compunction, or conscience or an honest sense of
duty. I do not call it by any of those names. Your father commanded
me to tell you with my own lips,--not in writing or through the
mouth of an agent,--he commanded me to say to you that your mother
was the only wife he ever had. I have done this to-night. I have
humbled myself,--but it was after a long, cruel fight."

She sat down, and it seemed to him that her very soul went out
in the deep, long sigh that caused her bosom to flatten and her
shoulders to droop forward.

"He was either an ingrate or a coward," said he harshly, after a
short silence.

"It is not for you to pass judgment on my master," said she,
simply. "May I beg you to refrain from putting your own judgment
of him into words? Will you not spare me that?"

He stared at her in astonishment. He saw that she was in earnest,
desperately in earnest. Choking back the words that had rushed to
his lips, he got up from his chair and bent his head gravely.

"Yes, if it is any comfort to you, Rachel Carter," he said, acute
pity in his eyes. "I cannot resist saying, however, that you have
not spared yourself. It cost you a great deal to pay one of the
debts he left for you to settle. I shall not forget it."

She arose and all the humility fell away from her. Once more she
was the strong, indomitable,--even formidable,--figure he had come
to know so well. Her bosom swelled, her shoulders straightened,
and into her deep-set, sombre eyes came the unflinching light of
determination.

"Then we are done with that," she said quietly. "I have asked no
favours save this last one for myself,--but it is a greater one than
you may think. You know everything now, Kenneth. You have called
me Rachel Carter. Was it divination or was it stubborn memory?
I wonder. So far as I know, you are the only person left in the
world who knows that I was not his wife, the only one who knows
that I am still Rachel Carter. No matter what this man Braley may
know, or what he may tell, he--But we are wasting time. Viola must
be wondering. Now as to this plan of Barry Lapelle's. I think I
can safely assure you that nothing will come of it."

"Then, you knew about it before I told you?" he exclaimed.

"No. You brought me word of Jasper Suggs this morning. You said he
was staying at Martin Hawk's cabin. You may have forgotten what I
said to you at the time. Now you bring me word that Barry Lapelle's
plot was hatched at Martin Hawk's. Well, this afternoon I went to
the Court House and swore out a warrant charging Martin Hawk with
stealing some of my yearling calves and sheep. That warrant is now
in the hands of the sheriff. It will be served before another day
is gone."

"That's pretty sharp work," he said, but still a little puzzled.
"Naturally it will upset Barry's plans, but Suggs is still to be
accounted for. You mentioned something about charging him with a
murder back in--"

"I guess that can wait till another day," said she, with a smile
that he did not quite understand. "It would be rather stupid of
me, don't you think, to have him arrested?"

"You said he was not the kind of a man to be taken alive," he
remarked, knitting his brows.

"I think I said something of the kind. The name of Simon Braley
is known from one end of this State to the other. It is a name to
conjure fear with. Every Indian uprising in the past ten years has
had Braley's name connected with it. It was he who led the band
of Chippewas twelve years ago when they massacred some fifteen or
eighteen women and children in a settlement on White River while their
men were off in the fields at work. Isn't it rather significant that
the renegade Simon Braley should turn up in these parts at a time
when Black Hawk is--But that is neither here nor there. My warrant
calls for the arrest of Martin Hawk. For more than two years Hawk
has been suspected of stealing livestock down on the Wea, hut no
one has ever been willing to make a specific charge against him.
He is very cunning and he has always covered his tracks."

"Do you think he will resist the sheriff? I mean, is there likely
to be fighting?"

"It all depends on whether Martin is caught napping," she replied
in a most casual manner. "By the way, has Isaac Stain told you much
about himself?"

Kenneth could not repress a smile. "He has mentioned one or two
affairs of the heart."

"His sister was one of the women massacred by the Chippewas down on
White River that time. She was the young wife of a settler. Isaac
will be overjoyed when he finds out that Jasper Suggs and Simon
Braley are one and the same person."

He was speechless for a moment, comprehension coming slowly to
him. "By all that's holy!" he exclaimed, something like awe in
his voice. "I am beginning to understand. Stain will be one of
the sheriff's party?"

"We will stop at his cabin on the way to Hawk's," she replied. "If
he chooses to join us after I have told him who I think this man
Suggs really is, no one will object."

"You say 'we.' Do you mean to tell me that you are going along
with the posse? Good God, woman, there will be shooting! You must
not think of--"

She checked him with an imperious gesture. "I cannot send these men
to face a peril that I am not willing to face myself. That would be
dastardly. I will take my chances with the rest of them. You seem
to forget that I spent a good many years of my life in the wilderness.
This will not be my first experience with renegades and outlaws.
When I first came to this State, the women had to know how to
shoot. Not only to shoot birds and beasts, but men as well. Those
were hard days. I was not like the men who cut notches in their
rifle stocks for every Indian they slew, and yet there is a gun in
my room upstairs that could have two notches on it if I had cared
to put them there."

"What time do you start?" he said, the fire of excitement in his
eyes. "I insist on being one of the--"

"You will not be needed," she said succinctly. "I think you had
better go now. The storm will soon be upon us. Thank you for coming
here to-night, Kenneth."




CHAPTER XIX

LAPELLE SHOWS HIS TEETH


Kenneth went to bed that night firmly resolved to accompany the sheriff
when he set out to arrest Martin Hawk. Zachariah had instructions
to call him at daybreak and to have breakfast ready on the dot.

No doubt the posse would start about sunrise,--in any case, he
would be up and prepared to take to his saddle the instant he saw
his neighbour leaving her house.

The thunderstorm came rollicking down the valley, crashed and
rolled and roared for half an hour or so, and then stole mumbling
away in the night, leaving in its wake a sighing wind and the drip
of forsaken raindrops.

He was astir at cockcrow. The first faint glow of red in the greying
east found him at breakfast, with Zachariah sleepily serving him
with hot corn-cakes, lean side-meat and coffee.

"Take plenty dis yere hot coffee, Marse Kenneth," urged Zachariah,
at the end of a prodigious yawn. "Yo' all gwine need sumpin to keep
yo' 'wake, suh, so's yo' won't fall out'n de saddle. Dis yere--"

"Speaking of saddles, have you fed Brandy Boy?"

"Yas, suh. Ah dunno as Ah evah see a hoss mo' took by 'stonishment
dan he wuz when Ah step brisk-like into his stall an' sez 'Doggone
yo', Brandy Boy, don't yo' know de sun's gwine to be up in less'n
two hours? Wha' fo' is yo' keepin' me an' Marse Kenneth waitin'
lak dis? Git ep dar, yo' lazy, good-fer-nuffin,--'"

"And what did Brandy Boy say in response to that?" broke in his
master, airily.

"How dat, suh?"

"Did he reply in courteous terms or was he testy and out of sorts?
Now, just what DID he say?"

Zachariah stared at the speaker in some uneasiness. "Ah reckon yo'
all better go on back to bed, suh, an' lemme call yo' when yo' is
wide awake. Ain' no sense in yo' startin' off on dis yere hossback
ride when yo' is still enjoyin' setch a good night's sleep. No,
SUH!"

"I will take another cup of your excellent coffee, Zachariah. That
will make three, won't it?"

Zachariah shuffled over to the stove, muttering as he lifted the
coffee pot: "Fust Ah is seein' things in de evenin' an' den Ah hears
all dis yere talk 'bout a hoss SAYIN' things in de mornin',--Yas,
suh,--yas, SUH! Comin' right along, suh. Little mo' side-meat,
suh?"

"Take a peep out of the window and see if any one is stirring over
at Mrs. Gwyn's."

"'Pears lak Ah c'n see a lady out in de front yard, suh," said
Zachariah, at the window.

"You don't say so! Is it Mrs. Gwyn?" cried Kenneth, hastily gulping
his coffee as he pushed his chair back from the table.

"Hit ain' light enough fo' to see--"

"Run out and saddle Brandy Boy at once, and be quick about it."

"No, suh, hit ain' Mrs. Gwyn. Hit's Miss Violy. 'Pears lak she
comin' over here, suh. Leastwise she come out'n de gate kind o'
fast-like,--gotten a shawl wrap aroun'--"

Kenneth waited for no more. He dashed from the house and down to
the fence,--where stood Viola, pulling at the swollen, water-soaked
gate peg. She was bareheaded, her brown hair hanging down her back
in long, thick braids. It was apparent at a glance that she had
dressed hastily and but partially at that. With one hand she pinched
close about her throat the voluminous scarlet shawl of embroidered
crepe in which the upper part of her body was wrapped.

Later he was to observe that her heavy shoes were unlaced and had
been drawn on over her bare feet. Her eyes were filled with alarm.

"I don't know where mother is," she said, without other greeting.
"She is not in the house, Kenny. I am worried almost sick."

He stared at her in dismay. "Oh, blast the luck! She must have--Say,
are you sure she's gone?"

"I can't find her anywhere," cried she, in distress. "I've been
out to the barn and--Why, what ails you, Kenneth?"

"She got away without my knowing it. But maybe it's not too late.
I can catch up with them if I hurry. Hey, Zachariah!"

"Then, you know where she is?" cried the girl, grasping his arm
as he turned to rush away. "For goodness' sake, tell me! Where has
she gone?"

"Why, don't you--But of course you don't!" he exclaimed. "You poor
girl! You must be almost beside yourself,--and here I go making
matters worse by--"

"Where is she?" she broke in, all the colour going from her face
as she shook his arm impatiently. "Come in the house," he said
gently, consolingly. "I'll tell you all I know. There's nothing to
be worried about. She will be home, safe and sound, almost before
you know it. I will explain while Zachariah is saddling Brandy
Boy." He laid his hand upon her shoulder. "Come along,--dear."

She held back. "If anything happens to her and you could have--"
she began, a threat in her dark, harassed eyes.

"I had no idea she would start at such an unearthly hour. I had
made up my mind to go with her, whether or not. Didn't she tell
you she had made an affidavit against Martin Hawk?"

"No. The sheriff was up here last night, just after supper, but,--Oh,
Kenny, what is it all about?"

His arm stole about her shoulders. She leaned heavily, wearily
against him as they walked up the drenched path.

"Have you any idea at all what time she left the house?" he asked.

"I heard her go down the stairs. It was pitch dark, but the clock
struck one quite a long time afterward. I did not think anything
about it then, because she often gets up in the middle of the
night and goes down to sit in the kitchen. Ever since father died.
I must have gone to sleep again because I did not hear her come
back upstairs. I awoke just at daybreak and got up to see if she
needed me. She--she had not gone to bed at all, Kenny.--and I couldn't
find her anywhere. Then I thought that Martin Hawk and the others
had come and taken her away by mistake, thinking it was me in the
darkness."

"Sit down, Viola. I'll light the fire. It's quite chilly and you
are shaking like a--"

"I want to know where she has gone," she insisted.

Then he told her briefly as much as he thought she ought to know.
She was vastly relieved. She even smiled.

"There's no use of your trying to catch up with her. Thank you
for lighting the fire, Kenny. If you don't mind, I will sit here
awhile, and I may go to sleep in this comfortable chair of yours.
Goodness, I must look awful. My hair--"

"Don't touch it! It is beautiful as it is. I wish girls would always
wear their hair in braids like that."

She yawned, stretched her legs out to the fire, and then suddenly
realizing that her ankles were bare, drew them back again to the
shelter of her petticoat with a quick, shy glance to see if he had
observed.

"I wish I could cut it off,--like a boy's. It is miles too long.
You might as well head Zachariah off. She has been gone since one
o'clock. I am sure I heard the front door close before I dropped
off to sleep. Don't fidget, Kenny. They've probably got old Martin
in the calaboose by this time. Mother never fails when she sets
out to do a thing. That good-for-nothing sleepy-head, Hattie, never
heard a sound last night. What a conscience she must have!"

He frowned at his big silver watch. "It's after five. See here,
Viola, suppose you just curl up on the sofa there and get some
sleep. You look tired. I'll put a quilt over you and--"

She half-started up from the chair, flushing in embarrassment.

"Oh, I ought not to stay here, Kenny. Suppose somebody were to come
along and catch me here in your--"

"Shucks! You're my sister, aren't you?"

"I suppose it's all right," she said dubiously, sinking back into
the chair again. "But somehow, Kenny, I don't believe I will ever
be able to think of you as a brother; not if I live a thousand
years. I'm sorry to hurt your feelings, but--well, I just can't
help being a little bit afraid of you. I suppose it's silly of me,
but I'm so ashamed to have you see me with my hair down like this,
and no stockings on, and only half-dressed. I--I feel hot all over.
I didn't think of it at first, I was so worried, but now I--"

"It is very silly of you," he said, rather thickly. "You did right
in coming over, and I'm going to make you comfortable now that
you are here. Lie down here and get some sleep, like a good little
girl, and when you wake up Zachariah will have a nice hot breakfast
for you."

"I'd rather not lie down," she stammered. "Let me just sit here
awhile,--and don't bother about breakfast for me. Hattie will--"

"But he has to get breakfast anyhow," he argued.

She looked at him suspiciously. "Haven't you had your breakfast?"

"No," he lied. Then he hurried off to give guilty instructions to
Zachariah.

"Fo' de lan's sake," the latter blurted out as he listened to his
master's orders; "is yo' all gwine to eat another breakfast?"

"Yes, I am," snapped Kenneth. "I'll take care of Brandy Boy. You
go in and clear the table,--and see to it that you don't make any
noise. If you do, I'll skin you alive."

An hour later, Kenneth arose from his seat on the front doorstep
and stole over to the sitting-room window.

She was asleep in the big rocking-chair, her head twisted limply
toward her left shoulder, presenting a three-quarters view of her
face to him as he gazed long and ardently upon her. He could see
the deep rise and fall of her bosom. The shawl, unclasped at the
throat, had fallen away, revealing the white flannel nightgown over
which she had hastily drawn a petticoat before sallying forth.

He went to the kitchen door and found Zachariah sitting grumpily
on the step.

"She's still sound asleep," he announced.

"So's dat lazy Hattie over yander," lamented Zachariah, with a jerk
of his head. "Ain' no smoke comin' out'n her chimbley, lemme tell
yo'."

"Fill that wash-pan and get me a clean towel," ordered his master.
He looked at his watch. "I'm going to awaken her,--in half an hour."

It was nearly seven o'clock when he stamped noisily into the
sitting-room with towel and basin. He had thrice repeated his visit
to the window, and with each succeeding visit had remained a little
longer than before, notwithstanding the no uncertain sense of guilt
that accused him of spying upon the lovely sleeper.

She awoke with a start, looked blankly about as if bewildered
by her strange surroundings, and then fixed her wide, questioning
eyes upon him, watching him in silence as he placed the basin of
spring-water on a chair and draped the coarse towel over the back.

"Breakfast will be ready in ten minutes, Miss," he announced,
bowing deeply. "If you desire to freshen yourself a bit after your
profound slumbers, you will find here some of the finest water
in the universe and a towel warranted to produce a blush upon the
cheek of a graven image."

"Has mother come home?" she inquired anxiously, as she drew the
shawl close about her throat again. "No sign of her. Hurry along,
and as soon as we've had a bite to eat I'll ride down to the Court
House and see if she's there."

He left her, and presently she came out into the kitchen, her skin
glowing warmly, her braids loosely coiled on the crown of her head,
her eyes like violet stars.

Zachariah marvelled at his master's appetite. Recollection of an
already devoured meal of no small proportions caused him to doubt
his senses. From time to time he shook his head in wonder and
finally took to chuckling. The next time Marse Kenneth complained
about having no appetite he would know what to say to him.

"I must run home now," said Viola at the close of the meal. "It's
been awfully nice,--and so exciting, Kenny. I feel as if I had been
doing something I ought not to do. Isn't it queer? Having breakfast
with a man I never saw until six weeks ago!"

"It does my heart good to see you blush so prettily," said he warmly.
Then his face darkened. "And it turns my blood cold to think that
if you had succeeded in doing something you ought not to have done
six weeks ago, you might now be having breakfast with somebody else
instead of with me."

"I wish you would not speak of that, Kenneth," she said severely.
"You will make me hate you if you bring it up again." Then she
added with a plaintive little smile: "The Bible says, 'Love thy
neighbour as thyself.' I am doing my best to live up to that, but
sometimes you make it awfully hard for me."

He went to the door with her. She paused for a moment on the step
to look searchingly up the road and through the trees. There was
no sign of her mother. The anxious, worried expression deepened in
her eyes.

"Don't come any farther with me," she said. "Go down to the Court
House as fast as you can."

He watched her till she passed through the gate. As he was on the
point of re-entering the house he saw her come to an abrupt stop
and stare straight ahead. He shot a swift, apprehensive glance over
his shoulder.

Barry Lapelle had just emerged from Rachel's yard, his gaze fixed
on the girl who stood motionless in front of Gwynne's gate, a hundred
feet away. Without taking his eyes from her, he slowly closed the
gate and leaned against it, folding his arms as he did so.

Viola, after a moment's indecision and without a glance at Kenneth,
lifted her chin and went forward to the encounter. Kenneth looked
in all directions for Lapelle's rascals. He was relieved to find
that the discarded suitor apparently had ventured alone upon this
early morning mission. What did it portend?

Filled with sharp misgivings, he left his doorstep and walked slowly
down to the gate, where he halted. It occurred to him that Barry,
after a sleepless night, had come to make peace with his tempestuous
sweetheart. If such was the case, his own sense of fairness and dignity
would permit no interference on his part unless it was solicited
by the girl herself. He was ready, however, to take instant action
if she made the slightest sign of distress or alarm. While he had
no intention of spying or eavesdropping, their voices reached him
distinctly and he could not help hearing what passed between them.

"Have you been up to the house, Barry?" were Viola's first words
as she stopped in front of the man who barred the way.

Lapelle did not change his position. His chin was lowered and he
was looking at her through narrowed, unsmiling eyes.

"Yes, I have."

"Where was the dog?" she inquired cuttingly.

"He came and licked my hand. He's the only friend I've got up here,
I reckon."

"I will have him shot to-day. What do you want?"

"I came to see your mother. Where is she?"

"She's away."

"Over night?"

"It will do you no good to see her, Barry. You might as well realize
it first as last."

Lapelle glanced past her at the man beyond and lowered his voice.
Kenneth could not hear what he said. "Well, I'm going to see her,
and she will be down on her knees before I'm through with her, let
me tell you. Oh, I'm sober, Viola! I had my lesson yesterday. I'm
through with whiskey forever. So she was away all night, eh? Out to
the farm, eh? That nigger girl of yours says she must have gone
out to the farm last night, because her bed wasn't slept in. And
you weren't expecting visitors as early as this or you would have
got home a little sooner yourself, huh?"

"What are you talking about?"

"Soon as she is out of the house you scoot over to big brother
Kenny's, eh? Afraid to sleep alone, I suppose. Well, all I've got
to say is you ought to have taken a little more time to dress."

"Oh! Oh,--you--you low-lived dog!" she gasped, going white to the
roots of her hair. "How dare you say--"

"That's right! Call me all the pretty names you can think of. And
say, I didn't come up here to beg anything from you or your mother.
I'm not in a begging humour. I'm through licking your boots, Viola.
What time will the old woman be back?"

"Stand away from that gate!" she said in a voice low and hoarse
with fury. "Don't you dare speak to me again. And if you follow me
to the house I'll--I'll--"

"What'll you do?" he jeered. "Call brother Kenny? Well, go ahead
and call him. There he is. I'll kick him from here to the pond,--and
that won't be half so pleasant as rocking little sister to sleep
in her cradle while mamma is out for the night."

"And I used to think I was in love with you!" she cried in sheer
disgust. "I could spit in your face, Barry Lapelle. Will you let
me pass?"

"Certainly. But I'm going into the house with you, understand that.
I'd just as soon wait there for your mother as anywhere else."

"When my mother hears about this she will have you horsewhipped
within an inch of your life," cried the girl furiously.

These words, rising on a wave of anger, came distinctly to Kenneth's
ears. He left his place at the gate and walked swiftly along inside
his fence until he came to the corner of the yard, where the bushes
grew thickly. Here he stopped to await further developments. He
heard Barry say, with a harsh laugh:

"Oh, she will, will she?"

"Yes, she will. She knows more about you than you think she does,--and
so do I. Let me by! Do you hear me, Bar--"

"That's funny," he interrupted, lowering his voice to a half-whisper.
"That's just what I came up to see her about. I want to tell her
that I know more about her than she thinks I do. And when I get
through telling her what I know she'll change her mind about letting
us get married. And you'll marry me, too, my girl, without so much
as a whimper. Oh, you needn't look around for big brother,--God, I
bet you'd be happy if he wasn't your brother, wouldn't you? Well,
he has sneaked into the house, just as I knew he would if it looked
like a squall. He's a white-livered coward. How do you like that?"

He was not only astonished but distinctly confounded by the swift,
incomprehensible smile that played about her disdainful lips.

"What the hellfire are you laughing at?" he exploded.

"Nothing much. I was only thinking about last night."

"Christ!" he exclaimed, the blood rushing to his face. "Why,--why,
you--" The words failed him. He could only stare at her as if
stunned by the most shocking confession.

"Please remember that you are speaking to--"

He broke in with a snarling laugh. "By thunder, I'm beginning to
believe you're no better than she was. She wasn't anything but a
common------, and I'm blessed if I think it's sensible to marry
into the family, after all."

"Oh!" she gasped, closing her eyes as she shrank away from him.
The word he had used stood for the foulest thing on earth to her.
It had never passed her clean, pure lips. For the moment she was
petrified, speechless.

"It's about time you learned the truth about that damned old
hypocrite,--if you don't know it already," he continued, raising
his voice at the urge of the now reckless fury that consumed him.
He stood over her shrinking figure, glaring mercilessly down into
her horror-struck eyes. "You don't need to take my word for it. Ask
Gwynne. He knows. He knows what happened back there in Kentucky.
He knows she ran off with his father twenty years ago, taking him
away from the woman he was married to. That's why he hates her.
That's why he never had anything to do with his dog of a father.
And, by God, he probably knows you were born out of wedlock,--that
you're a love-child, a bas--"




CHAPTER XX

THE BLOW


He never finished the word. A whirlwind was upon him. Before he
could raise a hand to defend himself, Kenneth Gwynne's brawny fist
smote him squarely between the eyes. He went down as though struck
by a sledge-hammer, crashing to the ground full six feet from where
he stood. Behind that clumsy blow was the weight of a thirteen
stone body, hurled as from a mighty catapult.

He never knew how long afterward it was that he heard a voice
speaking to him. The words, jumbled and unintelligible, seemed to
come from a great distance. He attempted to rise, gave it up, and
fell back dizzily. His vision was slow in clearing. What he finally
saw, through blurred, uncertain eyes, was the face of Kenneth
Gwynne, far above him,--and it was a long time before it stopped
whirling and became fixed in one place. Then he realized that it
was the voice of Gwynne that was speaking to him, and he made out
the words. Something warm and wet crept along the sides of his
mouth, over his chin, down his neck. His throat was full of a hot
nauseous fluid. He raised himself on one elbow and spat.

"Get up! Get up, you filthy whelp! I'm not going to hit you again.
Get up, I say!"

He struggled to his knees and then to his feet, sagging limply
against the fence, to which he clung for support. He felt for his
nose, filled with a horrid, sickening dread that it was no longer
on his face.

"I ought to kill you," he heard Gwynne saying. "You black-hearted,
lying scoundrel. Get out of my sight!"

He succeeded in straightening up and looked about him through a mist
of tears. He tried to speak, but could only wheeze and sputter. He
cleared his throat raucously and spat again.

"Where--where is she?" he managed to say at last.

"Shut up! You've dealt her the foulest--"

He broke off abruptly, struck by the other's expression: Lapelle
was staring past him in the direction of the house and there was
the look of a frightened, trapped animal in his glassy eyes.

"My God!" fell from his lips, and then suddenly he sprang forward,
placing Kenneth's body between him and the object of his terror.
"Stop her! For God's sake, Gwynne,--stop her!"

For the first time since Barry went crashing to earth and lay as one
dead, Gwynne raised his eyes from the blood-smeared face. Vaguely
he remembered the swift rush of Viola's feet as she sped past
him,--but that was long ago and he had not looked to see whither
she fled.

She was now coming down the steps of the porch, a half-raised rifle
in her hands. He was never to forget her white, set face, nor the
menacing look in her eyes as she advanced to the killing of Barry
Lapelle,--for there was no mistaking her purpose.

"Drop down!" he shouted to Lapelle. As Barry sank cowering behind
him, he cried out sharply to the girl: "Viola! Drop that gun! Do
you hear me? Good God, have you lost your senses?"

She came on slowly, her head a little to one side the better to
see the partially obscured figure of the crouching man.

"It won't do you any good to hide, Barry," she said, in a voice
that neither of the men recognized.

"Don't be a fool, Viola!" cried Kenneth. "Leave him to me. Go back
to the house. I will attend to him."

She stopped and lifted her eyes to stare at the speaker in sheer
wonder and astonishment.

"Why,--you heard what he said. You heard what he called my mother.
Stand away from him, Kenneth."

"I can't allow you to shoot him, Viola. You will have to shoot me
first. My God, child,--do you want to have a man's life-blood on
your hands?"

"He said she ran away with your father," she cried, a spasm of pain
crossing her face. "He said I was born before they were married.
I have a right to kill him. Do you hear? I have a right to--"

"Don't you know it would be murder? Cold-blooded murder? No! You
will have to kill me first. Do you understand? I shall not move
an inch. I am not going to let you do something you will regret to
the end of your life. Put it down! Drop that gun, I say! If there
is to be any killing, I will do it,--not you!"

She closed her eyes. Her tense body relaxed. The two men, watching
her with bated breath and vastly different emotions, could almost
visualize the struggle that was going on within her. At last the
long rifle barrel was lowered; as the muzzle touched the ground
she opened her eyes. Slowly they went from Kenneth to the man who
crouched behind him. She gazed at the bloody face as if seeing it
for the first time.

The woman in her revolted at the spectacle. After a moment of
indecision, she turned with a shudder and walked toward the house,
dragging the rifle by the stock. As she was about to mount the
steps she paused to send a swift glance over her shoulder and then,
obeying the appeal in Kenneth's eyes, reluctantly, even carefully,
leaned the gun against a post and disappeared through the door.

"Stand up!" ordered Gwynne, turning to Lapelle. "I ought to kill
you myself. It's in my heart to do so. Do you know what you've done
to her?"

Barry drew himself up, his fast swelling, bloodshot eyes filled
with a deadly hatred. His voice was thick and unsteady.

"You'd better kill me while you have the chance," he said. "Because,
so help me God, I'm going to kill you for this."

"Go!" thundered the other, his hands twitching. "If you don't, I'll
strangle the life out of you."

Lapelle drew back, quailing before the look in Kenneth's eyes. He
saw murder in them.

"You didn't give me a chance, damn you," he snarled. "You hit me
before I had a chance to--"

"I wish to God I had hit you sooner,--and that I had killed you,"
grated Kenneth.

"You will wish that with all your soul before I am through with
you," snarled Barry. "Oh, I'm not afraid of you! I know the whole
beastly story about your father and that--"

"Stop!" cried Kenneth, taking a step forward, his arm drawn back.
"Not another word, Lapelle! You've said enough! I know where you
got your information,--and I can tell you, here and now, that the
man lied to you. I'm going to give you twenty-four hours to get out
of this town for good. And if I hear that you have repeated a word
of what you said to her I'll see to it that you are strung up by
the neck and your miserable carcass filled with bullets. Oh, you
needn't sputter! It will be your word against mine. I guess you
know which of us the men of this town will believe. And you needn't
expect to be supported by your friend Jasper Suggs or the gentle
Mr. Hawk,--Aha, THAT got under your pelt, didn't it? If either of
them is still alive at this minute, it's because he surrendered
without a fight and not because God took care of him. Your beautiful
game is spoiled, Lapelle,--and you'll be lucky to get off with
a whole skin. I'm giving you a chance. Get out of this town,--and
stay out!"

Barry, recovering quickly from the shock, made a fair show of
bravado.

"What are you talking about? What the devil have I got to do with--"

"That's enough! You know what I'm talking about. Take my advice.
Get out of town before you are a day older. You will save yourself
a ride on a rail and a rawhiding that you'll not forget to your
dying day."

"I will leave this town when I feel like it, Gwynne," said Lapelle,
drawing himself up. "I don't take orders from you. You will hear
from me later. You've got the upper hand now,--with that nigger of
yours standing over there holding an axe in his hands, ready to
kill me if I make a move. We'll settle this in the regular way,
Gwynne,--with pistols. You may expect a friend of mine to call on
you shortly."

"As you like," retorted the other, bowing stiffly. "You may name
the time and place."

Lapelle bowed and then cast an eye about in quest of his hat. It
was lying in the road some distance away. He strode over and picked
it up. Quite naturally, perhaps unconsciously, he resorted to the
habit of years: he cocked it slightly at just the right angle over
his eye. Then, without a glance behind, he crossed the road and
plunged into the thicket.

Kenneth watched him till he disappeared from view. Suddenly aware
of a pain in his hand, he held it out before him and was astonished
to find that the knuckles were already beginning to puff. He winced
when he tried to clench his fist. A rueful smile twitched at the
corners of his mouth.

"Mighty slim chance I'll have," he said to himself. "Won't be able
to pull a trigger to save my life."

He hurried up the path and, without knocking, opened the door and
entered the house. Hattie was coming down the stairs, her eyes as
round as saucers.

"Where is Miss Viola?"

"She done gone up stairs, suh. Lan' sakes, Mistah Gwynne, what fo'
yo' do dat to Mistah Barry? He her beau. Didn't yo'all know dat? Ah
close mah eyes when she tooken dat gun out dar. Sez Ah, she gwine
to shoot Mistah Gwynne--"

"Tell her I'm here, Hattie. I must see her at once. It's all right.
She isn't angry with me."

The girl hesitated. "She look mighty white an' sick, suh. She never
say a word. Jes' go right up stairs, she did. Ah follers, 'ca'se
Ah was skeert about de way she look. She shutten de do' an' drop
de bolt,--yas, suh, dat's what she do. Lordy, Ah wonder why her ma
don't come home an' look after--"

"See here," he broke in, "don't disturb her now. I will come back
in a little while. If she wants me for anything you will find me
out at the gate. Do you understand? Don't fail to call me. I am
going out there to wait for her mother."

It suddenly had occurred to him that he ought to intercept Rachel
Carter before she reached the house, not only to prepare her for
the shock that awaited her but to devise between them some means
of undoing the harm that already had been done. They would have
to stand together in denouncing Barry, they would have to swear to
Viola that the story was false. He realized what this would mean
to him: an almost profane espousal of his enemy's cause, involving
not only the betrayal of his own conscience, but the deliberate
repudiation of the debt he owed his mother and her people. He would
have to go before Viola and proclaim the innocence of the woman
who had robbed and murdered his own mother. The unthinkable, the
unbelievable confronted him.

A cold sweat broke out all over him as he stood down by the gate,
torn between hatred for one woman and love for another: Rachel and
Minda Carter. He could not spare one without sparing the other;
lying to one of them meant lying for the other. But there was no
alternative. The memory of the look in Viola's eyes as she shrank
away from Lapelle, the thought of the cruel shock she must have
suffered, the picture of her as she came down the path to kill--no,
there could be no alternative!

And so, as he leaned rigidly against the gate, sick at heart but
clear of head, waiting for Rachel Carter, he came to think that,
after all, a duel with Barry Lapelle might prove to be the easiest
and noblest way out of his difficulties.




CHAPTER XXI

THE AFFAIR AT HAWK'S CABIN


It wanted half an hour of daybreak when a slow-riding, silent
group of men came to a halt and dismounted in the narrow lane some
distance from the ramshackle abode of Martin Hawk, squatting unseen
among the trees that lined the steep bank of the Wabash. A three
hours' ride through dark, muddy roads lay behind them. There were
a dozen men in all,--and one woman, at whose side rode the hunter,
Stain. They had stopped at the latter's cabin on the way down, and
she had conversed apart with him through a window. Then they rode
off, leaving him to follow.

There were no lights, and no man spoke above a whisper. The work of
tethering the horses progressed swiftly but with infinite caution.
Eyes made sharp by long hours of darkness served their owners well
in this stealthy enterprise.

The half-hour passed and the night began to lift. Vague unusual
objects slowly took shape, like gloomy spectres emerging from
impenetrable fastnesses. Blackness gave way to a faint drab pall;
then the cold, unearthly grey of the still remote dawn came stealing
across the fields.

At last it was light enough to see, and the advance upon the cabin
began. Silently through the dense, shadowy wood crept the sheriff
and his men,--followed by the tall woman in black and a lank,
bearded man whose rifle-stock bore seven tiny but significant
notches,--sinister epitaphs for as many by-gone men.

A dog barked,--the first alarm. Then another, and still a third
joined in a fierce outcry against the invaders. Suddenly the door
of the hut was thrown open and a half-dressed man stooped in the
low aperture, peering out across the dawn-shrouded clearing. The
three coon-dogs, slinking out of the shadows, crowded up to the
door, their snarling muzzles pointed toward the encircling trees.

Two men stepped out of the underbrush and advanced. Even in the dim,
uncertain light, Martin Hawk could see that they carried rifles.
His eyes were like those of the bird whose name he bore. They swept
the clearing in a flash. As if by magic, men appeared to right of
him, to left of him, in front of him. He counted them. Seven,--no,
there was another,--eight. And he knew there were more of them,
back of the house, cutting off retreat to the river.

"Don't move, Martin," called out a voice.

"What do you want?" demanded Hawk, in a sharp, querulous voice.

"I am the sheriff. Got a warrant for your arrest. No use makin' a
fight for it, Hawk. You are completely surrounded. You can't get
away."

"I ain't done nothin' to be arrested fer," cried the man in the
doorway. "I'm an honest man,--I hain't ever done--"

"Well, that's not for me to decide," interrupted the sheriff, now
not more than a dozen feet away. "I've got a warrant charging you
with sheep-stealing and so on, and that's all there is to it. I'm
not the judge and jury. You come along quiet now and no foolishness."

"Who says I stole sheep?"

"Step outside here and I'll read the affidavit to you. And say, if
you don't want your dogs massacreed, you'd better call 'em off."

Martin Hawk looked over his shoulder into the dark interior of the
hut, spoke to some one under his breath, and then began cursing
his dogs.

"I might have knowed you'd git me into trouble, you lop-eared,
sheep-killin' whelps!" he whined. "I'd ought to shot the hull
pack of ye when you was pups. Git out'n my sight! There's yer
sheep-stealers, sheriff,--them ornery, white-livered, blood-suckin'--"

"I don't know anything about that, Martin," snapped the sheriff.
"All I know is, you got to come along with me,--peaceable or
otherwise,--and I guess if you're half as smart as I think you are,
you won't come otherwise. Here! Don't go back in that house, Hawk."

"Well, I got to tell my daughter--"

"We'll tell her. There's another man or two in there. Just tell
'em to step outside,--and leave their weapons behind 'em."

"There ain't a livin' soul in thar, 'cept my daughter,--so he'p
me God, sheriff," cried Hawk, his teeth beginning to chatter. The
sheriff was close enough to see the look of terror and desperation
in his eyes.

"No use lyin', Hawk. You've got a man named Suggs stayin' with you.
He ain't accused of anything, so he needn't be afraid to come out.
Same applies to your daughter Moll. But I don't want anybody in
there to take a shot at us the minute we turn our backs. Shake 'em
out, Hawk."

"I tell ye there ain't nobody here but me an' Moll,--an' she's sick.
She can't come out. An'--an' you can't go in,--not unless you got
a warrant to search my house. That's what the law sez,--an' you
know it. I'll go along with you peaceable,--an' stand my trial
fer sheep-stealin' like a man. Lemme get my hat an' coat, an' I'll
come--"

"I guess there's something queer about all this," interrupted the
sheriff. The man beside him had just whispered something in his
ear. "We'll take a look inside that cabin, law or no law, Hawk.
Move up, boys!" he called out to the scattered men. "Keep your
eyes skinned. If you ketch sight of a rifle ball comin' to'ards
you,--dodge. And you, Martin, step outside here, where you won't
be in the way. I'm going in there."

Martin Hawk looked wildly about him. On all sides were men with
rifles. There was no escape. His craven heart failed him, his knees
gave way beneath him and an instant later he was grovelling in the
mud at the sheriff's feet.

"I didn't do it! I didn't do it! I swear to God I didn't. It was
her. She done it,--Moll done it!" he squealed in abject terror.

He was grabbed by strong hands and jerked to his feet. While others
held him, the sheriff and several of the men rushed into the cabin.

Off at the edge of the clearing stood Rachel Carter and Isaac Stain,
watching the scene at the door.

"One look will be enough," the woman had said tersely. "Twenty
years will not have changed Simon Braley much. I will know him at
sight."

"You got to be sure, Mrs. Gwyn," muttered the hunter. "Ef you got
the slightest doubt, say so."

"I will, Isaac."

"And ef you say it's him, fer sure an' no mistake, I'll foller him
to the end of the world but what I git him."

"If it is Simon Braley he will make a break for cover. He is not
like that whimpering coward over yonder. And the sheriff will make
no attempt to bring him down. There is no complaint against him.
No one knows that he is Simon Braley."

"Well, I'll be on his heels," was the grim promise of Isaac Stain,
thinking of the sister who had been slain by Braley's Indians down
on the River White.

One of the men rushed out of the cabin. He was vastly excited.

"Don't let go of him," he shouted to the men who were holding
Martin. "There's hell to pay in there. Where is Mrs. Gwyn?"

"I never done it!" wailed Martin, livid with terror. "I swear to
God--"

"Shut up!"

"She's over there, Sam,--with Ike Stain."

Ignoring the question that followed him, the man called Sam hurried
up to the couple at the edge of the bush.

"Better clear out, Mrs. Gwyn," he said soberly. "I mean, don't stay
around. Something in there you oughtn't to see."

"What is it?" she inquired sharply.

"Well, you see,--there's a dead man in there,--knifed. Blood all
over everything and--"

"The man called Suggs?"

"I reckon so. Leastwise it must be him. 'Pears to be a stranger to
all of us. Deader'n a door nail. He's--"

"I am not chicken-hearted, Mr. Corbin," she announced. "I have
seen a good many dead men in my time. The sight of blood does not
affect me. I will go in and see him. No! Please do not stay me."

Despite his protestations, she strode resolutely across the lot.
As she passed Martin Hawk that cowering rascal stared at her,
first without comprehension, then with a suddenly awakened, acute
understanding.

It was she who had brought the authorities down upon him. She had
made "affidavy" against him,--she had got him into this horrible
mess by swearing that he stole her sheep and calves. True, he
had stolen from her,--there was, no doubt about that,--but he had
covered his tracks perfectly. Any one of a half-dozen men along the
river might have stolen her stock,--they were stealing right and
left. How then did she come to fix upon him as the one to accuse?
In a flash he leaped to a startling conclusion. Barry Lapelle! The
man who knew all about his thievish transactions and who for months
had profited by them. Hides, wool, fresh meats from the secret lairs
and slaughter pens back in the trackless wilds, all these had gone
down the river on Barry's boats, products of a far-reaching system
of outlawry, with Barry and his captains sharing in the proceeds.

Now he understood. Lapelle had gone back on him, had betrayed him
to his future mother-in-law. The fine gentleman had no further use
for him; Mrs. Gwyn had given her consent to the marriage and in
return for that he had betrayed a loyal friend! And now look at
the position he was in, all through Barry Lapelle. Sheep stealing
was nothing to what he might have to face. Even though Moll had done
the killing, he would have a devil of a time convincing a jury of
the fact. More than likely, Moll would up and deny that she had
anything to do with it,--and then what? It would be like the ornery
slut to lie out of it and let 'em hang her own father, just to pay
him back for the lickings he had given her.

All this raced through the fast-steadying brain of Martin Hawk as he
watched his accuser pass him by without a look and stop irresolutely
on his threshold to stare aghast at what lay beyond. It became a
conviction, rather than a conjecture. Barry had set the dogs upon
him! Snake! Well,--just let him get loose from these plagued
hounds for half an hour or so and, by glory, they'd have something
to hang him for or his name wasn't Martin Hawk.

Isaac Stain did not move from the spot where she had left him, over
at the edge of the clearing. His rifle was ready, his keen eyes
alert. Rachel Carter entered the hut. Many minutes passed. Then
she came to the door and beckoned to him.

"It is Simon Braley," she said quietly. "He is dead. The girl killed
him, Isaac. Will you ride over to my farm and have Allen come over
here with a wagon? They're going to take the body up to town,--and
the girl, too."

Stain stood his rifle against the wall of the hut. "I guess I won't
need this," was all he said as he turned and strode away.

The man called Jasper Suggs lay in front of the tumble-down fireplace,
his long body twisted grotesquely by the final spasm of pain that
carried him off. The lower part of his body was covered by a filthy
strip of rag carpet which some one had hastily thrown over him as
Rachel Carter was on the point of entering the house. His coarse
linsey shirt was soaked with blood, now dry and almost black. The
harsh light from the open door struck full upon his bearded face
and its staring eyes.

In a corner, at the foot of a straw pallet, ordinarily screened
from the rest of the cabin by a couple of suspended quilts, stood
Moll Hawk, leaning against the wall, her dark sullen eyes following
the men as they moved about the room. The quilts, ruthlessly torn
from their fastenings on the pole, lay scattered and trampled on
the floor, sinister evidence of the struggle that had taken place
between woman and beast. At the other end of the room were two
similar pallets, unscreened, and beside one of these lay Jasper
Suggs' rawhide boots.

From her place in the shadows Moll Hawk watched the other woman
stoop over and gaze intently at the face of the slain man. She was
a tall, well-developed girl of twenty or thereabouts. Her long,
straight hair, the colour of the raven's wing, swung loose about
her shoulders, an occasional strand trailing across her face, giving
her a singularly witchlike appearance. Her body from the waist up
was stripped almost bare; there were several long streaks of blood
across her breast, where the fingers of a gory hand had slid in
relaxing their grip on her shoulder. With one hand she clutched
what was left of a tattered garment, vainly seeking to hide her
naked breasts. The stout, coarse dress had been almost torn from
her body.

Mrs. Gwyn left the hut but soon returned. After a few earnest words
with the sheriff, she came slowly over to the girl. Moll shrank
back against the wall, a strange glitter leaping into her sullen,
lifeless eyes.

"I don't want nobody prayin' over me," she said huskily. "I jest
want to be let alone."

"I am not going to pray over you, my girl. I want you to come out
in the back yard with me, where I can wash the blood off of you
and put something around you."

"What's the use'n that? They're goin' to take me to jail, ain't
they?"

"Have you another frock to put on, Moll?"

The girl looked down at her torn, disordered dress, a sneering
smile on her lips.

"This is all I got,--an' now look at it. I ain't had a new dress in
God knows how long. Pap ain't much on dressin' me up. Mr. Lapelle
he promised me a new dress but--say, who air you?"

"I am Mrs. Gwyn, Moll."

"I might ha' knowed it. You're her ma, huh? Well, I guess you'd better
go on away an' let me alone. I ain't axin' no favours off'n--" "I
am not trying to do you a favour. I am only trying to make you a
little more presentable. You are going up to town, Moll."

"Yes,--I guess that's so. Can't they hang me here an' have it over?"
A look of terror gleamed in her eyes, but there was no flinching
of the body, no tremor in her voice.

The sheriff came over. "Better let Mrs. Gwyn fix you up a little,
Moll. She's a good, kind lady and she'll--"

"I don't want to go to town," whimpered the girl, covering her face
with her hands. "I don't want to be hung. I jest had to do it,--I
jest had to. There wuz no other way,--'cept to--'cept to--an' I
jest couldn't do that. Now I wish I had,--oh, Lordy, how I wish I
had! That wuz bad enough, but hangin's wuss. He wuz goin' away in
a day or two, anyhow, so--"

"You're not going to be hung, Moll," broke in the sheriff. "Don't
you worry about that. We don't hang women for killing men like
that feller over there. Like as not you'll be set free in no time
at all. All you've got to do is to tell the truth about how it
happened and that'll be all there is to it."

"You're lyin' to me, jest to git me to go along quiet," she quavered,
but there was a new light in her eyes.

"I'm not lying. You will have to stand trial, of course,--you
understand that, don't you?--but there isn't a jury on earth that
would hang you. We don't do that kind of thing to women. Now you
go along with Mrs. Gwyn and do what she says,--and you can tell me
all about this after a while."

"I'll wash, but I hain't got no more clothes," muttered the girl.

"We will manage somehow," said Mrs. Gwyn. "One of the men will give
you a coat,--or you may have my cape to wear, Moll."

Moll looked at her in surprise. Again she said the unexpected thing.
"Why, ever'body says you air a mighty onfeelin' woman, Mis' Gwyn.
I can't believe you'd let me take your cape."

"You will see, my girl. Come! Show me where to find water and a
comb and--"

"Wait a minute," said Moll abruptly. "Somehow I ain't as skeert
as I wuz. You're shore they won't hang me? 'Ca'se I'd hate to be
hung,--I'd hate to die that-away, Mister."

"They won't hang you, Moll,--take my word for it."

"Well, then," said she, bringing forward the hand she had been
holding behind her back all the time; "here's the knife I done it
with. It's his'n. He was braggin' last night about how many gullets
he had slit with it,--I mean men's gullets. I wuz jest sort o'
hangin' onto it in case I--but I don't believe I ever could a' done
it. 'Tain't 'ca'se I'm afeared to die but they say a person that
takes his own life is shore to go to hell--'ca'se he don't git no
chance fer to repent. Take it, Mister."

She handed the big sheath-knife to the sheriff. Then she followed
Rachel Carter out of the hut, apparently unconscious of the curious
eyes that followed her. She passed close by the corpse. She looked
down at the ghastly face and twisted body without the slightest
trace of emotion,--neither dread nor repugnance nor interest beyond a
curious narrowing of the eyes as of one searching for some sign of
trickery on the part of a wily adversary. On the way out she stopped
to pick up a wretched, almost toothless comb and some dishrags.

"I guess we better go down to the river," she said as they stepped
out into the open. "'Tain't very fer, Mrs. Gwyn,--an' the water's
cleaner. Hain't no danger of me tryin' to git away," she went on,
with a feeble grin as her eyes swept the little clearing, revealing
armed men in all directions. Her gaze rested for a moment on Martin
Hawk, who was staring at her from his seat on a stump hard by.

"There's my pap over yonder," she said, with a scowl. "He's the one
that ort to be strung up fer all this. He didn't do it,--but he's
to blame, just the same. They ain't got him 'rested fer doin' it,
have they? 'Ca'se he didn't. He'll tell you he's as innocent as
a unborn child,--he allus does,--an' he is as fer as the killin'
goes. But ef he'd done what wuz right hit never would 'a' happened.
Thet's whut I got ag'inst him."

Rachel Carter was looking at the strange creature with an interest
not far removed from pity. Despite the sullen, hang-dog expression
she was a rather handsome girl; wild, untutored, almost untamed she
was, and yet not without a certain diffidence that bespoke better
qualities than appeared on the surface. She was tall and strongly
built, with the long, swinging stride of the unhampered woods-woman.
Her young shoulders and back were bent with the toil and drudgery
of the life she led. Her eyes, in which lurked a never-absent gleam
of pain, were dark, smouldering, deep set and so restless that one
could not think of them as ever being closed in sleep.

The girl led the way down a narrow path to a little sand-bar.

"I go in swimmin' here every day, 'cept when it's froze over," she
volunteered dully. "Hain't you skeert at the sight o' blood, ma'am?
Some people air. We wuz figgerin' on whuther we'd dig a grave fer
him or jest pull out yonder into the current an' drop him over.
Pap said we had to git rid of him 'fore anybody come around. 'Nen
the dogs begin to bark an' he thought mebby it wuz Mr. Lapelle, so
he--say, you mustn't get Mr. Lapelle mixed up in this. He--"

"I know all about Mr. Lapelle, Moll," interrupted the older woman.

The girl gave her a sharp, almost hostile look. "Then you hain't
goin' to let him have your girl, air you?"

Mrs. Gwyn shook her head. "No, Moll,--I am not," she said.

"You set here on this log," ordered the girl as they came down to
the water's edge. "I'll do my own washin'. I'm kind o' 'shamed to
have any one see me as naked as this. There ain't much left of my
dress, is they? We fit fer I don't know how long, like a couple
o' dogs. You c'n see the black an' blue places on my arms out here
in the daylight,-an' I guess his finger marks must be on my neck,
where he wuz chokin' me. I wuz tryin' to wrassle around till I
could git nigh to the table, where his knife wuz stickin'. My eyes
wuz poppin' right out'n my head when I--"

"For heaven's sake, girl!" cried Rachel Carter. "Don't! Don't tell
me any more! I can't bear to hear you talk about it."

Moll stared at her for a moment as if bewildered, and then suddenly
turned away, her chin quivering with mortification. She had been
reprimanded!

For several minutes Rachel stood in silence, watching her as she
washed the blood from her naked breast and shoulders. Presently
the girl turned toward her, as if for inspection.

"I'm sorry, ma'am, if I talked too much," she mumbled awkwardly.
"I'd ort to have knowed better. Is--is it all off?"

"I think so," said Rachel, pulling herself together with an effort.
"Let me--"

"No, I'll finish it," said the girl stubbornly. She dried her
brown, muscular arms, rubbed her body vigorously with one of the
rags and then began to comb out her long, tangled hair,--not gently
but with a sort of relentless energy. Swiftly, deftly she plaited
it into two long braids, which she left hanging down in front of
her shoulders, squaw fashion.

"How long had you known this man Suggs, Moll?" suddenly inquired
the other woman.

"Off an' on ever sence I kin remember," replied the girl. "Pap
knowed him down south. We hain't seed much of him fer quite a spell.
Four--five year, I guess mebby. He come here last week one day."

The eyes of the two women met. Moll broke the short silence that
ensued. She glanced over her shoulder. The nearest man was well
out of earshot. Still she lowered her voice.

"He claims he use ter know you a long time ago," she said.

"Yes?"

"Mebby you'd recollect him ef I tole you his right name."

"His name was Simon Braley," said Rachel Carter calmly.

Moll's eyes narrowed. "Then what he sez wuz true?"

"I don't know what he said to you, Moll."

"He sez you run off with some other woman's husband," replied Moll
bluntly.

"Did he tell this to any one except you and your father?"

"He didn't tell no one but me, fer as I know. He didn't tell Pap."

"When did he tell you?"

"Las' night," said Moll, suddenly dropping her eyes. "He wuz
drinkin',--an' I thought mebby he wuz lyin'."

"You are sure he did not tell your father?"

"I'm purty shore he didn't."

"Why did he tell you?"

The girl raised her eyes. There was a deeper look of pain in them
now. "I'd ruther not tell," she muttered.

"You need not be afraid."

"Well, he wuz arguin' with me. He said there wuzn't any good women
in the world. 'Why,' sez he, 'I seen a woman this very day that
everybody thinks is as good as the angels up in heaven, but when
I tell you whut I know about her you'll--'"

"You need not go on," interrupted Rachel Carter, drawing her brows
together. "Would you believe me if I told you the man lied, Moll
Hawk?"

"Yes, ma'am,--I would," said the girl promptly. "Fer as that goes,
I TOLE him he lied."

Rachel started to say something, then closed her lips tightly and
fell to staring out over the river. The girl eyed her for a moment
and then went on:

"You needn't be skeert of me ever tellin' anybody whut he said to
me. Hit wouldn't be right to spread a lie like thet, Mis' Gwyn.
You--"

"I think they are waiting for us, Moll," interrupted Rachel,
suddenly holding out her hand to the girl. "Thank you. Come, give
me your hand. We will go back to them, hand in hand, my girl."

Moll stared at her in sheer astonishment.

"You--you don't want to hold my hand in yours, do you?" she murmured
slowly, incredulously.

"I do. You will find me a good friend,--and you will need good
friends, Moll."

Dumbly the girl held out her hand. It was clasped firmly by Rachel
Carter. They were half-way up the bank when Moll held back and
tried to withdraw her hand.

"I--I can't let you,--why, ma'am, that's the hand I--I held the
knife in," she cried, agitatedly.

Rachel gripped the hand more firmly. "I know it is, Moll," she said
calmly.




CHAPTER XXII

THE PRISONERS


The grewsome cavalcade wended its way townward. Moll Hawk sat
between the sheriff and Cyrus Allen on the springless board that
served as a seat atop the lofty sideboards of the wagon. The crude
wooden wheels rumbled and creaked and jarred along the deep-rutted
road, jouncing the occupants of the vehicle from side to side with
unseemly playfulness. Back in the bed of the wagon, under a gaily
coloured Indian blanket, lay the outstretched body of Jasper Suggs,
seemingly alive and responsive to the jolts and twists and turns
of the road. The rear end gate had been removed and three men sat
with their heels dangling outside, their backs to the sinister,
unnoticed traveller who shared accommodations with them. The
central figure was Martin Hawk, grim, saturnine, silent, his feet
and hands secured with leather thongs. Trotting along under his
heels, so to speak, were his three dogs,--their tongues hanging
out, their tails drooping, their eyes turning neither to right nor
left. They were his only friends.

Some distance behind rode three horsemen, leading as many riderless
steeds. On ahead was another group of riders. Rachel Carter rode
alongside the wagon.

Moll had firmly refused to wear the older woman's cape. She had on
a coat belonging to one of the men and wore a flimsy, deep-hooded
bonnet that once had been azure blue. Her shoulders sagged wearily,
her back was bent, her arms lay limply upon her knees. She was staring
bleakly before her over the horses' ears, at the road ahead. The
reaction had come. She had told the story of the night, haltingly
but with a graphic integrity that left nothing to be desired.

Martin Hawk had spent a black and unhappy hour. He was obliged to
listen to his daughter's story and, much to his discontent, was
not permitted to contradict her in any particular. Two or three
mournful attempts to reproach her for lying about her own,--and,
he always added, her ONLY--father, met with increasingly violent
adjurations to "shut up," the last one being so emphatic that he
gave vent to a sharp howl of pain and began feeling with his tongue
to see if all his teeth were there.

Luckily for him, he was impervious to the scorn of his fellow-man,
else he would have shrivelled under the looks he received from
time to time. Especially distressing to him was that part of her
recital touching upon his unholy greed; he could not help feeling,
with deep parental bitterness, that no man alive ever had a more
heartless, undutiful daughter than he,--a conviction that for the
time being at least caused him to lament the countless opportunities
he had had to beat her to death instead of merely raising a few
perishable welts on her back. If he had done that, say a month ago,
how different everything would be now!

This part of her story may suffice:

"Pap never wanted anything so bad in all his life as that powder
horn an' shot flask. They wuz all fixed up with gold an' silver
trimmin's an' I guess there wuz rubies an' di'monds too. Fer three
days Pap dickered with him, tryin' to make some kind of a swap.
Jasper he wouldn't trade 'em er sell 'em nuther. He said they
wuz wuth more'n a thousand dollars. Some big Injun Chief made him
a present of 'em, years ago,--fer savin' his life, he said. First
Pap tried to swap his hounds fer 'em, 'nen said he'd throw in one
of the hosses. Jasper he jest laughed at him. Yesterday I heerd
Pap tell him he would swap him both hosses, seven hogs, the wagon
an' two boats, but Jasper he jest laughed. They wuz still talkin'
about it when they got home from town last night, jest ahead of the
storm. I could hear 'em arguin' out in the room. They wuz drinkin'
an' talkin' so loud I couldn't sleep.

"Purty soon Pap said he'd trade him our cabin an' ever'thing else
fer that pouch an' flask. It wuz rainin' so hard by this time
I couldn't hear all they said but when it slacked up a little I
cotch my own name. They wuz talkin' about me. I heerd Jasper tell
Pap he'd give him the things ef he'd promise to go away an' leave
him an' me alone in the cabin. That kind o' surprised me. But
all Pap sez wuz that he hated to go out in the rain. So Jasper he
said fer him to wait till hit stopped rainin'. Pap said all right,
he would, an' fer Jasper to hand over the pouch and flask. Jasper
cussed an' said he'd give 'em to him three hours after sunrise
the nex' morning' an' not a minute sooner, an' he wuz to stay away
from the house all that time or he wouldn't give 'em to him at all.
Well, they argued fer some time about that an' finally Pap said
he'd go out to the hoss shed an' sleep if Jasper would hand over
the shot pouch then an' there an' hold back the powder flask till
mornin'. Jasper he said all right, he would. I never guess what
wuz back of all this. So when Pap went out an' shut the door behind
him, I wuz kind o' thankful, ca'se all the arguin' an' jawin' would
stop an' I could go to sleep ag'in. Jasper he let down the bolt
inside the door."

. . . . . . . . . . . .

It was after eight o'clock when the wagon and its escort entered
the outskirts of the town. Grim, imperturbable old dames sitting
on their porches smoking their clay or corncob pipes regarded
the strange procession with mild curiosity; toilers in gardens
and barnyards merely remarked to themselves that "some'pin must'a
happened some'eres" and called out to housewife or offspring not
to let them forget to "mosey up to the square" later in the day for
particulars, if any. The presence of the sheriff was more or less
informing; it was obvious even to the least sprightly intelligence
that somebody had been arrested. But the appearance of Mrs. Gwyn
on horseback, riding slowly beside the wagon, was not so easily
accounted for. That circumstance alone made it absolutely worth
while to "mosey up to the square" a little later on.

Martin Hawk was lodged in the recently completed brick jail
adjoining the courthouse. He complained bitterly of the injustice
that permitted his daughter, a confessed murderess, to enjoy the
hospitality of the sheriff's home whilst he, accused of nothing more
heinous than sheep-stealing, was flung into jail and subjected to
the further indignity of being audibly described as a fit subject
for the whipping post, an institution that still prevailed despite
a general movement to abolish it throughout the state.

It galled him to hear the fuss that was being made over Moll.
Everybody seemed to be taking her part. Why, that Gwyn woman not
only went so far as to say she would be responsible for Moll's
appearance in court, but actually arranged to buy her a lot of
new clothes. And the sheriff patted her on the shoulder and loudly
declared that the only thing any judge or jury could possibly find
her guilty of was criminal negligence in only half-doing the job.
This was supplemented by a look that left no doubt in Martin's mind
as to just what he considered to be the neglected part of the job.
He bethought himself of the one powerful friend he had in town,--Barry
Lapelle. So he sent this message by word of mouth to the suspected
dandy:

"I'm in jail. I want you to come and see me right off. I mean
business."

Needless to say, this message,--conveying a far from subtle threat,--was
a long time in reaching Mr. Lapelle, who had gone into temporary
retirement at Jack Trentman's shanty, having arrived at that
unsavoury retreat by a roundabout, circuitous route which allowed
him to spend some time on the bank of a sequestered brook.

Meanwhile Rachel Carter approached her own home, afoot and weary.
As she turned the bend she was surprised and not a little disturbed
by the sight of Kenneth Gwynne standing at her front gate. He
hurried up the road to meet her.

"The worst has come to pass," he announced, stopping in front of
her. "Before you go in I must tell you just what happened here
this morning. Come in here among the trees where we can't be seen
from the house."

She listened impassively to his story. Only the expression in her
steady, unswerving eyes betrayed her inward concern and agitation.
Not once did she interrupt him. Her shoulders, he observed, drooped
a little and her arms hung limply at her side, mute evidence of a
sinking heart and the resignation that comes with defeat.

"I am ready and willing," he assured her at the end, "to do anything,
to say anything you wish. It is possible for us to convince her
that there is no truth in what he said. We can lie--"

She held up her hand, shaking her head almost angrily. "No!
Not that, Kenneth. I cannot permit you to lie for ME. That would
be unspeakable. I am not wholly without honour. There is nothing
you can do for her,--for either of us at present. Thank you for
preparing me,--and for your offer, Kenneth. Stay away from us until
you have had time to think it all over. Then you will realize that
this generous impulse of yours would do more harm than good. Let
her think what she will of me, she must not lose her faith in you,
my boy."

"But--what of her?" he expostulated. "What are you going to say to
her when she asks you--"

"I don't know," she interrupted, lifelessly. "I am not a good liar,
Kenneth Gwynne. Whatever else you may say or think of me, I--I have
never wilfully lied."

She started away, but after a few steps turned back to him. "Jasper
Suggs is dead. Moll Hawk killed him last night. She has been
arrested. There is nothing you can do for Viola at present, but
you may be able to help that poor, unfortunate girl. Suggs told
her about me. She will keep the secret. Go and see the sheriff at
once. He will tell you all that has happened."

Then she strode off without another word. He watched the tall,
black figure until it turned in at the gate and was lost to view,
a sort of stupefaction gripping him. Presently he aroused himself
and walked slowly homeward. As he passed through his own gate he
looked over at the window of the room in which Viola had sought
seclusion. The curtains hung limp and motionless. He wondered what
was taking place inside the four walls of that room.

Out of the maze into which his thoughts had been plunged by the
swift procession of events groped the new and disturbing turn in
the affairs of Rachel Carter. What was back of the untold story of
the slaying of Jasper Suggs? What were the circumstances? Why had
Moll Hawk killed the man? Had Rachel Carter figured directly or
indirectly in the tragedy? He recalled her significant allusion
to Isaac Stain the night before and his own rather startling
inference,--and now she was asking him to help Moll Hawk in her
hour of tribulation. A cold perspiration started out all over him.
The question persisted: What was back of the slaying of Jasper
Suggs?

He gave explicit and peremptory directions to Zachariah in case
Mrs. Gwyn asked for him, and then set out briskly for the courthouse.

By this time the news of the murder had spread over the town. A
crowd had gathered in front of Scudder's undertaking establishment.
Knots of men and women, disregarding traffic, stood in the streets
adjoining the public square, listening to some qualified narrator's
account of the night's expedition and the tragedy at Martin Hawk's.

Kenneth hurried past these crowds and made his way straight to the
office of the sheriff. Farther down the street a group of people
stood in front of the sheriff's house, while in the vicinity of
the little jail an ever-increasing mob was collecting.

"Judge" Billings espied him. Disengaging himself from a group
of men at the corner of the square, the defendant in the case of
Kenwright vs. Billings made a bee-line for his young attorney.

"I've been over to your office twice, young man," he announced as
he came up. "Where the devil have you been keepin' yourself? Mrs.
Gwyn left word for you to come right up to her house. She wants
you to take charge of the Hawk girl's case. Maybe you don't know
it, but you've been engaged to defend her. You better make tracks
up to Mrs. Gwyn's and--"

"I have seen Mrs. Gwyn," interrupted Kenneth. "She sent me to the
sheriff. Where is he?"

"Over yonder talkin' to that crowd in front of the tavern. He's
sort o' pickin' out a jury in advance,--makin' sure that the right
men get on it. He got me for one. He don't make any bones about
it. Just tells you how it all happened an' then asks you whether
you'd be such a skunk as to even think of convictin' the girl for
what she did. Then you up an' blaspheme considerable about what you'd
like to do to her dodgasted father, an' before you git anywhere's
near through, he holds up his hand an' says, 'Now, I've only got to
git three more (or whatever it is), an' then the jury's complete!'
We're figgerin' on havin' the trial to-morrow mornin' between
nine an' ten o'clock. The judge says it's all right, far as he's
concerned. We'd have it to-day, only Moll's got to have a new dress
an' bonnet an' such-like before she can appear in court. All you'll
have to do, Kenny, is jest to set back,--look wise an' let her tell
her story. 'Cordin' to law, she's got to stand trial fer murder an'
she's got to have counsel. Nobody's goin' to object to you makin'
a speech to the jury,--bringin' tears to our eyes, as the sayin'
is,--only don't make it too long. I've got to meet a man at half-past
ten in regards to a hoss trade, an' I happen to know that Tom Rank's
clerk is sick an' he don't want to keep his store locked up fer
more than an hour. I'm jest tellin' you this so's you won't have
to waste time to-morrow askin' the jurymen whether they have formed
an opinion or not, or whether they feel they can give the prisoner
a fair an' impartial trial or not. The sheriff's already asked
us that an' we've all said yes,--so don't delay matters by askin'
ridiculous questions."

The "Judge" interrupted himself to look at his watch.

"Well, I've got to be movin' along. I'm on the coroner's jury too,
and we're goin' up to Matt's right away to view the remains. The
verdict will probable be: 'Come to his death on account of Moll
Hawk's self-defense,' or somethin' like that. 'Never put off till
to-morrow what you can do to-day,' as the sayin' goes. Wouldn't
surprise me a bit if he was buried before three o'clock to-day. Then
we won't have him on our minds to-morrow. Well, see you later--if
not sooner."

An hour later Kenneth accompanied the sheriff to the latter's home
for an interview with his client. He had promptly consented to act
as her counsel after hearing the story of the crime from the sheriff.

"Mrs. Gwyn told my wife to go out and get some new clothes for the
girl," said the sheriff as they strode down the street, "and she'd
step into the store some time to-day and settle for them. By thunder,
you could have knocked me over with a feather, Kenneth. If your
stepmother was a man we'd describe her as a skinflint. She's as
stingy and unfeeling as they make 'em. Hard as nails and about as
kind-hearted as a tombstone. What other woman on this here earth
would have gone out to Martin Hawk's last night just for the
satisfaction of seein' him arrested? We didn't want her,--not by
a long shot,--but she made up her mind to go, and, by gosh, she
went. I guess maybe she thought we'd make a botch of it, and so she
took that long ride just to make sure she'd git her money's worth.
'Cause, you see, I had to pay each of the men a dollar and a half
and mileage before they'd run the risk of bein' shot by Hawk and
his crowd. Hard as nails, I said, but doggone it, the minute she
saw that girl out there she turned as soft as butter and there is
nothin' she won't do for her. It beats me, by gosh,--it certainly
beats me."

"Women are very strange creatures," observed Kenneth.

"Yep," agreed the other. "You can most always tell what a man's
goin' to do, but I'm derned if you can even GUESS what a woman's
up to. Take my wife, for instance. Why, I've been livin' with that
woman for seventeen years and I swear to Guinea she's still got me
puzzled. Course I know what she's talking about most of the time,
but, by gosh, I never know what she's thinkin' about. Women are
like cats. A cat is the thoughtfulest animal there is. It's always
thinkin'. It thinks when it's asleep,--and most of the time when
you think it's asleep it ain't asleep at all. Well, here we are.
I guess Moll's out in the kitchen with my wife. I told Ma to roll
that old dress of Moll's up and save it for the jury to see. It's
the best bit of evidence she's got. All you'll have to do is to
hold it up in front of the jury and start your speech somethin'
like this: 'Gentlemen of the jury, I ask you to gaze upon this here
dress, all tattered and torn,--' and that's as far as you'll get,
'cause this jury is goin' to be composed of gentlemen and they'll
probably stand up right then and there and say 'Not guilty.' Come
right in, Mr. Gwynne."

After considerable persuasion on the part of the sheriff and his
kindly wife, Moll repeated her story to Gwynne. She was abashed
before this elegant young man. A shyness and confusion that had
been totally lacking in her manner toward the other and older men
took possession of her now, and it was with difficulty that she was
induced to give him the complete details of all that took place in
her father's cabin.

When he shook hands with her as he was about to take his departure,
she suddenly found courage to say:

"Kin I see you alone fer a couple of minutes, Mr. Gwynne?"

"Certainly, Miss Hawk," he replied, gravely courteous. "I am sure
Mr. and Mrs.--"

"Come right in the sitting-room, Mr. Gwynne," interrupted the
housewife, bustling over to open the door.

Moll stared blankly at her counsel. No one had ever called her
Miss Hawk before. She was not quite sure that she had heard aright.
Could it be possible that this grand young gentleman had called her
Miss Hawk? Still wondering, she followed him out of the kitchen,
sublimely unconscious of the ridiculous figure she cut in the
garments of the older woman.

"Shut the door," she said, as her keen, wood-wary eyes swept the
room. She crossed swiftly to the window and looked out. Her lips
curled a little. "Most of them people has been standin' out yonder
sence nine o'clock, tryin' to see what sort of lookin' animile I
am, Mr. Gwynne. Hain't nohody got any work to do?"

"Vulgar curiosity, nothing more," said he, joining her at the
window.

"'Tain't ever' day they get a chance to see a murderer, is it?" she
said, lowering her head suddenly and putting a hand to her quivering
chin. For the first time she seemed on the point of breaking down.

He made haste to exclaim, "You are not a murderer. You must not
think or say such things, Miss Hawk."

She kept her head down. A scarlet wave crept over her face. "I--I
wish you wouldn't call me that, Mr. Gwynne. Hit--hit makes me
feel kind o'--kind o' lonesome-like. Jest as--ef I didn't have no
friends. Call me Moll. That's all I am."

He studied for a moment the half-averted face of this girl of
the forest. He could not help contrasting it with the clear-cut,
delicate, beautifully modelled face of another girl of the dark
frontier,--Viola Gwyn. And out of this swift estimate grew a new
pity for poor Moll Hawk, the pity one feels for the vanquished.

"You will be surprised to find how many friends you have, Moll,"
he said gently.

There was no indication that she was impressed one way or the other
by this remark. She drew back from the window and faced him, her
eyes keen and searching.

"Do you reckon anybody is listenin'?" she asked.

"I think not,--in fact, I am sure we are quite alone."

"Well, this is somethin' I don't keer to have the shurreff know,
or anybody else, Mr. Gwynne. Hit's about Mr. Lapelle."

"Yes?" he said, as she paused warily.

"Mrs. Gwyn she tole me this mornin' that whatever I said to my
lawyer would be sacred an' wouldn't ever be let out to anybody, no
matter whut it wuz. She said it wuz ag'inst the code er somethin'.
Wuz she right?"

"In a sense, yes. Of course, you must understand, Moll, that no
honest lawyer will obligate himself to shield a criminal or a fugitive
from justice, or--I may as well say to you now that if you expect
that of me I must warn you not to tell me anything. You would force
me to withdraw as your counsel. For, you see, Moll, I am an honest
lawyer."

She looked at him in a sort of mute wonder for a moment, and then
muttered: "Why, Pap,--Pap he sez there ain't no setch thing as a
honest lawyer." An embarrassed little smile twisted her lips. "I
guess that must ha' been one of Pap's lies."

"It is possible he may never have come in contact with one," he
observed drily.

"Well, I guess ef you're a honest lawyer," she said, knitting her
brows, "I'd better keep my mouth shut. I wuz only thinkin' mebby
you could see your way to do somethin' I wuz goin' to ask. I jest
wanted to git some word to Mr. Lapelle."

"Mr. Lapelle and I are not friends, Moll."

"Is it beca'se of whut I asked Ike Stain to tell ye?"

"Partly."

"I mean about stealin' Miss Violy Gwyn an' takin' her away with
him?"

"I want to thank you, Moll, for sending me the warning. It was
splendid of you."

"Oh, I didn't do it beca'se--" she began, somewhat defiantly, and
then closed her lips tightly. The sullen look came back into her
eyes.

"I understand. You--you like him yourself."

"Well,--whut ef I do?" she burst out. "Hit's my look-out, ain't
it?"

"Certainly. I am not blaming you."

"I guess there ain't no use talkin' any more," she said flatly.
"You wouldn't do whut I want ye to do anyhow, so what's the sense
of askin' you. We better go back to the kitchen."

"It may console you to hear that I have already told Mr. Lapelle
that he must get out of this town before to-morrow morning," said
he deliberately. "And stay out!"

She leaned forward, her face brightening. "You tole him to git
away to-night?" she half-whispered, eagerly. "I thought you said
you wuzn't a friend o' his'n."

"That is what I said."

"Then, whut did you warn him to git away fer?"

He was thinking rapidly. "I did it on account of Miss Gwyn, Moll,"
he replied, evasively.

"Do you think he'll go?" she asked, a fierce note of anxiety in
her voice.

"That remains to be seen." Then he hazarded: "I think he will when
he finds out that your father has been arrested."

"He's been a good friend to me, Mr. Gwynne, Mr. Lapelle has,"
said she, a little huskily. She waited a moment and then went on
earnestly and with a garrulousness that amazed him: "I don't keer
whut he's done that ain't right, er whut people is goin' to say about
him, he's allus been nice to me. I guess mebby you air a-wonderin'
why I tole Ike Stain about him figgerin' on carryin' Miss Gwyn
away. That don't look very friendly, I guess. Hit wuzn't beca'se
I thought I might git him fer myself some time,--no, hit wuzn't
that, Mr. Gwynne. I ain't setch a fool as to think he could ever
want to be sparkin' me. I reckon Ike Stain tole ye I wuz jealous.
Well, I wuzn't, I declare to goodness I wuzn't. Hit wuz beca'se I
jest couldn't 'low her to git married to him, knowin' whut I do. I
wuz tryin' to make up my mind to go an' see her some time an' tell
her not to marry him, but I jest couldn't seem to git the spunk to
do it. She used to come to see me when I wuz sick last winter an'
she wuz mighty nice to me.

"First thing I know, him an' Pap begin to fix up this plan to
carry her off. So I started up to town to tell her. I got as fer
as Ike's when I figgered I better let him do it, him bein' a man,
so I drapped in at his cabin an' tole him. I didn't know whut else
to do. I had to stop 'em from doin' it somehow. Hit wouldn't do no
good fer me to beg Pap to drap it, er to rare up on my hind-legs
an' make threats ag'inst 'em,--ca'se they'd soon put a stop to that.
Course I had it all figgered out whut I wuz goin' to do when thet
pack o' rascals got caught tryin' to steal her,--some of 'em shot,
like as not,--and I didn't much keer whuther my Pap wuz one of 'em
er not.

"I knowed where Mr. Lapelle wuz to meet 'em down the river acrosst
from Le Grange, so I was figgerin' on findin' him there an'
tellin' him whut had happened an' fer him to make his escape down
the river while he had setch a good start. I wuzn't goin' to let
him be ketched an' at the same time I wuzn't goin' to let anything
happen to Miss Violy Gwyn ef I could help it. I--I sort of figgered it
out as a good way to help both o' my friends, Mr. Gwynne, an'--an'
then this here thing happened. I want Mr. Lapelle to git away
safe,--ca'se I know whut Pap's goin' to do. He's goin' to blat out
a lot o' things. He says he's sure Mr. Lapelle put Mrs. Gwyn up to
havin' him arrested."

"I think you may rest easy, Moll," said he, a trifle grimly. "Mr.
Lapelle had an engagement with me for to-morrow morning, but I'll
stake my life he will not be here to keep it."

"All right," she said, satisfied. "Ef you say so, Mr. Gwynne, I'll
believe it. Whut do you think they'll do to Pap?"

"He will probably get a dose of the whipping-post, for one thing."

She grinned. "Gosh, I wish I could be some'eres about so's I could
see it," she cried.




CHAPTER XXIII

CHALLENGE AND RETORT


Kenneth could hardly contain himself until the time came for him
to go home for his noon-day meal. Try as he would, he could not
divorce his thoughts from the trouble that had come to Viola. The
sinister tragedy in Martin Hawk's cabin was as nothing compared to
the calamity that had befallen the girl he loved, for Moll Hawk's
troubles would pass like a whiff of the wind while Viola's would
endure to the end of time,--always a shadow hanging over her brightest
day, a cloud that would not vanish. Out of the silence had come a
murmur more desolating than the thunderbolt with all its bombastic
fury; out of the silence had come a voice that would go on forever
whispering into her ear an unlovely story.

A crowd still hung about the jail and small, ever-shifting groups
held sober discourse in front of business places. He hurried by them
and struck off up the road, his mind so intent upon what lay ahead
of him that he failed to notice that Jack Trentman had detached
himself from the group in front of the undertaker's and was following
swiftly after him. He was nearly half-way home when he turned, in
response to a call from behind, and beheld the gambler.

"I'd like a word with you, Mr. Gwynne," drawled Jack.

"I am in somewhat of a hurry, Mr.--"

"I'll walk along with you, if you don't mind," said the other,
coming up beside him. "I'm not in the habit of beating about the
bush. When I've got anything to do, I do it without much fiddling.
Barry Lapelle is down at my place. He has asked me to represent him
in a little controversy that seems to call for physical adjudication.
How will day after to-morrow at five in the morning suit you?"

"Perfectly," replied Kenneth stiffly. "Convey my compliments to
Mr. Lapelle and say to him that I overlook the irregularity and
will be glad to meet him at any time and any place."

"I know it's irregular," admitted Mr. Trentman, with an apologetic
wave of the hand, "but he was in some doubt as to who might have
the honour to act for you, Mr. Gwynne, so he suggested that I come
to you direct. If you will oblige me with the name of the friend
who is to act as your second, I will make a point of apologizing
for having accosted you in this manner, and also perfect the details
with him."

"I haven't given the matter a moment's thought," said Kenneth,
frowning. "Day after to-morrow morning, you say?"

"Yes, sir."

"Can't you arrange it for to-morrow morning?"

Mr. Trentman spread out his hands in a deprecatory manner. "In
view of the fact that you are expected to appear in court at nine
to-morrow morning to defend an unfortunate girl, Mr. Lapelle feels
that he would be doing your client a very grave injustice if he
killed her lawyer--er--a trifle prematurely, you might say. He has
confided to me that he is the young woman's friend and can't bear
the thought of having her chances jeopardized by--"

"Pardon me, Mr. Trentman," interrupted Kenneth shortly. "Both of you
are uncommonly thoughtful and considerate. Now that I am reminded
of my pleasant little encounter with Mr. Lapelle this morning,
I am constrained to remark that I have had all the satisfaction I
desire. You may say to him that I am a gentleman and not in the
habit of fighting duels with horse-thieves."

Mr. Trentman started. His vaunted aplomb sustained a sharp spasm
that left him with a slightly fallen jaw.

"Am I to understand, sir, that you are referring to my friend as
a horse-thief?" he demanded, bridling.

"I merely asked you to take that message to him," said Kenneth
coolly. "I might add cattle-thief, sheep-stealer, hog-thief or--"

"Why, good God, sir," gasped Mr. Trentman, "he'd shoot you down
like a dog if I--"

"You may also tell Mr. Lapelle that his bosom friend Martin Hawk
is in jail."

"Well, what of it?"

"Does Lapelle know that Martin is in jail?"

"Certainly,--and he says he ought to be hung. That's what he thinks
of Hawk. A man that would sell his own--"

"Hawk is in jail for stock-stealing, Mr. Trentman."

"What's that got to do with the case? What's that got to do with
your calling my friend a horse-thief?"

"A whole lot, sir. You will probably find out before the day is
over that you are harbouring and concealing a thief down there in
your shanty, and you may thank Martin Hawk for the information in
case you prefer not to accept the word of a gentleman. If you were
to come to me as a client seeking counsel, I should not hesitate to
advise you,--as your lawyer,--that there is a law against harbouring
criminals and that you are laying yourself open to prosecution."

Trentman dubiously felt of his chin.

"Being well versed in the law," he said, "I suppose you realize
that Mr. Lapelle can recover heavy damages against you in case what
you have said to me isn't true."

"Perfectly. Therefore, I repeat to you that I cannot engage in an
affair of honour with a thief. I knocked him down this morning, but
that was in the heat of righteous anger. For fear that your report
to him may lead Mr. Lapelle to construe my refusal to meet him day
after to-morrow morning as cowardice on my part, permit me to make
this request of you. Please say to him that I shall arm myself with
a pistol as soon as I have reached my house, and that I expect to
be going about the streets of Lafayette as usual."

"I see," said Mr. Trentman, after a moment. "You mean you'll be
ready for him in case he hunts you up."

"Exactly."

"By the way, Mr. Gwynne, have you ever fought a duel?"

"No."

"Would it interest you to know that Mr. Lapelle has engaged in
several, with disastrous results to his adversaries?"

"I think he has already mentioned something of the kind to me."

"I'd sooner be your friend than your enemy, Mr. Gwynne," said the
gambler earnestly. "I am a permanent citizen of this town and I
have no quarrel with you. As your friend, I am obliged to inform
you that Barry Lapelle is a dead shot and as quick as lightning
with a pistol. I hope you will take this in the same spirit that
it is given."

"I thank you, sir," said Kenneth, courteously. "By the way, do you
happen to have a pistol with you at present, Mr. Trentman?"

The other looked at him keenly for a few seconds before answering.
"I have. I seldom go without one."

"If you will do me the kindness to walk with me up to the woods
beyond the lake and will grant me the loan of your weapon for half
a minute, I think I may be able to demonstrate to you that Mr.
Lapelle is not the only dead shot in the world. I was brought up
with a pistol in my hand, so to speak. Have you ever tried to shoot
a ground squirrel at twenty paces? You have to be pretty quick to
do that, you know."

Trentman shook his head. "There's a lot of difference between
shooting a ground squirrel and blazing away at a man who is blazing
away at you at the same time. I'll take your word for the ground
squirrel business, Mr. Gwynne, and bid you good day."

"My regrets to your principal and my apologies to you, Mr. Trentman,"
said Kenneth, lifting his hat.

The gambler raised his own hat. A close observer would have noticed
a troubled, anxious gleam in his eye as he turned to retrace his
steps in the direction of the square. It was his custom to saunter
slowly when traversing the streets of the town, as one who produces
his own importance and enjoys it leisurely. He never hurried. He
loitered rather more gracefully when walking than when standing
still. But now he strode along briskly,--in fact, with such lively
decision that for once in his life he appeared actually to be going
somewhere. As he rounded the corner and came in sight of the jail,
he directed a fixed, consuming glare upon the barred windows; a quite
noticeable scowl settled upon his ordinarily unruffled brow,--the
scowl of one searching intently, even apprehensively.

He was troubled. His composure was sadly disturbed. Kenneth Gwynne
had given him something to think about,--and the more he thought
about it the faster he walked. He was perspiring quite freely and
he was a little short of breath when he flung open the door and
entered his "den of iniquity" down by the river. He took in at a
glance the three men seated at a table in a corner of the somewhat
commodious "card-room." One of them was dealing "cold hands" to
his companions. A fourth man, his dealer, was leaning against the
window frame, gazing pensively down upon the slow-moving river.
Two of the men at the table were newcomers in town. They had come
up on the _Revere_ and they had already established themselves
in his estimation as "skeletons"; that is, they had been picked
pretty clean by "buzzards" in other climes before gravitating to
his "boneyard." He considered himself a good judge of men, and he
did not like the looks of this ill-favoured pair. He had made up
his mind that he did not want them hanging around the "shanty"; men
of that stripe were just the sort to give the place a bad name!
One of them had recalled himself to Barry Lapelle the night before;
said he used to work for a trader down south or somewhere.

Without the ceremony of a knock on the door, Mr. Trentman entered
a room at the end of the shanty, and there he found Lapelle reclining
on a cot. Two narrow slits in a puffed expanse of purple grading
off to a greenish yellow indicated the position of Barry's eyes.
The once resplendent dandy was now a sorry sight.

"Say," began Trentman, after he had closed the door, "I want to
know just how things stand with you and Martin Hawk. No beating
about the bush, Barry. I want the truth and nothing else."

Barry raised himself on one elbow and peered at his host. "What
are you driving at, Jack?" he demanded, throatily.

"Are you mixed up with him in this stock-running business?"

"Well, that's a hell of a question to ask a--"

"It's easy to answer. Are you?"

"Certainly not,--and I ought to put a bullet through you for asking
such an insulting question."

"He's in jail, charged with stealing sheep and calves, and he's
started to talk. Now, look here, Lapelle, I'm your friend, but if
you are mixed up in this business the sooner you get out of here
the better it will suit me. Wait a minute! I've got more to say. I
know you're planning to go down on the boat to-morrow, but I don't
believe it's soon enough. I've seen Gwynne. He says in plain English
that he won't fight a duel with a horse-thief. He must have some
reason for saying that. He has been employed as Moll Hawk's lawyer.
She's probably been talking, too. I've been thinking pretty hard
the last ten minutes or so, and I'm beginning to understand why you
wanted me to arrange the duel for day after to-morrow when you knew
you were leaving town on the _Revere_ in the morning. You were trying
to throw Gwynne off the track. I thought at first it was because
you were afraid to fight him, but now I see things differently. I'll
be obliged to you if you'll come straight out and tell me what's
in the air. I'm a square man and I like to know whether I'm dealing
with square men or not."

Lapelle sat up suddenly on the edge of the bed. Somehow, it seemed
to Trentman, the greenish yellow had spread lightly over the rest
of his face.

"You say Martin's in jail for stealing?" he asked, gripping the
corn-husk bedtick with tense, nervous fingers, "and not in connection
with the killing of Suggs?"

"Yep. And I sort of guess you'll be with him before you're much
older, if Gwynne knows what he's--"

"I've got to get out of this town to-night, Jack," cried the younger
man, starting to his feet. "Understand, I'm not saying I am mixed
up in any way with Hawk and his crowd, but--but I've got important
business in Attica early to-morrow morning. That's all you can get
me to say. I'll sneak up the back road to the tavern and pack my
saddle-bags this afternoon, and I'll leave money with you to settle
with Johnson. I may have to ask you to fetch my horse down here--"

"Just a minute," broke in Trentman, who had been regarding him
with hard, calculating eyes. "If it's as bad as all this, I guess
you'd better not wait till to-night. It may be too late,--and
besides I don't want the sheriff coming down here and jerking you
out of my place. You don't need to tell me anything more about
your relations with Hawk. I'm no fool, Barry. I know now that you
are mixed up in this stock-stealing business that's been going on
for months. It don't take a very smart brain to grasp the situation.
You've probably been making a pretty good thing out of moving
this stuff down the river on your boats, and--Now, don't get up on
your ear, my friend! No use trying to bamboozle me. You're scared
stiff,--and that's enough for me. And you've got a right to be.
This will put an end to your company's boats coming up here for
traffic,--it will kill you deader'n a doornail so far as business
is concerned. So you'd better get out at once. I never liked you
very much anyhow and now I've got no use for you at all. Just to
save my own skin and my own reputation as a law-abiding citizen,
I'll help you to get away. Now, here's what I'll do. I'll send up
and get your horse and have him down here inside of fifteen minutes.
There's so darned much excitement up in town about this murder
that nobody's going to notice you for the time being. And besides
a lot of farmers from over west are coming in, scared half to death
about Black Hawk's Indians. They'll be out looking for you before
long, your lordship, and it won't be for the purpose of inviting
you to have a drink. They'll probably bring a rail along with
'em, so's you'll at least have the consolation of riding up to the
calaboose. You'll--"

"Oh, for God's sake!" grated Barry, furiously. "Don't try to be
comical, Trentman. This is no time to joke,--or preach either. Give
me a swig of--"

"Nope! No whiskey, my friend," said the gambler firmly. "Whiskey
always puts false courage into a man, and I don't want you to
be doing anything foolish. I'll have your mare Fancy down here in
fifteen minutes, saddled and everything, and you will hop on her and
ride up the street, right past the court house, just as if you're
out for an hour's canter for your health. You will not have
any saddle-bags or traps. You'll ride light, my friend. That will
throw 'em off the track. But what I want you to do as soon as you
get out the other side of the tanyard is to turn in your saddle and
wave a last farewell to the Star City. You might throw a kiss at
it, too, while you're about it. Because you've got a long journey
ahead of you and you're not coming back,--that is, unless they
overtake you. There's some pretty fast horses in this town, as
you may happen to remember. So I'd advise you to get a good long
start,--and keep it."

If Lapelle heard all of this he gave no sign, for he had sidled
over to the little window and was peering obliquely through the
trees toward the road that led from the "shanty" toward the town.
Suddenly he turned upon the gambler, a savage oath on his lips.

"You bet I'll come back! And when I do, I'll give this town something
to talk about. I'll make tracks now. It's the only thing to do.
But I'm not licked--not by a long shot, Jack Trentman. I'll be back
inside of--"

"I'll make you a present of a couple of pistols a fellow left with
me for a debt a month or so ago. You may need 'em," said Trentman
blandly. "Better get ready to start. I'll have the horse here in
no time."

"You're damned cold-blooded," growled Barry, pettishly.

"Yep," agreed the other. "But I'm kind-hearted."

He went out, slamming the door behind him. Twenty minutes later,
Barry emerged from the "shanty" and mounted his sleek, restless
thoroughbred. Having recovered, for purposes of deception, his
lordly, cock-o'-the-walk attitude toward the world, he rode off
jauntily in the direction of the town, according Trentman the scant
courtesy of a careless wave of the hand at parting. He had counted
his money, examined the borrowed pistols, and at the last moment
had hurriedly dashed off a brief letter to Kenneth Gwynne, to be
posted the following day by the avid though obliging Mr. Trentman.

Stifling his rancour and coercing his vanity at the same time, he
cantered boldly past the Tavern, bitterly aware of the protracted
look of amazement that interrupted the conversation of some of the
most influential citizens of the place as at least a score of eyes
fell upon his battered visage. Pride and rage got the better of
him. He whirled Fancy about with a savage jerk and rode back to
the group.

"Take a good look, gentlemen," he snapped out, his eyes gleaming
for all the world like two thin little slivers of red-hot iron.
"The coward who hit me before I had a chance to defend myself has
just denied me the satisfaction of a duel. I sent him a challenge
to fight it out with pistols day after to-morrow morning. He is
afraid to meet me. The challenge still stands. If you should see
Mr. Gwynne, gentlemen, between now and Friday morning, do me the
favour to say to him that I will be the happiest man on earth if
he can muster up sufficient courage to change his mind. Good day,
gentlemen."

With this vainglorious though vicarious challenge to an absent
enemy, he touched the gad to Fancy's flank and rode away, his head
erect, his back as stiff as a ramrod, leaving behind him a staring
group whose astonishment did not give way to levity until he was
nearing the corner of the square. He cursed softly under his breath
at the sound of the first guffaw; he subdued with difficulty a wild,
reckless impulse to turn in the saddle and send a shot or two at
them. But this was no time for folly,--no time to lose his head.

Out of the corner of his eye he took in the jail and the group of
citizens on the court house steps. Something seemed to tell him
that these men were saying, "There he goes,--stop him! He's getting
away!" They were looking at him; of that he was subtly conscious,
although he managed to keep his eyes set straight ahead. Only the
most determined effort of the will kept him from suddenly putting
spur to the mare. Afterwards he complimented himself on his remarkable
self-control, and laughed as he likened his present alarm to that
of a boy passing a graveyard at night. Nevertheless, he was now
filled with an acute, very real sense of anxiety and apprehension;
every nerve was on edge.

It was all very well for Jack Trentman to say that this was the
safest, most sensible way to go about it, but had Jack ever been
through it himself? At any moment Martin Hawk might catch a glimpse
of him through the barred window of the jail and let out a shout
of warning; at any moment the sheriff himself might dash out of
the court house with a warrant in his hand,--and then what? He had
the chill, uneasy feeling that they would be piling out after him
before he could reach the corner of the friendly thickets at the
lower end of the street.

A pressing weight seemed to slide off his shoulders and neck
as Fancy swung smartly around the bend into the narrow wagon-road
that stretched its aimless way through the scrubby bottom-lands and
over the ridge to the open sweep of the plains beyond. Presently
he urged the mare to a rhythmic lope, and all the while his ears
were alert for the thud of galloping horses behind. It was not until
he reached the table-land to the south that he drove the rowels
into the flanks of the swift four-year-old and leaned forward in
the saddle to meet the rush of the wind. Full well he knew that
given the start of an hour no horse in the county could catch his
darling Fancy!

And so it was that Barry Lapelle rode out of the town of Lafayette,
never to return again.




CHAPTER XXIV

IN AN UPSTAIRS ROOM


It was characteristic of Rachel Carter that she should draw the
window curtains aside in Viola's bedroom, allowing the pitiless
light of day to fall upon her face as she seated herself to make
confession. She had come to the hour when nothing was to be hidden
from her daughter, least of all the cheek that was to be smitten.

The girl sat on the edge of the bed, her elbow on the footboard,
her cheek resting upon her hand. Not once did she take her eyes
from the grey, emotionless face of the woman who sat in the light.

In course of time, Rachel Carter came to the end of her story. She
had made no attempt to justify herself, had uttered no word of
regret, no signal of repentance, no plea for forgiveness. The cold,
unfaltering truth, without a single mitigating alloy in the shape
of sentiment, had issued from her tired but unconquered soul. She
went through to the end without being interrupted by the girl,
whose silence was eloquent of a strength and courage unsurpassed
even by this woman from whom she had, after all, inherited both.
She did not flinch, she did not cringe as the twenty-year-old truth
was laid bare before her. She was made of the same staunch fibre
as her mother, she possessed the indomitable spirit that stiffens
and remains unyielding in the face of calamity.

"Now you know everything," said Rachel Carter wearily. "I have
tried to keep it from you. But the truth will out. It is God's law.
I would have spared you if I could. You are of my flesh and blood,
you are a part of me. There has never been an instant in all these
hard, trying years when I have not loved and cherished you as the
gift that no woman, honest or dishonest, can despise. You will know
what that means when you have a child of your own, and you will
never know it until that has come to pass. You may cast me out of
your heart, Viola, but you cannot tear yourself out of mine. So!
I have spoken. There is no more."

She turned her head to look out of the window. Viola did not move.
Presently the older woman spoke again. "Your name is Minda Carter.
You will be twenty-two years old next September. You have no right
to the name of Gwynne. The boy who lives in that house over yonder
is the only one who has a right to it. But his birthright is no
cleaner than yours. You can look him in the face without shame to
yourself, because your father was an honest man and your mother
was his loyal, faithful wife,--and Kenneth Gwynne can say no more
than that."

"Nor as much," burst from the girl's lips with a fervour that
startled her mother. "His father was not a loyal, faithful husband,
nor was he an honest man or he would have married you."

She was on her feet now, her body bent slightly, forward, her
smouldering eyes fixed intently upon her; mother's face.

Rachel Carter stared incredulously. Something in Viola's eyes, in
the ring of her voice caused her heart to leap.

"I was his wife in the eyes of God," she began, but something rushed
up into her throat and seemed to choke her.

"And you have told Kenneth all this?" cried Viola, a light as of
understanding flooding her eyes. "He knows? How long has he known?"

"I--I can't remember. Some of it for weeks, some of it only since
last night."

"Ah!" There was a world of meaning in the cry. Even as she uttered
it she seemed to feel his arms about her and the strange thrill
that had charged through her body from head to foot. She sat down
again on the edge of the bed; a dark wave of colour surging to her
cheek and brow.

"I am waiting," said her mother, after a moment. Her voice was
steady. "It is your turn to speak, my child."

Viola came to her side.

"Mother," she began, a deep, full note in her voice, "I want you
to let me sit in your lap, with your arms around me. Like when I
was a little girl."

Rachel lifted her eyes; and as the girl looked down into them
the hardness of years melted away and they grew wondrous soft and
gentle.

"Is this your verdict?" she asked solemnly.

"Yes," was the simple response.

"You do not cast me out of your heart? Remember, in the sight of
man, I am an evil woman."

"You are my mother. You did not desert me. You would not leave me
behind. You have loved me since the day I was born. You will never
be an evil woman in my eyes. Hold me in your lap, mother dear. I
shall always feel safe then."

Rachel's lips and chin quivered.... A long time afterward the girl
gently disengaged herself from the strong, tense embrace and rose
to her feet.

"You say that Kenneth hates you," she said, "and you say that you
do not blame him. Is it right and fair that he should hate you any
more than I should hate his father?" "Yes," replied Rachel Carter,
"it is right and fair. I was his mother's best friend. His father
did not betray his best friend as I did, for my husband was dead.
There is a difference, my child."

Viola shook her head stubbornly. "I don't see why the woman must
always be crucified and the man allowed to go his way--"

"It is no use, Viola," interrupted Rachel, rising. Her face
had hardened again. "We cannot change the ways of the world." She
crossed the room, but stopped with her hand on the door-latch.
Turning to her daughter, she said: "Whatever Kenneth may think of
me, he has the greatest respect and admiration for you. He bears
no grudge against Minda Carter. On the contrary, he has shown that
he would lay down his life for you. You must bear no grudge against
him. You and he are children who have walked in darkness for twenty
years, but now you have come to a place where there is light. See
to it, Viola, that you are as fair to him as you would have him be
to you. You stand on common ground with the light of understanding
all about you. Do not turn your backs upon each other. Face one
another. It is the only way."

Viola's eyes flashed. She lifted her chin.

"I am not ashamed to look Kenneth Gwynne in the face," said she,
a certain crispness in her voice. Then, with a quick change to
tenderness, "You are so tired, mother. Won't you lie down and sleep
awhile?"

"After I have eaten something. Come downstairs. I want to hear
what happened here this morning. Kenneth told me very little and
you have done nothing but ask questions of me."

"Did he tell you that he struck Barry Lapelle?"

"No."

"Or how near I came to shooting him?"

"Merciful heaven!" "Well, I guess Barry won't rest till he has told
the whole town what we are,--and then we'll have to face something
cruel, mother. But we will face it together."

She put her arm about her mother's shoulders and they went down
the narrow staircase together.

"It will not cost me a single friend, Viola," remarked Rachel
grimly. "I have none to lose. But with you it will be different."

"We don't have to stay in the old town," said Viola bravely. "The
world is large. We can move on. Just as we used to before we came
here to live. Always moving on, we were."

Rachel shook her head. They were at the bottom of the stairs.

"I will not move on. This is where I intend to live and die. The
man I lived for is up yonder in the graveyard. I will not go away
and leave him now,--not after all these years. But you, my child,
you must move on. You have something else to live for. I have
nothing. But I can hold my head up, even here. You will not find
it so easy. You will--"

"It will be as easy for me as it will for Kenneth Gwynne," broke in
the girl. "Wait and see which one of us runs away first. It won't
be me."

"He will not go away and leave you," said Rachel Carter.

Viola gave her a quick, startled look. They were in the kitchen,
however, before she spoke. Then it was to say:

"Now I understand why I have never been able to think of him as my
brother." That, and nothing more; there was an odd, almost frightened
expression in her eyes.

She got breakfast for her mother, Hattie having been sent down
into the town by her mistress immediately upon her return home,
ostensibly to make a few purchases but actually for the purpose of
getting rid of her. Viola, in relating the story of the morning's
events, was careful to avoid using the harshest of Barry's terms,
but earnestly embellished the account of Kenny's interference with
some rather formidable expressions of her own, putting them glibly
into the mouth of her champion. Once her mother interrupted her to
inquire:

"Did Kenneth actually use those words, Viola? 'Pusillanimous varlet,'
--and 'mendacious scalawag'? It does not sound like Kenneth."

Viola had the grace to blush guiltily. "No, he didn't. He swore
harder than anybody I've ever--"

"That's better," said Rachel, somewhat sternly.

Later on they sat on the little front porch, where the older woman,
with scant recourse to the graphic, narrated the story of Moll
Hawk. Pain and horror dwelt in Viola's wide, lovely eyes.

"Oh, poor, poor Moll," she murmured at the end of the wretched tale.
"She has never known a mother's love, or a mother's care. She has
never had a chance."

Then Rachel Carter said a strange thing. "When all this is over
and she is free, I intend to offer her a home here with me."

The girl stared, open-mouthed. "With you? Here with us?"

"You will not always be here with me," said her mother. "How can
you say such a thing?" with honest indignation. Then quickly: "I
know I planned to run off and leave you a little while ago, but
that was before I came to know how much you need me."

Rachel experienced one of her rare smiles. "And before you came to
know Kenneth Gwynne," she said. "No, my dear, the time is not far
off when you will not need a mother. Moll Hawk needs one now. I
shall try to be a mother to that hapless girl."

Viola looked at her, the little line of perplexity deepening between
her eyes.

"Somehow it seems to me that I am just beginning to know my own
mother," she said.

A bluejay, sweeping gracefully out over the tree-tops, came to
rest upon a lofty bough in the grove across the road. They sat for
a long time without speaking, these two women, watching him preen
and prink, a bit of lively blue against the newborn green. Then he
flew away. He "moved on,"--a passing symbol.

How simple, how easy it was for this bright, gay vagabond to return
to the silence from which he had come.




CHAPTER XXV

MINDA CARTER


Viola was alone on the porch when Kenneth came into view at the bend
in the road. He had chuckled more than once after parting from the
gambler; a mental vision of the inwardly agitated though outwardly
bland Mr. Trentman making tracks as fast as his legs would carry
him to warn Lapelle of his peril afforded him no small amount of
satisfaction. If he knew his man,--and he thought he did,--Barry
would lose no time in shaking the dust of Lafayette from his feet.
The thought of that had sent his spirits up. He went even farther
in his reflections and found himself hoping that Barry's flight
might be so precipitous that he would not have the opportunity to
disclose his newfound information concerning Rachel Carter.

He was nearing his own gate before he saw Viola, seated on the
porch. Involuntarily he slackened his pace. A sort of panic seized
him. Was she waiting there to question him? He experienced a sudden
overwhelming dismay. What was he to say to her? How was he to face
the unhappy, stricken,--but even as he contemplated a cowardly
retreat, she arose and came swiftly down the path. He groaned
inwardly. There was no escape.

Now, as he hesitated uncertainly at his own gate, his heart in his
boots, she serenely beckoned to him.

"I want to see you, Kenny," she called out.

This was no stricken, unhappy creature who approached him. Her
figure was proudly erect; she walked briskly; there was no trace
of shame or humiliation in her face; if anything, she was far more
at ease than he.

"I want to thank you," she said calmly, "for what you did this
morning. Not only for what you did to him but for keeping me from
shooting him." She held out her hand, but lowered it instantly
when she saw that his own was rather significantly hidden inside
the breast of his coat. A look of pain fluttered across her eyes.

"Where is your mother?" he asked lamely.

She seemed to read his thoughts. "Mother and I have talked it all
over, Kenneth. She has told me everything."

"Oh, you poor darling!" he cried.

"Don't waste any sympathy on me," she retorted, coldly. "I don't
want it. Not from Robert Gwynne's son at any rate."

He was now looking at her steadily. "I see. You don't care for the
breed, is that it?"

"Kenny," she began, a solemn note in her voice, "there is no reason
why you and I should hurt each other. If I hurt you just now I am
sorry. But I meant what I said. I do not want the pity of Robert
Gwynne's son any more than you want to be pitied by the daughter
of Rachel Carter. We stand on even terms. I just want you to know
that my heart is as stout as yours and that my pride is as strong."

He bowed his head. "All my life I have thought of my father as a
Samson who was betrayed by a Delilah. I have never allowed myself
to think of him as anything but great and strong and good. I grew
to man's estate still believing him to be the victim of an evil
woman. I am not in the ordinary sense a fool and yet I have been
utterly without the power to reason. My eyes have been opened,
Viola. I am seeing with a new vision. I have more to overlook, more
to forgive in my father than you have in your mother. I speak plainly,
because I hope this is to be the last time we ever touch upon the
subject. You, at least, have grown up to know the enduring love
of a mother. She did not leave you behind. She was not altogether
heartless. That is all I can say, all I shall ever say, even to
you, about my father."

He spoke with such deep feeling and yet so simply that her heart
was touched. A wistful look came into her eyes.

"I am still bewildered by it all, Kenny," she said. "In the wink
of an eye, everything is altered. I am not Viola Gwyn. I am Minda
Carter. I am not your half-sister. You seem suddenly to have gone
very far away from me. It hurts me to feel that we can never be the
same toward each other that we were even this morning. I had come
to care for you as a brother. Now you are a stranger. I--I loved
being your sister and--and treating you as if you were my brother.
Now all that is over." She sighed deeply.

"Yes," he said gently, "all that is over for you, Viola. But I have
known for many weeks that you are not my sister."

"I bear no grudge against you," she said, meeting his gaze steadily.
"My heart is bitter toward the man I have always looked upon as my
father. But it does not contain one drop of bitterness toward you.
What matters if I have walked in darkness and you in the light?
We were treading the same path all the time. Now we meet and know
each other for what we really are. The path is not wide enough for
us to walk beside each other without our garments touching. Are we
to turn back and walk the other way so that our unclean garments
may not touch?"

"For heaven's sake, Viola," he cried in pain, "what can have put
such a thought into your head? Have I ever said or done anything
to cause you to think I--"

"You must not forget that you can walk by yourself, Kenny. Your
father is dead. The world is kind enough to let the dead rest in
peace. But it gives no quarter to the living. My mother walks with
me, Kenneth Gwynne. The world, when it knows, will throw stones
at her. That means it will have to throw stones at me. She did not
abandon me. I shall not abandon her. She sinned,"--here her lip
trembled,--"and she has been left to pay the penalty alone. It
may sound strange to you, but my mother was also deserted by your
father. God let him die, but I can't help feeling that it wasn't
fair, it wasn't right for him to die and leave her to face this
all alone."

"And you want to know where I stand in the matter?"

"It makes no difference, Kenny. I only want you to understand. I
don't want to lose you as a friend,--I would like to have you stand
up and take your share of the--"

"And that is just what I intend to do," he broke in. "We occupy
strange positions, Viola. We are,--shall I say birds of a feather?
This had to come. Now that it has come and you know all that I
know, are we to turn against each other because of what happened
when we were babies? We have done no wrong. I love you, Viola,--I
began loving you before I found out you were not my half-sister.
I will love you all my life. Now you know where I stand."

She looked straight into his eyes for a long time; in her own there
was something that seemed to search his soul, something of wonder,
something groping and intense as if her own soul was asking a grave,
perplexing question. A faint, slow surge of colour stole into her
face. "I must go in the house now," she said, a queer little flutter
in her voice. "After dinner I am going down with mother to see Moll
Hawk. If--if you mean all that you have just said, Kenny, why did
you refuse to shake hands with me?"

He withdrew his bruised right hand from its hiding-place. "It is
an ugly thing to look at but I am proud of it," he said. "I would
give it for you a thousand times over."

"Oh, I'm--I'm sorry I misjudged you--" she cried out. Then both
of her hands closed on the unsightly member and pressed it gently,
tenderly. There was that in the touch of her firm, strong fingers
that sent an ecstatic shock racing into every fibre in his body.
"I will never question that hand again, Kenny," she said, and then,
releasing it, she turned and walked rapidly away.

He stood watching her until she ran nimbly up the porch steps and
disappeared inside the house. Whereupon he lifted the swollen but
now blessed knuckles to his lips and sighed profoundly.

"Something tells me she still loves Barry, in spite of everything,"
he muttered, suddenly immersed in gloom. "Women stick through thick
and thin. If they once love a man they never--"

"Dinner's ready, Marse Kenneth," announced Zachariah from the
door-step.




CHAPTER XXVI

THE FLIGHT OF MARTIN HAWK


Now, Martin Hawk was not a patient man. He waited till mid-afternoon
for some word from Barry Lapelle in response to his message,
and, receiving none,--(for the very good reason that it was never
delivered),--fell to blaspheming mightily, and before he was
through with it revealed enough to bring about an ultimate though
fruitless search for the departed "go-between."

He was, however, careful to omit any mention of the _Paul Revere's_
captain, remembering just in time that hardy riverman's promise
to blow his brains out if he even so much as breathed his name
in connection with certain nefarious transactions,--and something
told him that Cephas Redberry would put a short, sharp stop to
any breathing at all on his part the instant he laid eyes on him.
He was not afraid of Barry Lapelle but he was in deadly terror of
Redberry. The more he thought of Ceph being landed in the same
jail with him, the longer the goose feathers grew on his shrinking
spine. So he left the Captain out of it altogether,--indeed, he
gave him a perfectly clean bill of health.

Along about dusk that evening a crowd began to collect in the
neighbourhood of the jail. Martin, peering from behind a barred
window, was not long in grasping the significance of this ominous
gathering. He was the only inmate of the "calaboose"; therefore,
he was in no doubt as to the identity of the person to whom so
many different terms of opprobrium were being applied by certain
loud-voiced citizens in the crowd. He also gathered from remarks
coming up to the window that the person referred to stood in grave
danger of being "skinned alive," "swung to a limb," "horsewhipped
till he can't stand," "rode on a rail," "ham-strung," "drownded,"
"hung up by the thumbs," "dogged out o' town," "peppered with
bird-shot," "filled with buckshot," and numerous other unpleasant
alternatives, no one of which was conducive to the peace of mind.

As the evening wore on, Martin became more and more convinced that
his life wasn't worth a pinch of salt, and so began to pray loudly
and lustily. The crowd had increased to alarming proportions. In
the light of torches and bonfires he recognized men from far-off
Grand Prairie, up to the northwest of town. Wagons rumbled past the
jail and court house and were lost in the darkness of the streets
beyond. He was astonished to see that most of these vehicles
contained women and children, and many of them were loaded high with
household goods. This, thought Martin, was the apex of attention.
People were coming from the four corners of the world to witness his
execution! Evidently it was to be an affair that every householder
thought his women-folk and the children ought to see. Some men might
have been gratified by all this interest, but not Martin. He began
to increase the fervor of his prayers by inserting, here and there,
hair-raising oaths,--not bravely or with the courage of the defiant,
but because all other words failed him in his extremity.

He had no means of knowing, of course, that he was dividing
the honours, so to speak, with another and far more imposing
rascal,--the terrible Black Hawk. How was he to know, locked up in
jail, that all evening long panic-stricken people from the distant
and thinly-settled prairies were piling into town because of the
report that bands of Black Hawk's warriors had been seen by reputable
settlers along the upper edge of the Prairie?

Like reports had been filtering into town for several days, but not
much credence had been given them. Indian scares were not uncommon,
and for the most part people had scoffed at them. But now there was
an actual threat from the powerful Black Hawk, whose headquarters
were up along the Rock River, in the northern part of Illinois.
The chieftain had at last thrown down the gauntlet; he had refused
to recognize the transfer of lands and rights as laid down by the
Government, and had openly announced his intention to fight. Already
troops from the forts were on the move, and there was talk of the
State militia being called out. Some of the leading spirits in
Lafayette had been moved to organize a local company.

Naturally, Martin Hawk knew nothing of all this. He knew, through
Simon Braley, that Indian troubles were bound to come, but how was
he to know that red-skins in warpaint had been seen on the Grand
Prairie, or that he was not the only subject of conversation? All
he knew was that if the Lord didn't take a hand pretty soon he
would be--Well, it was useless to fix his mind on any particular
form of destruction, so many and so varied were the kinds being
disputatiously considered by the people in the street.

Suddenly the sound of fife and drum smote upon his ear, coming from
somewhere up the street. He huddled down in a corner and began to
moan. He knew the meaning of that signal-call. They were organizing
for a rush upon the jail,--an irresistible, overwhelming charge that
would sweep all opposition before it. Then he heard the shuffling
of many feet, loud exclamations and an occasional cheer. Finally
he screwed up the courage for another cautious peep through the
bars. The crowd was moving off up the street. A small group remained
undecided near a bonfire in the court house yard. One of these men
held a long rope in his hand, and seemed argumentative.

Martin listened with all ears, trying to catch what was being
said. What an infernal noise that fife and drum were making! At
last the little knot of men moved away from the fire, coming toward
the window. Martin, being a wary rascal, promptly ducked his head,
but kept his ears open.

"It's a trick, that's what it is," he heard some one growl. "A
trick to get us away from the jail. They know we'll get him, sure
as God made little apples, so they've fixed this up to--"

"Well, what if it is a trick?" broke in another. "It ain't going
to work. The crowd'll be back here again inside of ten minutes an'
all the sheriffs an' constables in the State can't stop us from
taking him out an' stringin' him up."

"We might as well go and see what's up," said another. "I guess he's
where he'll keep. He'll be here when we come back, Bill. He can't
get out till we open the door, so what's the use cussin' about ten
or fifteen minutes' delay? Come on! I don't take any stock in this
talk about Indians, but, great snakes, if they want to get up a
company to go out and--"

The rest of the remark was lost to Martin when the group turned
the corner of the jail.

"Ten or fifteen minutes," he groaned. In ten or fifteen minutes the
whole town would be out there, breaking down the door--the work of
a few seconds. He remembered hearing people laugh and joke about
the new jail. No less a person than Cap' Redberry had said, after
a casual inspection of the calaboose, that if THAT was what they
called a jail he'd hate to be inside of it if a woodpecker started
to peckin' at it, 'cause if such a thing happened the whole blamed
she-bang would cave in and like as not hurt him considerable. And
Cap' was not the only one who spoke derisively of the new jail. Ed
Bloker declared he had quit walkin' past it on his way home from
the grocery because he was in mortal terror of staggerin' up against
it and knockin' it all to smash. Of course, Martin knew that it
was not as bad as all that, but, even so, it could not hold out
for more than a minute if some one began pounding at the door with
a sledge-hammer.

There were two rooms, or compartments, to the jail; a little
ante-room and the twelve-by-sixteen foot "cage," of which he was
the sole occupant. A single cornhusk mattress had been put in for
him that afternoon. He never seemed quite able to fix its position
in his mind, a circumstance that caused him to stumble over it time
and again as he tramped restlessly about the place in the darkness.

Suddenly he stopped as if shot. A tremendous idea struck him, and
for a moment his head spun dizzily. If it was so blamed easy to
break into the jail, why should it be so all-fired difficult to
break out of it? Why, he hadn't even tried the door, or the bars
in the window; now that he thought of it, the grate in the south
window had appeared to be a little shaky. Inspired by a wild,
alluring hope, he sprang over to the window and gripped the thin
iron bars; with all his might and main he jerked, bracing his feet
against the wall. No use! It would come just so far and no farther.
He tried the other window, with even less encouraging results. In
eight or ten minutes now, the crowd would be,--he leaped to the
barred door. It, too, resisted his crazy strength. The huge padlock
on the other side clattered tauntingly against the grating, but that
was all. All the while he was grunting and whining: "If I ever get
out of this, it'll take a streak o' greased lightnin' to ketch me.
Oh, Lordy! That drum's gettin' closer! They're comin'! If I ever
get out of this, nobody'll ever see me closer'n a hundred mile
o' this here town,--never as long as I live. Gimme a half hour's
start an'--Jehosophat!"

He had shoved a trembling hand between the bars and was fumbling
with the padlock. His ejaculation was due to a most incredible
discovery. Some one had forgotten to take the key out of the padlock!
He laughed shrilly, witlessly. Twenty seconds later he was out in
the little anteroom or vestibule, panting and still chortling. The
outer door opened readily to the lifting of the latch. He peeped
out cautiously, warily. The square was deserted save for a few men
hurrying along the street toward the drill ground up beyond Horton's
tanyard,--where the drum and fife were playing and men were shouting
loudly.

Thereupon Martin Hawk did the incomprehensible thing. He squared his
brawny shoulders, set his hat rakishly over one ear, and sauntered
out of the jail, calmly stopping to latch the door--and even to
rattle it to make sure that it had caught!

He was far too cunning to dart around the corner and bolt for
safety. That would have been the worst kind of folly. Instead, he
strode briskly off in the direction from whence came the strains
of martial music! So much for the benefit of watchful, suspicious
eyes. But as he turned the corner of Baker's store his whole demeanour
changed. He was off like a frightened rabbit, and as soft-footedly.
He ran as the huntsman or the Indian runs,--almost soundlessly, like
the wind breezing over dead leaves or through the tops of reeds.
Three men stepped out from behind a wagon on the far side of the
square. The flare of a bonfire reached dimly to the corner around
which the fugitive had scurried. One of the men gave vent to a
subdued snort and then spat hurriedly and copiously.

"We'll never see hide nor hair of him again," quoth he. "He won't
stop running till daybreak. I guess you'd better wait about ten
minutes, Jake, and then fire a few shots. That'll put new life
into him. Course, a lot of blamed fools will cuss the daylights
out of me for letting him get away right under my nose, and all
that, but let 'em talk. He's gone for good, you can bet on that,--and
the county's lucky to get rid of him so cheaply."

"I guess you're right, Sheriff," agreed one of his companions.
"From all I hear, Mrs. Gwyn would have a hard time provin' it was
him as stole her--"

"Supposin' she did prove it, what then?" broke in the high sheriff
of the bailiwick. "The county would have to feed him for a couple
of months or so and then turn him loose again to go right back to
stealing, same as before. The best way to punish a thief, accordin'
to my notion, is to keep him everlastingly on the jump, scared to
death to show his face anywheres and always hatin' to go to sleep
for fear he'll wake up and find somebody pointin' a pistol at him
and sayin,' 'Well, I got you at last, dang ye.' Besides, lockin'
Mart up isn't going to bring back Mrs. Gwyn's sheep, is it?"

"When that gal of his tells her story in court to-morrow," advanced
the third member of the group, "there'll be plenty of people in
this town that won't be put off a second time by any fife and drum
shinanigan."

"Anyhow," said the sheriff, "I didn't want to have the blamed skunk
on my mind while we're organizin' the company. It's bad enough
havin' to go out and fight Indians without worryin' all the time
I'm away about whether anybody back here has had sense enough to
keep Martin from starvin' to death. I guess we'd better mosey along
up to the drill ground, boys. Martin's got into the bushes by this
time, and if I'm any kind of a guesser he ain't dawdlin' along
smellin' every spring flower he comes across."

"Don't you think you'd better go over an' take a look around the
jail first?"

"What for? There ain't anybody in it."

"No, but like as not the dog-gasted whelp run off with that padlock,
an' we'd ought to know it before he gets too big a start. Padlocks
cost money," explained the other, with a dry chuckle and a dig in
the sheriff's ribs.

"So do prisoners," was the rejoinder of this remarkable sheriff.

And thus it came to pass that between the sheriff and Kenneth Gwynne
and Moll Hawk, the county got rid of three iniquitous individuals.
One rode forth in broad daylight on a matchless thoroughbred;
another stole off like a weasel in the night, and the third took
passage on the Ship that Never Returns.




CHAPTER XXVII

THE TRIAL OF MOLL HAWK


The trial of Moll Hawk was a brief one. "Judge" Billings, as foreman
of the jury, asked permission of the Court to make a few remarks
before the taking of testimony began.

"Your honour, this here jury got together last night and sort of
talked things over while Mr. Benbridge and other patriotic citizens
of Lafayette were engaged in organizing a number of noble and
brave-hearted gentlemen into a company of soldiers to give battle
to the bloodthirsty red man who is about to swoop down upon us,
with tommyhawk and knife and rifle, to ravage our lands and pillage
our women--er--I mean pillage our lands and--er--so forth. As I was
saying, your honour, we talked it over and seeing as how we have
all enlisted in Mr. Benbridge's troop and he sort of thought we'd
better begin drilling as soon as possible, and also seeing as
how this here trial is attractin' a good deal of attention at a
time when we ought to be thinkin' of the safety of our wives and
children,--if we have any,--we came to the conclusion to address
you, sir, with all respect, and suggest that you instruct the
counsel on both sides to be as lenient as possible with the jury.

"This here innocent girl's father broke out of jail and got away.
As far as this here jury knows he ain't likely ever to come back,
so, for the time being at least, there don't seem to be anybody we
can hang for the crime with which the prisoner at the bar is charged.
This jury was picked with a great deal of care by the sheriff and
is, I am reliably informed, entirely satisfactory to both sides of
the case.

"In view of the fact that Black Hawk's warriors are reported to
have been seen within twenty miles of our beautiful little city, and
also in view of the additional fact that Mrs. Rachel Gwyn, one of
our foremost citizens and taxpayers, has recently informed me,--and
your honour also, I believe, in my presence,--that she intends to
give this poor girl a home as soon as she is lawfully discharged by
the jury as not guilty, we, the jury, implore your honour to keep
an eye on the clock. As we understand the case, there were only
two witnesses to the killing of the villain against whom this young
woman fought so desperately in self-defence. One of 'em is here in
this courtroom. The other is dead and buried. It is now ten minutes
past nine. We, the jury, would like for you to inform the counsel
on both sides that at precisely ten o'clock we are going to render
a verdict, because at a quarter-past ten the majority of us have
to attend a company drill. The lawyer for the prisoner enlisted
last night as a private in our company, and so did the prosecuting
attorney."

"This is a most unusual and unprecedented action on the part of a
jury," said the Court gravely. "However, in view of the extraordinary
circumstances, I feel that we should be as expeditious as possible
in disposing of the case on trial. Gentlemen, you have heard the
remarks of the foreman of the jury. Have either of you any reason
for objecting to the suggestion he has made? Very well, then; we
will proceed with the trial of Mary Hawk, charged with murder in
the first degree. Call your first witness, Mr. Prosecutor."

The little courtroom was jammed to its capacity. Hundreds, unable to
gain admission, crowded about the entrance and filled the square.
The town was in the throes of a vast excitement, what with the
trial, the Indian uprising in the north, the escape of Martin Hawk
and the flight of Barry Lapelle, hitherto regarded as a rake but
not even suspected of actual dishonesty. The Paul Revere, with
Captain Redberry in charge, had got away at daybreak, loaded to
the rails with foot-loose individuals who suddenly had decided to
try their fortunes elsewhere rather than remain in a district likely
to be overrun by savages.

Moll Hawk sat in front of the judge's table and at her side was
Kenneth Gwynne. Mrs. Gwyn and Viola occupied seats on a bench near
one of the windows, facing the jury. The prisoner was frightened.
She was stiff and uncomfortable in the new dress the sheriff's wife
had selected for her. Her black hair was neatly brushed and coiled
in two thick lobs which hung down over her ears. Her deep-set eyes
darted restlessly, even warily about her as she sat there in the
midst of this throng of strange, stern-faced men. Now and then they
went appealingly to Mrs. Gwyn or Viola or to the sheriff's wife,
and always they seemed to be asking: "What are they going to do to
me?"

The prosecuting attorney, a young man of slender experience
but chivalrous instincts, solemnly announced that he had but two
witnesses to examine and then he was through. He called the undertaker
to the stand.

"In as few words as possible, tell the jury who it was that you
buried yesterday afternoon."

"Jasper Suggs."

"Was he dead?"

"He was."

"That's all, your honour."

"Any questions, Mr. Gwynne?" inquired the judge.

"None, your honour."

"Call your next witness, Mr. Prosecutor."

"Mr. Sheriff, will you take the stand for a moment? Did you see
the defendant along about four o'clock yesterday morning?"

"I did."

"State where."

"At her father's cabin."

"State what had happened there prior to your arrival, if you know."

"This defendant had had a little difficulty with the corpse, and
he was dead on the floor when we got there."

"From a knife wound?"

"Yes, sir."

"Who inflicted that wound, if you know?"

"Miss Mary Hawk."

"You are sure about that, Mr. Sheriff?"

"Pos-i-tively."

"How can you be sure of that, sir, if you did not witness the deed
with your own eyes?"

The Court rapped on the table.

"This is your own witness, Mr. Prosecutor. Are you trying to
cross-examine him, or to discredit his testimony?"

"I beg your honour's pardon."

Kenneth arose. "We will admit that Jasper Suggs came to his death
at the hands of the defendant."

"In that case," said his gentlemanly adversary, "the State rests."

"Judge" Billings was heard audibly to remark: "Give 'em an inch
and they take a mile."

"Order in the court! Call your first witness, Mr. Gwynne."

"Take this chair, if you please, Miss Hawk. Hold up your right hand
and be sworn. Now, be good enough to answer the questions I put to
you, clearly and distinctly, so that the jury may hear."

After a few preliminary questions he said: "Now tell the Court and
the jury exactly what happened, beginning with the return of your
father and Jasper Suggs from a trip to town. Don't be afraid,
Miss--er--Moll. Tell the jury, in your own words, just what took
place between the time you first heard Suggs and your father talking
in the cabin and the arrival of the sheriff and his men."

It lacked just three minutes of ten o'clock when she finished her
story. It had been delivered haltingly and with visible signs of
embarrassment at times, but it was a straightforward, honest recital
of facts.

"Any questions, Mr. Prosecutor?"

"None, your honour. The State does not desire to present argument.
It is content to submit its case to the jury without argument,
asking only that a verdict be rendered fairly and squarely upon
the evidence as introduced. All we ask is justice."

"Any argument, Mr. Gwynne?"

"None, your honour. The defence is satisfied to leave its case
entirely in the hands of the jury."

"Gentlemen of the jury," said the Court, glancing at the clock,
"the Court will omit its instructions to you, merely advising you
that if you find the prisoner guilty as charged your verdict must
be murder in the first degree, the penalty for which is death."

"Judge" Billings leaned over and picked up his hat from the floor.
Then he arose and announced:

"We, the jury, find the defendant not guilty."

"Prisoner discharged," said the Court, arising. "The Court desires
to thank the jurors for the close attention you have paid to the
evidence in this case and for the prompt and just verdict you have
returned. Court stands adjourned."

Later on Moll Hawk walked up the hill with Mrs. Gwyn and Viola.
Very few words had passed between them since they left the curious
but friendly crowd in the public square. Finally Moll's dubious
thoughts found expression in words, breaking in upon the detached
reflections of her two companions.

"I don't see why they let me off like that, Mis' Gwyn. I killed
him, didn't I?"

"Yes, Moll,--but the law does not convict a person who kills in
self-defence. Didn't you understand that?" "But supposin' I wuz
starvin' to death an' I stole a ham like Bud Gridley did last fall
when his pa an' ma wuz sick, wouldn't that be self-defence? They put
him in jail fer two months, jest fer stealin' a ham when he hadn't
had nothin' to eat fer three days,--bein' crippled an' couldn't
work. Wuz that fair?"

"Don't forget, Moll," said Rachel ironically, "that Henry Butts
valued his ham at seventy-five cents."

"Anyhow, hit don't seem right an' fair," said Moll. "I didn't
have to kill Jasper to save my life. I could ha' saved it without
killin' him."

"You did perfectly right in killing him, Moll," broke in Viola
warmly. "I would have done the same thing if I had been in your
place."

Moll thought over this for a few seconds. "Well, maybe you might
have had to do it, Miss Violy, if them fellers had got away with
you as they wuz plannin' to do," she said.

Silence fell between them again, broken after a while by Moll.
"They'll never ketch Pap," she said. "I guess I'll never lay eyes
on him ag'in. I wuz jest wonderin' what's goin' to become of his
dogs. Do you suppose anybody'll take the trouble to feed 'em?"

Toby Moxler, Jack Trentman's dealer, accosted Kenneth Gwynne at
the conclusion of the first drill.

"Jack found this here letter down at the shanty this morning, Mr.
Gwynne. It's addressed to you, so he asked me to hand it to you
when I saw you."

Kenneth knew at once who the letter was from. He stuck it into his
coat pocket, unopened.

"Tell Jack that I am very much obliged to him," he said, and walked
away.

When he was safely out of hearing distance, Toby turned to the man
at his side and remarked:

"If what Barry Lapelle told me and Jack Trentman yesterday morning
is true, there'll be the doggonedest scandal this town ever heard
of."

"What did he tell you?" inquired his neighbour eagerly.

"It's against my principles to talk about women," snapped Toby,
glaring at the man as if deeply insulted. Seeing the disappointment
in the other's face, he softened a little: "'Specially about widders,"
he went so far as to explain. "You keep your shirt on, Elmer, and
wait. And when it _does_ come out, you'll be the most surprised
man in town."

Kenneth did not open Barry's letter until he reached his office.
His face darkened as he read but cleared almost instantly. He even
smiled disdainfully as he tore the sheet into small pieces and
stuffed them into his pocket against the time when he could consign
them to the fire in his kitchen stove.

"Kenneth Gwynne, Esquire.

"Sir: Upon receipt of your discurtious and cowardly reply
to my challenge I realized the futility of expecting on your part
an honourable and gentlemanly settlement of our difficulties. My
natural inclination was to seek you out and force you to fight but
advice of friends prevailed. I have decided to make it my business
to verify the story which has come to my ears regarding the Gwynne
and Carter families. In pursuit of this intention I am starting
immediately for your old home town in Kentucky where I am convinced
there still remain a number of people who will be able to give me
all the facts. If I was misled into making statements that were
untrue in my last meeting with your sister I shall most humbly
apologize to her. If on the contrary I find that what I said to
her was true I will make it my business to bring all the facts to
the notice of the people of Lafayette and let them decide what to
do in the matter. In any case I shall return in about a month or
six weeks at which time I shall renew my challenge to you with the
sincere hope that you may accept it and that I may have the belated
pleasure of putting a bullet through your cowardly heart. I must
however in the meantime refuse to sign myself

"Yours respectfully

"BARRY LAPELLE."




CHAPTER XXVIII

THE TRYSTING PLACE OF THOUGHTS


The turmoil and excitement over the Indian outbreak increased during
the day. A constant stream of refugees, mostly old men, women and
children, poured into Lafayette from regions west of the Wabash.
By nightfall fully three hundred of them were being cared for by
the people of the town, and more were coming. Shortly after noon
a mounted scout rode in from Warren County with the word that the
militia of his county was preparing to start off at once to meet
the advancing hordes; he brought in the report that farther north
the frontier was being abandoned by the settlers and that massacres
already had occurred. There was also a well-supported rumour that
a portion of the Illinois militia, some two hundred and fifty men
in all, had been routed on Hickory Creek by Black Hawk's invincible
warriors, with appalling losses to the whites. He bore a stirring
message from his commanding officer, urging the men of Tippecanoe
to rouse themselves and join Warren County troops in an immediate
movement to repel or at least to check the Sacs and Miamis and
Pottawattomies who were swarming over the prairies like locusts.

The appearance of this messenger, worn and spent after his long
ride, created a profound sensation. Here at last was official
verification of the stories brought in by the panic-stricken
refugees; here was something that caused the whole town suddenly
to awake to the fact that a real menace existed, and that it was
not, after all, another of those rattle-brained "scares" which were
constantly cropping up.

For months there had been talk of old Black Hawk and his Sacs
going on the warpath over the occupation of their lands in Northern
Illinois by the swift-advancing, ruthless whites. The old Sac,
or Sauk, chieftain had long threatened to resist by force of arms
this violation of the treaty. He had been so long, however, in even
making a start to carry out his threat that the more enlightened
pioneers had ceased to take any stock in his spoutings.

The Free Press, Lafayette's only newspaper, had from time to time
printed news seeping out of the Northwest by means of carrier or
voyageur; their tales bore out the reports furnished by Federal and
State authorities on the more or less unsettled conditions. There
was, for example, the extremely disquieting story that Black Hawk,
on his return from a hunting trip west of the Mississippi, had
travelled far eastward across Northern Indiana to seek the advice
of the British commander in Canada. Not only was the story of this
pilgrimage true, but the fact was afterward definitely established
that the British official advised the chief to make war on the white
settlers,--this being late in 1831, nearly twenty years after the
close of the War of 1812. Many of Black Hawk's warriors had served
under Tecumseh in the last war with England, and they still were
rabid British sympathizers.

Amidst the greatest enthusiasm and excitement, the men of Lafayette
organized the "Guards," a company some three hundred strong. After
several days of intensive and, for a time, ludicrous "drilling,"
they were ready and eager to ride out into the terrorized Northwest.

Kenneth Gwynne was a private in "The Guards."

During the thrilling days of preparation for the expedition, he
saw little of the women next door. Doubtless for reasons of their
own, Viola and her mother maintained a strange and persistent
aloofness. It was not until the evening before the departure of the
"Guards" that he took matters into his own hands and walked over
to Rachel's house.

The few glimpses he had had of Viola during these busy days and
nights served not only to increase his ardent craving for her but
caused him the most acute misery as well. Utter despond had fallen
upon him.

It was significant of her new attitude toward life that she had
cast aside the sombre habiliments of mourning. She was now appearing
in bright, though not gay, colours,--unmistakable evidence of her
decision to abandon all pretence of grief for the man she had looked
upon for so many years as her father.

There was a strange, new vivacity in her manner, too,--something
that hurt rather than cheered him. He heard her singing about the
house,--gay, larksome little snatches,--and she whistled merrily
as she worked in the garden. Somehow her very light-heartedness
added to his despair. What right had she to be happy and gay and
cheerful whilst he was so miserable? Had he not told her in so many
words that he loved her? Did that mean nothing to her? Why should
she sing and whistle in her own domain when she must have known
that he was suffering in his, not twenty rods away? He was conscious
at times of a sense of injury, and as the time drew near for his
departure without so much as a sign of regret or even interest on
her part, this feeling deepened into resentment.

He was very stiff and formal as he approached the porch on which
Viola and her mother were seated, enjoying the cool evening breeze
that had sprung up at the end of the hot and sultry day. A strange
woman and two small children, refugees from the Grand Prairie, had
been given shelter by Mrs. Gwyn, but they had already gone to bed.

"We are off at daybreak," he said, standing before them, his hat
in his hand. "I thought I would come over to say good-bye."

His hungry gaze swept over the figure of the girl, shadowy and
indistinct in the semi-darkness. To his amazement, he saw that she
was attired in the frock she had worn on that unforgettable night
at Striker's. She leaned forward and held out her hand to him. As
he took it he looked up into her dusky face and caught his breath.
Good heaven! She was actually smiling! Smiling when he was going
away perhaps never to return alive!

She did not speak. It was Rachel Carter who said, quietly:

"Thank you for coming over, Kenneth. We would not have allowed you
to go, however, without saying good-bye and wishing you well on
this hazardous undertaking. May God protect you and all the brave
men who go out with you."

He had not released Viola's hand. Suddenly her grip tightened; her
other hand was raised quickly to her face, and he was dumbfounded
to see that she was dabbing at her eyes with her handkerchief. His
heart swelled. She had been smiling bravely all the while her eyes
were filled with tears. And now he knew why she was silent. He
lifted her hand to his lips.

"I want you to know, Viola dear, before I go away," he said huskily,
"that I can and will give you back the name of Gwynne, and with
my name I give more love than ever any man had for woman before in
all this world. I lay my heart at your feet. It is yours whether
you choose to pick it up or not."

She slowly withdrew her hand. Neither of them heard the long, deep
sigh in the darkness beside them.

"I don't know what to say to you, Kenny," she murmured, almost
inaudibly.

"There is nothing for you to say, Viola, unless you love me. I am
sorry if I have distressed you. I only wanted you to know before
I go away that I love you."

"I--I am glad you love me, Kenny. It makes me very happy. But it
is all so strange, so unreal. I can't seem to convince myself that
it is right for you to love me or for me to love you. Some day,
perhaps, it will all straighten itself out in my mind and then I
will know whether it is love,--the kind of love you want,--or just
a dear, sweet affection that I feel for you."

"I understand," he said gravely. "It is too soon for you to know.
A brother turned into a lover, as if by magic, and you are bewildered.
I can only pray that the time will come when your heart tells you
that you love me as I want you to, and as I love you."

They spoke thus freely before the girl's mother, for those were
the days when a man's courting was not done surreptitiously. It is
doubtful, however, if they remembered her presence.

"There have been times--" she began, a trace of eagerness in her
voice, "when something seemed to tell me that--that I ought to keep
away from you. I used to have the queerest sensations running all
over--" She did not complete the sentence; instead, as if in a sudden
panic over the nearness of unmaidenly revelations, she somewhat
breathlessly began all over again: "I guess it must have been a--a
warning, or something."

"They say there is such a thing as a magnetic current between human
beings," he said. "It was that, Viola. You felt my love laying hold
upon you, touching you, caressing you."

"The other night, when you held me so close to you, I--I couldn't
think of you as my brother."

Out of the darkness spoke Rachel Carter.

"You love each other," she said. "There is no use trying to explain
or account for your feelings. The day you came here, Kenneth Gwynne,
I saw the handwriting on the wall. I knew that this would happen.
It was as certain as the rising of the sun. It would have been as
useless for me to attempt to stop the rising sun as to try to keep
you two from falling in love with each other. It was so written
long ago."

"But, mother, I am not sure,--how can you say that I am in love
with him when I don't know it myself?" cried Viola.

"When you came, Kenneth, I knew that my days were numbered," went
on the older woman, leaning forward in her chair. "The truth would
have to come out. A force I could not stand up against had entered
the field. For want of a better word we will call it Fate. It
is useless to fight against Fate. If I had never told you two the
truth about yourselves, you would have found it out anyway. You
would have found it out in the touch of your hands, in the leap
of the blood, in the strange, mysterious desire of the flesh over
which the soul has no control. You began loving him, Viola,--without
knowing it,--that night at Phineas Striker's. You--"

"How can you say such a thing, mother?" cried Viola hotly. "I was
in love with Barry Lapelle at that--"

"You were never in love with Barry," broke in her mother calmly.

"I think I ought to know when I am in love and when I am not!"

"Be that as it may, you now know that you were never in love with
him,--so it comes to the same thing."

Kenneth's heart gave a joyous bound. "I--I wish I could believe
that. I wish I knew that you are not thinking of him now, Viola,
and wanting him back in spite of all he has done."

Viola arose suddenly. "I am going in the house," she said haughtily.
"Neither of you seems to think I have a grain of sense. First mother
says I am in love with you without knowing it, and now you are
wondering if I am in love with Barry without knowing it, I suppose.
Don't you give me credit for having a mind of my own? And, mother,
I've just got to say it, even if it is insolent,--I will be very
much obliged to you if you will allow me to make up my own mind
about Kenny. It is not for you or anybody else to say I am in love
with him."

"Oh, don't go away angry, Viola," cried Kenneth, distressed. "Let's
forget all we've said and--"

"I don't want to forget all we've said," she exclaimed, stamping
her foot. "How dare you come over here and tell me you love me and
then ask me to forget--Oh, if that's all it amounts to with you,
Kenneth, I dare say I can make up my mind right now. I--"

"You will find, Kenneth," broke in her mother drily, "that she has
a temper."

"I guess he has found that out before this," said Viola, from the
doorstep. "He has had a taste of it. If he doesn't like--"

"I am used to tempers," said he, now lightly. "I have a devil of
a temper myself."

"I don't believe it," she cried. "You've got the kindest, sweetest,
gentlest nature I've ever--"

"Come and sit down, Viola," interrupted her mother, arising. "I am
going in the house myself."

"You needn't, mother. I am going to bed. Good night, Kenny."

"I came to say good-bye," he reminded her.

She paused with her hand on the latch. He heard the little catch
in her breath. Then she turned impulsively and came back to him.
He was still standing on the ground, several feet below her.

"What a beast I am, Kenny," she murmured contritely. "I waited out
here all evening for you to come over so that I could say good-bye
and tell you how much I shall miss you,--and to wish you a speedy
and safe return. And you paid me a great compliment,--the greatest
a girl can have. I don't deserve it. But I will miss you, Kenny,--I
will miss you terribly. Now, I MUST go in. If I stay another second
longer I'll say something mean and spiteful,--because I AM mean and
spiteful, and no one knows it better than I do. Good-bye, Kenneth
Gwynne."

"Good-bye, Minda Carter," he said softly, and again raised her hand
to his lips. "My little Minda grown up to be the most beautiful
queen in all the world."

She turned and fled swiftly into the house. They heard her go racing
up the stairs,--then a door open and slam shut again.

"She would be very happy to-night, Kenneth, if it were not for one
thing," said Rachel. "I still stand in the way. She cannot give
herself to you except at a cost to me. There can be nothing between
you until I stand before the world and say there is no reason why
you should not be married to each other. Do you wonder that she
does not know her own heart?"

"And I would not deserve her love and trust if I were to ask you
to pay that price, Rachel Carter," said he steadily.

"Good-bye, Kenneth," she said, after a moment. She held out her
hand. "Will you take my hand,--just this once, boy?"

He did not hesitate. He grasped the hard, toil-worn hand firmly in
his.

"We can never be friends, Rachel Carter,--but, as God is my witness,
I am no longer your enemy," he said, with feeling. "Good-bye."

He was half-way down to the gate when she called to him:

"Wait, Kenneth. Moll has something for you."

He turned back and met Moll Hawk as she came swiftly toward him.

"Here's somethin' fer you to carry in your pocket, Mr. Gwynne,"
said the girl in her hoarse, low-pitched voice. "No harm c'n ever
come to you as long as you got this with you,--in your pocket er
anywheres. Hit's a charm an old Injin chief give my Pap when he
wuz with the tribe, long before I wuz born. Pap lost it the day
before he wuz tooken up by the sheriff, er else he never would ha'
had setch bad luck. I found it day before yesterday when I wuz down
to the cabin, seein' about movin' our hogs an' chickens an' hosses
over to Mis' Gwyn's barn. The only reason the Injun give it to Pap
wuz because he wuz over a hundred years old an' didn't want to warn
off death no longer. Hit's just a little round stone with somethin'
fer all the world like eyes an' nose an' mouth on one side of
it,--jest as if hit had been carved out, only hit wuzn't. Hit's
jest natural. Hit keeps off sickness an' death an' bad luck, Mr.
Gwynne. Pap knowed he wuz goin' to ketch the devil the minute he
found out he lost it. I tole Miss Violy I wanted fer you to have
it with you while you wuz off fightin' the Injuns, an' she said
she'd love me to her dyin' day if I would give you the loan of it.
Mebby you don't believe in charms an' signs an' all setch, but it
can't hurt you to carry it an'--an' hit's best to be on the safe
side. Please keep it, Mr. Gwynne."

It was a round object no bigger than a hickory nut. He had taken it
from her and was running his thumb over its surface while she was
speaking. He could feel the tiny nose and the little indentations
that produced the effect of eyes.

"Thank you, Moll," he said, sincerely touched. "It's mighty good
of you. I will bring it back to you, never fear, and I hope that
after it has served me faithfully for a little while it may do the
same for you till you, too, have seen a hundred and don't want to
live any longer. What was it Miss Viola said to you?"

"I guess I hadn't ought to said that," she mumbled. "Anyhow, I
ain't goin' to say it over again. Good-bye, Mr. Gwynne,--and take
good keer o' yourself."

With that she hurried back to the house, and he, after a glance up
at the second story window which he knew to be Viola's, bent his
steps homeward.

His saddle-bags were already packed, his pistols cleaned and oiled;
the long-barrelled rifle he had borrowed from the tavern keeper
was in prime order for the expedition. Zachariah had gotten out
his oldest clothes, his thick riding boots, a linsey shirt and the
rough but serviceable buckskin cap that old Mr. Price had hobbled
over to the office to give him after the first day of drill with
the sententious remark that a "plug hat was a perty thing to perade
around in but it wasn't a very handy sort of a hat to be buried
in."

His lamp burned far into the night. He tried to read but his thoughts
would not stay fixed on the printed page. Not once but many times
he took up from the table a short, legal-looking document and re-read
its contents, which were entirely in his own cramped, scholastic
hand save for the names of two witnesses at the end. It was his
last will and testament, drawn up that very day. Minda Carter was
named therein as his sole legatee,--"Minda Carter, at present known
as Viola Gwyn, the daughter of Owen and Rachel Carter." His father
had, to all intents and purposes, cut her off without a penny, an
injustice which would be righted in case of his own death.

It was near midnight when he blew out the light and threw himself
fully dressed upon the bed. Sleep would not come. At last, in
desperation, he got up and stole guiltily, self-consciously out
into the yard, treading softly lest he should wake the vehement
Zachariah in his cubbyhole off the kitchen. Presently he was
standing at the fence separating the two yards, his elbows on the
top rail, his gloomy, lovelorn gaze fixed upon Viola's darkened
window.

The stars were shining. A cool, murky mantle lay over the land.
He did not know how long he had been standing there when his ear
caught the sound of a gently-closing door. A moment later a dim,
shadowy figure appeared at the corner of the house, stood motionless
for a few seconds, and then came directly toward him. The blood
rushed thunderously to his head. He could not believe his senses.
He had been wishing--aye, vainly wishing that by some marvellous
enchantment she could be transported through the dark little window
into his arms. He rubbed his eyes.

"Viola!" he whispered.

"Oh, Kenny," she faltered, and her voice was low and soft like the
sighing of the wind. "I--I am so ashamed. What will you think of
me for coming out here like this?"

The god of Love gave him wings. He was over the fence, she was in
his arms, and he was straining the warm, pliant body close to his
bursting breast. His lips were on hers. He felt her stiffen and
then relax in swift surrender. Her heart, stilled at first, began
to beat tumultuously against his breast; her free arm stole about
his neck and tightened as the urge of a sweet, overwhelming passion
swept over her.

At last she released herself from his embrace and stood with bowed
head, her hands pressed to her eyes.

"I didn't mean to do it,--I didn't mean to do this," she was
murmuring.

"You love me,--you love me," he whispered, his voice trembling with
joy. He drew her hands down from her eyes and held them tight in
his own. "Say you do, Viola,--speak the words."

"It must be love," she sighed. "What else could make me feel
as I do now,--as I did when you were holding me,--and kissing me?
Oh,--oh,--yes, I DO love you, Kenny. I know it now. I love you with
all my soul." She was in his arms again. "But," she panted a little
later, "I swear I didn't know it when I came out here, Kenny,--I
swear I didn't."

"Oh, yes, you did," he cried triumphantly. "You've known it all
the time, only you didn't understand."

"I wonder," she mused. Then quickly, shyly: "I had no idea it could
come like this,--that it would BE like this. I feel so queer. My
knees are all trembly,--it's the strangest feeling. Now you must
let me go, Kenny. I must not stay out here with you. It is terribly
late. I--"

"I can't let you go in yet, dearest. Come! We will sit for a
little while on the steps. Don't leave me yet, Viola. It is all so
wonderful, so unbelievable. And to think I was looking up at your
window only a few minutes ago, wishing that you would fly down to
me. Good heavens! It can't be a dream, can it? All this is real,
isn't it?" She laughed softly. "It can't be a dream with me,
because I haven't even been in bed. I've been sitting up there in
my window for hours, looking over at your house. When your light
went out, I was terribly lonely. Yes, and I was a little put out
with you for going to bed. Then I saw you come and lean on the
fence. I knew you were looking up at my window,--and I was sure that
you could see me in spite of the darkness. You never moved,--just
stood there with your elbows on the fence, staring up at me. It
made me very uncomfortable, because I was in my nightgown. So I
made up my mind to get into bed and pull the coverlet up over my
head. But I didn't do it. I put on my dress,--everything,--shoes
and stockings and all,--and then I went back to see if you were
still there. There you were. You hadn't moved. So I sat down again
and watched you. After awhile I--I--well, I just couldn't help
creeping downstairs and coming out to--to say good-bye to you again,
Kenny. You looked so lonesome."

"I was lonesome," he said,--"terribly lonesome."

She led him to a crudely constructed bench at the foot of a towering
elm whose lower branches swept the fore-corner of the roof.

"Let us sit here, Kenny dear," she said. "It is where I shall come
and sit every night while you are gone away. I shall sit with my
back against it and close my eyes and dream that you are beside
me as you are now, with your arms around me and your cheek against
mine,--and it will be the trysting place for our thoughts."

"That's wonderful, Viola," he said, impressed. "'The trysting
place for our thoughts.' Aye, and that it shall be. Every night,
no matter where my body may be or what peril it may be in, I shall
be here beside you in my thoughts."

She rested against him, in the crook of his strong right arm, her
head against his shoulder, and they both fell silent and pensive
under the spell of a wondrous enchantment.

After a while, she spoke, and there was a note of despair in her
voice:

"What is to become of us, Kenny? What are we to do?"

"No power on earth can take you away from me now, Minda," he said.

"Ah,--that's it," she said miserably. "You call me Minda,--and
still you wonder why I ask what we are to do."

"You mean--about--"

"We can be nothing more to each other than we are now. There is
some one else we must think of. I--I forgot her for a little while,
Kenny,--I was so happy that I forgot her."

"Were ever two souls so tried as ours," he groaned, and again
silence fell between them.

Kneeling at the window from which Viola had peered so short a time
before, looking down upon the figures under the tree, was Rachel
Carter. She could hear their low voices, and her ears, made sharp
by pain, caught the rapturous and the forlorn passages breathed
upon the still air.

She arose stiffly and drew back into the darkness, out of the
dim, starlit path, and standing there with her head high, her arms
outspread, she made her solemn vow of self-renunciation.

"I have no right to stand between them and happiness. They have
done no wrong. They do not deserve to be punished. My mind is made
up. To-morrow I shall speak. God has brought them together. It is
not for me to keep them apart. Aye, to-morrow I shall speak."

Then Rachel Carter, at peace with herself, went back to her bed
across the hall and was soon asleep, a smile upon her lips, the
creases wiped from between her eyes as if by some magic soothing
hand.




CHAPTER XXIX

THE ENDING


At crack-o'-day Kenneth rode out of his stable-yard on Brandy Boy,
and went cantering away, followed on foot by the excited Zachariah,
bound for the parade ground where the "soldiers" were to concentrate.

The rider turned in his saddle to wave farewell to the little group
huddled at Rachel's gate,--three tall women who waved back to him.
Rounding the bend, he sent a swift glance over his shoulder. There
was but one figure at the gate now; she blew a kiss to him.

Nearly three hundred horsemen moved out of Lafayette that forenoon
amidst the greatest excitement and enthusiasm. Most of them swam
their horses across the river, too eager to wait for the snail-like
ferry to transport them to the opposite bank. They were fearfully
and wonderfully armed and equipped for the expedition. Guns of all
descriptions and ages; pistols, axes, knives and diligently scoured
swords; pots and pans and kettles; blankets, knapsacks and parcels
of varying sizes; in all a strange and motley assortment that would
have caused a troop of regulars to die of laughter. But the valiant
spirit was there. Even the provident and far-sighted gentlemen who
strapped cumbersome and in some cases voluptuous umbrellas (because
of their extraneous contents) across their backs alongside the
guns, were no more timorous than their swashbuckling neighbours
who scorned the tempest even as they scoffed at the bloodthirsty
red-skins. Four heavily laden wagons brought up the rear.

Kenneth Gwynne rode beside the ubiquitous "Judge" Billings, who
cheerfully and persuasively sought to "swap" horses with him when
not otherwise employed in discoursing upon the vast inefficiency
of certain specifically named officers who rode in all their plump
glory at or near the head of the column. He was particularly out
of sympathy with a loud-mouthed lieutenant.

"Why," said he, "if the captain was to say 'halt' suddenly that
feller'd lose his mind tryin' to think what to do. No more head
on him than a grasshopper. And him up there givin' orders to a lot
of bright fellers like you an' me an' the rest of us! By gosh, I'd
like to be hidin' around where I could see the look on the Indian's
face that scalps him. The minute he got through scrapin' a little
hide an' hair off of the top o' that feller's head he'd be able to
see clear down to the back of his Adam's Apple."

Historians have recorded the experiences and achievements of this
gallant troop of horse. It is not the intention of the present
chronicler to digress. Suffice to say, the expedition moved sturdily
westward and northward for five or six days without encountering
a single Indian. Then they were ordered to return home. There were
two casualties. One man was accidentally shot in the arm while
cleaning his own rifle, and another was shot in the foot by a comrade
who was aiming at a rattlesnake. Nine or ten days after they rode
out from Lafayette, the majority of the company rode back again
and were received with acclaim. Two score of the more adventurous,
however, separated from the main body on Sugar Creek and, electing
their own officers, proceeded to Hickory Creek and on to the River
O'Plein in Northern Illinois, without finding a hostile redskin.

As a matter of fact, Black Hawk was at no time near the Indiana
border. His operations were confined to Northwestern Illinois in the
region of the Mississippi River. Subsequently a series of sanguinary
battles took place between the Indians and strong Illinois militia
forces supported by detachments of United States troops under
General Brady. It was not until the beginning of August that Black
Hawk was finally defeated, his dwindling horde almost annihilated,
and the old chieftain, betrayed into the hands of the whites
by the Winnebagos, was made a prisoner of war. And so, summarily,
the present chronicler disposes of the "great Black Hawk war," and
returns to his narrative and the people related thereto.

Kenneth Gwynne did not go back to Lafayette with the main body of
troops; he decided to join Captain McGeorge and his undaunted little
band of adventurers. Gwynne's purpose in remaining with McGeorge
was twofold. Not only was he keenly eager to meet the Indians but
somewhere back in his mind was the struggling hope that, given
time, Rachel Carter's reserve would crack under the fresh strain
put upon it and she would voluntarily, openly break the silence that
now stood as an absolutely insurmountable obstacle to his marriage
with Viola. Not until Rachel Carter herself cleared the path could
they find the way to happiness.

He would have been amazed, even shocked, could he have known all
that transpired in Lafayette on the day following his departure.
He was not to know for many a day, as it was nearly three weeks
after the return of the main body of troops that McGeorge and his
little band rode wearily down through the Grand Prairie and entered
the town, their approach being heralded by a scout sent on in
advance.

Kenneth searched eagerly among the crowd on the river bank, seeking
the face that had haunted him throughout all the irksome days and
nights; he looked for the beloved one to whom his thoughts had
sped each night for communion at the foot of the blessed elm. She
was nowhere to be seen. He was bitterly disappointed. As soon as
possible he escaped from his comrades and hurried home. There he
learned from Rachel Carter herself that Viola had gone away, never
to return to Lafayette again.

Mid-morning on the day after the troops rode away, Rachel Carter
appeared at the office of her lawyer, Andrew Holman. There, in the
course of the next hour, she calmly, unreservedly bared the whole
story of her life to the astonished and incredulous gentleman.

She did not consult with her daughter before taking this irrevocable
step. She put it beyond her daughter's power to shake the resolution
she had made on the eve of Kenneth's departure; she knew that
Viola would cry out against the sacrifice and she was sorely afraid
of her own strength in the presence of her daughter's anguish. "I
shall put it all in the paper," she said, regarding the distressed,
perspiring face of the lawyer with a grim, almost taunting smile,
as if she actually relished his consternation. "What I want you
to do, first off, Andrew, is to prepare some sort of affidavit,
setting forth the facts, which I will sign and swear to. It needn't
be a long document. The shorter the better, just so it makes
everything clear."

"But, my dear Mrs. Gwyn, this--this may dispossess you of everything,"
remonstrated the agitated man of law. "The fact that you were never
the wife of Robert--"

"Your memory needs refreshing," she interrupted. "If you will
consult Robert Gwyn's will you will discover that he leaves half
of his estate, et cetera, to 'my beloved and faithful companion
and helpmate, Rachel, who, with me, has assumed the name of Gwyn
for the rest of her life in view of certain circumstances which
render the change in the spelling of my name advisable, notwithstanding
the fact that in signing this, my last will and testament, I recognize
the necessity of affixing my true and legal name.' You and I know
the sentence by heart, Andrew. No one can or will dispute my claim
to the property. I have thought this all out, you may be sure,--just
as he thought it all out when he drew up the paper. I imagine he
must have spent a great deal of time and thought over that sentence,
and I doubt if you or any other lawyer could have worded it better."

"Of course, if the will reads as you say,--er,--ahem! Yes, yes,--I
remember now that it was a--er--somewhat ambiguous. Ahem! But it
has just occurred to me, Mrs. Gwyn, that you are going a little
farther than is really necessary in the matter. May I suggest that
you are not--er--obliged to reveal the fact that you were never
married to him? That, it seems to me, is quite unnecessary. If,
as you say, your object is merely to set matters straight so that
your daughter and Mr. Gwynne may be free to marry, being in no
sense related either by blood or by law,--such as would have been
the case if you had married Kenneth's father,--why, it seems to me
you can avoid a great deal of unpleasant notoriety by--er--leaving
out that particular admission."

"No," she said firmly. "Thank you for your kind advice,--but, if
you will reflect, it is out of the question. You forget what you
have just said. For a lawyer, my dear friend, you are surprisingly
simple to-day."

"I see,--I see," mumbled the lawyer, mopping his brow. "Of
course,--er,--you are quite right. You are a very level-headed
woman. Quite so. I would have thought of it in another moment or
two. You can't leave out that part of it without--er--nullifying
the whole object and intent of your--er--ahem!--I was about to
say confession, but that is a nasty word. In other words, unless
you acknowledge that you and Robert were never lawfully married,
the--er--"

"Exactly," she broke in crisply. "That is the gist of the matter.
Society does not countenance marriage between step-brother
and -sister. So we will tell the whole truth,--or nothing at all.
Besides, Robert Gwyn put the whole story in writing himself, as
I have told you. The hiding-place of that piece of paper is still
a mystery, but it will be found some day. I am trying to take the
curse off of it, Andrew."

As she was leaving the office, he said to her, with deep feeling:
"I suppose you realize the consequences, Mrs. Gwyn? It means
ostracism for you. You will not have a friend in this town,--not
a person who will speak to you, aside from the storekeepers who
value your custom and"--he bowed deeply--"your humble servant."

"I fully appreciate what it means," she responded wearily. "It means
that if I continue to hold my head up or dare to look my neighbour
in the face I shall be called brazen as well as corrupt," she went
on after a moment, a sardonic little twist at the corner of her
mouth. "Well, so be it. I have thought of all that. Have no fear
for me, my friend. I have never been afraid of the dark,--so why
should I fear the light?"

"You're a mighty fine woman, Rachel Gwyn," cried the lawyer warmly.

She frowned as she held out her hand. "None of that, if you please,"
she remarked tersely. "Will you have the paper ready for me to sign
this afternoon?"

"I will submit it to you right after dinner."

"You may expect me here at two o'clock. We will then step over to
the Free Press and allow Mr. Semans to copy the document for his
paper." She allowed herself a faint smile. "I daresay he can make
room for it, even if he has to subtract a little from his account
of the stirring events of yesterday."

"Your story will make a great sensation," declared the lawyer, wiping
his brow once more. "He can't afford to--er--to leave it out."

At two o'clock she was in his office again. He read the carefully
prepared document to her.

"This is like signing your own death warrant, Rachel Gwyn," he
said painfully, as she affixed her signature and held up her hand
to be sworn.

"No. I am signing a pardon for two guiltless people who are suffering
for the sins of others."

"That reminds me," he began, pursing his lips. "I have been reflecting
during your absence. Has it occurred to you that this act of yours
is certain to react with grave consequences upon the very people
you would--er--befriend? I am forced to remind you that the finger
of scorn will not be pointed at you alone. Your daughter will not
escape the--er--ignominy of being--ahem!--of being your daughter,
in fact. Young Gwynne will find his position here very greatly
affected by the--er--"

"I quite understand all that, Andrew. I am not thinking of the
present so much as I am considering the future. The past, so far
as we all are concerned, is easily disposed of, but these two young
people have a long life ahead of them. It is not my idea that they
shall spend it here in this town,--or even in this State."

"You mean you will urge them to leave Lafayette forever?"

"Certainly."

"But if I know Viola,--and I think I do,--she will refuse to desert
you. As for Gwynne, he strikes me as a fellow who would not turn
tail under fire."

"In any case, Andrew, it will be for them to decide. Kenneth had
already established himself as a lawyer back in the old home town. I
shall urge him to return to that place with Viola as soon as they
are married. His mother was a Blythe. There is no blot upon the name
of Blythe. My daughter was born there. Her father was an honest,
God-fearing, highly respected man. His name and his memory are
untarnished. No man can say aught against the half of Kenneth that
is Blythe, nor the half of Viola that is Carter. I should like the
daughter of Owen Carter to go back and live among his people as the
wife of the son of Laura Blythe, and to honourably bear the name
that was denied me by a Gwynne."

He looked at her shrewdly for a moment and then, as the full
significance of her plan grew upon him, revealing in a flash the
motive behind it, he exclaimed:

"Well, by gosh, you certainly have done an almighty lot of
calculating."

"And why shouldn't I? She is my child. Is it likely that I would
give myself the worst of everything without seeing to it that she
gets the best of everything? No, my friend; you must not underrate
my intelligence. I will speak plainly to you,--but in confidence.
This is between you and me. There is no love lost between Kenneth
Gwynne and me. He hates me and always will, no matter how hard he
may try to overcome it. In a different way I hate him. We must not
be where we can see each other. I am sorely afraid that the tender
love he now has for Viola would fail to outlast the hatred he feels
toward me. I leave you to imagine what that would mean to her. He
has it in his power to give her a place among his people. He can
force them to honour and respect her, and her children will be
THEIR children. Do you see? Need I say more?"

"You need say nothing more. I understand what you want, Mrs.
Gwyn,--and I must say that you are in a sense justified. What is
to become of young Gwynne's property here in this county?"

"I think I can be trusted to look after it satisfactorily," she
said quietly; "perhaps even better than he could do for himself.
I am a farm woman."

"I thought maybe you had some notion of buying him out."

"He would not sell to me. His farm is being properly handled by
the present tenant. His lots here in town cannot run away. The time
will come when they will be very valuable, or I am no prophetess.
There is nothing to keep him here, Andrew, and his interests and
my daughter's will be as carefully looked after as my own."

"We will be sorry to lose him as a citizen."

"If you are ready, we will step over to the Free Press office,"
she said, without a sign that she had heard his remark.

They crossed the square and turned up the first street to the
left. "This will be a terrible shock to your daughter," said he,
breaking a long silence.

"She will survive it," replied Rachel Gwyn sententiously.

He laid his hand on her arm. "Will you accept a bit of advice from
me?"

They stopped. "I am not above listening to it," she replied.

"My advice is to postpone this action until you are sure of one
thing."

"And what may that be?"

"Kenneth Gwynne's safe return from this foray against the Indians.
He may not come back alive."

"He will come back alive," said she, in a cool, matter-of-fact tone.
"It is so ordained. I know. Come, we are wasting time. I have much
to do between now and nightfall. Bright and early to-morrow morning
my daughter and I are leaving town."

"Leaving town?" he cried, astonished.

"I am taking her out in the country,--to the farm. If I can prevent
it she shall never put foot in this town again. You know Phineas
Striker? An honest, loyal man, with a wife as good as gold. When
Kenneth Gwynne marches back to town again he will find me here to
greet him. I will tell him where to find Viola. Out at Striker's
farm, my friend, she will be waiting for him to come and claim his
own."

A smile he did not understand and never was to understand played
about her lips as she continued drily, for such was the manner of
this amazing woman:

"He will even find that her wedding gown is quite as much to his
fancy as it was the day he met her."

THE END




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